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Studio Art Fall 2013 Faculty and Staff Exhibition
"The House We Live In"
The Studio Art Department proudly presents their Fall 2013 Faculty and Staff Exhibition
Everyone Welcome!
*Exhibition on view daily from 9:00 to 5:00 p.m. through October 2.Sponsored by: Studio Arts Program.
For more information, call 845-758-7674, or e-mail goodwin@bard.edu.
Tuesday, October 1, 2013
RKC103
Please join us for an exciting public debate inspired by the topic of this year's Hannah Arendt Center Conference, "Failing Fast: The Educated Citizen in Crisis." The debate will feature both Bard Debate Union members as well as Bard College faculty on the topic, "Resolved: online education will save higher education." Sponsored by the Hannah Arendt Center, the Bard Debate Union, the Center for Civic Engagement at Bard College, and the International Debate Education Association.
Sponsored by: Bard Debate Union, International Debate Education Assoc.; Center for Civic Engagement; Hannah Arendt Center.
For more information, call 845-758-7878, e-mail bhollenb@bard.edu, or visit http://hac.bard.edu/.
Wednesday, October 2, 2013
Campus Center, Weis Cinema
We are all Americans of the New World, and our most dangerous enemies are not each other, but the great wall of ignorance between us.
--Juan González, Harvest of Empire Sponsored by: Difference and Media Project; Human Rights Project; LAIS Program; La Voz, LASO, and ISO; Spanish Studies.
For more information, call 845-758-7382, or e-mail bail@bard.edu.
Wednesday, October 2, 2013
László Z. Bitó '60 Conservatory Building
Free concertSponsored by: Bard College Conservatory of Music.
For more information, call 845-758-7196, or e-mail conservatoryconcerts@bard.edu.
Thursday, October 3, 2013 – Thursday, November 14, 2013
Charles P. Stevenson Jr. Library
Opening Reception:
Thursday, October 3, 4:00–6:00 pmSponsored by: Art History Program; Charles P. Stevenson, Jr. Library.
For more information, call 845-758-7158, or e-mail mcdonald@bard.edu.
Thursday, October 3, 2013 – Friday, October 4, 2013
Olin Hall
Sponsored by: Hannah Arendt Center.
For more information, call 845-758-7878, e-mail bhollenb@bard.edu, or visit http://bard.edu/hannaharendtcenter.
Thursday, October 3, 2013
Reem-Kayden Center Laszlo Z. Bito '60 Auditorium
A lecture by Taal Levi, Cary Institute of Ecosystem Studies
Sponsored by: Biology Program.
For more information, call 845-758-6822, or e-mail keesing@bard.edu.
Thursday, October 3, 2013
BGIA, 36 West 44th Street, #1011; New York, NY 10036
Vanessa Neumann
Senior Fellow, Center for the Study of Terrorism, Foreign Policy Research Institute; Associate, University Seminar on Latin America at SIPA (Columbia University); regular contributor, Weekly Standard
Sponsored by: BGIA; Center for Civic Engagement.
For more information, call 646-839-9262, e-mail cristol@bard.edu, or visit http://bgia.bard.edu.
Thursday, October 3, 2013 – Friday, October 4, 2013
Olin Hall
Sponsored by: Hannah Arendt Center.
For more information, call 845-758-7878, e-mail bhollenb@bard.edu, or visit http://bard.edu/hannaharendtcenter.
Friday, October 4, 2013
St. John the Evangelist, 1114 River Rd. Barrytown, NY
For more information, call 845-758-7279, or e-mail desmond@bard.edu.
Friday, October 4, 2013
Fisher Center, LUMA Theater
Post-performance discussion with Nilaja Sun, moderated by Gideon Lester
Tickets: $25, $5 for all students
Actress and writer Nilaja Sun is a teaching artist at a high school in the Bronx, where every day the students face huge challenges in simply coming to school. She directed them in a play, and their trials and triumphs form the basis of No Child... In this remarkable solo performance, Sun herself takes all the parts, transforming into the students, teachers, parents, administrators, janitors, and security guards who inhabit our public schools and shape the future of America.
An award-winning hit that played off-Broadway for more than a year, No Child... is a virtuosic performance, joyous and heart-wrenching. In Sun’s words, “I created this piece to be a snapshot from the trenches, something entertaining and provocative that’ll get people talking about the state of our public schools.”
“Thoughtful, highly entertaining, cracks with comic timing. Sun is exuberant.”—Washington Post
Running time for this performance is approximately 60 minutes without intermission.
Sponsored by: Live Arts Bard.
For more information, call 845-758-7900, e-mail fishercenter@bard.edu, or visit http://fishercenter.bard.edu/.
Saturday, October 5, 2013
László Z. Bitó '60 Conservatory Building
For more information, call 845-752-2380, or e-mail conservatoryconcerts@bard.edu.
Saturday, October 5, 2013
Fisher Center, LUMA Theater
Tickets: $25, $5 for all students
Actress and writer Nilaja Sun is a teaching artist at a high school in the Bronx, where every day the students face huge challenges in simply coming to school. She directed them in a play, and their trials and triumphs form the basis of No Child... In this remarkable solo performance, Sun herself takes all the parts, transforming into the students, teachers, parents, administrators, janitors, and security guards who inhabit our public schools and shape the future of America.
An award-winning hit that played off-Broadway for more than a year, No Child... is a virtuosic performance, joyous and heart-wrenching. In Sun’s words, “I created this piece to be a snapshot from the trenches, something entertaining and provocative that’ll get people talking about the state of our public schools.”
“Thoughtful, highly entertaining, cracks with comic timing. Sun is exuberant.”—Washington Post
Running time for this performance is approximately 60 minutes without intermission.
Sponsored by: Live Arts Bard.
For more information, call 845-758-7900, e-mail fishercenter@bard.edu, or visit http://fishercenter.bard.edu/.
Sunday, October 6, 2013
Fisher Center, LUMA Theater
Tickets: $25, $5 for all students
Actress and writer Nilaja Sun is a teaching artist at a high school in the Bronx, where every day the students face huge challenges in simply coming to school. She directed them in a play, and their trials and triumphs form the basis of No Child... In this remarkable solo performance, Sun herself takes all the parts, transforming into the students, teachers, parents, administrators, janitors, and security guards who inhabit our public schools and shape the future of America.
An award-winning hit that played off-Broadway for more than a year, No Child... is a virtuosic performance, joyous and heart-wrenching. In Sun’s words, “I created this piece to be a snapshot from the trenches, something entertaining and provocative that’ll get people talking about the state of our public schools.”
“Thoughtful, highly entertaining, cracks with comic timing. Sun is exuberant.”—Washington Post
Running time for this performance is approximately 60 minutes without intermission.
Sponsored by: Live Arts Bard.
For more information, call 845-758-7900, e-mail fishercenter@bard.edu, or visit http://fishercenter.bard.edu/.
Voyage to Italy: Helena Bailie - Violin, Tanya Gabrielian - Piano
Sunday, October 6, 2013
Olin Hall
Featuring works by Vivaldi, Tartini and Locatelli
For more information, call 401-363-2721, or e-mail hbaillie@bard.edu.
Sunday, October 6, 2013
Chapel of the Holy Innocents
Ancient Ritual Blessing of the Light from the second century AD with music and candles.Sponsored by: Chaplaincy.
For more information, call 845-757-4309, or e-mail ggrab@bard.edu.
Monday, October 7, 2013
CCS Bard Seminar Room 1
This talk will focus on a basic question: how do public programs, the increasingly dominant and complex adjunctive activities to exhibitions, make and organize publics? Drawing on my experience co-curating the public program of the 13th Istanbul Biennial, the events of which became heavily contested, I’d like to discuss the historically formed act of speaking to, and soliciting, a body called the public within contemporary art.
Public programs seem to symptomatise a contradiction inherent in contemporary artistic and curatorial production in that on the one hand they indicate a broad desire to open up and discuss ideas and contexts of the cultural milieu, often focusing on alternative exhibitionary and pedagogical models, and on the other they physically and semantically refranchise the basic division between the makers and recipients of intellectual production in their mode of address. They perform a function poised between two fictions; the first a fiction of egalitarian discursivity, the second a fiction of art’s cultivating civic purpose. However distributed, it seems we both need and can’t rid ourselves of the public. Can we imagine different organizational models? How might those different models impact upon questions of curatorial time, space and scale?
Dr Andrea Phillips is Reader in Fine Art and Director of PhD programmes in the Art Department at Goldsmiths. Andrea lectures and writes about the economic and social construction of publics within contemporary art. Recent publications include: Public Space (A Space Called Public, Munich 2013); Constructed Situation (Architecture as Situation, University of Edinburgh, 2013); Art Work (Describing Labour, University of Goteborg, 2013); Art as Property (Economy: Art and the Subject after Postmodernism, Liverpool University Press, 2014 forthcoming). Recent and ongoing research projects include: Actors, Agent and Attendants, a research project and set of publications that address the role of artistic and curatorial production in contemporary political milieus (in collaboration with Fulya Erdemci and SKOR 2009-2012); co-director of the research project The Aesthetic and Economic Impact of the Art Market, an investigation into the ways in which the art market shapes artists’ careers and public exhibition (in collaboration with Suhail Malik, Andrew Wheatley and Sarah Thelwall); Public Alchemy, the public programme for the Istanbul Biennial 2013 (in collaboration with Fulya Erdemci).
This talk is given as part of the lecture series The Visitor Talks : Pre-ambulation and Retrospection.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Monday, October 7, 2013
Reem-Kayden Center Laszlo Z. Bito '60 Auditorium
Brittney Cooper is Assistant Professor of Women's and Gender Studies and Africana Studies at Rutgers University, and co-founder of the Crunk Feminist Collective. Her research interests include using Black feminist thought to understand contemporary articulations of Black womanhood, and she has published in both academic journals and major media outlets on this topic.
Coined as a term in the 1990s in Louisiana, "ratchet" has come to offer myriad possibilities for talking about African American working class culture, particularly its gendered dynamics among African American women. Whether discussing the origins of twerking which has a similar genealogical trajectory in the U.S. or speaking about the often tense and severe forms of African American female representation rendered on television, ratchetness embodies a whole constellation of contemporary ideas about African American womanhood. At the same time, ratchetness has been taken up by feminist identified women like those at the Crunk Feminist Collective, as a way to theorize feminist politics among working class women, as a way to critique respectability politics, and as a way to locate the operations of pleasure in Black women's cultural spaces. What then do we mean by ratchetness? How does this term and the practices to which it refers come to be raced and gendered? (e.g. Why don't we understand Kim Kardashian or Miley Cyrus to be ratchet?) How does the circulation of imagery within visual media impact our conceptualizations of ratchetness? And how might digital feminist projects be uniquely poised to intervene and redirect problematic appropriations of ratchet behavior?Sponsored by: Difference and Media Project; Experimental Humanities Program; Gender and Sexuality Studies Program.
For more information, call 845-758-7697, e-mail mcecire@bard.edu, or visit http://eh.bard.edu.
Monday, October 7, 2013
Preston Theater
For more information, call 845-758-7377, or e-mail acafaro@bard.edu.
Tuesday, October 8, 2013
László Z. Bitó '60 Conservatory Building
Bard College Conservatory of Music students in concert.
Free and open to the public.
Sponsored by: Bard College Conservatory of Music.
For more information, call 845-752-2380, or e-mail conservatoryconcerts@bard.edu.
Tuesday, October 8, 2013
László Z. Bitó '60 Conservatory Building
Schubert's Winterreise featuring baritone Tyler Duncan and pianist Erika Switzer performing Schubert's Winterreise (Winter Journey) in an extraordinary English translation by Michael Symmons RobertsSponsored by: Music Program.
For more information, call 845-758-6822, e-mail eswitzer@bard.edu, or visit http://erikaswitzer.ca/.
All are welcome!
Wednesday, October 9, 2013
Preston Theater
For more information, call 845-758-7664, or e-mail mrodrig@bard.edu.
Thursday, October 10, 2013
Reem-Kayden Center Laszlo Z. Bito '60 Auditorium
A lecture by Brian Weiss, Yale University
Sponsored by: Biology Program.
For more information, call 845-758-6822, or e-mail keesing@bard.edu.
Thursday, October 10, 2013
Hegeman 204
A lecture by
Daniel Cristofaro-Gardiner
The Institute for Advanced Study
The "Ehrhart polynomial" is an important tool for counting lattice points in triangles and other polygons. An Ehrhart polynomial has a "period", and the relationship between the coordinates of the vertices of a polygon and the period of its Ehrhart polynomial can be quite mysterious. Daniel Cristofaro-Gardiner will present recent joint work with Aaron Kleinman relating the periods of the Ehrhart polynomials of some simple triangles with recursive sequences like the Fibonacci numbers and the Pell numbers. Interestingly, this is linked to a curious staircase arising in a special geometry called "symplectic" geometry.Sponsored by: Mathematics Program.
For more information, call 845-758-6822, or e-mail gregland@bard.edu.
Thursday, October 10, 2013
MAT Building
Prospective students will have an opportunity to meet with faculty and staff of the MAT program to learn about earning their Master of Arts in Teaching degree! Sponsored by: Master of Arts in Teaching Program.
For more information, call 845-758-7145, e-mail cmaple@bard.edu, or visit http://bard.edu/mat.
Friday, October 11, 2013
St. John the Evangelist, 1114 River Rd. Barrytown, NY
For more information, call 845-758-7279, or e-mail desmond@bard.edu.
Sunday, October 13, 2013
Chapel of the Holy Innocents
Ancient Ritual Blessing of the Light from the second century AD with music and candles.Sponsored by: Chaplaincy.
For more information, call 845-757-4309, or e-mail ggrab@bard.edu.
Monday, October 14, 2013
Preston Theater
For more information, call 845-758-7377, or e-mail acafaro@bard.edu.
For more information, call 845-758-6822.
Monday, October 14, 2013
Other location
The day begins at 8:30 a.m. with check-in and includes campus tours of Humanities, Arts, and Sciences facilities; residence hall tours; an information session and Q&A with Admissions and Financial Aid, and more!
For more information, call 845-758-4930, e-mail akozlako@bard.edu, or visit http://www.bard.edu/admission.
For more information, call 845-758-6822.
All are welcome!
Wednesday, October 16, 2013
Preston Theater
For more information, call 845-758-7664, or e-mail mrodrig@bard.edu.
