Bard College Appoints Renowned Opera Singer Stephanie Blythe New Artistic Director of Graduate Vocal Arts Program
“Life is full of extraordinary journeys. Some are planned, some are hoped for, and some are joyful surprises. My appointment to this wonderful institution is a bit of all three,” said Blythe.
“I have dreamed of joining the academic world for some time, but assuredly, becoming part of the VAP at Bard is beyond my wildest dreams,” she said. “I look forward to continuing the legacy created by Dawn Upshaw—to upholding the musical and educational values of the VAP, while looking ahead to the future development of this marvelous and singular program.”
Bard College President Leon Botstein said, “Bard is privileged to have a singer of Stephanie Blythe’s accomplishments, skill, and creativity leading our Conservatory’s Vocal Arts Program. The spirit and excellence established by our outstanding founding director will continue to flourish under Blythe’s leadership.”
Blythe will succeed Dawn Upshaw, current VAP director and founder, who will resign her position effective June 1, 2019. Since 2006, illustrious soprano Upshaw has built this master’s degree program to reflect her unique career and artistry. Upshaw’s mission to plant the seeds of the highest artistic values in the next generation has been wildly successful, as evidenced by the richly varied musical lives of VAP alumni/ae. The program has combined a visionary curriculum with a committed and inspiring faculty, which continues the work of bringing these high musical values to future students. Botstein, the Bard Conservatory board, and College administration honor Upshaw’s work and look forward to the next phase of VAP’s evolution under Blythe’s direction.
About Stephanie Blythe
Stephanie Blythe has sung in many of the renowned opera houses in the United States and Europe, such as the Metropolitan Opera, San Francisco Opera, Lyric Opera of Chicago, Seattle Opera, Royal Opera House Covent Garden, and Opera National de Paris. Her many roles include the title roles in Carmen, Samson et Dalila, Orfeo ed Euridice, La Grande Duchesse, Tancredi, Mignon, and Giulio Cesare; Frugola, Principessa, and Zita in Il Trittico; Fricka in both Das Rheingold and Die Walküre; Waltraute in Götterdämmerung; Azucena in Il Trovatore; Ulrica in Un Ballo in Maschera; Baba the Turk in The Rake’s Progress; Ježibaba in Rusalka; Jocasta in Oedipus Rex; Mere Marie in Dialogues des Carmélites; Mistress Quickly in Falstaff; and Ino/Juno in Semele. She created the role of Gertrude Stein in Ricky Ian Gordon’s 27 at the Opera Theatre of Saint Louis and sung performances of Ms. Lovett in Sweeney Todd at the San Francisco Opera and Nettie Fowler in Carousel at the Houston Grand Opera and with the New York Philharmonic.
In concert, Blythe has appeared with many of the world’s finest orchestras, including the New York Philharmonic, Boston Symphony Orchestra, Chicago Symphony Orchestra, Los Angeles Philharmonic, San Francisco Symphony, Philadelphia Orchestra, Ensemble Orchestre de Paris, and the Concertgerbouworkest. She has also appeared at the Tanglewood, Cincinnati May, and Ravinia festivals, and at the BBC Proms. The many conductors with whom she has worked include Harry Bicket, James Conlon, Charles Dutoit, Mark Elder, Nicola Luisotti, Sir Charles Mackerras, John Nelson, Antonio Pappano, Mstislav Rostropovitch, Robert Spano, Patrick Summers, and Michael Tilson Thomas.
A frequent recitalist, Blythe has appeared in recital in New York at Carnegie Hall’s Stern Auditorium and Zankel Hall, Lincoln Center in both its Great Performers Series at Alice Tully Hall and its American Songbook Series at the Allen Room, Town Hall, the 92nd Street Y, and Metropolitan Museum of Art. She has also been presented by the Vocal Arts Society and at the Supreme Court in Washington, D.C., Cleveland Art Song Festival, University Musical Society in Ann Arbor, Philadelphia Chamber Music Society, Shriver Hall in Baltimore, and San Francisco Performances.
