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The Big Read takes place in Germantown, Kingston, Red Hook, Rhinecliff, and Tivoli, and will focus on Housekeeping by Marilynne Robinson. Activities will take place from March 15 to May 2, 2014.
Events are planned throughout the Hudson Valley at businesses, libraries, schools, and homes with community events, performances, talks, and book groups. Book clubs are encouraged to participate.
The Big Read, a program of the National Endowment for the Arts (NEA) managed by Arts Midwest, is designed to revitalize the role of literature in American culture and to encourage citizens to read for pleasure and enlightenment. Bard College is one of 77 nonprofit organizations to receive a grant to host a Big Read project this academic year.
Full Program
Get InvolvedSponsored by: Center for Civic Engagement.
For more information, call 845-758-7453, or e-mail cannan@bard.edu.
Thursday, May 1, 2014
CCS Bard Hessel Museum of Art
Thirteen exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. Brought together in one exhibition, each gallery presents innovative approaches to contemporary art and exhibition making with over 35 artists many of whom have created works specifically for the context of the Hessel Museum.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs/exhibitions/deviance-credits/.
Thursday, May 1, 2014
Hessel Museum of Art
Opening Reception Sunday April 13, 1-4
Footnotes is an exercise in reading and re-reading the Marieluise Hessel Collection by the first year CCS Bard students which attempts to reveal the multiple logics that can be extrapolated from it.
Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Thursday, May 1, 2014
CCS Bard / Hessel Museum of Art
The Center for Curatorial Studies presents exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. The students have organized these exhibitions and projects as part of the requirements for the master of art’s degree.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Thursday, May 1, 2014
Jim Ottaway Jr. Film Center
Discussion with cinematographer Darius Khondji about Stanley Kubrick, the film/digital transition, and cinematographic practice.
Sponsored by: Center for Moving Image Arts.
For more information, call 845-758-6822, e-mail cmia@bard.edu, or visit http://www.bard.edu/cmia.
Thursday, May 1, 2014
Kline, College Room
Please join us if you are interested in adding the STS concentration to your principle course affiliation or want to talk about wider campus projects that might interrelate with STS.
Sponsored by: Science, Technology, and Society Program.
For more information, call 845-758-7296, or e-mail moynahan@bard.edu.
New Allies and Ancient Enemies:
Thursday, May 1, 2014
Reem-Kayden Center Laszlo Z. Bito '60 Auditorium
Sponsored by: Biology Program.
For more information, call 845-758-6822, or e-mail keesing@bard.edu.
Thursday, May 1, 2014
Olin, Room 101
Paul McMahon's new book, Feeding Frenzy, traces the history of the global food system and reveals the underlying causes of recent turmoil in food markets. Supplies are running short, prices keep spiking, and the media is full of talk of a world food crisis. The turmoil has unleashed some dangerous forces. Food-producing countries are banning exports even if this means starving their neighbors. Governments and corporations are scrambling to secure control of food supply chains. Powerful groups from the Middle East and Asia are acquiring farmland in poor countries to grow food for export — what some call land grabs. This raises some big questions. Can we continue to feed a burgeoning population? Are we running out of land and water? Can we rely on free markets to provide? His book reveals trends that could lead to more hunger and conflict. But Paul McMahon also outlines actions that can be taken to shape a sustainable and just food system.
Paul McMahon, who holds a PhD from the University of Cambridge, has authored reports on sustainable food systems as an advisor to The Prince of Wales’s International Sustainability Unit and to the UN’s Food and Agriculture Organization. He cofounded SLM Partners, a business that invests in sustainable agriculture in Australia and across the world. He lives in London.
Sponsored by: Environmental and Urban Studies Program.
For more information, call 845-758-6822 x7448, or e-mail raldous@bard.edu.
Thursday, May 1, 2014
Olin, Room 102
For more information, call 845-758-7506, or e-mail amoosavi@bard.edu.
Friday, May 2, 2014
CCS Bard Hessel Museum of Art
Thirteen exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. Brought together in one exhibition, each gallery presents innovative approaches to contemporary art and exhibition making with over 35 artists many of whom have created works specifically for the context of the Hessel Museum.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs/exhibitions/deviance-credits/.
Friday, May 2, 2014
Hessel Museum of Art
Opening Reception Sunday April 13, 1-4
Footnotes is an exercise in reading and re-reading the Marieluise Hessel Collection by the first year CCS Bard students which attempts to reveal the multiple logics that can be extrapolated from it.
Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Friday, May 2, 2014
CCS Bard / Hessel Museum of Art
The Center for Curatorial Studies presents exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. The students have organized these exhibitions and projects as part of the requirements for the master of art’s degree.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
The Big Read's final performance, created by Bard Professor of Dance Jean Churchill, celebrates Marilynne Robinson's Housekeeping. Joined by student performers, Churchill's piece is inspired by Robinson's landscape, characters, and language. Reception at parliament of reality immediately following.
For more information, call 845-758-6822, or e-mail arendt@bard.edu.
Friday, May 2, 2014
Hegeman 102
Sponsored by: Economics Program; Levy Economics Institute.
For more information, call 845-758-7075, or e-mail tchernev@bard.edu.
Friday, May 2, 2014
László Z. Bitó '60 Conservatory Building
For more information, call 845-758-7196, or e-mail conservatoryconcerts@bard.edu.
Friday, May 2, 2014
Oblong Books, Rhinebeck
“Benjamin Hale’s exuberant début, [The Evolution of Bruno Littlemore], is the bildungsroman of Bruno, a chimp ... who forsakes his animalhood. [The author’s] relish for his subject, and his subject’s relish for language, never flags.” —New Yorker
“[Bennett Sims’s A Questionable Shape] is the smartest zombie novel since Colson Whitehead’s Zone One.” —Washington Post
“Conjunctions is one of the very best literary magazines in North America. If you like good reading that’s also provocative and original, naturally you would be reading Conjunctions.” —Joyce Carol Oates
Sponsored by: Conjunctions.
For more information, call 845-758-7054, or e-mail conjunctions@bard.edu.
Friday, May 2, 2014
László Z. Bitó '60 Conservatory Building
Violinist Sabrina Tabby, from Philadelphia began violin at age 6 in addition to piano and ballet lessons. She developed a fondness for chamber music at a very young age, playing regularly with her twin sister, a cellist. In high school, she was featured on National Public Radio’s From the Top radio series and television show from Carnegie Hall. Now in her final year as a student at Bard College Conservatory in Laurie Smukler’s studio, Sabrina has enjoyed performing as concertmaster of the Conservatory Orchestra, in string quartets and piano trios, as well as in the baroque and new music ensembles. Winner of the 2012-2013 Bard Conservatory Concerto Competition, Sabrina will perform with orchestra in the fall. She has had opportunities to perform across four continents, most recently traveling to China with the Bard Music Festival Summer 2012 Tour, to Venezuela to teach and perform at the first annual Festival de Música de Colón, and in January 2013 she performed on the Bard Conservatory Central European Chamber Music Tour. A founding member of the new music ensemble, Contemporaneous, she is prominently featured on Innova Recordings album “Stream of Stars: Music of Dylan Mattingly”, released in 2012, and performed David Bloom’s concerto written for her with American Symphony Orchestra this past May. In addition to her violin performance degree, Sabrina is working towards a Bachelors degree in French studies and spent the fall semester 2012 abroad studying at La Sorbonne in Paris.
For more information, call 845-758-7196, or e-mail conservatoryconcerts@bard.edu.
Saturday, May 3, 2014
CCS Bard Hessel Museum of Art
Thirteen exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. Brought together in one exhibition, each gallery presents innovative approaches to contemporary art and exhibition making with over 35 artists many of whom have created works specifically for the context of the Hessel Museum.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs/exhibitions/deviance-credits/.
Saturday, May 3, 2014
Hessel Museum of Art
Opening Reception Sunday April 13, 1-4
Footnotes is an exercise in reading and re-reading the Marieluise Hessel Collection by the first year CCS Bard students which attempts to reveal the multiple logics that can be extrapolated from it.
Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Saturday, May 3, 2014
CCS Bard / Hessel Museum of Art
The Center for Curatorial Studies presents exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. The students have organized these exhibitions and projects as part of the requirements for the master of art’s degree.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Saturday, May 3, 2014 – Saturday, May 17, 2014
Bard Exhibition Center, 7401 South Broadway, Red Hook, NY
Nine Studio Arts Senior Project Exhibitions!
Exhibitions on view through May 17, 12–4 pm daily.
