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Bachelard,
Gaston, Poetics of Space, New York: The Orion Press, 1964.
Bonami, Francesco, Echoes: Contemporary Art at the Age of Endless Conclusions,
ed. New York: Monacelli Press, 1997;
Bonami, Francesco, Unfinished History, exhibition catalogue, Walker
Art Center, 1998;
Bonami, Francesco, "Back in Five Minutes," Parkett, no. 48, 1995,
pp. 40-53.
Bryson, Norman, "Matthew Barney's Gonatrophic Cavalcade", Parkett,
no.45, 1995, pp. 29-39
Buchloh, Benjamin, Gabriel Orozco: The Sculpture of Everyday Life,
Kunsthalle Zurich, ICA London, DAAD Berlin, 1996
Clearwater, Bonnie, "Defining the Nineties," Defining the Nineties:
Consensus Making in New York, Miami and LA, MOCA Miami, New York:
Distributed Art Publishers, 1997.
Cooke, Lynne et al., Tracey Moffatt: Free Falling, Dia Center for
the Arts, New York, 1998
Dimitrakaki, Angela, "Mona Hatum. A Shock of a Different Kind", Third
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Goodere,
Thyrza Nichols, "Matthew Barney 95", Parkett, no.45, 1995, pp.
66-69
Foucault, Michael, "What is an Author?" The Foucault Reader, ed.
Paul Rabinow.
Kumamoto, Rieko and Herve Chandes, Made in Japan (catalog exhibition),
Shiseido Gallery, Tokio, 1995
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Martin, Adrian, "Tracey Moffatt's Australia (A Reconnaissance)" Parkett,
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Mesquita, Ivo, "Cartographies," Cartographies, p. 132-62, Winnipeg
Art Gallery, 1993.
Meyer-Stoll, Christian and Lewis, Jim,, "Tony Oursler: A written conversation
between Tony Oursler and Christian Meyer-Stoll / Tony Oursler and Jim
Lewis: 37 Questions", Museum of Contemporary Art, San Diego, 1996
Molon, Dominic et al., Mariko Mori, Museum of Contemporary Art,
Chicago, 1998
Mosquera, Gerardo, "Some Problems in Transcultural Curating," Global
Visions: Towards a New Internationalism in the Visual Arts, Jean Fisher,
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Tatsuo Miyajima and Michael Auping, Tatsu Miyajima. Big Time, Modern
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no.45, 1995, pp.50-57
Pollock, Griselda, "Agency and the Avant-Garde," Avant-Garde and Partisans
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Ramirez, Mari Carmen, "Beyond the Fantastic: Framing Identity in US Exhibitions
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Renov, Michael, "Toward a Poetics of Documentary," Theorizing Documentary,
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Russell, Bruce Hugh, "Matthew Barney's Testicular Anxieties", Parachutte,
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Springer, Jose Manuel, "Gabriel Orozco, Placement, Displacement", Art
Nexus, no.25, July- September 1997, pp.90-91
Stopping the Process?, Helsinki: NIFCA, 1998
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Selections:
Bauman, Zygmunt, "On Art, Death and Postmodernity...," , p. 21-34.
Geers, Kendell, "The Horror, The Horror," p. 163-173
Hannula, Mike "Introduction: Remarks on the discussion," p. 11-20
Rogoff, Irit, "How to Dress for an Exhibition,", p. 130-149; |
Taylor, Brandon, Avant-Garde and After: Rethinking Art Now, 1995.
Wallis, Brian, Art After Modernism: Rethinking Representation,
ed., New York: New Museum of Contemporary Art, 1984.
White, Hayden, "The Fictions of Factual Representation," Tropics of
Discourse: Essays in Cultural Criticism, Hayden White, ed., 1978.
Zaya, Octavio, "Transterritorial", Art Nexus, no.25, July-September
1997, pp.53-57
Zegher, M. Catherine de, "The O's of Orozco", Parkett, no.48, 1995,
pp.54-67
Zizek, Slavoj, "The Spectre of Ideology," Mapping Ideology, ed.
Slavoj Zizek, p. 1-33, London: Verso, 1994.
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