Christoph Cox is a critic, theorist, and curator of visual and sonic art. He is Professor of Philosophy at Hampshire College, where he teaches contemporary European philosophy and art theory. Cox is the author of Sonic Flux: Sound, Art, and Metaphysics (forthcoming) and Nietzsche: Naturalism and Interpretation(California, 1999) and co-editor of Realism Materialism Art (CCS/Sternberg, 2015) and Audio Culture: Readings in Modern Music (Continuum, 2004). The recipient of an Arts Writers Grant from Creative Capital/Warhol Foundation, Cox is editor-at-large at Cabinet magazine. His writing has appeared in October, Artforum, Journal of the History of Philosophy, The Wire, Journal of Visual Culture, Organised Sound, The Review of Metaphysics, and elsewhere. Cox has curated exhibitions at the Contemporary Arts Museum (Houston), The Kitchen (New York City), New Langton Arts (San Francisco), and G Fine Art Gallery (Washington D.C.), and the Brick & Mortar International Video Art Festival (Greenfield, MA). He has written catalog essays for exhibitions at the Whitney Museum of American Art, the Museum of Modern Art, Mass MoCA, Berlin’s Akademie der Künste, the Museum of Contemporary Photography, and other venues.