Exhibitors:
Jean Wong, Madeline Porsella, Ava Jewett, Paula Van Erven, Anna Kline, Hanna Rosenblum, George DuPont, Katie Biggs-Wrona, Maggie Vicknair
Everyone welcome!
Sponsored by: Studio Arts Program.
For more information, call 845-758-7674, or e-mail goodwin@bard.edu.
Saturday, May 3, 2014
László Z. Bitó '60 Conservatory Building
A full day of chamber music performed by Bard College Conservatory of Music students.
Presented in marathon form starting at 1pm and continuing until 10pm with self directed breaks.
For more information, call 845-758-7196, or e-mail conservatoryconcerts@bard.edu.
Sunday, May 4, 2014
CCS Bard Hessel Museum of Art
Thirteen exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. Brought together in one exhibition, each gallery presents innovative approaches to contemporary art and exhibition making with over 35 artists many of whom have created works specifically for the context of the Hessel Museum.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs/exhibitions/deviance-credits/.
Sunday, May 4, 2014
Hessel Museum of Art
Opening Reception Sunday April 13, 1-4
Footnotes is an exercise in reading and re-reading the Marieluise Hessel Collection by the first year CCS Bard students which attempts to reveal the multiple logics that can be extrapolated from it.
Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Sunday, May 4, 2014
CCS Bard / Hessel Museum of Art
The Center for Curatorial Studies presents exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. The students have organized these exhibitions and projects as part of the requirements for the master of art’s degree.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Sunday, May 4, 2014
László Z. Bitó '60 Conservatory Building
For more information, call 845-758-7196, or e-mail conservatoryconcerts@bard.edu.
Sunday, May 4, 2014
Chapel of the Holy Innocents
Sponsored by: Chaplaincy.
For more information, call 845-594-6845, e-mail jmali@bard.edu, or visit http://inside.bard.edu/chaplaincy/.
Sunday, May 4, 2014
László Z. Bitó '60 Conservatory Building
For more information, call 845-758-7196, or e-mail conservatoryconcerts@bard.edu.
Sunday, May 4, 2014
Chapel of the Holy Innocents
An ancient celebration of the Light (lucernaium) from the second century. Join us for liturgy, song, worship and a multitude of candles.Sponsored by: Chaplaincy.
For more information, call 845-757-4309, or e-mail ggrab@bard.edu.
Sunday, May 4, 2014
László Z. Bitó '60 Conservatory Building
For more information, call 845-758-7196, or e-mail conservatoryconcerts@bard.edu.
Monday, May 5, 2014
CCS Bard Seminar Room 1
The thematic group exhibition in contemporary art is a genre that is problematic in several respects, symptomatic of current processes of institutionalization, their clinical neo-positivisms, and capitalist frontiers of interest; but also exemplary of the agency of frames and of framing. Yet beyond its pitfalls, what is the perhaps unique potential of the genre? In this talk, I suggest to recruit the thematic exhibition as a genre in its own right, conceived as “dialectical laboratory” interrogating media-conditions their corresponding imaginaries. The medium of the exhibition is uniquely suited to engage the dialectics between power and subjectivation/objectification, between a-subjective processes and individual agency, between the symptom and aesthetic sovereignty. An exhibition can be conceived as an exemplary, model-like spatialisation of borderlines, conceptual, political and even ontological, and transform such lines of divisions into image-spaces, in which the choice they impose is suspended, made explicit, historicised and “de-monstrated”. This means to abandon formalist art histories and artists subjectivities as primary discourse of legitimisation, in favour of an analytical approach to historical conditions of appearance, and in favour of a Bakhtinian aesthetic dialogism, which unearths reified, sedimented or implicated forms as interpellations. In such “dialectical laboratories” the visitor is recruited as the “meridian” at the tipping point of reciprocities and inversions, situated within a “Kippfigur” at the hinge between figures and grounds.
This talk is given as part of the lecture series The Visitor Talks : Pre-ambulation and Retrospection.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs/events/the-visitor-talks-anselm-fanke-testing-stage-of-figures-and-grounds/.
Tuesday, May 6, 2014
Jim Ottaway Jr. Film Center
Sponsored by: Center for Moving Image Arts.
For more information, call 845-758-6822, e-mail cmia@bard.edu, or visit http://www.bard.edu/cmia.
Tuesday, May 6, 2014
Hegeman Third Floor
Please join us for Food and Drink this Tuesday 6 May at 7PM on the third floor of Hegeman to mark the installation of Textiles that Talk, an exhibition, with music and video, of East African Kangas, their proverbial inscriptions and hidden meanings.
Sponsored by: Africana Studies Program; Rift Valley Institute.
For more information, call 845-853-5768, or e-mail aa2141@bard.edu.
Wednesday, May 7, 2014
Fisher Center, Sosnoff Theater
Come hear the Bard Symphonic Chorus and Bard Chamber Singers as they perform music from the Renaissance period all the way up through the modern era! Led by the Graduate Choral Conductors under the tutelage of program director, James Bagwell, the choruses will perform music by standard repertory composers such as Palestrina, Mozart, Haydn, and Rheinberger. In addition, they will sing the music of more recent composers including Debussy, Vaughan Williams, Casals, and Gjeilo. This wonderful selection of works is sure to delight!
Sponsored by: Music Program.
For more information, call 845-758-7250, or e-mail mongan@bard.edu.
Wednesday, May 7, 2014
Olin Hall
The Bard College Community Jazz Orchestra celebrates the music of Duke Ellington. One of the most influential composers and band leaders in the 20th century, Ellington would have been 115 this year.
This program draws from his Exotic song book entitled "Caravan," his song book of Romantic ballads "Sophisticated Ladies," and his song book of popular song "Satin Doll," with one exception, "Besame Mucho," written by Consuelo Valazquez.
Sponsored by: Music Program.
For more information, call 845-758-7572, or e-mail tbarker@bard.edu.
Wednesday, May 7, 2014
László Z. Bitó '60 Conservatory Building
For more information, call 845-758-7196, or e-mail conservatoryconcerts@bard.edu.
Wednesday, May 7, 2014
Jim Ottaway Jr. Film Center
For more information, call 845-758-6822, e-mail cmia@bard.edu, or visit http://www.bard.edu/cmia.
Thursday, May 8, 2014
CCS Bard Hessel Museum of Art
Thirteen exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. Brought together in one exhibition, each gallery presents innovative approaches to contemporary art and exhibition making with over 35 artists many of whom have created works specifically for the context of the Hessel Museum.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs/exhibitions/deviance-credits/.
Thursday, May 8, 2014
Hessel Museum of Art
Opening Reception Sunday April 13, 1-4
Footnotes is an exercise in reading and re-reading the Marieluise Hessel Collection by the first year CCS Bard students which attempts to reveal the multiple logics that can be extrapolated from it.
Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Thursday, May 8, 2014
CCS Bard / Hessel Museum of Art
The Center for Curatorial Studies presents exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. The students have organized these exhibitions and projects as part of the requirements for the master of art’s degree.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Thursday, May 8, 2014
Reem-Kayden Center Laszlo Z. Bito '60 Auditorium
Sponsored by: Biology Program.
For more information, call 845-758-6822, or e-mail keesing@bard.edu.
Thursday, May 8, 2014
CCS Bard Seminar Room 1
The Center for Curatorial Studies, Bard College
Seminar Room
RSVP to Lberfond@gmail.com
The collaborative history of Tim Rollins and K.O.S. began in 1981, when Rollins was recruited to teach at Intermediate School 52 in the South Bronx, developing a curriculum that used art as a means to knowledge and incorporated art-making with reading and writing lessons for students classified as “at risk” or learning disabled. By 1984, Rollins launched the Art and Knowledge Workshop in an abandoned school building, functioning as an after-school program with a group of his self-selected students. The teaching artist and his students soon began to call themselves Kids of Survival, or K.O.S., collaboratively producing paintings, prints, photographs, and sculpture based on a critical engagement with classic Western literary texts. Exploring connections between literature and the complex social, political, and ideological factors that shaped the students’ daily lives in the South Bronx, the works created at this time include their now iconic interventions onto the pages of books, which are cut out and laid in a grid on canvas. Between the mid-1980s and early 1990s, Rollins and K.O.S. participated in two of the Whitney Museum Biennials, Documenta, and the Venice Biennale, and had solo shows at the Walker Art Center, Minneapolis, the Institute of Contemporary Art, Boston, and the Dia Art Foundation, amongst others. In 1994, they moved their operation to a studio in New York’s Chelsea arts district, where Rollins and long-term K.O.S. members rebuilt and expanded the project nationally and internationally, significantly increasing the number of workshops conducted with other schools and arts institutions. Thirty years after the group was first formed, there are active K.O.S. members working across the United States, and they continue to be exhibited worldwide, with their work is represented in public and private collections, including the Marieluise Hessel Collection of Contemporary Art.