Wednesday, October 16, 2013
Acclaimed writer Jeff Goodell joined the National Climate Seminar to talk about the plight of low-lying regions like Miami dealing with climate change and sea level rise. Goodell has been contributing editor at Rolling Stone since 1996. He is the author of several books including his latest, How to Cool the Planet: Geoengineering and the Audacious Quest to Fix Earth's Climate, and How to Cool the Planet, which won the 2011 Grantham Prize Award of Special Merit, citing it as an "immensely readable, carefully researched and groundbreaking contribution to the literature on climate change."
Sponsored by: Bard Center for Environmental Policy.
For more information, call 845-758-6822, or e-mail climate@bard.edu.
Wednesday, October 16, 2013
Reem-Kayden Center Laszlo Z. Bito '60 Auditorium
The digital transition brings us to a point where it is critical to unveil the shortcomings of the excessive centrality of the notions of control and transparency in knowledge and in action. Omniscience and omnipotence, if pushed too far, crowd out any sense of freedom, purpose and meaning, even if it is in the name of the best intentions. Hannah Arendt's notions of natality and plurality, by anchoring human freedom in beginnings rather than in sovereignty, provide grounding for revisiting the human condition in a hyperconnected era and approaching the related ethical issues with modesty, confidence and amor mundi. This operation, that we could call "arendtian axiomatic reset" allows reclaiming distinctions such as the one between public and private or the one between agents, artifacts and nature. Recognising and acknowledging plurality is of critical importance in these days where policy making seems to be lost in an endless quest of deceptive control and transparency. It is also of critical importance to counter the hegemony of the metaphors of the invisible hand, market interactions, or competition by which we frame interactions and which are all in denial of plurality. That renewed perspective opens a space to shape a digital literacy, which can enable flourishing life experiences in a hyperconnected era. Finally, reclaiming plurality leads to highlighting the fact that attention is much more than "the currency of the internet" or a commodity or an asset: it is at the core of human dignity and integrity, and needs to be protected and cherished, as it is the fluid that makes plurality at all possible.Sponsored by: Center for Civic Engagement; Difference and Media Project; Experimental Humanities Program; Hannah Arendt Center.
For more information, call 845-758-6822, e-mail bhollenb@bard.edu, or visit http://hac.bard.edu/events/.
Thursday, October 17, 2013
Jim Ottaway Jr. Film Center
In this film Bill Emmott teams with Filmmaker Annalisa Piras to explore Italy’s political, economic and social decline over the past 20 years, the product of a moral collapse unmatched anywhere else in the West. Emmott’s quest to understand both “Mala Italia” and “Buona Italia” includes Interviews with Italian Prime Minister Mario Monti, philosopher and novelist Umberto Eco, film director Nanni Moretti, women’s rights activist Lorella Zanardo, FIAT’s outspoken Canadian-Italian CEO Sergio Marchionne, the author of Gomorrah Roberto Saviano and many others.
Bill Emmott is an international journalist and consultant, having been editor-in-chief of The Economist from 1993-2006. The author of a dozen books, most of them about Japan and Asia, his latest book was Good Italy, Bad Italy: Why Italy must Conquer its Demons to Face the Future (Yale University Press 2012). His documentary Girlfriend in a Coma has been seen by more than two million people. Bill is also chairman of the trustees of the London Library, a trustee of the International Institute for Strategic Studies, and a member of the Swiss Re Chairman’s Advisory Panel. With Annalisa Piras, he is now working on a new documentary about the threats to the European Dream, and has co-founded The Wake Up Foundation, dedicated to research and communication about the decline of the West.Sponsored by: Division of Languages and Literature; Film and Electronic Arts Program; Historical Studies Program; Italian Studies Program.
For more information, call 845-758-7150, or e-mail jluzzi@bard.edu.
Thursday, October 17, 2013
BGIA, 36 West 44th Street, #1011; New York, NY 10036
Kenneth Stern '75
Director on Antisemitism, Hate studies and Extremism, American Jewish Committee; author of numerous books, most recently Antisemitism Today: How It Is the Same, How It Is Different and How to Fight It
Sponsored by: BGIA; Center for Civic Engagement.
For more information, call 646-839-9262, e-mail cristol@bard.edu, or visit http://bgia.bard.edu.
Friday, October 18, 2013
St. John the Evangelist, 1114 River Rd. Barrytown, NY
For more information, call 845-758-7279, or e-mail desmond@bard.edu.
Masterclass/Seminar: Arnold Steinhardt, violin
Friday, October 18, 2013
László Z. Bitó '60 Conservatory Building
Sponsored by: Bard College Conservatory of Music.
For more information, call 845-752-2380, or e-mail conservatoryconcerts@bard.edu.
Sunday, October 20, 2013
Chapel of the Holy Innocents
Ancient Ritual Blessing of the Light from the second century AD with music and candles.Sponsored by: Chaplaincy.
For more information, call 845-757-4309, or e-mail ggrab@bard.edu.
Sunday, October 20, 2013
László Z. Bitó '60 Conservatory Building
Sponsored by: Bard College Conservatory of Music.
For more information, call 845-752-2380, or e-mail conservatoryconcerts@bard.edu.
Monday, October 21, 2013
Preston Theater
For more information, call 845-758-7377, or e-mail acafaro@bard.edu.
Monday, October 21, 2013
RKC 103
Richmond Virginia, erstwhile capital of the Confederacy, is a city that memorialized in its built landscape the ideology of the “Lost Cause.” This lecture will provide a preliminary sketch for the ways that local history and art museums with national stature have responded and continue to respond to this troubling heritage as they try to create a more salutary urban imagined community. These museums are leaders in a wider movement among US cities of a certain size to explicitly link cultural development to urban renewal. As such they must attract a national audience while not alienating local communities which, for their part, are often polarized along all too familiar racial and ideological lines.
Eric Gable is a professor of anthropology at the University of Mary Washington. He is a managing editor for the journal Museum and Society and the associate editor for book reviews for American Ethnologist.
Sponsored by: American Studies Program; Anthropology Program; Art History Program; Historical Studies Program.
For more information, call 845-758-6822, or e-mail ckoch@bard.edu.
Tuesday, October 22, 2013
RKC 115
Sponsored by: Chemistry Program.
For more information, call 845-758-6822, or e-mail mclaughl@bard.edu.
Tuesday, October 22, 2013
Reem-Kayden Center
His talk will investigate how we can study the Roman Empire through inscriptions, what these inscriptions tell us about the lives and identities of individuals, and how the stories of these individuals can ultimately help us develop new and more sophisticated models and understandings of the complexity of the Roman world and the processes of imperialism.Sponsored by: Classical Studies Program.
For more information, call 845-758-7282, or e-mail lcurtis@bard.edu.
Tuesday, October 22, 2013
Olin, Room 102
The leading force behind the New York Times’ decision to publish the Pentagon Papers in 1971, James Goodale will discuss his recent book, "Fighting for the Press: The Inside Story of the Pentagon Papers and Other Battles."
Soon after the book was published, James Goodale wrote an article based on the last few chapters: “Is Obama Worse For Press Freedom Than Nixon?” (The Daily Beast, May 14, 2013). This drew a torrent of commentary from the press. That, and subsequent articles about the dangers of criminalizing newsgathering by the Obama Administration, most certainly had an effect in getting Pfc. Bradley Manning let off the charge of committing espionage, i.e., aiding the enemy. There is no underestimating the power of the pen.
Co-sponsored by the Hannah Arendt Center and the Human Rights Project.
Sponsored by: Hannah Arendt Center; Human Rights Project.
For more information, call 845-758-7650, e-mail hrp@bard.edu, or visit http://hrp.bard.edu.
All are welcome!
Wednesday, October 23, 2013
Preston Theater
For more information, call 845-758-7664, or e-mail mrodrig@bard.edu.
Wednesday, October 23, 2013
Reem-Kayden Center
Our alumna Alana Siegel will give a reading from her newly published book of poems, Archipelago. After graduating from the Written Arts Program a few years ago, she has lived in the Bay Area, where her first book, Occupation, was published last year. Copies of the book will be available.
This is the first in a series of poetry readings by Bard alumni/alumnae and by current Bard students,co-sponsored by the Alumni/ae office, the Student Poetry Reading Series, and the Written Arts Program.Sponsored by: Bard College Alumni/ae Association; Written Arts Program.
For more information, call 845-758-7600 x7205, or e-mail kelly@bard.edu.
An Interactive Lecture-Demonstration
Wednesday, October 23, 2013
Olin, Room 104
Sponsored by: Asian Studies Organization (ASO); Religion Program.
For more information, call 845-758-6019, or e-mail amitra@bard.edu.
Wednesday, October 23, 2013
Olin Hall
The Bard College Community Jazz Orchestra, under the direction of Thurman Barker, celebrates the music of John Coltrane, featuring Patience Higgins on tenor and soprano saxophone.
Sponsored by: Music Program.
For more information, call 845-758-6822, or e-mail tbarker@bard.edu.
Thursday, October 24, 2013
Kline Commons
Sponsored by: Chartwells Dining Services.
For more information, call 845-758-7533, or e-mail Cerulli@bard.edu.
Thursday, October 24, 2013
Reem-Kayden Center Laszlo Z. Bito '60 Auditorium
A lecture by Amy Savage, Bard College
Sponsored by: Biology Program.
For more information, call 845-758-6822, or e-mail keesing@bard.edu.
Thursday, October 24, 2013
Campus Center, Weis Cinema
For more information, call 845-758-7887, or e-mail ccamp@bard.edu.
Thursday, October 24, 2013
Olin, Room 204
Presented by Julie Beth Napolin
This talk addresses the speculative territory of digital cartography as it is remapping our literary encounters. Julie Beth Napolin describes how the UVa "Digital Yoknapatawpha" project is addressing the theoretical and practical challenges of transforming Faulkner's ambiguous narratives into data, and then visualizing that data in a map and other displays.
Julie Beth Napolin is Assistant Professor of Digital Humanities at Eugene Lang College, The New School for Liberal Arts. Her book in progress, The Acoustics of Narrative Involvement, places the work of Faulkner within the soundscape of global modernism, beginning with the phonograph and ending with new media aesthetics. She's published her work in Qui Parle and the edited volumes Vibratory Modernism and Fifty Years After Faulkner. Her essay on sound and vibration in Conrad was awarded the 2013 Bruce Harkness prize by the Joseph Conrad Society of America. She is currently Associate Director of Digital Yoknapatawpha, an online map of the world of Faulkner, and Associate Editor of the site's rendering of The Sound and the Fury.
Sponsored by: American Studies Program; Environmental and Urban Studies Program; Experimental Humanities Program; Literature Program.
For more information, call 845-758-7284, or e-mail abenson@bard.edu.
Moby Dick—Rehearsed
Thursday, October 24, 2013
Fisher Center, LUMA Theater
SOLD OUT!
Tickets: $15; free for Bard community. Reservations required.
directed by Jonathan Rosenberg
designed by Zane Pihlstrom
lights by Bruce Steinberg
video by Joshua Thorson
music/sound by Antonin Fajt '14 and Math Norman '14
music for church hymn and sailor songs by Ben Hopkins '14
Moby Dick—Rehearsed is a 1955 play by Orson Welles in which a company of actors gathers in a rehearsal room to work on an adaptation of the Herman Melville novel. In Welles’s dramatic experiment the rehearsal is the performance, and a door is opened on the act of theatrical creation.
Cast
Salome Dewell '16, Ishmael/Ensemble
Paul Weintrob '14, Ahab/Ensemble
Harry Beer '14, Starbuck/Ensemble
Sebastian Gutierrez '14, Stubb/Ensemble
Antonio Irizarry '14, Flask/Ensemble
Eleanor Robb '16, Pip/Ensemble
Kate Edery '14, Peleg/Daggoo/voice of Rachel/Ensemble
Dimitri Cacouris '14, Father Mapple/Tashtego/voice of Bachelor/Ensemble
Ben Hopkins '14, Elijah/Queequeg/Carpenter/Ensemble
Running time for this performance is approximately two hours and 10 minutes, with one 15-minute intermissionSponsored by: Bard Theater and Performance Program.
For more information, call 845-758-7900, e-mail fishercenter@bard.edu, or visit http://fishercenter.bard.edu.
Friday, October 25, 2013
St. John the Evangelist, 1114 River Rd. Barrytown, NY
For more information, call 845-758-7279, or e-mail desmond@bard.edu.
Enjoy a variety of events on campus, including What's New at Bard, Ask the President Forum, sample classes, performances by the American Symphony Orchestra, campus tours, and panel discussions. Special events will be held for alumni/ae, including a reception with President Leon Botstein and the Bard-St. Stephen's Alumni/ae Association Board of Governors.Sponsored by: Bard College Alumni/ae Association; Dean of Student Affairs.
For more information, call 845-758-7360, e-mail events@bard.edu, or visit http://annandaleonline.org/familyweekend.
Friday, October 25, 2013
László Z. Bitó '60 Conservatory Building
The Bard Baroque Ensemble
Prof. Alexander Bonus, director
presents
Rival Families: French vs. Italian Music in the Baroque Age
Friday, October 25, 2013 at 6pm
Bito '60 Conservatory Performance Space
As Europeans in the 17th and 18th Century attested, French and Italian musical styles were as opposed as night and day. Francois Raguenet described these contrasting national tastes in 1702, stating, “It is not to be wondered that the Italians think our musick dull and stupefying…the French aim at the soft, easie, the flowing, and coherent.” In 1716 Francois Couperin quipped that the Italians “play our music less well than we play theirs.” Given their many stylistic antagonisms, composers from these two cultures might be said to comprise rival if not warring musical families.
In this eclectic and entertaining program befitting Family Weekend, the talented student musicians of the Bard Baroque Ensemble illustrate these dramatic contrasts through the lush French suites of Lully and Philidor, the electrifying Italian concerti of Corelli and Albinoni, the tender court songs of Michel Lambert, and the volatile arias of Alessandro Scarlatti.
Sponsored by: Music Program.
For more information, call 845-758-6822, or e-mail abonus@bard.edu.
Friday, October 25, 2013
Reem-Kayden Center Laszlo Z. Bito '60 Auditorium
Bard faculty members Walter Russell Mead, James Clarke Chace Professor of Foreign Affairs and the Humanities, Michelle Murray, Assistant Professor of Political Studies, and Peter Rosenblum, Professor International Law and Human Rights, will discuss the advantages, disadvantages, and implications of humanitarian intervention. Sponsored by the Bard Debate Union and the Center for Civic Engagement.Sponsored by: Center for Civic Engagement.
For more information, call 845-758-6822 x4512, e-mail zisman@bard.edu, or visit http://debate.bard.edu.
Moby Dick—Rehearsed
Friday, October 25, 2013
Fisher Center, LUMA Theater
SOLD OUT!
