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Upcoming
Wyoming Evenings: What is the Good of Work? (2/4)
Saturday, December 5, 2009
The series takes its starting point in the observation that today the artist—defined by creativity, unconventionality, and flexibility—appears to be the role model for contemporary workers. Bohemians in general and the artists in particular are the perfect entrepreneurs. Wyoming Evenings is organized by the Goethe-Institut New York and the Center for Curatorial Studies at Bard College, and curated by Maria Lind and Simon Critchley.
| Time: | 4:00 pm | | Location: | Goethe-Institut Wyoming Building 5 East 3rd Street NY, NY | | Website: | View | | E-mail to Friend |
Wyoming Evenings: What is the Good of Work? (3/4)
Saturday, January 30, 2010
The series takes its starting point in the observation that today the artist—defined by creativity, unconventionality, and flexibility—appears to be the role model for contemporary workers. Bohemians in general and the artists in particular are the perfect entrepreneurs. Wyoming Evenings is organized by the Goethe-Institut New York and the Center for Curatorial Studies at Bard College, and curated by Maria Lind and Simon Critchley.
| Time: | 4:00 pm | | Location: | Goethe-Institut Wyoming Building 5 East 3rd Street NY, NY | | Website: | View | | E-mail to Friend |
Student-Curated Exhibitions: Group 1
Sunday, February 7, 2010 - Sunday, March 7, 2010
Each Spring, second-year CCS Bard graduate students curate exhibitions and projects with leading and emerging contemporary artists in the CCS Bard Galleries. Presented in two groups, these projects focus on diverse concepts and themes and represent an international body of artists working in a variety of media. Don't miss this opportunity to see the next generation of artists and curators. Opening Reception: Sunday, February 7, 1-4 p.m.
Living Under the Same Roof: The Marieluise Hessel Collection and the Center for Curatorial Studies
Saturday, February 20, 2010 - Sunday, June 6, 2010
Living Under the Same Roof is the public part of a process of looking into the collection of the Hessel Museum of Art with the students of CCS Bard. The exhibition will present a mapping of the collection, in an attempt to open up to an interested audience different ways of entering it. By focusing on the artist’s books and the film/video collection, the exhibition intends to deal with notions of display, creating an apparatus that articulates the specificities of each artwork and its relations to the audience. A series of talks with artists whose works are in the collection is part of the program. Curated by CCS Bard curator in residence, Ana Paula Cohen. Opening reception: Saturday, February 20, 1:00 - 5:00 pm
Wyoming Evenings: What is the Good of Work? (4/4)
Saturday, March 13, 2010
The series takes its starting point in the observation that today the artist—defined by creativity, unconventionality, and flexibility—appears to be the role model for contemporary workers. Bohemians in general and the artists in particular are the perfect entrepreneurs. Wyoming Evenings is organized by the Goethe-Institut New York and the Center for Curatorial Studies at Bard College, and curated by Maria Lind and Simon Critchley.
| Time: | 4:00 pm | | Location: | Goethe-Institut Wyoming Building 5 East 3rd Street NY, NY | | Website: | View | | E-mail to Friend |
Student-Curated Exhibitions: Group 2
Sunday, March 21, 2010 - Sunday, April 11, 2010
Each Spring, second-year CCS Bard graduate students curate exhibitions and projects with leading and emerging contemporary artists in the CCS Bard Galleries. Presented in two groups, these projects focus on diverse concepts and themes and represent an international body of artists working in a variety of media. Don't miss this opportunity to see the next generation of artists and curators. Opening Reception: Sunday, March 21, 1-4 p.m.
Philippe Parreno
Saturday, May 1, 2010 - Sunday, December 19, 2010
The exhibition will explore Philippe Parreno’s work with moving images, focusing on three later pieces: Zidane: A XXIst Century Portrait, a feature-length portrait of a football player made in collaboration with Douglas Gordon; the short film The Invisible Boy; and 1968, a new work looking back at the the funeral train of Robert F. Kennedy. Paris-based cinematographer Darius Khondji worked closely with Parreno on both The Invisible Boy and 1968. Known for visually sumptous cinematography in films such as Delicatessen and Seven, Khondji will be engaged in a literal as well as a metaphorical conversation with Parreno for the exhibition. Philippe Parreno at CCS Bard is the final part of a series of retrospectives taking place from 2009 to 2010 at Kunsthalle Zurich in Zurich, Centre Pompidou in Paris and the Irish Museum of Modern Art in Dublin. Curated by Maria Lind. Opening reception: Saturday, May 1, 2010 1:00 - 4:00 pm
At Home—Not at Home: The Martin and Rebecca Eisenberg Collection
Saturday, June 26, 2010 - Sunday, December 19, 2010
The Eisenbergs have been collecting contemporary art for over 25 years. Their collection features major works by artists including Kai Althoff, Jeremy Deller, Peter Doig, David Hammons, Mary Heilmann, Elizabeth Peyton, and Rirkrit Tiravanija. Curated by White Columns director and CCS Bard faculty member Matthew Higgs, At Home—Not at Home will present an extensive selection of works from one of New York's most extraordinary private collections, on public view for the first time. Opening Reception: Saturday, June 26, 2010.
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