Wendy Tronrud is a teacher who is currently working on her doctorate in American Literature at the CUNY Grad Center. Her research focuses included 18th-early 20th Century African American literature, aesthetics, 19th-20th century poetry and she is busy working on a prison narrative from 1892. Presently, she teaches writing and literature courses at Queens College. In 2008, Wendy earned her Masters in Teaching Literature from Bard College after which she taught 9/10th grade Humanities for four years at Fannie Lou Hamer Freedom High School in the South BronxSponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs/the-third-idiom/.
Thursday, May 8, 2014
Blum Hall
Sponsored by: Written Arts Program & the Office of Alumni/ae Affairs.
For more information, call 845-758-7054, e-mail mmorriss@bard.edu, or visit http://writtenarts.bard.edu.
Thursday, May 8, 2014
László Z. Bitó '60 Conservatory Building
For more information, call 845-758-7196, or e-mail conservatoryconcerts@bard.edu.
Friday, May 9, 2014
CCS Bard Hessel Museum of Art
Thirteen exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. Brought together in one exhibition, each gallery presents innovative approaches to contemporary art and exhibition making with over 35 artists many of whom have created works specifically for the context of the Hessel Museum.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs/exhibitions/deviance-credits/.
Friday, May 9, 2014
Hessel Museum of Art
Opening Reception Sunday April 13, 1-4
Footnotes is an exercise in reading and re-reading the Marieluise Hessel Collection by the first year CCS Bard students which attempts to reveal the multiple logics that can be extrapolated from it.
Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Friday, May 9, 2014
CCS Bard / Hessel Museum of Art
The Center for Curatorial Studies presents exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. The students have organized these exhibitions and projects as part of the requirements for the master of art’s degree.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Friday, May 9, 2014
Fisher Center, LUMA Theater
An evening of Senior Projects in dance, this concert represents a culmination of four years of work by the graduating seniors in the Bard Dance Program. Sponsored by: Dance Program.
For more information, call 845-758-7900, e-mail fishercenter@bard.edu, or visit http://fishercenter.bard.edu/calendar/event.php?eid=122625.
Friday, May 9, 2014
Campus Center, Weis Cinema
Seventeen Philosophy Program seniors will present their Senior Projects on panels of three to four students. Each panel will be followed by a Q&A. Conference participants and attendees will be served lunch, and a brief reception will follow the conference.
Philosophy Program Seniors: Daniel Perlman, Dana Miranda, Jared Rankin, Rosette Cirillo, Elena Watson, Samuel Pratt, Kyla Mathis-Angress, Kaitlyn Chang, Lucas Opgenorth, Dee Cao, Jeremiah Tillman, Josephine Williams, Joseph Salvo, Defne Gencler, Shana Joseph, Dean Woodhouse-Weil.
Sponsored by: Philosophy Program.
For more information, call 845-758-4512, or e-mail zisman@bard.edu.
Friday, May 9, 2014
László Z. Bitó '60 Conservatory Building
For more information, call 845-758-7196, or e-mail conservatoryconcerts@bard.edu.
Friday, May 9, 2014
László Z. Bitó '60 Conservatory Building
For more information, call 845-758-7196, or e-mail conservatoryconcerts@bard.edu.
Friday, May 9, 2014
Room N211 (Jazz Room), Edith C. Blum Institute at the Milton and Sally Avery Arts Center
Contemporaneous performs Seeing Is Believing, an unbelievable program of two new works by Michael Harrison and music by Nico Muhly and Shawn Jaeger.
Drawing on his expertise in just intonation, Indian ragas and rhythmic cycles, Harrison’s music evokes what the New York Times calls, “a new harmonic world…of vibrant sound.” With "Tessellations" and "Orchestral Modules," written specifically for Contemporaneous and featuring guests Nitin Mitta (tabla), Aaron Shragge (tanpura) and Tim Parsons (countertenor), Harrison brings to life a new chapter in his explorations into these exciting worlds.
In addition to Harrison’s premieres, Contemporaneous will perform Nico Muhly’s effervescent six-string electric violin concerto "Seeing Is Believing" with Contemporaneous violinist Josh Henderson. Featuring Contemporaneous soprano Lucy Dhegrae, the roots for Kentucky composer Shawn Jaeger’s poignant and beautiful "Letters Made with Gold" come from musical gestures and song texts from Appalachian folk music.
Michael Harrison (b. 1959): "Orchestral Modules" (2014) — world premiere
Shawn Jaeger (b. 1985): "Letters Made with Gold" (2011)
— Intermission —
Nico Muhly (b. 1981): "Seeing Is Believing" (2007)
Michael Harrison (b. 1959): "Tessellations" (2014) — world premiere
For more information, call 845-758-6822, or visit http://www.contemporaneous.org/.
Friday, May 9, 2014
Olin Hall
For more information, call 845-679-8624, or e-mail billylitalo@gmail.com.
Friday, May 9, 2014
László Z. Bitó '60 Conservatory Building
For more information, call 845-758-7196, or e-mail conservatoryconcerts@bard.edu.
Saturday, May 10, 2014
CCS Bard Hessel Museum of Art
Thirteen exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. Brought together in one exhibition, each gallery presents innovative approaches to contemporary art and exhibition making with over 35 artists many of whom have created works specifically for the context of the Hessel Museum.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs/exhibitions/deviance-credits/.
Saturday, May 10, 2014
Hessel Museum of Art
Opening Reception Sunday April 13, 1-4
Footnotes is an exercise in reading and re-reading the Marieluise Hessel Collection by the first year CCS Bard students which attempts to reveal the multiple logics that can be extrapolated from it.
Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Saturday, May 10, 2014
CCS Bard / Hessel Museum of Art
The Center for Curatorial Studies presents exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. The students have organized these exhibitions and projects as part of the requirements for the master of art’s degree.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Saturday, May 10, 2014
Fisher Center, LUMA Theater
An evening of Senior Projects in dance, this concert represents a culmination of four years of work by the graduating seniors in the Bard Dance Program. Sponsored by: Dance Program.
For more information, call 845-758-7900, e-mail fishercenter@bard.edu, or visit http://fishercenter.bard.edu/calendar/event.php?eid=122625.
Saturday, May 10, 2014 – Friday, May 16, 2014
Fisher Studio Arts Building
INCONGRUOUS JUXTAPOSITIONS
THROUGH DIGITAL PROJECTIONS
A Senior Project by Yinette Ortiz
Fisher Studio Arts Building Galleries
*On view daily, through May 16th, 10:00 AM to 5:00 PM
Sponsored by: Studio Arts Program.
For more information, call 845-453-0588, or e-mail goodwin@bard.edu.
Saturday, May 10, 2014
László Z. Bitó '60 Conservatory Building
Tamas Markovics, bass trombonist, was born in Budapest, Hungary. Before coming to the United States, Tamas was a member of the King Saint Stephen Symphony Orchestra, one of Hungary's most promising orchestras. Tamas was accepted to Bard College Conservatory of Music in 2009, where he studies with Denson Paul Pollard. In 2011, he was the winner of the Conservatory's Concerto Competition and was offered the opportunity to play two solo concerts with the American Symphony Orchestra. Besides playing music in the Conservatory, Tamas is currently working on his Senior Project that will discuss the importance of solar energy in reducing air pollution in China.
For more information, call 845-758-7196, or e-mail conservatoryconcerts@bard.edu.
Saturday, May 10, 2014
László Z. Bitó '60 Conservatory Building
Cellist Emma Schmiedecke is a graduating senior at the Bard Conservatory of Music at Bard College where she studies with Peter Wiley, Luis Garcia-Renart and Sophie Shao as recipient of the George Martin-Hans Thatcher Clarke Scholarship for Cello. Most recently Emma was a visiting artist at The Banff Centre in Canada where she coached with composer John Corigliano on his Fancy on a Bach Air for Solo Cello which she performed on a retrospective concert of Corigliano’s works, opening The Banff Centre’s Music for a Summer Evening concert series. While at Banff, Emma also participated in chamber music performances with violinist Barry Shiffman and violist Steve Dann, and was the featured cellist on the recording of international opera/pop soprano Measha Brüggergosman’s forthcoming holiday album. Emma also attended the Oxford Cello School where she was the Christopher Bunting Scholar two years consecutively. As guest soloist Emma has performed with the Woodstock Chamber Orchestra, the Bergen Philharmonic and the Bravura Philharmonic, and as a recitalist has appeared at Beattie Powers Place in Catskill, New York, as well as on various music series in New Jersey and on New Hampshire Public Television. Other appearances include recitals at the Richard B. Fisher Center with violinist Helena Baillie and violist Marka Gustavsson of Bach’s Goldberg Variations as transcribed for string trio, the preparation and presentation of which was filmed for the documentary Bach Among Us which has been seen worldwide.