Tickets: $15; free for Bard community. Reservations required.
directed by Jonathan Rosenberg
designed by Zane Pihlstrom
lights by Bruce Steinberg
video by Joshua Thorson
music/sound by Antonin Fajt '14 and Math Norman '14
music for church hymn and sailor songs by Ben Hopkins '14
Moby Dick—Rehearsed is a 1955 play by Orson Welles in which a company of actors gathers in a rehearsal room to work on an adaptation of the Herman Melville novel. In Welles’s dramatic experiment the rehearsal is the performance, and a door is opened on the act of theatrical creation.
Cast
Salome Dewell '16, Ishmael/Ensemble
Paul Weintrob '14, Ahab/Ensemble
Harry Beer '14, Starbuck/Ensemble
Sebastian Gutierrez '14, Stubb/Ensemble
Antonio Irizarry '14, Flask/Ensemble
Eleanor Robb '16, Pip/Ensemble
Kate Edery '14, Peleg/Daggoo/voice of Rachel/Ensemble
Dimitri Cacouris '14, Father Mapple/Tashtego/voice of Bachelor/Ensemble
Ben Hopkins '14, Elijah/Queequeg/Carpenter/Ensemble
Running time for this performance is approximately two hours and 10 minutes, with one 15-minute intermissionSponsored by: Bard Theater and Performance Program.
For more information, call 845-758-7900, e-mail fishercenter@bard.edu, or visit http://fishercenter.bard.edu.
Friday, October 25, 2013
Reem-Kayden Center Laszlo Z. Bito '60 Auditorium
When is humanitarian intervention justified? What are its advantages and disadvantages. Following the faculty round table on this same subject, members of the Bard Debate Union will put on a public debate on this issue of grave contemporary concern.Sponsored by: Center for Civic Engagement.
For more information, call 845-758-6822 x4512, e-mail zisman@bard.edu, or visit http://debate.bard.edu.
American Symphony Orchestra
Friday, October 25, 2013
Fisher Center, Sosnoff Theater
In addition to many albums released on the Telarc, New World, Bridge, Koch, and Vanguard labels, live performances by the American Symphony are now available for digital download. In many cases, these are the only existing recordings of some of the rare works that have been rediscovered in ASO performances.
Featured soloists for the ASO’s fall-spring season include Bard College Conservatory of Music students and Concerto Competition winners Fanya Wyrick-Flax, Dongfang Ouyang, and Zhi Ma.
For more information, call 845-758-7900, e-mail fishercenter@bard.edu, or visit http://fishercenter.bard.edu.
Enjoy a variety of events on campus, including What's New at Bard, Ask the President Forum, sample classes, performances by the American Symphony Orchestra, campus tours, and panel discussions. Special events will be held for alumni/ae, including a reception with President Leon Botstein and the Bard-St. Stephen's Alumni/ae Association Board of Governors.Sponsored by: Bard College Alumni/ae Association; Dean of Student Affairs.
For more information, call 845-758-7360, e-mail events@bard.edu, or visit http://annandaleonline.org/familyweekend.
Saturday, October 26, 2013
Reem-Kayden Center Laszlo Z. Bito '60 Auditorium
Dr. Eshel will discuss the public health and environmental impacts of food production and consumption in the U.S., with a focus on food-related environmental footprint minimization through diet modification and shorter supply chains. Feeding the nation has a massive environmental imprint. As a sector, food-related greenhouse gas emissions are only modestly smaller than those of the two largest sectors, industry and built environments. The food sector is by far the largest consumptive potable water user in the U.S., and in most industrial nations, and it is the overwhelmingly dominant source of algae-generated water pollution. Along with a sedentary lifestyle, the U.S. food system is also the most significant source of degenerative diseases, with a price tag that is hard to unambiguously characterize, but is undoubtedly in the billions, and with a clear adverse impact on expected human lifespan. The public health and environmental costs of the U.S. food system are intimately related; with few important exceptions, what is environmentally costly will also undermine your health. Can these two problems be tackled in concert? Dr. Eshel will talk about how the price of tackling them together is far smaller than the sum of their individual costs.
Kris Feder, Associate Professor of Economics; Co-Director, Environmental and Urban Studies, Bard College (bio here)
Dr. Feder will discuss how U.S. tax policies systematically favor large farms over small, favor energy- and capital-intensive methods over labor- and skill-intensive methods, and favor ecologically destructive practices over ecologically sound ones. These tax policies also raise farmland prices and make it harder for small farmers to get access to land—particularly near urban markets. Correcting these tax biases would raise needed revenues and promote efficient land management while reestablishing the family farm as a pillar of American culture.
Jennifer Phillips, Professor of Environmental Science, Bard Center for Environmental Policy (bio here)
Dr. Phillips will discuss two competing paradigms for how to conserve "nature" and still produce enough food for 9—10 billion people - we can increase high input farming intensity in "sacrifice zones" or we can transition to a managed agroecosystem approach that combines protection of natural resources with food production but is likely to use more land. Both approaches have merit but she argues that the latter, integrated method that includes high levels of planned and unplanned biodiversity, rotationally grazed livestock, and substitution of knowledge and labor for fossil fuel inputs can help protect water, soil quality and biodiversity, can support carbon sequestration, and will reduce the footprint of farming on natural resource use.
COORDINATED EVENT SCHEDULE
12:00 - 2:30 PM Farmers Market, outside RKC
12:15 - 1:15 PM Season brunch by the Bard Farm, RKC Lobby (pre-registration is required)
1:15 - 2:15 PM Farm Panel, RKC 103
Sponsored by: Bard Center for Environmental Policy; Environmental and Urban Studies Program.
For more information, call 845-758-7071, or e-mail mwilliam@bard.edu.
Moby Dick—Rehearsed
Saturday, October 26, 2013
Fisher Center, LUMA Theater
SOLD OUT!
Tickets: $15; free for Bard community. Reservations required.
directed by Jonathan Rosenberg
designed by Zane Pihlstrom
lights by Bruce Steinberg
video by Joshua Thorson
music/sound by Antonin Fajt '14 and Math Norman '14
music for church hymn and sailor songs by Ben Hopkins '14
Moby Dick—Rehearsed is a 1955 play by Orson Welles in which a company of actors gathers in a rehearsal room to work on an adaptation of the Herman Melville novel. In Welles’s dramatic experiment the rehearsal is the performance, and a door is opened on the act of theatrical creation.
Cast
Salome Dewell '16, Ishmael/Ensemble
Paul Weintrob '14, Ahab/Ensemble
Harry Beer '14, Starbuck/Ensemble
Sebastian Gutierrez '14, Stubb/Ensemble
Antonio Irizarry '14, Flask/Ensemble
Eleanor Robb '16, Pip/Ensemble
Kate Edery '14, Peleg/Daggoo/voice of Rachel/Ensemble
Dimitri Cacouris '14, Father Mapple/Tashtego/voice of Bachelor/Ensemble
Ben Hopkins '14, Elijah/Queequeg/Carpenter/Ensemble
Running time for this performance is approximately two hours and 10 minutes, with one 15-minute intermissionSponsored by: Bard Theater and Performance Program.
For more information, call 845-758-7900, e-mail fishercenter@bard.edu, or visit http://fishercenter.bard.edu.
Moby Dick—Rehearsed
Saturday, October 26, 2013
Fisher Center, LUMA Theater
SOLD OUT!
Tickets: $15; free for Bard community. Reservations required.
directed by Jonathan Rosenberg
designed by Zane Pihlstrom
lights by Bruce Steinberg
video by Joshua Thorson
music/sound by Antonin Fajt '14 and Math Norman '14
music for church hymn and sailor songs by Ben Hopkins '14
Moby Dick—Rehearsed is a 1955 play by Orson Welles in which a company of actors gathers in a rehearsal room to work on an adaptation of the Herman Melville novel. In Welles’s dramatic experiment the rehearsal is the performance, and a door is opened on the act of theatrical creation.
Cast
Salome Dewell '16, Ishmael/Ensemble
Paul Weintrob '14, Ahab/Ensemble
Harry Beer '14, Starbuck/Ensemble
Sebastian Gutierrez '14, Stubb/Ensemble
Antonio Irizarry '14, Flask/Ensemble
Eleanor Robb '16, Pip/Ensemble
Kate Edery '14, Peleg/Daggoo/voice of Rachel/Ensemble
Dimitri Cacouris '14, Father Mapple/Tashtego/voice ofBachelor/Ensemble
Ben Hopkins '14, Elijah/Queequeg/Carpenter/Ensemble
Running time for this performance is approximately two hours and 10 minutes, with one 15-minute intermissionSponsored by: Bard Theater and Performance Program.
For more information, call 845-758-7900, e-mail fishercenter@bard.edu, or visit http://fishercenter.bard.edu.
American Symphony Orchestra
Saturday, October 26, 2013
Fisher Center, Sosnoff Theater
In addition to many albums released on the Telarc, New World, Bridge, Koch, and Vanguard labels, live performances by the American Symphony are now available for digital download. In many cases, these are the only existing recordings of some of the rare works that have been rediscovered in ASO performances.
Featured soloists for the ASO’s fall-spring season include Bard College Conservatory of Music students and Concerto Competition winners Fanya Wyrick-Flax, Dongfang Ouyang, and Zhi Ma.
For more information, call 845-758-7900, e-mail fishercenter@bard.edu, or visit http://fishercenter.bard.edu.
Sunday, October 27, 2013
Chapel of the Holy Innocents
Ancient Ritual Blessing of the Light from the second century AD with music and candles.Sponsored by: Chaplaincy.
For more information, call 845-757-4309, or e-mail ggrab@bard.edu.
Enjoy a variety of events on campus, including What's New at Bard, Ask the President Forum, sample classes, performances by the American Symphony Orchestra, campus tours, and panel discussions. Special events will be held for alumni/ae, including a reception with President Leon Botstein and the Bard-St. Stephen's Alumni/ae Association Board of Governors.Sponsored by: Bard College Alumni/ae Association; Dean of Student Affairs.
For more information, call 845-758-7360, e-mail events@bard.edu, or visit http://annandaleonline.org/familyweekend.
Sunday, October 27, 2013
Olin Auditorium, classrooms & Olin LC 115
Sponsored by: First-Year Seminar.
For more information, call 845-758-7490, or e-mail jcerulli@bard.edu.
Moby Dick—Rehearsed
Sunday, October 27, 2013
Fisher Center, LUMA Theater
SOLD OUT!
Tickets: $15; free for Bard community. Reservations required.
directed by Jonathan Rosenberg
designed by Zane Pihlstrom
lights by Bruce Steinberg
video by Joshua Thorson
music/sound by Antonin Fajt '14 and Math Norman '14
music for church hymn and sailor songs by Ben Hopkins '14
Moby Dick—Rehearsed is a 1955 play by Orson Welles in which a company of actors gathers in a rehearsal room to work on an adaptation of the Herman Melville novel. In Welles’s dramatic experiment the rehearsal is the performance, and a door is opened on the act of theatrical creation.
Cast
Salome Dewell '16, Ishmael/Ensemble
Paul Weintrob '14, Ahab/Ensemble
Harry Beer '14, Starbuck/Ensemble
Sebastian Gutierrez '14, Stubb/Ensemble
Antonio Irizarry '14, Flask/Ensemble
Eleanor Robb '16, Pip/Ensemble
Kate Edery '14, Peleg/Daggoo/voice of Rachel/Ensemble
Dimitri Cacouris '14, Father Mapple/Tashtego/voice of Bachelor/Ensemble
Ben Hopkins '14, Elijah/Queequeg/Carpenter/Ensemble
Running time for this performance is approximately two hours and 10 minutes, with one 15-minute intermissionSponsored by: Bard Theater and Performance Program.
For more information, call 845-758-7900, e-mail fishercenter@bard.edu, or visit http://fishercenter.bard.edu.
Monday, October 28, 2013
Preston Theater
For more information, call 845-758-7377, or e-mail acafaro@bard.edu.
Monday, October 28, 2013
Arendt Center
Sponsored by: Hannah Arendt Center.
For more information, call 845-758-7878, e-mail bhollenb@bard.edu, or visit http://hac.bard.edu/.
Monday, October 28, 2013
CCS Bard Seminar Room 1
Sally Tallant is the Director of Liverpool Biennial – The UK Biennial of International Contemporary Art.
From 2001 – 11, she was Head of Programmes at the Serpentine Gallery, London where she was responsible for the development and delivery of an integrated programme of Exhibitions, Architecture, Education and Public Programmes. She has curated exhibitions in a wide range of contexts including the Hayward Gallery, Serpentine Gallery, Hospitals, Schools as well as public commissions. She has developed commissioning programmes for artists in a range of contexts and developed long-term projects including The Edgware Road Project, Skills Exchange and Disassembly. She has also curated performances, sound events, film programmes and conferences including initiating the Park Nights series in the Serpentine Gallery Pavilions and co-curating the Serpentine Gallery Marathon series with Hans Ulrich Obrist. She is a regular contributor to conferences nationally and internationally.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs/view/calendar/the-visitor-talks-pre-ambulation-and-retrospection/.
Monday, October 28, 2013
Olin, Room 102
Our politics have been so divided in recent years that our national debate is increasingly turning to the Constitution and its fundamental principles.
Sponsored by: Hannah Arendt Center.
For more information, call 845-758-7878, e-mail bhollenb@bard.edu, or visit http://hac.bard.edu/.
Tuesday, October 29, 2013
László Z. Bitó '60 Conservatory Building
Bard College Conservatory of Music students in concert.
Free and open to the public.Sponsored by: Bard College Conservatory of Music.
For more information, call 845-758-6822, or e-mail conservatoryconcerts@bard.edu.
Tuesday, October 29, 2013
Campus Center, Weis Cinema
Join BGIA Director Jonathan Cristol and Associate Director Mia McCully for an information session on the Bard Globalization and International Affairs Program (BGIA). BGIA provides students, of all majors, with the opportunity to engage in the study and practice of international relations through internships and coursework in New York City. The program is offered in the spring, summer, and fall. Sponsored by: BGIA.
For more information, call 646-839-9262, e-mail mccully@bard.edu, or visit http://bgia.bard.edu.
A Lecture by Luise Hirsch
Tuesday, October 29, 2013
Campus Center, Weis Cinema
When Europe’s graduate schools began to open their doors to female students in the second half of the 19th century, they were primarily responding to the requests of Jewish women from Russia. Often family breadwinners encouraged to be independent and assertive, they more than other women fought their way into the hitherto exclusively male world of academia. Banned from universities at home, they made Swiss graduate schools the first institutions in the world to train female professionals.
