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The following is a partial list of related texts chosen by the curators as tools to learn more about art in the 90s.


 

Bachelard, Gaston, Poetics of Space, New York: The Orion Press, 1964.

Bonami, Francesco, Echoes: Contemporary Art at the Age of Endless Conclusions, ed. New York: Monacelli Press, 1997;

Bonami, Francesco, Unfinished History, exhibition catalogue, Walker Art Center, 1998;

Bonami, Francesco, "Back in Five Minutes," Parkett, no. 48, 1995, pp. 40-53.

Bryson, Norman, "Matthew Barney's Gonatrophic Cavalcade", Parkett, no.45, 1995, pp. 29-39

Buchloh, Benjamin, Gabriel Orozco: The Sculpture of Everyday Life, Kunsthalle Zurich, ICA London, DAAD Berlin, 1996

Clearwater, Bonnie, "Defining the Nineties," Defining the Nineties: Consensus Making in New York, Miami and LA, MOCA Miami, New York: Distributed Art Publishers, 1997.

Cooke, Lynne et al., Tracey Moffatt: Free Falling, Dia Center for the Arts, New York, 1998

Dimitrakaki, Angela, "Mona Hatum. A Shock of a Different Kind", Third Text, no.43, summer 1998, pp.92-93

Hannula, Mika, ed. Godfrey, Tony, Conceptual Art, New York: Phaidon Press, 1998.

Goodere, Thyrza Nichols, "Matthew Barney 95", Parkett, no.45, 1995, pp. 66-69

Foucault, Michael, "What is an Author?" The Foucault Reader, ed. Paul Rabinow.

Kumamoto, Rieko and Herve Chandes, Made in Japan (catalog exhibition), Shiseido Gallery, Tokio, 1995

Lajer-Burcharth, Ewa, "A Stranger Within", Parkett 53, 1998, pp. 37-45

Martin, Adrian, "Tracey Moffatt's Australia (A Reconnaissance)" Parkett, 53, 1998, pp. 21-27

Mesquita, Ivo, "Cartographies," Cartographies, p. 132-62, Winnipeg Art Gallery, 1993.

Meyer-Stoll, Christian and Lewis, Jim,, "Tony Oursler: A written conversation between Tony Oursler and Christian Meyer-Stoll / Tony Oursler and Jim Lewis: 37 Questions", Museum of Contemporary Art, San Diego, 1996

Molon, Dominic et al., Mariko Mori, Museum of Contemporary Art, Chicago, 1998

Mosquera, Gerardo, "Some Problems in Transcultural Curating," Global Visions: Towards a New Internationalism in the Visual Arts, Jean Fisher, ed., pp. 133-139.

Miyajima, Tatsuo, Tatsuo Miyajima, Museum Het Kruithuis, 's-Hertogenbosch 20, (exhibition catalog), Berlin, 1991

Tatsuo Miyajima and Michael Auping, Tatsu Miyajima. Big Time, Modern Art Museum of Fort Worth, Texas,1996

Onfray, Michael, "Mannerist Variations on Matthew Barney", Parkett, no.45, 1995, pp.50-57

Pollock, Griselda, "Agency and the Avant-Garde," Avant-Garde and Partisans Reviewed, p. 315-42.

Ramirez, Mari Carmen, "Beyond the Fantastic: Framing Identity in US Exhibitions of Latin American Art," Beyond the Fantastic: Contemporary Art Criticism from Latin America, ed. Gerardo Mosquera, pp. 229-246.

Renov, Michael, "Toward a Poetics of Documentary," Theorizing Documentary, Michael Renov, ed., 1993.

Russell, Bruce Hugh, "Matthew Barney's Testicular Anxieties", Parachutte, no.92, October- December 1998, pp. 36-43

Saltz, Jerry, "The Next Sex" in Art in America", October, 1996, pp. 83-91

Springer, Jose Manuel, "Gabriel Orozco, Placement, Displacement", Art Nexus, no.25, July- September 1997, pp.90-91

Stopping the Process?, Helsinki: NIFCA, 1998

  Selections:

Bauman, Zygmunt, "On Art, Death and Postmodernity...," , p. 21-34.

Geers, Kendell, "The Horror, The Horror," p. 163-173

Hannula, Mike "Introduction: Remarks on the discussion," p. 11-20

Rogoff, Irit, "How to Dress for an Exhibition,", p. 130-149;


Taylor, Brandon, Avant-Garde and After: Rethinking Art Now, 1995.

Wallis, Brian, Art After Modernism: Rethinking Representation, ed., New York: New Museum of Contemporary Art, 1984.

White, Hayden, "The Fictions of Factual Representation," Tropics of Discourse: Essays in Cultural Criticism, Hayden White, ed., 1978.

Zaya, Octavio, "Transterritorial", Art Nexus, no.25, July-September 1997, pp.53-57

Zegher, M. Catherine de, "The O's of Orozco", Parkett, no.48, 1995, pp.54-67

Zizek, Slavoj, "The Spectre of Ideology," Mapping Ideology, ed. Slavoj Zizek, p. 1-33, London: Verso, 1994.

 
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