For more information, call 845-758-7196, or e-mail conservatoryconcerts@bard.edu.
Sunday, May 11, 2014
CCS Bard Hessel Museum of Art
Thirteen exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. Brought together in one exhibition, each gallery presents innovative approaches to contemporary art and exhibition making with over 35 artists many of whom have created works specifically for the context of the Hessel Museum.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs/exhibitions/deviance-credits/.
Sunday, May 11, 2014
Hessel Museum of Art
Opening Reception Sunday April 13, 1-4
Footnotes is an exercise in reading and re-reading the Marieluise Hessel Collection by the first year CCS Bard students which attempts to reveal the multiple logics that can be extrapolated from it.
Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Sunday, May 11, 2014
CCS Bard / Hessel Museum of Art
The Center for Curatorial Studies presents exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. The students have organized these exhibitions and projects as part of the requirements for the master of art’s degree.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Sunday, May 11, 2014
Chapel of the Holy Innocents
Sponsored by: Chaplaincy.
For more information, call 845-594-6845, e-mail jmali@bard.edu, or visit http://inside.bard.edu/chaplaincy/.
Sunday, May 11, 2014
Chapel of the Holy Innocents
An ancient celebration of the Light (lucernaium) from the second century. Join us for liturgy, song, worship and a multitude of candles.Sponsored by: Chaplaincy.
For more information, call 845-757-4309, or e-mail ggrab@bard.edu.
Sunday, May 11, 2014
Fisher Center, LUMA Theater
An evening of Senior Projects in dance, this concert represents a culmination of four years of work by the graduating seniors in the Bard Dance Program. Sponsored by: Dance Program.
For more information, call 845-758-7900, e-mail fishercenter@bard.edu, or visit http://fishercenter.bard.edu/calendar/event.php?eid=122625.
Sunday, May 11, 2014
Fisher Center, LUMA Theater
An evening of Senior Projects in dance, this concert represents a culmination of four years of work by the graduating seniors in the Bard Dance Program. Sponsored by: Dance Program.
For more information, call 845-758-7900, e-mail fishercenter@bard.edu, or visit http://fishercenter.bard.edu/calendar/event.php?eid=122625.
Sunday, May 11, 2014
László Z. Bitó '60 Conservatory Building
For more information, call 845-758-7196, or e-mail conservatoryconcerts@bard.edu.
Sunday, May 11, 2014
László Z. Bitó '60 Conservatory Building
For more information, call 845-758-7196, or e-mail conservatoryconcerts@bard.edu.
Sunday, May 11, 2014
László Z. Bitó '60 Conservatory Building
For more information, call 845-758-7196, or e-mail conservatoryconcerts@bard.edu.
Sunday, May 11, 2014
Olin Hall
Chinese native violinist Jiazhi Wang, has been playing violin since the age of four. Her father was her first teacher. In 2002, Jiazhi began her studies at the music school at the Central Conservatory of Music in Beijing. She received a scholarship for violin studies every semester, and was ranked as the best violinist of her class at the Central Conservatory of Music matriculation auditions in 2008. Jiazhi entered the Bard College Conservatory of Music in 2008, where she is currently studying violin with Weigang Li and Shmuel Ashkenasi. Her second major is Italian Studies. She has participated in numerous master classes and music festivals including the Kneisel Hall Chamber Music Festival, Taos Chamber Music Festival, Bowdoin International Music Festival as a performing associate for Weigang Li. Her quartet at Bard has collaborated with Bill T. Jones Dance/Arnie Zane Dance Company. As an orchestra player, she has participated in Bowdoin Festival Orchestra as second violin section principal, Korean summer school orchestra as concertmaster under Maestro Nanse Gum, and as assistant concertmaster in New York String Orchestra Seminar under maestro Jaime Laredo in 2012. Jiazhi was a 3rd prize winner of China young artists competition in 2005, a winner of the Bard College Conservatory concerto competition in 2010 and semifinalist of the Sendai International Violin Competition in 2010, and she has performed as a soloist with China orchestra, the Sendai Philharmonic Orchestra, and the American Symphony Orchestra.
For more information, call 845-758-7196, or e-mail conservatoryconcerts@bard.edu.
Monday, May 12, 2014
László Z. Bitó '60 Conservatory Building
Sponsored by: Bard College Conservatory of Music.
For more information, call 845-758-6822.
Monday, May 12, 2014
CCS Bard Seminar Room 1
In 2001, Lia Gangitano founded PARTICIPANT INC, a not-for-profit art space, presenting exhibitions by Virgil Marti, Charles Atlas, Kathe Burkhart, Michel Auder, and Renée Green, among others. As former curator of Thread Waxing Space, NY, her exhibitions, screenings, and performances include Spectacular Optical (1998), Luther Price: Imitation of Life (1999), Børre Sæthre: Module for Mood (2000) and Sigalit Landau (2001). She is editor of Dead Flowers (2010) and the forthcoming anthology, The Alternative to What? Thread Waxing Space and the '90s. As an associate curator, she co-curated Dress Codes (1993) and Boston School (1995) for The ICA, Boston, and edited New Histories (with Steven Nelson, 1997) and Boston School (1995). She has contributed to publications including Renée Green, Endless Dreams and Time-based Streams, Lovett/Codagnone, Whitney Biennial 2006-Day for Night, and 2012 Whitney Biennial on Charles Atlas. She served as a Curatorial Advisor for MoMA PS1, with exhibitions including Lutz Bacher, My Secret Life (2009).
This talk is given as part of the lecture series The Visitor Talks : Pre-ambulation and Retrospection.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs/events/the-visitor-talks-lia-gangitano/.
Tuesday, May 13, 2014
László Z. Bitó '60 Conservatory Building
Bard College Conservatory of Music students in concert. Free and open to the public.Sponsored by: Bard College Conservatory of Music.
For more information, call 845-758-6822, or e-mail conservatoryconcerts@bard.edu.
Tuesday, May 13, 2014 – Thursday, May 15, 2014
Olin, Room 102
Please join us in the Olin Art History Room to hear Bard Written Arts students—fiction writers, poets, memoirists, graphic novelists, digital writers, and more—present brief excerpts from their thesis work.
For the final night, Thursday 05/15, we're delighted to present Jennifer Schwartz, Allie Shyer, Hannah Khalifeh, Jeff Giering, Sarah Alpert, Joe Cotsirilos, Sam Prince, and Maggie Vicknair.
All are welcome!
Sponsored by: Written Arts Program.
For more information, call 845-758-7054, e-mail mmorriss@bard.edu, or visit http://writtenarts.bard.edu.
Tuesday, May 13, 2014
Jim Ottaway Jr. Film Center
Please check http://www.bard.edu/cmia for the full spring scheduleSponsored by: Center for Moving Image Arts.
For more information, call 845-758-6822, e-mail cmia@bard.edu, or visit http://www.bard.edu/cmia.
Tuesday, May 13, 2014 – Thursday, May 15, 2014
Olin, Room 102
Please join us in the Olin Art History Room to hear Bard Written Arts students—fiction writers, poets, memoirists, graphic novelists, digital writers, and more—present brief excerpts from their thesis work.
For the final night, Thursday 05/15, we're delighted to present Jennifer Schwartz, Allie Shyer, Hannah Khalifeh, Jeff Giering, Sarah Alpert, Joe Cotsirilos, Sam Prince, and Maggie Vicknair.
All are welcome!
Sponsored by: Written Arts Program.
For more information, call 845-758-7054, e-mail mmorriss@bard.edu, or visit http://writtenarts.bard.edu.
Wednesday, May 14, 2014
Olin Hall
For more information, call 845-758-7196, or e-mail conservatoryconcerts@bard.edu.
Wednesday, May 14, 2014
Jim Ottaway Jr. Film Center
Please check http://www.bard.edu/cmia for the full spring scheduleSponsored by: Center for Moving Image Arts.
For more information, call 845-758-6822, e-mail cmia@bard.edu, or visit http://www.bard.edu/cmia.
Wednesday, May 14, 2014
László Z. Bitó '60 Conservatory Building
For more information, call 845-758-7196, or e-mail conservatoryconcerts@bard.edu.