Luise Hirsch was educated at the University of Heidelberg and at Freie Universität Berlin and earned a doctorate in Jewish History from the University of Duisburg in 2005. She lives in Heidelberg and Berlin and works as an author and translator.
Sponsored by: Gender and Sexuality Studies Program; Jewish Studies Program.
For more information, call 845-758-7543, or e-mail kuznitz@bard.edu.
Tuesday, October 29, 2013
Olin, Room 102
Associate Professor of Political Science at Adelphi University, Margaret Gray will discuss her new book about migrant labor in the Hudson Valley, Labor and the Locavore: The Making of a Comprehensive Food Ethic.
In the blizzard of attention around the virtues of local food production, food writers and activists place environmental protection, animal welfare, and saving small farms at the forefront of their attention. Yet amid this turn to wholesome and responsible food choices, the lives and working conditions of farmworkers are often an afterthought.
Labor and the Locavore focuses on one of the most vibrant local food economies in the country, the Hudson Valley that supplies New York restaurants and farmers markets. Based on more than a decade’s in-depth interviews with workers, farmers, and others, Gray’s examination clearly shows how the currency of agrarian values serves to mask the labor concerns of an already hidden workforce.
She also explores the historical roots of farmworkers’ predicaments and examines the ethnic shift from Black to Latino workers. With an analysis that can be applied to local food concerns around the country, this book challenges the reader to consider how the mentality of the alternative food movements implies a comprehensive food ethic that addresses workers’ concerns.
Sponsored by: Difference and Media Project; Human Rights Program; Human Rights Project; LAIS Program; Spanish Studies.
For more information, call 845-758-7650, e-mail hrp@bard.edu, or visit http://hrp.bard.edu.
All are welcome!
Wednesday, October 30, 2013
Preston Theater
For more information, call 845-758-7664, or e-mail mrodrig@bard.edu.
Wednesday, October 30, 2013
Fisher Center, Resnick Theater Studio
Reviewing the history of censorship and political intolerance in Miami and Havana suggests that these two centers of Cuban politics might be engaged in processes of polarization that often operate in concert with each other and have proved integral to the maintenance of the United States trade embargo against Cuba. As one antidote to this long standing polarization, Jorge Ignacio Cortiñas will review the efforts of Cuban and Cuban American theater artists who have for decades been organizing to subvert the embargo, noting the successful ways these artists have begun to normalize exchange and travel between the United States and Cuba.
Sponsored by: Bard Theater and Performance Program.
For more information, call 845-758-7957, or e-mail rbangiola@bard.edu.
Wednesday, October 30, 2013
Olin, Room 102
For more information, call 845-758-7490, or e-mail jcerulli@bard.edu.
Thursday, October 31, 2013
Reem-Kayden Center Laszlo Z. Bito '60 Auditorium
A lecture by Ilaria Ceglia, Rockefeller University
Sponsored by: Biology Program.
For more information, call 845-758-6822, or e-mail keesing@bard.edu.
Thursday, October 31, 2013
Campus Center, Weis Cinema
For more information, call 845-758-6822, or e-mail nshockey@bard.edu.
Studio Art Fall 2013 Faculty and Staff Exhibition
"The House We Live In"
Wednesday, September 11, 2013 – Wednesday, October 2, 2013
Fisher Studio Arts BuildingThe Studio Art Department proudly presents their Fall 2013 Faculty and Staff Exhibition
Everyone Welcome!
*Exhibition on view daily from 9:00 to 5:00 p.m. through October 2.Sponsored by: Studio Arts Program.
For more information, call 845-758-7674, or e-mail goodwin@bard.edu.
Save this event: Public Debate: Resolved: Online Education Will Save Higher Education
Tuesday, October 1, 2013
7 pm
RKC103Please join us for an exciting public debate inspired by the topic of this year's Hannah Arendt Center Conference, "Failing Fast: The Educated Citizen in Crisis." The debate will feature both Bard Debate Union members as well as Bard College faculty on the topic, "Resolved: online education will save higher education." Sponsored by the Hannah Arendt Center, the Bard Debate Union, the Center for Civic Engagement at Bard College, and the International Debate Education Association.
Sponsored by: Bard Debate Union, International Debate Education Assoc.; Center for Civic Engagement; Hannah Arendt Center.
For more information, call 845-758-7878, e-mail bhollenb@bard.edu, or visit http://hac.bard.edu/.
A Conversation with Juan González
Author of Harvest of Empire: The Untold Story of Latinos in America
Wednesday, October 2, 2013
6:30 pm
Campus Center, Weis CinemaWe are all Americans of the New World, and our most dangerous enemies are not each other, but the great wall of ignorance between us.
--Juan González, Harvest of Empire Sponsored by: Difference and Media Project; Human Rights Project; LAIS Program; La Voz, LASO, and ISO; Spanish Studies.
For more information, call 845-758-7382, or e-mail bail@bard.edu.
Autumn Songfest
Singers from the Graduate Vocal Arts Program
Wednesday, October 2, 2013
8 pm
László Z. Bitó '60 Conservatory BuildingFree concertSponsored by: Bard College Conservatory of Music.
For more information, call 845-758-7196, or e-mail conservatoryconcerts@bard.edu.
Dear Miss Beeman: Letters and Paintings by Xavier Martinez
Thursday, October 3, 2013 – Thursday, November 14, 2013
9 am – 9 pm
Charles P. Stevenson Jr. LibraryOpening Reception:
Thursday, October 3, 4:00–6:00 pmSponsored by: Art History Program; Charles P. Stevenson, Jr. Library.
For more information, call 845-758-7158, or e-mail mcdonald@bard.edu.
Failing Fast: The Educated Citizen in Crisis
Sixth Annual Fall Conference
Thursday, October 3, 2013 – Friday, October 4, 2013
10 am – 6:30 pm
Olin Hall“Failing Fast: The Educated Citizen in Crisis” asks how we can re-invigorate the cultural and educational institutions that have nurtured public-spiritedness that is the bedrock virtue of American constitutional democracy. In an increasingly global world, do we need a common public language? Is college education necessary for engaged citizenship? Should politically involved citizens have knowledge of the arts and practical skills like building and fixing things? What, in the 21st century, is an educated citizen?
Sponsored by: Hannah Arendt Center.
For more information, call 845-758-7878, e-mail bhollenb@bard.edu, or visit http://bard.edu/hannaharendtcenter.
Trophic Cascades and Infectious Disease
Thursday, October 3, 2013
12 pm
Reem-Kayden Center Laszlo Z. Bito '60 AuditoriumA lecture by Taal Levi, Cary Institute of Ecosystem Studies
Sponsored by: Biology Program.
For more information, call 845-758-6822, or e-mail keesing@bard.edu.
James Clarke Chace Memorial Speaker Series
The Terrorist-Criminal Nexus: An Alliance of International Drug Cartels, Organized Crime & Terror Groups
Thursday, October 3, 2013
6:15–7:45 pm
BGIA, 36 West 44th Street, #1011; New York, NY 10036Vanessa Neumann
Senior Fellow, Center for the Study of Terrorism, Foreign Policy Research Institute; Associate, University Seminar on Latin America at SIPA (Columbia University); regular contributor, Weekly Standard
Sponsored by: BGIA; Center for Civic Engagement.
For more information, call 646-839-9262, e-mail cristol@bard.edu, or visit http://bgia.bard.edu.
Failing Fast: The Educated Citizen in Crisis
Sixth Annual Fall Conference
Thursday, October 3, 2013 – Friday, October 4, 2013
10 am – 6:30 pm
Olin Hall“Failing Fast: The Educated Citizen in Crisis” asks how we can re-invigorate the cultural and educational institutions that have nurtured public-spiritedness that is the bedrock virtue of American constitutional democracy. In an increasingly global world, do we need a common public language? Is college education necessary for engaged citizenship? Should politically involved citizens have knowledge of the arts and practical skills like building and fixing things? What, in the 21st century, is an educated citizen?
Sponsored by: Hannah Arendt Center.
For more information, call 845-758-7878, e-mail bhollenb@bard.edu, or visit http://bard.edu/hannaharendtcenter.
Christianity as World Religion, from Constantine the Great to Elizabeth I
Friday, October 4, 2013
12:30–1:30 pm
St. John the Evangelist, 1114 River Rd. Barrytown, NYWhen the Roman Empire changed its view of Christianity, from persecuting it as a *superstitio* to accepting that it was a *religio*, the Church acclaimed Constantine as an agent of God. He returned the favor by a steady increase of privileges for Catholics, until the Empire became a Christian preserve. Once the connection between Church and State was forged, however, it provoked a series of unintended consequences that included the Reformation. That process saw the emergence of a Protestant empire at odds with Catholic claimants to the mantle of Constantine.
The lecture series begins on Friday, October 4, and continues on the
following Fridays: October 11, 18, 25, and November 1. All lectures in the series are sponsored by the Institute of Advanced Theology and take place at the Church of St. John the Evangelist at 1114 River Road, Barrytown, NY. Lunch is at noon consisting of soup, bread, dessert, coffee and tea at a cost of $6.00. The presentation begins at 12:30 p.m. followed by a question and answer period.
For more information, call 845-758-7279, or e-mail desmond@bard.edu.
No Child...
Written and performed by Nilaja Sun; directed by Hal Brooks
Friday, October 4, 2013
7:30 pm
Fisher Center, LUMA TheaterPost-performance discussion with Nilaja Sun, moderated by Gideon Lester
Tickets: $25, $5 for all students
Actress and writer Nilaja Sun is a teaching artist at a high school in the Bronx, where every day the students face huge challenges in simply coming to school. She directed them in a play, and their trials and triumphs form the basis of No Child... In this remarkable solo performance, Sun herself takes all the parts, transforming into the students, teachers, parents, administrators, janitors, and security guards who inhabit our public schools and shape the future of America.
An award-winning hit that played off-Broadway for more than a year, No Child... is a virtuosic performance, joyous and heart-wrenching. In Sun’s words, “I created this piece to be a snapshot from the trenches, something entertaining and provocative that’ll get people talking about the state of our public schools.”
“Thoughtful, highly entertaining, cracks with comic timing. Sun is exuberant.”—Washington Post
Running time for this performance is approximately 60 minutes without intermission.
Sponsored by: Live Arts Bard.
For more information, call 845-758-7900, e-mail fishercenter@bard.edu, or visit http://fishercenter.bard.edu/.
Degree Recital: Frances Lee, piano
Saturday, October 5, 2013
3 pm
László Z. Bitó '60 Conservatory BuildingBard College Conservatory of Music student, Frances Lee, performs works by Bach, Chopin, Beethoven, Schumann and Prokofiev.
*Free and open to the public.
For more information, call 845-752-2380, or e-mail conservatoryconcerts@bard.edu.
No Child...
Written and performed by Nilaja Sun; directed by Hal Brooks
Saturday, October 5, 2013
7:30 pm
Fisher Center, LUMA TheaterTickets: $25, $5 for all students
Actress and writer Nilaja Sun is a teaching artist at a high school in the Bronx, where every day the students face huge challenges in simply coming to school. She directed them in a play, and their trials and triumphs form the basis of No Child... In this remarkable solo performance, Sun herself takes all the parts, transforming into the students, teachers, parents, administrators, janitors, and security guards who inhabit our public schools and shape the future of America.
An award-winning hit that played off-Broadway for more than a year, No Child... is a virtuosic performance, joyous and heart-wrenching. In Sun’s words, “I created this piece to be a snapshot from the trenches, something entertaining and provocative that’ll get people talking about the state of our public schools.”
“Thoughtful, highly entertaining, cracks with comic timing. Sun is exuberant.”—Washington Post
Running time for this performance is approximately 60 minutes without intermission.
Sponsored by: Live Arts Bard.
For more information, call 845-758-7900, e-mail fishercenter@bard.edu, or visit http://fishercenter.bard.edu/.
No Child...
Written and performed by Nilaja Sun; directed by Hal Brooks
Sunday, October 6, 2013
2 pm
Fisher Center, LUMA TheaterTickets: $25, $5 for all students
Actress and writer Nilaja Sun is a teaching artist at a high school in the Bronx, where every day the students face huge challenges in simply coming to school. She directed them in a play, and their trials and triumphs form the basis of No Child... In this remarkable solo performance, Sun herself takes all the parts, transforming into the students, teachers, parents, administrators, janitors, and security guards who inhabit our public schools and shape the future of America.
An award-winning hit that played off-Broadway for more than a year, No Child... is a virtuosic performance, joyous and heart-wrenching. In Sun’s words, “I created this piece to be a snapshot from the trenches, something entertaining and provocative that’ll get people talking about the state of our public schools.”
“Thoughtful, highly entertaining, cracks with comic timing. Sun is exuberant.”—Washington Post
Running time for this performance is approximately 60 minutes without intermission.
Sponsored by: Live Arts Bard.
For more information, call 845-758-7900, e-mail fishercenter@bard.edu, or visit http://fishercenter.bard.edu/.
Voyage to Italy: Helena Bailie - Violin, Tanya Gabrielian - Piano
Sunday, October 6, 2013
3 pm
Olin HallFeaturing works by Vivaldi, Tartini and Locatelli
For more information, call 401-363-2721, or e-mail hbaillie@bard.edu.
Evensong Service
Sunday Evening Worship Service
Sunday, October 6, 2013
7–8 pm
Chapel of the Holy InnocentsAncient Ritual Blessing of the Light from the second century AD with music and candles.Sponsored by: Chaplaincy.
For more information, call 845-757-4309, or e-mail ggrab@bard.edu.
The Visitor Talks: Andrea Phillips
What is a public program?
Monday, October 7, 2013
3–5 pm
CCS Bard Seminar Room 1This talk will focus on a basic question: how do public programs, the increasingly dominant and complex adjunctive activities to exhibitions, make and organize publics? Drawing on my experience co-curating the public program of the 13th Istanbul Biennial, the events of which became heavily contested, I’d like to discuss the historically formed act of speaking to, and soliciting, a body called the public within contemporary art.
Public programs seem to symptomatise a contradiction inherent in contemporary artistic and curatorial production in that on the one hand they indicate a broad desire to open up and discuss ideas and contexts of the cultural milieu, often focusing on alternative exhibitionary and pedagogical models, and on the other they physically and semantically refranchise the basic division between the makers and recipients of intellectual production in their mode of address. They perform a function poised between two fictions; the first a fiction of egalitarian discursivity, the second a fiction of art’s cultivating civic purpose. However distributed, it seems we both need and can’t rid ourselves of the public. Can we imagine different organizational models? How might those different models impact upon questions of curatorial time, space and scale?
