
Sunday, May 12Sunday, May 26
The exhibitionsAny
where, Oral Fixations, Slip
, and High Performance: the First Five
Years, 19781982are organized by master's degree
candidates in the Center's graduate program in Curatorial Studies.
Any where
Any where,
curated by David Chan, brings together works by six artists and
a filmmaker from Beijing, Buenos Aires, Glasgow, Guangzhou, Hong Kong,
and New York that explore the dislocating conditions of globalization.
This exhibition investigates the artists' relationships to placewhether
it is a place they travel through, a place they think of while away
from home, a place they imagine, or a place they dwell in. Artists include
Claire Barclay, Louise Hopkins, Guillermo Kuitca, LinYilin, Ellen Pau,
Wong Kar-Wai, and Zhu Jia. Happy Together by Wong Kar-Wai will
be screened on Tuesday, May 21, at 6:00 p.m. in the Weis Cinema of the
Bertelsmann Campus Center.

Image
from the exhibition Any where, curated by David Chan.
Artist Claire Barclay, Homemaking, 2000, installation view: timber,
clay, wool, polythene, credit: Moderna Museet Porjekt, Stockholm
An opening reception
for the exhibitionsAny where, Oral Fixations,
Slip , and High Performance: the First Five Years, 19781982will
be held on Sunday, May 12, from 1:00 to 4:00 p.m.
The exhibitions
are on view at the Center from May 12 to 26, and museum hours are Wednesday
through Sunday, from 1:00 to 5:00 p.m. Admission to the museum and to
the reception is free.
On May 12, the day
of the exhibition openings, free bus transportation will be available
from New York City to the Center for Curatorial Studies. A chartered
bus will leave from SoHo at 11:00 a.m. and depart from the Center at
4:00 p.m. Reservations are required and can be made by calling the Center
at 845-758-7598 no later than Friday, May 10. Transportation is provided
through the generosity of Howard and Donna Stone.
Exhibitions are
free and open to the public. Programs at the Center, including the spring
exhibitions, are supported by the Friends of the Center for Curatorial
Studies and by the Centers annual benefit for student scholarships
and exhibitions. Additional support for the spring exhibitions has been
provided by the Monique Beudert Fund and Marieluise Hessel.