Thursday, May 15, 2014
CCS Bard Hessel Museum of Art
Thirteen exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. Brought together in one exhibition, each gallery presents innovative approaches to contemporary art and exhibition making with over 35 artists many of whom have created works specifically for the context of the Hessel Museum.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs/exhibitions/deviance-credits/.
Thursday, May 15, 2014
Hessel Museum of Art
Opening Reception Sunday April 13, 1-4
Footnotes is an exercise in reading and re-reading the Marieluise Hessel Collection by the first year CCS Bard students which attempts to reveal the multiple logics that can be extrapolated from it.
Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Thursday, May 15, 2014
CCS Bard / Hessel Museum of Art
The Center for Curatorial Studies presents exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. The students have organized these exhibitions and projects as part of the requirements for the master of art’s degree.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Tuesday, May 13, 2014 – Thursday, May 15, 2014
Olin, Room 102
Please join us in the Olin Art History Room to hear Bard Written Arts students—fiction writers, poets, memoirists, graphic novelists, digital writers, and more—present brief excerpts from their thesis work.
For the final night, Thursday 05/15, we're delighted to present Jennifer Schwartz, Allie Shyer, Hannah Khalifeh, Jeff Giering, Sarah Alpert, Joe Cotsirilos, Sam Prince, and Maggie Vicknair.
All are welcome!
Sponsored by: Written Arts Program.
For more information, call 845-758-7054, e-mail mmorriss@bard.edu, or visit http://writtenarts.bard.edu.
Thursday, May 15, 2014
Reem-Kayden Center Laszlo Z. Bito '60 Auditorium
Sponsored by: Biology Program.
For more information, call 845-758-6822, or e-mail keesing@bard.edu.
Thursday, May 15, 2014
Reem-Kayden Center
Sponsored by: Division of Science, Mathematics, and Computing.
For more information, call 845-758-6822, or e-mail mcgrail@bard.edu.
Friday, May 16, 2014
CCS Bard Hessel Museum of Art
Thirteen exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. Brought together in one exhibition, each gallery presents innovative approaches to contemporary art and exhibition making with over 35 artists many of whom have created works specifically for the context of the Hessel Museum.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs/exhibitions/deviance-credits/.
Friday, May 16, 2014
Hessel Museum of Art
Opening Reception Sunday April 13, 1-4
Footnotes is an exercise in reading and re-reading the Marieluise Hessel Collection by the first year CCS Bard students which attempts to reveal the multiple logics that can be extrapolated from it.
Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Friday, May 16, 2014
CCS Bard / Hessel Museum of Art
The Center for Curatorial Studies presents exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. The students have organized these exhibitions and projects as part of the requirements for the master of art’s degree.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Friday, May 16, 2014
László Z. Bitó '60 Conservatory Building
For more information, call 845-758-7196, or e-mail conservatoryconcerts@bard.edu.
Saturday, May 17, 2014
CCS Bard Hessel Museum of Art
Thirteen exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. Brought together in one exhibition, each gallery presents innovative approaches to contemporary art and exhibition making with over 35 artists many of whom have created works specifically for the context of the Hessel Museum.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs/exhibitions/deviance-credits/.
Saturday, May 17, 2014
Hessel Museum of Art
Opening Reception Sunday April 13, 1-4
Footnotes is an exercise in reading and re-reading the Marieluise Hessel Collection by the first year CCS Bard students which attempts to reveal the multiple logics that can be extrapolated from it.
Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Saturday, May 17, 2014
CCS Bard / Hessel Museum of Art
The Center for Curatorial Studies presents exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. The students have organized these exhibitions and projects as part of the requirements for the master of art’s degree.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Saturday, May 17, 2014
Hudson, NY
Bard literary journal Conjunctions will be featured at the Literary Magazine and Small Press Book Fair, taking place from 11 a.m. to 4 p.m. on Saturday, May 17, at the Hudson Opera House (327 Warren Street). Hundreds of books and magazines published by regional and national independent literary publishers will be on sale at bargain prices, with many publishers there to meet and greet—including Conjunctions.
At 5 p.m., the Marianne Courville Gallery (341-1/2 Warren Street) hosts readings by Lydia Davis, Joan Retallack, Nick Flynn, and Leslie Jamison, with a book signing and reception to follow. An incredible opportunity for an intimate event with these literary luminaries!
(Please note that the book-arts workshop referenced in the flier below has been canceled.)
Sponsored by: Council of Literary Magazines & Presses, the Hudson Opera House, and Hudson Wine Merchants .
For more information, call 845-758-7054, e-mail conjunctions@bard.edu, or visit http://hudsonoperahouse.org/2013/10/26/8th-annual-hudson-valley-literary-festival-saturday-may-17-2014/.
Bill T. Jones/Arnie Zane Dance Company
Saturday, May 17, 2014
Fisher Center, LUMA Theater
The world-renowned Bill T. Jones/Arnie Zane Dance Company culminates its annual creative residency at Bard with a showing and discussion of the company’s latest projects, including the reconstruction of duets Duets x 2 (1982), Just You (1993), and Shared Distance (1982).Sponsored by: Dance Program.
For more information, call 845-758-7900, e-mail fishercenter@bard.edu, or visit http://fishercenter.bard.edu/calendar/event.php?eid=122603.
Saturday, May 17, 2014
László Z. Bitó '60 Conservatory Building
For more information, call 845-758-7196, or e-mail conservatoryconcerts@bard.edu.
Sunday, May 18, 2014
CCS Bard Hessel Museum of Art
Thirteen exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. Brought together in one exhibition, each gallery presents innovative approaches to contemporary art and exhibition making with over 35 artists many of whom have created works specifically for the context of the Hessel Museum.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs/exhibitions/deviance-credits/.
Sunday, May 18, 2014
Hessel Museum of Art
Opening Reception Sunday April 13, 1-4
Footnotes is an exercise in reading and re-reading the Marieluise Hessel Collection by the first year CCS Bard students which attempts to reveal the multiple logics that can be extrapolated from it.
Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Sunday, May 18, 2014
CCS Bard / Hessel Museum of Art
The Center for Curatorial Studies presents exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. The students have organized these exhibitions and projects as part of the requirements for the master of art’s degree.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Sunday, May 18, 2014
Chapel of the Holy Innocents
Sponsored by: Chaplaincy.
For more information, call 845-594-6845, e-mail jmali@bard.edu, or visit http://inside.bard.edu/chaplaincy/.
Sunday, May 18, 2014
Chapel of the Holy Innocents
An ancient celebration of the Light (lucernaium) from the second century. Join us for liturgy, song, worship and a multitude of candles.Sponsored by: Chaplaincy.
For more information, call 845-757-4309, or e-mail ggrab@bard.edu.
Artist Couples of Woodstock: Student-Curated Exhibit on View at Historical Society of Woodstock
Sunday, May 18, 2014
The Historical Society of Woodstock
For more information, call 845-758-7247, or e-mail wolf@bard.edu.
Sunday, May 18, 2014
Fisher Center, Sosnoff Theater
Suggested donation: $20 (orchestra seating); $15 (parterre / first balcony); free to the Bard community with ID
Conducted by music director Leon Botstein and featuring pianist Peter Serkin, the program includes Bohuslav Martinů’s Memorial to Lidice for orchestra and Thunderbolt; Béla Bartók’s Piano Concerto No. 3 in E Major; and Aaron Copland’s Symphony No. 3. Sponsored by: Bard College Conservatory of Music; Fisher Center.
For more information, call 845-758-7196, e-mail conservatoryconcerts@bard.edu, or visit http://fishercenter.bard.edu/calendar/event.php?eid=122604&year=2014&month=5&day=18.
Monday, May 19, 2014
László Z. Bitó '60 Conservatory Building
Conservatory bass students in concert.
Works by Anderson, Bach, Bottesini, Telemann, Paganini
For more information, call 845-758-2401, or e-mail conservatoryconcerts@bard.edu.
For more information, call 845-758-6822.
Tuesday, May 20, 2014
László Z. Bitó '60 Conservatory Building
Sponsored by: Bard College Conservatory of Music.
For more information, call 845-758-6822.
Thursday, May 22, 2014
CCS Bard Hessel Museum of Art
Thirteen exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. Brought together in one exhibition, each gallery presents innovative approaches to contemporary art and exhibition making with over 35 artists many of whom have created works specifically for the context of the Hessel Museum.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs/exhibitions/deviance-credits/.
Thursday, May 22, 2014
Hessel Museum of Art
Opening Reception Sunday April 13, 1-4
Footnotes is an exercise in reading and re-reading the Marieluise Hessel Collection by the first year CCS Bard students which attempts to reveal the multiple logics that can be extrapolated from it.
Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Thursday, May 22, 2014
CCS Bard / Hessel Museum of Art
The Center for Curatorial Studies presents exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. The students have organized these exhibitions and projects as part of the requirements for the master of art’s degree.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Commencement Rehearsal
11:45 a.m., Bard Chapel
Baccalaureate
Cap and Gown Required
5:15 p.m. - Line up in front of Stone Row for Procession to Bard Chapel
5:30 p.m. - Baccalaureate in Bard Chapel (rain plan: Olin Hall)
Senior Dinner
7:00 p.m., Commencement Tent
Details about Commencement can be found on the following website at: annandaleonline.org/commencement. This includes a full schedule of events and online registration.
Seniors, please also visit bard.edu/dosa/senioryear for more information.
For more information, call 845-758-7867, or e-mail events@bard.edu.
Thursday, May 22, 2014
Olin Humanities Building
MAT graduate student classroom research project presentations. Select titles include:
"The Effects of Differentiated Assessment to Reinforce Biological Concepts"
"Learning New Words: Effective Vocabulary Instruction in High School English"
"What Student Preferences About Writing Conference Feedback Reveal About Their Conceptions of the Revision Process"
Sponsored by: Master of Arts in Teaching Program.
For more information, call 845-758-7145, e-mail cmaple@bard.edu, or visit http://www.bard.edu/mat.
Friday, May 23, 2014
CCS Bard Hessel Museum of Art
Thirteen exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. Brought together in one exhibition, each gallery presents innovative approaches to contemporary art and exhibition making with over 35 artists many of whom have created works specifically for the context of the Hessel Museum.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs/exhibitions/deviance-credits/.
Friday, May 23, 2014
Hessel Museum of Art
Opening Reception Sunday April 13, 1-4
Footnotes is an exercise in reading and re-reading the Marieluise Hessel Collection by the first year CCS Bard students which attempts to reveal the multiple logics that can be extrapolated from it.
Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Friday, May 23, 2014
CCS Bard / Hessel Museum of Art
The Center for Curatorial Studies presents exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. The students have organized these exhibitions and projects as part of the requirements for the master of art’s degree.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Friday, May 23, 2014 – Sunday, May 25, 2014
Annandale-on-Hudson
Attend this weekend to watch the Class of 2014 graduate and reconnect with your fellow alumni/ae. Reunion classes celebrating in 2014: 1954 and older, 1964, 1974, 1984, 1988, 1994, 1999, 2004, and 2009. Please plan to attend! If you would like to help organize your upcoming reunion, contact events@bard.edu. Online pre-registration opens February 1, 2014.
Sponsored by: Bard College Alumni/ae Association.
For more information, call 845-758-7867, e-mail events@bard.edu, or visit http://annandaleonline.org/commencement.
Friday, May 23, 2014
Reem-Kayden Center
MAT Graduate Student Academic Research Project Presentations
Select titles include:
"Assessing the Bactericidal Effectiveness of a Novel Ultraviolet Light Treatment Protocol in Disinfecting Bard College Campus Keyboards"
"Shouting Fire in a Crowded Theatre: The Post-World War I Red Scare"
"An Exploration and Analysis of Musical Rhythms in Polygonal Representation with Geometric Constraints"
"The Poet of the Body and Soul: Sexuality in Walt Whitman's Poetry"
Sponsored by: Master of Arts in Teaching Program.
For more information, call 845-758-7145, e-mail cmaple@bard.edu, or visit http://www.bard.edu/mat.
Saturday, May 24, 2014
CCS Bard Hessel Museum of Art
Thirteen exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. Brought together in one exhibition, each gallery presents innovative approaches to contemporary art and exhibition making with over 35 artists many of whom have created works specifically for the context of the Hessel Museum.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs/exhibitions/deviance-credits/.
Saturday, May 24, 2014
Hessel Museum of Art
Opening Reception Sunday April 13, 1-4
Footnotes is an exercise in reading and re-reading the Marieluise Hessel Collection by the first year CCS Bard students which attempts to reveal the multiple logics that can be extrapolated from it.
Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Saturday, May 24, 2014
CCS Bard / Hessel Museum of Art
The Center for Curatorial Studies presents exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. The students have organized these exhibitions and projects as part of the requirements for the master of art’s degree.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Artist Couples of Woodstock: Student-Curated Exhibit on View at Historical Society of Woodstock
Saturday, May 24, 2014
The Historical Society of Woodstock
For more information, call 845-758-7247, or e-mail wolf@bard.edu.
Friday, May 23, 2014 – Sunday, May 25, 2014
Annandale-on-Hudson
Attend this weekend to watch the Class of 2014 graduate and reconnect with your fellow alumni/ae. Reunion classes celebrating in 2014: 1954 and older, 1964, 1974, 1984, 1988, 1994, 1999, 2004, and 2009. Please plan to attend! If you would like to help organize your upcoming reunion, contact events@bard.edu. Online pre-registration opens February 1, 2014.
Sponsored by: Bard College Alumni/ae Association.
For more information, call 845-758-7867, e-mail events@bard.edu, or visit http://annandaleonline.org/commencement.
For more information, call 845-758-7867, e-mail events@bard.edu, or visit http://annandaleonline.org/commencement.
Sunday, May 25, 2014
CCS Bard Hessel Museum of Art
Thirteen exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. Brought together in one exhibition, each gallery presents innovative approaches to contemporary art and exhibition making with over 35 artists many of whom have created works specifically for the context of the Hessel Museum.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs/exhibitions/deviance-credits/.
Sunday, May 25, 2014
Hessel Museum of Art
Opening Reception Sunday April 13, 1-4
Footnotes is an exercise in reading and re-reading the Marieluise Hessel Collection by the first year CCS Bard students which attempts to reveal the multiple logics that can be extrapolated from it.
Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Sunday, May 25, 2014
CCS Bard / Hessel Museum of Art
The Center for Curatorial Studies presents exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. The students have organized these exhibitions and projects as part of the requirements for the master of art’s degree.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Artist Couples of Woodstock: Student-Curated Exhibit on View at Historical Society of Woodstock
Sunday, May 25, 2014
The Historical Society of Woodstock
For more information, call 845-758-7247, or e-mail wolf@bard.edu.
Friday, May 23, 2014 – Sunday, May 25, 2014
Annandale-on-Hudson
Attend this weekend to watch the Class of 2014 graduate and reconnect with your fellow alumni/ae. Reunion classes celebrating in 2014: 1954 and older, 1964, 1974, 1984, 1988, 1994, 1999, 2004, and 2009. Please plan to attend! If you would like to help organize your upcoming reunion, contact events@bard.edu. Online pre-registration opens February 1, 2014.
Sponsored by: Bard College Alumni/ae Association.
For more information, call 845-758-7867, e-mail events@bard.edu, or visit http://annandaleonline.org/commencement.
Artist Couples of Woodstock: Student-Curated Exhibit on View at Historical Society of Woodstock
Saturday, May 31, 2014
The Historical Society of Woodstock
For more information, call 845-758-7247, or e-mail wolf@bard.edu.
Celebrate Housekeeping by Marilynne Robinson During The Big Read
Saturday, March 15, 2014 – Friday, May 2, 2014
Local CommunitiesThe Big Read takes place in Germantown, Kingston, Red Hook, Rhinecliff, and Tivoli, and will focus on Housekeeping by Marilynne Robinson. Activities will take place from March 15 to May 2, 2014.
Events are planned throughout the Hudson Valley at businesses, libraries, schools, and homes with community events, performances, talks, and book groups. Book clubs are encouraged to participate.
The Big Read, a program of the National Endowment for the Arts (NEA) managed by Arts Midwest, is designed to revitalize the role of literature in American culture and to encourage citizens to read for pleasure and enlightenment. Bard College is one of 77 nonprofit organizations to receive a grant to host a Big Read project this academic year.
Full Program
Get InvolvedSponsored by: Center for Civic Engagement.
For more information, call 845-758-7453, or e-mail cannan@bard.edu.
Save this event: Deviance Credits
Thursday, May 1, 2014
11 am – 6 pm
CCS Bard Hessel Museum of ArtThirteen exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. Brought together in one exhibition, each gallery presents innovative approaches to contemporary art and exhibition making with over 35 artists many of whom have created works specifically for the context of the Hessel Museum.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs/exhibitions/deviance-credits/.
Footnotes
Thursday, May 1, 2014
11 am – 6 pm
Hessel Museum of ArtOpening Reception Sunday April 13, 1-4
Footnotes is an exercise in reading and re-reading the Marieluise Hessel Collection by the first year CCS Bard students which attempts to reveal the multiple logics that can be extrapolated from it.
Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
2014 Spring Exhibitions and Projects
Thursday, May 1, 2014
11 am – 6 pm
CCS Bard / Hessel Museum of ArtThe Center for Curatorial Studies presents exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. The students have organized these exhibitions and projects as part of the requirements for the master of art’s degree.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
CMIA - Discussion with Cinematographer Darius Khondji
Thursday, May 1, 2014
11:50 am – 1:10 pm
Jim Ottaway Jr. Film CenterDiscussion with cinematographer Darius Khondji about Stanley Kubrick, the film/digital transition, and cinematographic practice.
Sponsored by: Center for Moving Image Arts.
For more information, call 845-758-6822, e-mail cmia@bard.edu, or visit http://www.bard.edu/cmia.
Everything You Wanted to Know About the Science, Technology, and Society Concentration (STS)
Lunchtime meeting on the STS program
Thursday, May 1, 2014
11:50 am – 1 pm
Kline, College RoomPlease join us if you are interested in adding the STS concentration to your principle course affiliation or want to talk about wider campus projects that might interrelate with STS.
Sponsored by: Science, Technology, and Society Program.
For more information, call 845-758-7296, or e-mail moynahan@bard.edu.
New Allies and Ancient Enemies:
Antibiotic Discovery in the Post-Genomic Era
A lecture by Zachary Charlop-Powers, Rockefeller University
Thursday, May 1, 2014
12 pm
Reem-Kayden Center Laszlo Z. Bito '60 AuditoriumSponsored by: Biology Program.
For more information, call 845-758-6822, or e-mail keesing@bard.edu.
Paul McMahon: Feeding Frenzy: Land Grabs, Price Spikes, and the World Food Crisis
Thursday, May 1, 2014
5 pm
Olin, Room 101Paul McMahon's new book, Feeding Frenzy, traces the history of the global food system and reveals the underlying causes of recent turmoil in food markets. Supplies are running short, prices keep spiking, and the media is full of talk of a world food crisis. The turmoil has unleashed some dangerous forces. Food-producing countries are banning exports even if this means starving their neighbors. Governments and corporations are scrambling to secure control of food supply chains. Powerful groups from the Middle East and Asia are acquiring farmland in poor countries to grow food for export — what some call land grabs. This raises some big questions. Can we continue to feed a burgeoning population? Are we running out of land and water? Can we rely on free markets to provide? His book reveals trends that could lead to more hunger and conflict. But Paul McMahon also outlines actions that can be taken to shape a sustainable and just food system.
Paul McMahon, who holds a PhD from the University of Cambridge, has authored reports on sustainable food systems as an advisor to The Prince of Wales’s International Sustainability Unit and to the UN’s Food and Agriculture Organization. He cofounded SLM Partners, a business that invests in sustainable agriculture in Australia and across the world. He lives in London.
Sponsored by: Environmental and Urban Studies Program.
For more information, call 845-758-6822 x7448, or e-mail raldous@bard.edu.
TIME CHANGE: Through the Syrian Looking-Glass
Optics, Politics and Surveillance in Samar Yazbek's In Her Mirrors and Rosa Yasin Hasan's Rough Draft
Thursday, May 1, 2014
6–7:30 pm
Olin, Room 102Please note: The end time is now 7:30 rather than 9pm
A lecture by special guest Max WEISS (Princeton)
Contemporary Syrian literature bears unmistakable traces of more than four decades of authoritarian Baʿthist rule. This talk explores two recent Arabic novels--In Her Mirrors by Samar Yazbek and Rough Draft by Roza Yassin Hassan--that shed unique light on Syrian cultural politics. In addition to offering a close reading of both texts, I argue that by attending to representations of vision, surveillance and the political in novels—specifically the structure and function of mirrors and screens, eavesdropping and surveillance—literary critics, historians and political scientists may gain important insight into key (albeit under-appreciated) aspects of Syrian culture.
Sponsored by: Arabic Studies, Translation Studies; Division of Languages and Literature; Human Rights Program.A lecture by special guest Max WEISS (Princeton)
Contemporary Syrian literature bears unmistakable traces of more than four decades of authoritarian Baʿthist rule. This talk explores two recent Arabic novels--In Her Mirrors by Samar Yazbek and Rough Draft by Roza Yassin Hassan--that shed unique light on Syrian cultural politics. In addition to offering a close reading of both texts, I argue that by attending to representations of vision, surveillance and the political in novels—specifically the structure and function of mirrors and screens, eavesdropping and surveillance—literary critics, historians and political scientists may gain important insight into key (albeit under-appreciated) aspects of Syrian culture.
For more information, call 845-758-7506, or e-mail amoosavi@bard.edu.
Deviance Credits
Friday, May 2, 2014
11 am – 6 pm
CCS Bard Hessel Museum of ArtThirteen exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. Brought together in one exhibition, each gallery presents innovative approaches to contemporary art and exhibition making with over 35 artists many of whom have created works specifically for the context of the Hessel Museum.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs/exhibitions/deviance-credits/.
Footnotes
Friday, May 2, 2014
11 am – 6 pm
Hessel Museum of ArtOpening Reception Sunday April 13, 1-4
Footnotes is an exercise in reading and re-reading the Marieluise Hessel Collection by the first year CCS Bard students which attempts to reveal the multiple logics that can be extrapolated from it.
Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
2014 Spring Exhibitions and Projects
Friday, May 2, 2014
11 am – 6 pm
CCS Bard / Hessel Museum of ArtThe Center for Curatorial Studies presents exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. The students have organized these exhibitions and projects as part of the requirements for the master of art’s degree.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Bard Big Read Final Performance
Choreographed by Bard Professor Jean Churchill
Friday, May 2, 2014
Fisher Center, parliament of realityThe Big Read's final performance, created by Bard Professor of Dance Jean Churchill, celebrates Marilynne Robinson's Housekeeping. Joined by student performers, Churchill's piece is inspired by Robinson's landscape, characters, and language. Reception at parliament of reality immediately following.
For more information, call 845-758-6822, or e-mail arendt@bard.edu.
Economic Seminar Series
Friday, May 2, 2014
3 pm
Hegeman 102DETERMINANTS OF IMMIGRATION HOMEOWNERSHIP: EXAMINING THEIR CHANGING ROLE DURING THE GREAT RECESSION AND BEYOND
By
Kusum Mundra
Rutgers University Newark
The Great Recession had significant economic effects both in the U.S. and around the world. There is a great deal of evidence that homeownership rates declined during this period, though some immigrants were less severely affected than natives. This paper investigates factors that reduced the vulnerability of immigrants in the face of the economic crisis and increased the likelihood of homeownership. Specifically, it examines the extent to which birthplace networks, savings, length of stay in the U.S., and citizenship status affected the probability of homeownership before the recession and the extent to which these impacts changed since the recession. Using data from Current Population Survey for the years 2000 – 2012, we find that birthplace networks have a significant influence on homeownership and the importance of the factor has increased since the onset of recession. Moreover, the impact of birthplace networks on homeownership is stronger for citizens and immigrants who have not arrived recently. We also find a decline in the impact of saving and length of stay on the probability of homeownership during 2007-2012 compared to earlier years. In contrast, we find an increase in the impact of being a citizen on immigrant homeownership during this period.
ABOUT THE AUTHOR
Kusum Mundra is an Assistant Professor in the Department of Economics at Rutgers University Newark. She received her Ph.D. in Economics from the University of California, Riverside and an M.A. from Delhi School of Economics. Her research interests lie in issues of immigration, gender, terrorism and conflict, and econometrics. She has worked on issues ranging from the effect of immigrant networks and immigrant diasporas on trade, role of social networks on immigrant earnings, access to healthcare for immigrant women, empirical investigation of suicide bombing events and semiparametric panel data estimation. Her current research includes gender pay gap in the U.S., immigrant housing in the U.S. and Spain, role of immigrant networks in conflict, immigrant assimilation and trade creation, and nonparametric panel data estimation. Her research has been published in major economics journals including the American Economic Review, Demography, Journal of International Trade and Economic Development, Terrorism and Political Violence, the Handbook of Applied Econometrics and Statistical Inferences, and the Frontiers of Economics and Globalization – Migration and Culture.
This talk is part of the ongoing Economics seminar series, which is dedicated to furthering the exchange of economic ideas in the greater Bard community.
Sponsored by: Economics Program; Levy Economics Institute.
For more information, call 845-758-7075, or e-mail tchernev@bard.edu.