Dr Andrea Phillips is Reader in Fine Art and Director of PhD programmes in the Art Department at Goldsmiths. Andrea lectures and writes about the economic and social construction of publics within contemporary art. Recent publications include: Public Space (A Space Called Public, Munich 2013); Constructed Situation (Architecture as Situation, University of Edinburgh, 2013); Art Work (Describing Labour, University of Goteborg, 2013); Art as Property (Economy: Art and the Subject after Postmodernism, Liverpool University Press, 2014 forthcoming). Recent and ongoing research projects include: Actors, Agent and Attendants, a research project and set of publications that address the role of artistic and curatorial production in contemporary political milieus (in collaboration with Fulya Erdemci and SKOR 2009-2012); co-director of the research project The Aesthetic and Economic Impact of the Art Market, an investigation into the ways in which the art market shapes artists’ careers and public exhibition (in collaboration with Suhail Malik, Andrew Wheatley and Sarah Thelwall); Public Alchemy, the public programme for the Istanbul Biennial 2013 (in collaboration with Fulya Erdemci).
This talk is given as part of the lecture series The Visitor Talks : Pre-ambulation and Retrospection.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Let's Get Ratchet: Theorizing Digital Black Feminisms
A Talk by Brittney Cooper
Monday, October 7, 2013
6 pm
Reem-Kayden Center Laszlo Z. Bito '60 AuditoriumBrittney Cooper is Assistant Professor of Women's and Gender Studies and Africana Studies at Rutgers University, and co-founder of the Crunk Feminist Collective. Her research interests include using Black feminist thought to understand contemporary articulations of Black womanhood, and she has published in both academic journals and major media outlets on this topic.
Coined as a term in the 1990s in Louisiana, "ratchet" has come to offer myriad possibilities for talking about African American working class culture, particularly its gendered dynamics among African American women. Whether discussing the origins of twerking which has a similar genealogical trajectory in the U.S. or speaking about the often tense and severe forms of African American female representation rendered on television, ratchetness embodies a whole constellation of contemporary ideas about African American womanhood. At the same time, ratchetness has been taken up by feminist identified women like those at the Crunk Feminist Collective, as a way to theorize feminist politics among working class women, as a way to critique respectability politics, and as a way to locate the operations of pleasure in Black women's cultural spaces. What then do we mean by ratchetness? How does this term and the practices to which it refers come to be raced and gendered? (e.g. Why don't we understand Kim Kardashian or Miley Cyrus to be ratchet?) How does the circulation of imagery within visual media impact our conceptualizations of ratchetness? And how might digital feminist projects be uniquely poised to intervene and redirect problematic appropriations of ratchet behavior?Sponsored by: Difference and Media Project; Experimental Humanities Program; Gender and Sexuality Studies Program.
For more information, call 845-758-7697, e-mail mcecire@bard.edu, or visit http://eh.bard.edu.
Italian Film Festival
“Neorealism and …Beyond”
Monday, October 7, 2013
6:30–8 pm
Preston TheaterEvery semester the Italian Department is pleased to invite you to an Italian Film Series. This Fall, films will be screened every MONDAY, in PRESTON THEATER 110, at 6:30pm.
Sponsored by: Italian Studies Program.For more information, call 845-758-7377, or e-mail acafaro@bard.edu.
Noon Concert
Tuesday, October 8, 2013
12 pm
László Z. Bitó '60 Conservatory BuildingBard College Conservatory of Music students in concert.
Free and open to the public.
Sponsored by: Bard College Conservatory of Music.
For more information, call 845-752-2380, or e-mail conservatoryconcerts@bard.edu.
Erika Switzer and Tyler Duncan Recital
Tuesday, October 8, 2013
7:30 pm
László Z. Bitó '60 Conservatory BuildingSchubert's Winterreise featuring baritone Tyler Duncan and pianist Erika Switzer performing Schubert's Winterreise (Winter Journey) in an extraordinary English translation by Michael Symmons RobertsSponsored by: Music Program.
For more information, call 845-758-6822, e-mail eswitzer@bard.edu, or visit http://erikaswitzer.ca/.
The Fall 2013 Latino/a Film Series
All are welcome!
(Films are in English or in Spanish with English subtitles)
Wednesday, October 9, 2013
7–9 pm
Preston TheaterFor more information, call 845-758-7664, or e-mail mrodrig@bard.edu.
Symbiosis and Immunity in the Tsetse Fly
Thursday, October 10, 2013
12 pm
Reem-Kayden Center Laszlo Z. Bito '60 AuditoriumA lecture by Brian Weiss, Yale University
Sponsored by: Biology Program.
For more information, call 845-758-6822, or e-mail keesing@bard.edu.
Counting Lattice Points in Triangles and the "Fibonacci Staircase"
Thursday, October 10, 2013
4:40 pm
Hegeman 204A lecture by
Daniel Cristofaro-Gardiner
The Institute for Advanced Study
The "Ehrhart polynomial" is an important tool for counting lattice points in triangles and other polygons. An Ehrhart polynomial has a "period", and the relationship between the coordinates of the vertices of a polygon and the period of its Ehrhart polynomial can be quite mysterious. Daniel Cristofaro-Gardiner will present recent joint work with Aaron Kleinman relating the periods of the Ehrhart polynomials of some simple triangles with recursive sequences like the Fibonacci numbers and the Pell numbers. Interestingly, this is linked to a curious staircase arising in a special geometry called "symplectic" geometry.Sponsored by: Mathematics Program.
For more information, call 845-758-6822, or e-mail gregland@bard.edu.
Meet the MAT Open House
Thursday, October 10, 2013
6 pm
MAT BuildingProspective students will have an opportunity to meet with faculty and staff of the MAT program to learn about earning their Master of Arts in Teaching degree! Sponsored by: Master of Arts in Teaching Program.
For more information, call 845-758-7145, e-mail cmaple@bard.edu, or visit http://bard.edu/mat.
Christianity as World Religion, from Constantine the Great to Elizabeth I
Friday, October 11, 2013
12:30–1:30 pm
St. John the Evangelist, 1114 River Rd. Barrytown, NYWhen the Roman Empire changed its view of Christianity, from persecuting it as a *superstitio* to accepting that it was a *religio*, the Church acclaimed Constantine as an agent of God. He returned the favor by a steady increase of privileges for Catholics, until the Empire became a Christian preserve. Once the connection between Church and State was forged, however, it provoked a series of unintended consequences that included the Reformation. That process saw the emergence of a Protestant empire at odds with Catholic claimants to the mantle of Constantine.
The lecture series begins on Friday, October 4, and continues on the
following Fridays: October 11, 18, 25, and November 1. All lectures in the series are sponsored by the Institute of Advanced Theology and take place at the Church of St. John the Evangelist at 1114 River Road, Barrytown, NY. Lunch is at noon consisting of soup, bread, dessert, coffee and tea at a cost of $6.00. The presentation begins at 12:30 p.m. followed by a question and answer period.
For more information, call 845-758-7279, or e-mail desmond@bard.edu.
Evensong Service
Sunday Evening Worship Service
Sunday, October 13, 2013
7–8 pm
Chapel of the Holy InnocentsAncient Ritual Blessing of the Light from the second century AD with music and candles.Sponsored by: Chaplaincy.
For more information, call 845-757-4309, or e-mail ggrab@bard.edu.
Italian Film Festival
“Neorealism and …Beyond”
Monday, October 14, 2013
6:30–8 pm
Preston TheaterEvery semester the Italian Department is pleased to invite you to an Italian Film Series. This Fall, films will be screened every MONDAY, in PRESTON THEATER 110, at 6:30pm.
Sponsored by: Italian Studies Program.For more information, call 845-758-7377, or e-mail acafaro@bard.edu.
Fall Break
Monday, October 14, 2013 – Tuesday, October 15, 2013
Bard College CampusFor more information, call 845-758-6822.
Bard College Discovery Day
Columbus Day, October 14th
Monday, October 14, 2013
8:30 am – 2 pm
Other locationThe day begins at 8:30 a.m. with check-in and includes campus tours of Humanities, Arts, and Sciences facilities; residence hall tours; an information session and Q&A with Admissions and Financial Aid, and more!
For more information, call 845-758-4930, e-mail akozlako@bard.edu, or visit http://www.bard.edu/admission.
Fall Break
Monday, October 14, 2013 – Tuesday, October 15, 2013
Bard College CampusFor more information, call 845-758-6822.
The Fall 2013 Latino/a Film Series
All are welcome!
(Films are in English or in Spanish with English subtitles)
Wednesday, October 16, 2013
7–9 pm
Preston TheaterFor more information, call 845-758-7664, or e-mail mrodrig@bard.edu.
National Climate Seminar: Goodbye Miami
Jeff Goodell, Author and Contributing Editor, Rolling Stone
Wednesday, October 16, 2013
12 pm
Acclaimed writer Jeff Goodell joined the National Climate Seminar to talk about the plight of low-lying regions like Miami dealing with climate change and sea level rise. Goodell has been contributing editor at Rolling Stone since 1996. He is the author of several books including his latest, How to Cool the Planet: Geoengineering and the Audacious Quest to Fix Earth's Climate, and How to Cool the Planet, which won the 2011 Grantham Prize Award of Special Merit, citing it as an "immensely readable, carefully researched and groundbreaking contribution to the literature on climate change." Sponsored by: Bard Center for Environmental Policy.
For more information, call 845-758-6822, or e-mail climate@bard.edu.
A Lecture by Nicole Dewandre: "Rethinking the Human Condition in a Hyperconnected Era"
Wednesday, October 16, 2013
7 pm
Reem-Kayden Center Laszlo Z. Bito '60 AuditoriumThe digital transition brings us to a point where it is critical to unveil the shortcomings of the excessive centrality of the notions of control and transparency in knowledge and in action. Omniscience and omnipotence, if pushed too far, crowd out any sense of freedom, purpose and meaning, even if it is in the name of the best intentions. Hannah Arendt's notions of natality and plurality, by anchoring human freedom in beginnings rather than in sovereignty, provide grounding for revisiting the human condition in a hyperconnected era and approaching the related ethical issues with modesty, confidence and amor mundi. This operation, that we could call "arendtian axiomatic reset" allows reclaiming distinctions such as the one between public and private or the one between agents, artifacts and nature. Recognising and acknowledging plurality is of critical importance in these days where policy making seems to be lost in an endless quest of deceptive control and transparency. It is also of critical importance to counter the hegemony of the metaphors of the invisible hand, market interactions, or competition by which we frame interactions and which are all in denial of plurality. That renewed perspective opens a space to shape a digital literacy, which can enable flourishing life experiences in a hyperconnected era. Finally, reclaiming plurality leads to highlighting the fact that attention is much more than "the currency of the internet" or a commodity or an asset: it is at the core of human dignity and integrity, and needs to be protected and cherished, as it is the fluid that makes plurality at all possible.Sponsored by: Center for Civic Engagement; Difference and Media Project; Experimental Humanities Program; Hannah Arendt Center.
For more information, call 845-758-6822, e-mail bhollenb@bard.edu, or visit http://hac.bard.edu/events/.
Former Economist Editor Bill Emmott Presents His New Documentary, Girlfriend in a Coma
Thursday, October 17, 2013
6 pm
Jim Ottaway Jr. Film CenterIn this film Bill Emmott teams with Filmmaker Annalisa Piras to explore Italy’s political, economic and social decline over the past 20 years, the product of a moral collapse unmatched anywhere else in the West. Emmott’s quest to understand both “Mala Italia” and “Buona Italia” includes Interviews with Italian Prime Minister Mario Monti, philosopher and novelist Umberto Eco, film director Nanni Moretti, women’s rights activist Lorella Zanardo, FIAT’s outspoken Canadian-Italian CEO Sergio Marchionne, the author of Gomorrah Roberto Saviano and many others.
Bill Emmott is an international journalist and consultant, having been editor-in-chief of The Economist from 1993-2006. The author of a dozen books, most of them about Japan and Asia, his latest book was Good Italy, Bad Italy: Why Italy must Conquer its Demons to Face the Future (Yale University Press 2012). His documentary Girlfriend in a Coma has been seen by more than two million people. Bill is also chairman of the trustees of the London Library, a trustee of the International Institute for Strategic Studies, and a member of the Swiss Re Chairman’s Advisory Panel. With Annalisa Piras, he is now working on a new documentary about the threats to the European Dream, and has co-founded The Wake Up Foundation, dedicated to research and communication about the decline of the West.Sponsored by: Division of Languages and Literature; Film and Electronic Arts Program; Historical Studies Program; Italian Studies Program.
For more information, call 845-758-7150, or e-mail jluzzi@bard.edu.
James Clarke Chace Memorial Speaker Series
Deconstructing Holocaust Denial: how science and history are distorted to promote hate
Thursday, October 17, 2013
6:15–7:45 pm
BGIA, 36 West 44th Street, #1011; New York, NY 10036Kenneth Stern '75
Director on Antisemitism, Hate studies and Extremism, American Jewish Committee; author of numerous books, most recently Antisemitism Today: How It Is the Same, How It Is Different and How to Fight It
Sponsored by: BGIA; Center for Civic Engagement.
For more information, call 646-839-9262, e-mail cristol@bard.edu, or visit http://bgia.bard.edu.
Christianity as World Religion, from Constantine the Great to Elizabeth I
Friday, October 18, 2013
12:30–1:30 pm
St. John the Evangelist, 1114 River Rd. Barrytown, NYWhen the Roman Empire changed its view of Christianity, from persecuting it as a *superstitio* to accepting that it was a *religio*, the Church acclaimed Constantine as an agent of God. He returned the favor by a steady increase of privileges for Catholics, until the Empire became a Christian preserve. Once the connection between Church and State was forged, however, it provoked a series of unintended consequences that included the Reformation. That process saw the emergence of a Protestant empire at odds with Catholic claimants to the mantle of Constantine.
The lecture series begins on Friday, October 4, and continues on the
following Fridays: October 11, 18, 25, and November 1. All lectures in the series are sponsored by the Institute of Advanced Theology and take place at the Church of St. John the Evangelist at 1114 River Road, Barrytown, NY. Lunch is at noon consisting of soup, bread, dessert, coffee and tea at a cost of $6.00. The presentation begins at 12:30 p.m. followed by a question and answer period.
For more information, call 845-758-7279, or e-mail desmond@bard.edu.