Blythe starred in the Metropolitan Opera’s live HD broadcasts of Orfeo ed Euridice, Il Trittico, Rodelinda, Cendrillon, and the complete Wagner Ring Cycle. She also appeared in PBS’s Live from Lincoln Center broadcasts of the New York Philharmonic's performance of Carousel and her acclaimed show, We'll Meet Again: The Songs of Kate Smith. Her recordings include her solo album, as long as there are songs (Innova), and works by Mahler, Brahms, Wagner, Handel, and Bach (Virgin Classics). She was named Musical America's Vocalist of the Year for 2009. Other awards include the 2007 Opera News Award and 1999 Richard Tucker Award. She is also artistic director of the Fall Island Vocal Arts Seminar at the Crane School of Music."
About the Graduate Vocal Arts Program
The Graduate Vocal Arts Program of the Bard College Conservatory of Music is a unique master of music program in vocal arts. Conceived, designed, and led by renowned American soprano Dawn Upshaw, the program was created to prepare the young singer to meet the special challenges of pursuing a professional life in music in the 21st century. This two-year master of music degree balances a respect for established repertory and expressive techniques with the flexibility and curiosity needed to keep abreast of evolving musical ideas. Students engage with art song, chamber music, contemporary music, and operatic repertoire throughout their course work. Operatic performance includes a fully staged production at the renowned Richard B. Fisher Center for the Performing Arts. The program also includes a strong practical component, with seminars and classes in Alexander Technique, acting, diction and translation, development of performance opportunities, and a workshop in career skills that incorporates guest speakers who are leading figures in arts management and administration.
About Bard College
Founded in 1860, Bard College is a four-year, residential college of the liberal arts and sciences located 90 miles north of New York City. With the addition of the Montgomery Place estate, Bard’s campus consists of nearly 1,000 parklike acres in the Hudson River Valley. It offers bachelor of arts, bachelor of science, and bachelor of music degrees, with concentrations in more than 40 academic programs; graduate degrees in 11 programs; nine early colleges; and numerous dual-degree programs nationally and internationally. Building on its 158-year history as a competitive and innovative undergraduate institution, Bard College has expanded its mission as a private institution acting in the public interest across the country and around the world to meet broader student needs and increase access to the liberal arts education. The undergraduate program at our main campus in upstate New York has a reputation for scholarly excellence, a focus on the arts, and civic engagement. Bard is committed to enriching culture, public life, and democratic discourse by training tomorrow’s thought leaders.
Bard Conservatory mourns loss of long-time faculty member, Harold Farberman, age 89
: Below is a message from Bard College President Leon BotsteinI regret to inform the Bard community of the death, on November 24, of Harold Farberman, who died peacefully at his home in Germantown surrounded by his wife, Corrine Curry, their children, and grandchildren. Maestro Farberman was a distinguished composer, conductor, and teacher of conducting who was born in New York to a family of Klezmer musicians eighty-nine years ago.
Maestro Farberman joined the Boston Symphony Orchestra as a percussionist at the age of twenty-two. He remained with the BSO for more than a decade before branching out as a composer and conductor. He studied percussion at Juilliard and composition at the New England Conservatory and at Tanglewood, with Aaron Copland. His opera The Losers was commissioned to open the Julliard Opera Theater in 1971. Farberman served as music director of the Oakland Symphony in the 1970s and made pioneering recordings of the music of Ives and Mahler. He was a frequent guest conductor around the world.
In 1976 Farberman founded the Conductors Guild and began to train young conductors. During the last four decades of his career, he founded The Conductors Institute; published a text book on conducting, The Art of Conducting Technique; and achieved international fame as a fierce, demanding, and inspiring teacher. Among his pupils are Marin Alsop, music director of the Baltimore and São Paulo Symphony Orchestras. He began teaching conducting at Bard in the summer of 1999 and continued to do so until his death.
A memorial service will be held in the performance space at the Bíto Conservatory Building on Saturday, December 8 at 11:00 a.m. Donations in lieu of flowers may be made to the Farberman Fund of the Bard College Conservatory of Music, either by mail or online at http://annandaleonline.org/conservatory.
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