Masterclass/Seminar: Arnold Steinhardt, violin
Friday, October 18, 2013
4 pm
László Z. Bitó '60 Conservatory BuildingPart of a new series combining elements of masterclass and seminar: Conservatory students play works related to the topic of the afternoon, with coaching and discussion by Arnold Steinhardt.
Sponsored by: Bard College Conservatory of Music.
For more information, call 845-752-2380, or e-mail conservatoryconcerts@bard.edu.
Evensong Service
Sunday Evening Worship Service
Sunday, October 20, 2013
7–8 pm
Chapel of the Holy InnocentsAncient Ritual Blessing of the Light from the second century AD with music and candles.Sponsored by: Chaplaincy.
For more information, call 845-757-4309, or e-mail ggrab@bard.edu.
Faculty Recital
Frank Corliss, piano, and Marka Gustavsson, viola
Sunday, October 20, 2013
3 pm
László Z. Bitó '60 Conservatory BuildingFrank Corliss, piano, and Marka Gustavsson, viola, will perform works for viola and piano including Hall Overton's Sonata (1959), Nino Rota's Intermezzo, Christopher Theofanidis Flow, My Tears (1997), and Sonata (1922) by Arnold Bax.
Sponsored by: Bard College Conservatory of Music.
For more information, call 845-752-2380, or e-mail conservatoryconcerts@bard.edu.
Italian Film Festival
“Neorealism and …Beyond”
Monday, October 21, 2013
6:30–8 pm
Preston TheaterEvery semester the Italian Department is pleased to invite you to an Italian Film Series. This Fall, films will be screened every MONDAY, in PRESTON THEATER 110, at 6:30pm.
Sponsored by: Italian Studies Program.For more information, call 845-758-7377, or e-mail acafaro@bard.edu.
Troubling Heritage: Contemporary Museums and the Terrain of the Civil War in a Southern City
Monday, October 21, 2013
4:30–6 pm
RKC 103Richmond Virginia, erstwhile capital of the Confederacy, is a city that memorialized in its built landscape the ideology of the “Lost Cause.” This lecture will provide a preliminary sketch for the ways that local history and art museums with national stature have responded and continue to respond to this troubling heritage as they try to create a more salutary urban imagined community. These museums are leaders in a wider movement among US cities of a certain size to explicitly link cultural development to urban renewal. As such they must attract a national audience while not alienating local communities which, for their part, are often polarized along all too familiar racial and ideological lines.
Eric Gable is a professor of anthropology at the University of Mary Washington. He is a managing editor for the journal Museum and Society and the associate editor for book reviews for American Ethnologist.
Sponsored by: American Studies Program; Anthropology Program; Art History Program; Historical Studies Program.
For more information, call 845-758-6822, or e-mail ckoch@bard.edu.
Synthesis of Multiblock Dendrimers via Isocyanide Multicomponent Reactions
Tuesday, October 22, 2013
5 pm
RKC 115A lecture by
Jonathan G. Rudick, Ph.D.
Assistant Professor, Department of Chemistry, Stony Brook University
Jonathan G. Rudick, Ph.D.
Assistant Professor, Department of Chemistry, Stony Brook University
Nanoparticles carrying three or four different cargos at their surface have emerged as leading solutions for targeted delivery of therapeutic and imaging agents. Enhanced permeation and retention of nanometer-sized materials in diseased tissues (e.g., tumors) offers a passive mechanism to improve the efficacy of drugs and imaging agents. Multivalent materials that accumulate in diseased tissues deliver locally high concentrations of the drug or imaging agent. Adding chemical markers to nanoparticles loaded with drugs or imaging agents offers a mechanism for selectively targeting the cargo to diseased tissues, and reduce side effects of the treatment. Biomedical technologies that combine targeting, therapeutic, and imaging modalities on a single theranostic nanoparticle are currently sought to simultaneously treat and image diseased tissues. A critical challenge for translating theranostic technologies based on polyvalent nanoparticles from the lab to the clinic is that each modality added to the nanoparticle creates heterogeneity and batch-to-batch variability of the product(s). We have developed a synthesis strategy to prepare a novel class of multivalent nanoparticles called multiblock dendrimers, which can incorporate three or four modalities and resolve the issues of heterogeneity and batch-to-batch variability. We further anticipate that this synthesis strategy will yield novel materials for use in “bottom-up” nanofabrication. The key to our approach is to synthesize the multiblock dendrimers from component dendrons via multicomponent reactions (e.g., the Passerini three-component reaction). The presentation will include a proof-of-concept for the synthesis strategy and report our progress toward multiblock dendrimers useful in biomedical and nanotechnology applications.
Sponsored by: Chemistry Program.
For more information, call 845-758-6822, or e-mail mclaughl@bard.edu.
Telling Stories from Stones: Provincials of the Roman Empire in their Own Words
A lecture by Professor Andrew Johnston, Yale University
Tuesday, October 22, 2013
6–7 pm
Reem-Kayden CenterHis talk will investigate how we can study the Roman Empire through inscriptions, what these inscriptions tell us about the lives and identities of individuals, and how the stories of these individuals can ultimately help us develop new and more sophisticated models and understandings of the complexity of the Roman world and the processes of imperialism.Sponsored by: Classical Studies Program.
For more information, call 845-758-7282, or e-mail lcurtis@bard.edu.
CANCELED: James Goodale “Fighting for the Press: The Inside Story of the Pentagon Papers and Other Battles”
Tuesday, October 22, 2013
7–9 pm
Olin, Room 102The leading force behind the New York Times’ decision to publish the Pentagon Papers in 1971, James Goodale will discuss his recent book, "Fighting for the Press: The Inside Story of the Pentagon Papers and Other Battles."
Soon after the book was published, James Goodale wrote an article based on the last few chapters: “Is Obama Worse For Press Freedom Than Nixon?” (The Daily Beast, May 14, 2013). This drew a torrent of commentary from the press. That, and subsequent articles about the dangers of criminalizing newsgathering by the Obama Administration, most certainly had an effect in getting Pfc. Bradley Manning let off the charge of committing espionage, i.e., aiding the enemy. There is no underestimating the power of the pen.
Co-sponsored by the Hannah Arendt Center and the Human Rights Project.
Sponsored by: Hannah Arendt Center; Human Rights Project.
For more information, call 845-758-7650, e-mail hrp@bard.edu, or visit http://hrp.bard.edu.
The Fall 2013 Latino/a Film Series
All are welcome!
(Films are in English or in Spanish with English subtitles)
Wednesday, October 23, 2013
7–9 pm
Preston TheaterFor more information, call 845-758-7664, or e-mail mrodrig@bard.edu.
Archipelago: poetry reading by Alana Siegel
Wednesday, October 23, 2013
7–8 pm
Reem-Kayden CenterOur alumna Alana Siegel will give a reading from her newly published book of poems, Archipelago. After graduating from the Written Arts Program a few years ago, she has lived in the Bay Area, where her first book, Occupation, was published last year. Copies of the book will be available.
This is the first in a series of poetry readings by Bard alumni/alumnae and by current Bard students,co-sponsored by the Alumni/ae office, the Student Poetry Reading Series, and the Written Arts Program.
For more information, call 845-758-7600 x7205, or e-mail kelly@bard.edu.
An Interactive Lecture-Demonstration
by Sitar Maestro
Sugato Nag
Wednesday, October 23, 2013
7–8:30 pm
Olin, Room 104Pandit (or maestro) Sugato Nag is one of the finest contemporary artistes in the North Indian classical music tradition. A sitar virtuoso, his style presents a unique synthesis of the austere classicism of the Shahjahanpore Sarode Tradition in which he was trained and the intricate beauty of the more modern Imdadkhani Style. His lecture-demonstration will focus on introducing the audience to Hindustani or North Indian classical music, especially with respect to its implementation on the sitar.
All are welcome.
Sponsored by: Asian Studies Organization (ASO); Religion Program.
For more information, call 845-758-6019, or e-mail amitra@bard.edu.
Tonight!
The Bard College Community Jazz Orchestra
Wednesday, October 23, 2013
8 pm
Olin HallThe Bard College Community Jazz Orchestra, under the direction of Thurman Barker, celebrates the music of John Coltrane, featuring Patience Higgins on tenor and soprano saxophone.
Sponsored by: Music Program.
For more information, call 845-758-6822, or e-mail tbarker@bard.edu.
Food Day!
Thursday, October 24, 2013
11:30 am – 2:30 pm
Kline CommonsJoin us at Kline Commons on Thursday October 24th for the Chartwells National Food Day celebration! The day begins at 11:30 a.m. on the Kline terrace with a local farmer's market selling locally grown and produced products. Be sure to bring your reusable totes for all of your purchases. Come learn about Bard's participation in the Real Food Challenge with Corinna Borden, Chartwells Food Sustainability Advocate!
Additionally, Chartwells Dining Services will be hosting an all-local farmer appreciation lunch with representation from local farmers and other local providers.
We will also be sponsoring a reusable mason jar giveaway. Sign the pledge to eliminate paper waste and receive a free mason jar for your cold beverages!
All are welcome to come and participate in the many Food Day activities happening at Kline!
For more information, call 845-758-7533, or e-mail Cerulli@bard.edu.
Challenges in the Search for a Novel Vaccine Target for African Trypanosomiasis
Thursday, October 24, 2013
12 pm
Reem-Kayden Center Laszlo Z. Bito '60 AuditoriumA lecture by Amy Savage, Bard College
Sponsored by: Biology Program.
For more information, call 845-758-6822, or e-mail keesing@bard.edu.
Poetry Reading: Omar Berrada and Sarah Riggs
The John Ashbery Poetry Series Presents: Omar Berrada and Sarah Riggs reading from their work, including bilingual translations from the Arabic and French
Thursday, October 24, 2013
5–6:30 pm
Campus Center, Weis CinemaSarah Riggs is the author of Autobiography of Envelopes (Burning Deck, 2012), 60 Textos (Ugly Duckling Presse, 2010), Waterwork (Chax Press, 2007), and Chain of Minuscule Decisions in the Form of a Feeling (Reality Street Editions, 2007). Currently she is completing a series of cinepoems called Six Lives, which include “Hudson,” “Brest,” “Brooklyn,” and “Skye.” Her book of essays, Word Sightings: Poetry and Visual Media in Stevens, Bishop, and O’Hara, was published by Routledge in 2002. She has translated or co-translated from the French the poets Isabelle Garron, Marie Borel, Etel Adnan, Ryoko Sekiguchi, and, most recently, Oscarine Bosquet. A member of the bilingual poetry collective Double Change and founder of the interart non-profit Tamaas, she lives in Paris, where she is a professor at NYU-in-France. Her new book, Pomme & Granite, is forthcoming with 1913 press.
Writer and translator Omar Berrada grew up in Casablanca and lives between France and Morocco, where he directs the library and translation center at Dar al-Ma’mûn in Marrakech. He is a member of the bilingual poetry collective Double Change and of the intercultural arts non-profit Tamaas. He has translated, alone or in company, usually into French, sometimes into English, texts by Jennifer Moxley, Rod Mengham, Lisa Jarnot, Kathleen Fraser, Stanley Cavell, Robert Glück, Kristin Prevallet, Avital Ronell, Forrest Gander, Marie Borel, Jalal Toufic, and others. He recently edited, with Erik Bullot, Expanded Translation—A Treason Treatise (2011), a book of joyful verbal and visual betrayals; and, with Yto Barrada, Album—Cinémathèque de Tanger (2012), a multilingual book about film in Tangier and Tangier on film.
For more information, call 845-758-7887, or e-mail ccamp@bard.edu.
Digital Faulkner
Thursday, October 24, 2013
6 pm
Olin, Room 204Presented by Julie Beth Napolin
This talk addresses the speculative territory of digital cartography as it is remapping our literary encounters. Julie Beth Napolin describes how the UVa "Digital Yoknapatawpha" project is addressing the theoretical and practical challenges of transforming Faulkner's ambiguous narratives into data, and then visualizing that data in a map and other displays.
Julie Beth Napolin is Assistant Professor of Digital Humanities at Eugene Lang College, The New School for Liberal Arts. Her book in progress, The Acoustics of Narrative Involvement, places the work of Faulkner within the soundscape of global modernism, beginning with the phonograph and ending with new media aesthetics. She's published her work in Qui Parle and the edited volumes Vibratory Modernism and Fifty Years After Faulkner. Her essay on sound and vibration in Conrad was awarded the 2013 Bruce Harkness prize by the Joseph Conrad Society of America. She is currently Associate Director of Digital Yoknapatawpha, an online map of the world of Faulkner, and Associate Editor of the site's rendering of The Sound and the Fury.
Sponsored by: American Studies Program; Environmental and Urban Studies Program; Experimental Humanities Program; Literature Program.
For more information, call 845-758-7284, or e-mail abenson@bard.edu.
Moby Dick—Rehearsed
By Orson Welles
Thursday, October 24, 2013
7 pm
Fisher Center, LUMA TheaterSOLD OUT!
Tickets: $15; free for Bard community. Reservations required.
directed by Jonathan Rosenberg
designed by Zane Pihlstrom
lights by Bruce Steinberg
video by Joshua Thorson
music/sound by Antonin Fajt '14 and Math Norman '14
music for church hymn and sailor songs by Ben Hopkins '14
Moby Dick—Rehearsed is a 1955 play by Orson Welles in which a company of actors gathers in a rehearsal room to work on an adaptation of the Herman Melville novel. In Welles’s dramatic experiment the rehearsal is the performance, and a door is opened on the act of theatrical creation.
Cast
Salome Dewell '16, Ishmael/Ensemble
Paul Weintrob '14, Ahab/Ensemble
Harry Beer '14, Starbuck/Ensemble
Sebastian Gutierrez '14, Stubb/Ensemble
Antonio Irizarry '14, Flask/Ensemble
Eleanor Robb '16, Pip/Ensemble
Kate Edery '14, Peleg/Daggoo/voice of Rachel/Ensemble
Dimitri Cacouris '14, Father Mapple/Tashtego/voice of Bachelor/Ensemble
Ben Hopkins '14, Elijah/Queequeg/Carpenter/Ensemble
Running time for this performance is approximately two hours and 10 minutes, with one 15-minute intermissionSponsored by: Bard Theater and Performance Program.
For more information, call 845-758-7900, e-mail fishercenter@bard.edu, or visit http://fishercenter.bard.edu.
Christianity as World Religion, from Constantine the Great to Elizabeth I
Friday, October 25, 2013
12:30–1:30 pm
St. John the Evangelist, 1114 River Rd. Barrytown, NYWhen the Roman Empire changed its view of Christianity, from persecuting it as a *superstitio* to accepting that it was a *religio*, the Church acclaimed Constantine as an agent of God. He returned the favor by a steady increase of privileges for Catholics, until the Empire became a Christian preserve. Once the connection between Church and State was forged, however, it provoked a series of unintended consequences that included the Reformation. That process saw the emergence of a Protestant empire at odds with Catholic claimants to the mantle of Constantine.
The lecture series begins on Friday, October 4, and continues on the
following Fridays: October 11, 18, 25, and November 1. All lectures in the series are sponsored by the Institute of Advanced Theology and take place at the Church of St. John the Evangelist at 1114 River Road, Barrytown, NY. Lunch is at noon consisting of soup, bread, dessert, coffee and tea at a cost of $6.00. The presentation begins at 12:30 p.m. followed by a question and answer period.
For more information, call 845-758-7279, or e-mail desmond@bard.edu.
Family Weekend–Alumni/ae Day 2013
Friday, October 25, 2013 – Sunday, October 27, 2013
Annandale-on-HudsonEnjoy a variety of events on campus, including What's New at Bard, Ask the President Forum, sample classes, performances by the American Symphony Orchestra, campus tours, and panel discussions. Special events will be held for alumni/ae, including a reception with President Leon Botstein and the Bard-St. Stephen's Alumni/ae Association Board of Governors.Sponsored by: Bard College Alumni/ae Association; Dean of Student Affairs.
For more information, call 845-758-7360, e-mail events@bard.edu, or visit http://annandaleonline.org/familyweekend.
Tonight! Bard Baroque Ensemble
Friday, October 25, 2013
6 pm
László Z. Bitó '60 Conservatory BuildingThe Bard Baroque Ensemble
Prof. Alexander Bonus, director
presents
Rival Families: French vs. Italian Music in the Baroque Age
Friday, October 25, 2013 at 6pm
Bito '60 Conservatory Performance Space
As Europeans in the 17th and 18th Century attested, French and Italian musical styles were as opposed as night and day. Francois Raguenet described these contrasting national tastes in 1702, stating, “It is not to be wondered that the Italians think our musick dull and stupefying…the French aim at the soft, easie, the flowing, and coherent.” In 1716 Francois Couperin quipped that the Italians “play our music less well than we play theirs.” Given their many stylistic antagonisms, composers from these two cultures might be said to comprise rival if not warring musical families.
In this eclectic and entertaining program befitting Family Weekend, the talented student musicians of the Bard Baroque Ensemble illustrate these dramatic contrasts through the lush French suites of Lully and Philidor, the electrifying Italian concerti of Corelli and Albinoni, the tender court songs of Michel Lambert, and the volatile arias of Alessandro Scarlatti.
Sponsored by: Music Program.
For more information, call 845-758-6822, or e-mail abonus@bard.edu.
Faculty Round Table: Humanitarian Intervention
Friday, October 25, 2013
6:30–7:30 pm
Reem-Kayden Center Laszlo Z. Bito '60 AuditoriumBard faculty members Walter Russell Mead, James Clarke Chace Professor of Foreign Affairs and the Humanities, Michelle Murray, Assistant Professor of Political Studies, and Peter Rosenblum, Professor International Law and Human Rights, will discuss the advantages, disadvantages, and implications of humanitarian intervention. Sponsored by the Bard Debate Union and the Center for Civic Engagement.Sponsored by: Center for Civic Engagement.
For more information, call 845-758-6822 x4512, e-mail zisman@bard.edu, or visit http://debate.bard.edu.
Moby Dick—Rehearsed
By Orson Welles
Friday, October 25, 2013
7 pm
Fisher Center, LUMA TheaterSOLD OUT!
Tickets: $15; free for Bard community. Reservations required.
directed by Jonathan Rosenberg
designed by Zane Pihlstrom
lights by Bruce Steinberg
video by Joshua Thorson
music/sound by Antonin Fajt '14 and Math Norman '14
music for church hymn and sailor songs by Ben Hopkins '14
Moby Dick—Rehearsed is a 1955 play by Orson Welles in which a company of actors gathers in a rehearsal room to work on an adaptation of the Herman Melville novel. In Welles’s dramatic experiment the rehearsal is the performance, and a door is opened on the act of theatrical creation.
Cast
Salome Dewell '16, Ishmael/Ensemble
Paul Weintrob '14, Ahab/Ensemble
Harry Beer '14, Starbuck/Ensemble
Sebastian Gutierrez '14, Stubb/Ensemble
Antonio Irizarry '14, Flask/Ensemble
Eleanor Robb '16, Pip/Ensemble
Kate Edery '14, Peleg/Daggoo/voice of Rachel/Ensemble
Dimitri Cacouris '14, Father Mapple/Tashtego/voice of Bachelor/Ensemble
Ben Hopkins '14, Elijah/Queequeg/Carpenter/Ensemble
Running time for this performance is approximately two hours and 10 minutes, with one 15-minute intermissionSponsored by: Bard Theater and Performance Program.
For more information, call 845-758-7900, e-mail fishercenter@bard.edu, or visit http://fishercenter.bard.edu.
Public Debate: Humanitarian Intervention
Friday, October 25, 2013
7:30–8:30 pm
Reem-Kayden Center Laszlo Z. Bito '60 AuditoriumWhen is humanitarian intervention justified? What are its advantages and disadvantages. Following the faculty round table on this same subject, members of the Bard Debate Union will put on a public debate on this issue of grave contemporary concern.Sponsored by: Center for Civic Engagement.
For more information, call 845-758-6822 x4512, e-mail zisman@bard.edu, or visit http://debate.bard.edu.
American Symphony Orchestra
Concert One
Friday, October 25, 2013
8 pm
Fisher Center, Sosnoff TheaterConducted by Leon Botstein, Music Director
7 pm Preconcert Talk by Peter Laki
8 pm Performance
Tickets: $25, 30, 35, 40
Founded in 1962 by legendary conductor Leopold Stokowski, the American Symphony Orchestra continues its mission to demystify orchestral music, and make it accessible and affordable to everyone. Under music director Leon Botstein, the ASO has pioneered what the Wall Street Journal called “a new concept in orchestras,” presenting concerts in the Vanguard Series at Carnegie Hall curated around various themes from the visual arts, literature, politics, and history, and unearthing rarely performed masterworks for well-deserved revival. At Bard College, the ASO appears in an annual winter subscription series at the Richard B. Fisher Center for the Performing Arts, and also takes part in the Bard Music Festival and SummerScape.
In addition to many albums released on the Telarc, New World, Bridge, Koch, and Vanguard labels, live performances by the American Symphony are now available for digital download. In many cases, these are the only existing recordings of some of the rare works that have been rediscovered in ASO performances.
Featured soloists for the ASO’s fall-spring season include Bard College Conservatory of Music students and Concerto Competition winners Fanya Wyrick-Flax, Dongfang Ouyang, and Zhi Ma.
Concert One
Igor Stravinsky
Petrushka
Avner Dorman
Piccolo Concerto
Fanya Wyrick-Flax ’13, piccolo
Felix Mendelssohn
Symphony No. 5, Op. 107 ("Reformation")
Running time for this concert is approximately one hour and 25 minutes, with one 20-minute intermission.
Programs and performances are subject to change.
For more information, call 845-758-7900, e-mail fishercenter@bard.edu, or visit http://fishercenter.bard.edu.
Family Weekend–Alumni/ae Day 2013
Friday, October 25, 2013 – Sunday, October 27, 2013
Annandale-on-HudsonEnjoy a variety of events on campus, including What's New at Bard, Ask the President Forum, sample classes, performances by the American Symphony Orchestra, campus tours, and panel discussions. Special events will be held for alumni/ae, including a reception with President Leon Botstein and the Bard-St. Stephen's Alumni/ae Association Board of Governors.Sponsored by: Bard College Alumni/ae Association; Dean of Student Affairs.
For more information, call 845-758-7360, e-mail events@bard.edu, or visit http://annandaleonline.org/familyweekend.
How We Feed Ourselves. A Look at Large- and Small-Scale Farming Practices in the U.S.: Can We Feed Ourselves and Protect Our Natural Resources?
A Panel Discussion
Saturday, October 26, 2013
1:15–2:15 pm
Reem-Kayden Center Laszlo Z. Bito '60 AuditoriumThis panel discussion highlights the current challenges facing the agricultural industry in America as it tries to feed a growing population with limited and declining natural resources. Panelists will cover a range of controversial topics about the food we eat, everything from public health and environmental impacts, to tax policy and access to land, to protection of natural resources. Panelists Eshel, Feder, and Phillips are Bard College faculty in both the undergraduate Environmental and Urban Studies program and Bard Center for Environmental Policy graduate program. We hope you can join us.
Introductions by Corinna Borden, Food Sustainability Advocate for Chartwells, at Bard.
PANELISTS:
Dr. Eshel will discuss the public health and environmental impacts of food production and consumption in the U.S., with a focus on food-related environmental footprint minimization through diet modification and shorter supply chains. Feeding the nation has a massive environmental imprint. As a sector, food-related greenhouse gas emissions are only modestly smaller than those of the two largest sectors, industry and built environments. The food sector is by far the largest consumptive potable water user in the U.S., and in most industrial nations, and it is the overwhelmingly dominant source of algae-generated water pollution. Along with a sedentary lifestyle, the U.S. food system is also the most significant source of degenerative diseases, with a price tag that is hard to unambiguously characterize, but is undoubtedly in the billions, and with a clear adverse impact on expected human lifespan. The public health and environmental costs of the U.S. food system are intimately related; with few important exceptions, what is environmentally costly will also undermine your health. Can these two problems be tackled in concert? Dr. Eshel will talk about how the price of tackling them together is far smaller than the sum of their individual costs.
Kris Feder, Associate Professor of Economics; Co-Director, Environmental and Urban Studies, Bard College (bio here)
Dr. Feder will discuss how U.S. tax policies systematically favor large farms over small, favor energy- and capital-intensive methods over labor- and skill-intensive methods, and favor ecologically destructive practices over ecologically sound ones. These tax policies also raise farmland prices and make it harder for small farmers to get access to land—particularly near urban markets. Correcting these tax biases would raise needed revenues and promote efficient land management while reestablishing the family farm as a pillar of American culture.
Jennifer Phillips, Professor of Environmental Science, Bard Center for Environmental Policy (bio here)
Dr. Phillips will discuss two competing paradigms for how to conserve "nature" and still produce enough food for 9—10 billion people - we can increase high input farming intensity in "sacrifice zones" or we can transition to a managed agroecosystem approach that combines protection of natural resources with food production but is likely to use more land. Both approaches have merit but she argues that the latter, integrated method that includes high levels of planned and unplanned biodiversity, rotationally grazed livestock, and substitution of knowledge and labor for fossil fuel inputs can help protect water, soil quality and biodiversity, can support carbon sequestration, and will reduce the footprint of farming on natural resource use.
COORDINATED EVENT SCHEDULE
12:00 - 2:30 PM Farmers Market, outside RKC
12:15 - 1:15 PM Season brunch by the Bard Farm, RKC Lobby (pre-registration is required)
1:15 - 2:15 PM Farm Panel, RKC 103
Sponsored by: Bard Center for Environmental Policy; Environmental and Urban Studies Program.
For more information, call 845-758-7071, or e-mail mwilliam@bard.edu.
Moby Dick—Rehearsed
By Orson Welles
Saturday, October 26, 2013
2 pm
Fisher Center, LUMA TheaterSOLD OUT!
Tickets: $15; free for Bard community. Reservations required.
directed by Jonathan Rosenberg
designed by Zane Pihlstrom
lights by Bruce Steinberg
video by Joshua Thorson
music/sound by Antonin Fajt '14 and Math Norman '14
music for church hymn and sailor songs by Ben Hopkins '14
Moby Dick—Rehearsed is a 1955 play by Orson Welles in which a company of actors gathers in a rehearsal room to work on an adaptation of the Herman Melville novel. In Welles’s dramatic experiment the rehearsal is the performance, and a door is opened on the act of theatrical creation.
Cast
Salome Dewell '16, Ishmael/Ensemble
Paul Weintrob '14, Ahab/Ensemble
Harry Beer '14, Starbuck/Ensemble
Sebastian Gutierrez '14, Stubb/Ensemble
Antonio Irizarry '14, Flask/Ensemble
Eleanor Robb '16, Pip/Ensemble
Kate Edery '14, Peleg/Daggoo/voice of Rachel/Ensemble
Dimitri Cacouris '14, Father Mapple/Tashtego/voice of Bachelor/Ensemble
Ben Hopkins '14, Elijah/Queequeg/Carpenter/Ensemble
Running time for this performance is approximately two hours and 10 minutes, with one 15-minute intermissionSponsored by: Bard Theater and Performance Program.
For more information, call 845-758-7900, e-mail fishercenter@bard.edu, or visit http://fishercenter.bard.edu.
Moby Dick—Rehearsed
By Orson Welles
Saturday, October 26, 2013
7 pm
Fisher Center, LUMA TheaterSOLD OUT!
Tickets: $15; free for Bard community. Reservations required.
directed by Jonathan Rosenberg
designed by Zane Pihlstrom
lights by Bruce Steinberg
video by Joshua Thorson
music/sound by Antonin Fajt '14 and Math Norman '14
music for church hymn and sailor songs by Ben Hopkins '14
Moby Dick—Rehearsed is a 1955 play by Orson Welles in which a company of actors gathers in a rehearsal room to work on an adaptation of the Herman Melville novel. In Welles’s dramatic experiment the rehearsal is the performance, and a door is opened on the act of theatrical creation.
Cast
Salome Dewell '16, Ishmael/Ensemble
Paul Weintrob '14, Ahab/Ensemble
Harry Beer '14, Starbuck/Ensemble
Sebastian Gutierrez '14, Stubb/Ensemble
Antonio Irizarry '14, Flask/Ensemble
Eleanor Robb '16, Pip/Ensemble
Kate Edery '14, Peleg/Daggoo/voice of Rachel/Ensemble
Dimitri Cacouris '14, Father Mapple/Tashtego/voice ofBachelor/Ensemble
Ben Hopkins '14, Elijah/Queequeg/Carpenter/Ensemble
Running time for this performance is approximately two hours and 10 minutes, with one 15-minute intermissionSponsored by: Bard Theater and Performance Program.
For more information, call 845-758-7900, e-mail fishercenter@bard.edu, or visit http://fishercenter.bard.edu.
American Symphony Orchestra
Concert One
Saturday, October 26, 2013
8 pm
Fisher Center, Sosnoff TheaterConducted by Leon Botstein, Music Director
7 pm Preconcert Talk by Peter Laki
8 pm Performance
Tickets: $25, 30, 35, 40
Founded in 1962 by legendary conductor Leopold Stokowski, the American Symphony Orchestra continues its mission to demystify orchestral music, and make it accessible and affordable to everyone. Under music director Leon Botstein, the ASO has pioneered what the Wall Street Journal called “a new concept in orchestras,” presenting concerts in the Vanguard Series at Carnegie Hall curated around various themes from the visual arts, literature, politics, and history, and unearthing rarely performed masterworks for well-deserved revival. At Bard College, the ASO appears in an annual winter subscription series at the Richard B. Fisher Center for the Performing Arts, and also takes part in the Bard Music Festival and SummerScape.
In addition to many albums released on the Telarc, New World, Bridge, Koch, and Vanguard labels, live performances by the American Symphony are now available for digital download. In many cases, these are the only existing recordings of some of the rare works that have been rediscovered in ASO performances.
Featured soloists for the ASO’s fall-spring season include Bard College Conservatory of Music students and Concerto Competition winners Fanya Wyrick-Flax, Dongfang Ouyang, and Zhi Ma.
Concert One
Igor Stravinsky
Petrushka
Avner Dorman
Piccolo Concerto
Fanya Wyrick-Flax ’13, piccolo
Felix Mendelssohn
Symphony No. 5, Op. 107 ("Reformation")
Running time for this concert is approximately one hour and 25 minutes, with one 20-minute intermission.
Programs and performances are subject to change.
Sponsored by: American Symphony Orchestra; Fisher Center.For more information, call 845-758-7900, e-mail fishercenter@bard.edu, or visit http://fishercenter.bard.edu.
Evensong Service
Sunday Evening Worship Service
Sunday, October 27, 2013
7–8 pm
Chapel of the Holy InnocentsAncient Ritual Blessing of the Light from the second century AD with music and candles.Sponsored by: Chaplaincy.
For more information, call 845-757-4309, or e-mail ggrab@bard.edu.
Family Weekend–Alumni/ae Day 2013
Friday, October 25, 2013 – Sunday, October 27, 2013
Annandale-on-HudsonEnjoy a variety of events on campus, including What's New at Bard, Ask the President Forum, sample classes, performances by the American Symphony Orchestra, campus tours, and panel discussions. Special events will be held for alumni/ae, including a reception with President Leon Botstein and the Bard-St. Stephen's Alumni/ae Association Board of Governors.Sponsored by: Bard College Alumni/ae Association; Dean of Student Affairs.
For more information, call 845-758-7360, e-mail events@bard.edu, or visit http://annandaleonline.org/familyweekend.
Our Inaugural Student Symposium
Sunday, October 27, 2013
12–4 pm
Olin Auditorium, classrooms & Olin LC 115Sponsored by: First-Year Seminar.
For more information, call 845-758-7490, or e-mail jcerulli@bard.edu.
Moby Dick—Rehearsed
By Orson Welles
Sunday, October 27, 2013
7 pm
Fisher Center, LUMA TheaterSOLD OUT!
Tickets: $15; free for Bard community. Reservations required.
directed by Jonathan Rosenberg
designed by Zane Pihlstrom
lights by Bruce Steinberg
video by Joshua Thorson
music/sound by Antonin Fajt '14 and Math Norman '14
music for church hymn and sailor songs by Ben Hopkins '14
Moby Dick—Rehearsed is a 1955 play by Orson Welles in which a company of actors gathers in a rehearsal room to work on an adaptation of the Herman Melville novel. In Welles’s dramatic experiment the rehearsal is the performance, and a door is opened on the act of theatrical creation.
Cast
Salome Dewell '16, Ishmael/Ensemble
Paul Weintrob '14, Ahab/Ensemble
Harry Beer '14, Starbuck/Ensemble
Sebastian Gutierrez '14, Stubb/Ensemble
Antonio Irizarry '14, Flask/Ensemble
Eleanor Robb '16, Pip/Ensemble
Kate Edery '14, Peleg/Daggoo/voice of Rachel/Ensemble
Dimitri Cacouris '14, Father Mapple/Tashtego/voice of Bachelor/Ensemble
Ben Hopkins '14, Elijah/Queequeg/Carpenter/Ensemble
Running time for this performance is approximately two hours and 10 minutes, with one 15-minute intermissionSponsored by: Bard Theater and Performance Program.
For more information, call 845-758-7900, e-mail fishercenter@bard.edu, or visit http://fishercenter.bard.edu.
Italian Film Festival
“Neorealism and …Beyond”
Monday, October 28, 2013
6:30–8 pm
Preston TheaterEvery semester the Italian Department is pleased to invite you to an Italian Film Series. This Fall, films will be screened every MONDAY, in PRESTON THEATER 110, at 6:30pm.
Sponsored by: Italian Studies Program.For more information, call 845-758-7377, or e-mail acafaro@bard.edu.
Seth Lipsky Lunchtime Talk on Opinion Journalism
Monday, October 28, 2013
12:30–2 pm
Arendt CenterSponsored by: Hannah Arendt Center.
For more information, call 845-758-7878, e-mail bhollenb@bard.edu, or visit http://hac.bard.edu/.
The Visitor Talks: Sally Tallant
Monday, October 28, 2013
3–5 pm
CCS Bard Seminar Room 1Sally Tallant is the Director of Liverpool Biennial – The UK Biennial of International Contemporary Art.
From 2001 – 11, she was Head of Programmes at the Serpentine Gallery, London where she was responsible for the development and delivery of an integrated programme of Exhibitions, Architecture, Education and Public Programmes. She has curated exhibitions in a wide range of contexts including the Hayward Gallery, Serpentine Gallery, Hospitals, Schools as well as public commissions. She has developed commissioning programmes for artists in a range of contexts and developed long-term projects including The Edgware Road Project, Skills Exchange and Disassembly. She has also curated performances, sound events, film programmes and conferences including initiating the Park Nights series in the Serpentine Gallery Pavilions and co-curating the Serpentine Gallery Marathon series with Hans Ulrich Obrist. She is a regular contributor to conferences nationally and internationally.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs/view/calendar/the-visitor-talks-pre-ambulation-and-retrospection/.
A Lecture by Seth Lipsky - Our Constitutional Moment: Why America's Foundational Document Is So Hot
Monday, October 28, 2013
6:30–8 pm
Olin, Room 102Our politics have been so divided in recent years that our national debate is increasingly turning to the Constitution and its fundamental principles.
Seth Lipsky, the author of "The Citizen's Constitution: An Annotated Guide," has been described in the Boston Globe as "a legendary figure in contemporary journalism," and on TheAtlantic.com as possessing "the most interesting mind in journalism." He has also been nominated for a Pulitzer Prize in Editorial Writing.
Lipsky will be a Visiting Professor at Bard in the Spring 2014 Semester and teach a course: "How to Form an Opinion." He writes: "This course focuses not on what to think but on how to form an opinion and write an essay, column or blog posting that will get past an editor and into print. Emphasis is laid on the role of reporting and on the competitive nature of journalism."
The founding editor of The New York Sun, Mr. Lipsky is a veteran of The Wall Street Journal, where he was formerly foreign editor and a member of the editorial board. Mr. Lipsky was a private soldier in the United States Army and combat correspondent in Vietnam for Pacific Stars and Stripes.
For more information, call 845-758-7878, e-mail bhollenb@bard.edu, or visit http://hac.bard.edu/.
Noon Concert
Tuesday, October 29, 2013
12 pm
László Z. Bitó '60 Conservatory BuildingBard College Conservatory of Music students in concert.
Free and open to the public.Sponsored by: Bard College Conservatory of Music.
For more information, call 845-758-6822, or e-mail conservatoryconcerts@bard.edu.
BGIA Information Session
Learn more about the Bard Globalization and International Affairs Program.
Tuesday, October 29, 2013
12–1:30 pm
Campus Center, Weis CinemaJoin BGIA Director Jonathan Cristol and Associate Director Mia McCully for an information session on the Bard Globalization and International Affairs Program (BGIA). BGIA provides students, of all majors, with the opportunity to engage in the study and practice of international relations through internships and coursework in New York City. The program is offered in the spring, summer, and fall. Sponsored by: BGIA.
For more information, call 646-839-9262, e-mail mccully@bard.edu, or visit http://bgia.bard.edu.
"From the Shtetl to the Lecture Hall: Jewish Women in 19th Century Europe"
A Lecture by Luise Hirsch
Tuesday, October 29, 2013
5 pm
Campus Center, Weis CinemaWhen Europe’s graduate schools began to open their doors to female students in the second half of the 19th century, they were primarily responding to the requests of Jewish women from Russia. Often family breadwinners encouraged to be independent and assertive, they more than other women fought their way into the hitherto exclusively male world of academia. Banned from universities at home, they made Swiss graduate schools the first institutions in the world to train female professionals.
Luise Hirsch was educated at the University of Heidelberg and at Freie Universität Berlin and earned a doctorate in Jewish History from the University of Duisburg in 2005. She lives in Heidelberg and Berlin and works as an author and translator.
Sponsored by: Gender and Sexuality Studies Program; Jewish Studies Program.
For more information, call 845-758-7543, or e-mail kuznitz@bard.edu.
Margaret Gray: Labor and the Locavore: The Making of a Comprehensive Food Ethic
Tuesday, October 29, 2013
7–9 pm
Olin, Room 102Associate Professor of Political Science at Adelphi University, Margaret Gray will discuss her new book about migrant labor in the Hudson Valley, Labor and the Locavore: The Making of a Comprehensive Food Ethic.
In the blizzard of attention around the virtues of local food production, food writers and activists place environmental protection, animal welfare, and saving small farms at the forefront of their attention. Yet amid this turn to wholesome and responsible food choices, the lives and working conditions of farmworkers are often an afterthought.
Labor and the Locavore focuses on one of the most vibrant local food economies in the country, the Hudson Valley that supplies New York restaurants and farmers markets. Based on more than a decade’s in-depth interviews with workers, farmers, and others, Gray’s examination clearly shows how the currency of agrarian values serves to mask the labor concerns of an already hidden workforce.
She also explores the historical roots of farmworkers’ predicaments and examines the ethnic shift from Black to Latino workers. With an analysis that can be applied to local food concerns around the country, this book challenges the reader to consider how the mentality of the alternative food movements implies a comprehensive food ethic that addresses workers’ concerns.
Sponsored by: Difference and Media Project; Human Rights Program; Human Rights Project; LAIS Program; Spanish Studies.
For more information, call 845-758-7650, e-mail hrp@bard.edu, or visit http://hrp.bard.edu.
The Fall 2013 Latino/a Film Series
All are welcome!
(Films are in English or in Spanish with English subtitles)
Wednesday, October 30, 2013
7–9 pm
Preston TheaterFor more information, call 845-758-7664, or e-mail mrodrig@bard.edu.
The Cuban Argument with Itself
Presented by Jorge Ignacio Cortiñas
Wednesday, October 30, 2013
6:30 pm
Fisher Center, Resnick Theater StudioReviewing the history of censorship and political intolerance in Miami and Havana suggests that these two centers of Cuban politics might be engaged in processes of polarization that often operate in concert with each other and have proved integral to the maintenance of the United States trade embargo against Cuba. As one antidote to this long standing polarization, Jorge Ignacio Cortiñas will review the efforts of Cuban and Cuban American theater artists who have for decades been organizing to subvert the embargo, noting the successful ways these artists have begun to normalize exchange and travel between the United States and Cuba.
Sponsored by: Bard Theater and Performance Program.
For more information, call 845-758-7957, or e-mail rbangiola@bard.edu.
Empire Under Siege: The Satirical Journals of the First Russian Revolution, 1905-1907
Presented by Oleg Minin
Wednesday, October 30, 2013
7 pm
Olin, Room 102The satirical journals that proliferated across the Russian Empire during the 1905 Revolution offer a rich and paradoxical portrait of one of the most complex and exciting episodes in Russia’s modern history and culture. On the one hand, the journals describe the impotence of the ancien regime headed by imperial Russia’s last tsar, Nicholas II, and the exuberance of popular liberation. On the other, they comment on the government response and the political developments of the revolutionary period often as a nightmare of demons, vampires, monsters, skeletons, executions, anti-Semitic pogroms, rapes and assassinations. Focusing on this special moment in Russian history and culture in general and in the evolution of Russia’s satirical press in particular, in this talk I will discuss the social and political developments (c. 1905-6) that gave rise to the unprecedented Empire-wide proliferation of politicized satirical press and address a host of important issues relating to the journals’ political leanings, censorship, financial considerations, visual and literary content and, significantly, targets of satire, of which the Empire itself became one.
Please join us for a reception at 6:30 p.m. in the Olin Atrium.
Oleg's talk will be accompanied by a concurrent, eponymous exhibition at the Stevenson library, under the skylights on the second floor of Kellogg.
Curated by Oleg, this exhibition opens on October 23 and runs through November 29, 2013.
Sponsored by: Dean of the College.Oleg's talk will be accompanied by a concurrent, eponymous exhibition at the Stevenson library, under the skylights on the second floor of Kellogg.
Curated by Oleg, this exhibition opens on October 23 and runs through November 29, 2013.
For more information, call 845-758-7490, or e-mail jcerulli@bard.edu.
Molecular Basis of Drug Addiction
Thursday, October 31, 2013
12 pm
Reem-Kayden Center Laszlo Z. Bito '60 AuditoriumA lecture by Ilaria Ceglia, Rockefeller University
Sponsored by: Biology Program.
For more information, call 845-758-6822, or e-mail keesing@bard.edu.
In the Name of the Bara
Internet Circulation, Queer Identity, and Gay Manga Subcultures
Thursday, October 31, 2013
6 pm
Campus Center, Weis CinemaA Presentation by Anne Ishii
The Internet has been a key force in the circulation of queer and underground manga (comics) beyond Japan. But, as information technologies have evolved over the past decades, so have the politics and practices of queer identity-making. This talk will examine the roles of online communication in changing genres and identifications in queer Japanese manga within its local and global contexts.
Anne Ishii is a writer, producer, editor, and translator based in New York City. She has translated over 20 manga titles, including "Loups Garous" by Natsuhiko Kyogoku, and "Detroit Metal City," a spectacularly raunchy ten-volume manga about an indie rock kid with a black metal alter-ego. She runs Massive, which introduces gay Japanese manga and paraphernalia to an Anglophone audience.
Sponsored by: Asian Studies Program; Difference and Media Project; Division of Languages and Literature; Experimental Humanities Program.For more information, call 845-758-6822, or e-mail nshockey@bard.edu.