Non-degree recital: Alessandro Cirafici, oboe
Friday, May 2, 2014
4:30 pm
László Z. Bitó '60 Conservatory BuildingFor more information, call 845-758-7196, or e-mail conservatoryconcerts@bard.edu.
Bard Fiction Prize Winners Benjamin Hale and Bennett Sims Read from Their Work in Conjunctions
Friday, May 2, 2014
7–8 pm
Oblong Books, Rhinebeck“Benjamin Hale’s exuberant début, [The Evolution of Bruno Littlemore], is the bildungsroman of Bruno, a chimp ... who forsakes his animalhood. [The author’s] relish for his subject, and his subject’s relish for language, never flags.” —New Yorker
“[Bennett Sims’s A Questionable Shape] is the smartest zombie novel since Colson Whitehead’s Zone One.” —Washington Post
“Conjunctions is one of the very best literary magazines in North America. If you like good reading that’s also provocative and original, naturally you would be reading Conjunctions.” —Joyce Carol Oates
Sponsored by: Conjunctions.
For more information, call 845-758-7054, or e-mail conjunctions@bard.edu.
Degree Recital: Sabrina Tabby, violin
with Erika Allen, piano
Friday, May 2, 2014
8 pm
László Z. Bitó '60 Conservatory BuildingViolinist Sabrina Tabby, from Philadelphia began violin at age 6 in addition to piano and ballet lessons. She developed a fondness for chamber music at a very young age, playing regularly with her twin sister, a cellist. In high school, she was featured on National Public Radio’s From the Top radio series and television show from Carnegie Hall. Now in her final year as a student at Bard College Conservatory in Laurie Smukler’s studio, Sabrina has enjoyed performing as concertmaster of the Conservatory Orchestra, in string quartets and piano trios, as well as in the baroque and new music ensembles. Winner of the 2012-2013 Bard Conservatory Concerto Competition, Sabrina will perform with orchestra in the fall. She has had opportunities to perform across four continents, most recently traveling to China with the Bard Music Festival Summer 2012 Tour, to Venezuela to teach and perform at the first annual Festival de Música de Colón, and in January 2013 she performed on the Bard Conservatory Central European Chamber Music Tour. A founding member of the new music ensemble, Contemporaneous, she is prominently featured on Innova Recordings album “Stream of Stars: Music of Dylan Mattingly”, released in 2012, and performed David Bloom’s concerto written for her with American Symphony Orchestra this past May. In addition to her violin performance degree, Sabrina is working towards a Bachelors degree in French studies and spent the fall semester 2012 abroad studying at La Sorbonne in Paris.
For more information, call 845-758-7196, or e-mail conservatoryconcerts@bard.edu.
Deviance Credits
Saturday, May 3, 2014
11 am – 6 pm
CCS Bard Hessel Museum of ArtThirteen exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. Brought together in one exhibition, each gallery presents innovative approaches to contemporary art and exhibition making with over 35 artists many of whom have created works specifically for the context of the Hessel Museum.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs/exhibitions/deviance-credits/.
Footnotes
Saturday, May 3, 2014
11 am – 6 pm
Hessel Museum of ArtOpening Reception Sunday April 13, 1-4
Footnotes is an exercise in reading and re-reading the Marieluise Hessel Collection by the first year CCS Bard students which attempts to reveal the multiple logics that can be extrapolated from it.
Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
2014 Spring Exhibitions and Projects
Saturday, May 3, 2014
11 am – 6 pm
CCS Bard / Hessel Museum of ArtThe Center for Curatorial Studies presents exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. The students have organized these exhibitions and projects as part of the requirements for the master of art’s degree.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Senior Project Exhibitions
Saturday, May 3, 2014 – Saturday, May 17, 2014
12–4 pm
Bard Exhibition Center, 7401 South Broadway, Red Hook, NYNine Studio Arts Senior Project Exhibitions!
Exhibitions on view through May 17, 12–4 pm daily.
Exhibitors:
Jean Wong, Madeline Porsella, Ava Jewett, Paula Van Erven, Anna Kline, Hanna Rosenblum, George DuPont, Katie Biggs-Wrona, Maggie Vicknair
Everyone welcome!
Sponsored by: Studio Arts Program.
For more information, call 845-758-7674, or e-mail goodwin@bard.edu.
Conservatory Chamber Music Day
Saturday, May 3, 2014
1 pm
László Z. Bitó '60 Conservatory BuildingA full day of chamber music performed by Bard College Conservatory of Music students.
Presented in marathon form starting at 1pm and continuing until 10pm with self directed breaks.
For more information, call 845-758-7196, or e-mail conservatoryconcerts@bard.edu.
Deviance Credits
Sunday, May 4, 2014
11 am – 6 pm
CCS Bard Hessel Museum of ArtThirteen exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. Brought together in one exhibition, each gallery presents innovative approaches to contemporary art and exhibition making with over 35 artists many of whom have created works specifically for the context of the Hessel Museum.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs/exhibitions/deviance-credits/.
Footnotes
Sunday, May 4, 2014
11 am – 6 pm
Hessel Museum of ArtOpening Reception Sunday April 13, 1-4
Footnotes is an exercise in reading and re-reading the Marieluise Hessel Collection by the first year CCS Bard students which attempts to reveal the multiple logics that can be extrapolated from it.
Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
2014 Spring Exhibitions and Projects
Sunday, May 4, 2014
11 am – 6 pm
CCS Bard / Hessel Museum of ArtThe Center for Curatorial Studies presents exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. The students have organized these exhibitions and projects as part of the requirements for the master of art’s degree.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Non-degree recital: Zihan Yi, percussion
Sunday, May 4, 2014
12 pm
László Z. Bitó '60 Conservatory BuildingFor more information, call 845-758-7196, or e-mail conservatoryconcerts@bard.edu.
Catholic Mass on Campus
Sunday Worship
Sunday, May 4, 2014
12:30–1:30 pm
Chapel of the Holy InnocentsSponsored by: Chaplaincy.
For more information, call 845-594-6845, e-mail jmali@bard.edu, or visit http://inside.bard.edu/chaplaincy/.
Non-degree recital: Aischa Gündisch, violin & Rastislav Huba, cello
Sunday, May 4, 2014
3 pm
László Z. Bitó '60 Conservatory BuildingFor more information, call 845-758-7196, or e-mail conservatoryconcerts@bard.edu.
Evensong Service
A celebration of light in the evening
Sunday, May 4, 2014
7–8 pm
Chapel of the Holy InnocentsAn ancient celebration of the Light (lucernaium) from the second century. Join us for liturgy, song, worship and a multitude of candles.Sponsored by: Chaplaincy.
For more information, call 845-757-4309, or e-mail ggrab@bard.edu.
Degree recital: Joshua Hodge, bassoon
Sunday, May 4, 2014
7 pm
László Z. Bitó '60 Conservatory BuildingFor more information, call 845-758-7196, or e-mail conservatoryconcerts@bard.edu.
The Visitor Talks : Anselm Franke - Testing Stage of Figures and Grounds
Monday, May 5, 2014
3–4 pm
CCS Bard Seminar Room 1The thematic group exhibition in contemporary art is a genre that is problematic in several respects, symptomatic of current processes of institutionalization, their clinical neo-positivisms, and capitalist frontiers of interest; but also exemplary of the agency of frames and of framing. Yet beyond its pitfalls, what is the perhaps unique potential of the genre? In this talk, I suggest to recruit the thematic exhibition as a genre in its own right, conceived as “dialectical laboratory” interrogating media-conditions their corresponding imaginaries. The medium of the exhibition is uniquely suited to engage the dialectics between power and subjectivation/objectification, between a-subjective processes and individual agency, between the symptom and aesthetic sovereignty. An exhibition can be conceived as an exemplary, model-like spatialisation of borderlines, conceptual, political and even ontological, and transform such lines of divisions into image-spaces, in which the choice they impose is suspended, made explicit, historicised and “de-monstrated”. This means to abandon formalist art histories and artists subjectivities as primary discourse of legitimisation, in favour of an analytical approach to historical conditions of appearance, and in favour of a Bakhtinian aesthetic dialogism, which unearths reified, sedimented or implicated forms as interpellations. In such “dialectical laboratories” the visitor is recruited as the “meridian” at the tipping point of reciprocities and inversions, situated within a “Kippfigur” at the hinge between figures and grounds.
This talk is given as part of the lecture series The Visitor Talks : Pre-ambulation and Retrospection.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs/events/the-visitor-talks-anselm-fanke-testing-stage-of-figures-and-grounds/.
CMIA - The Films of Alfred Hitchcock and Michael Powell
Tuesday, May 6, 2014
7 pm
Jim Ottaway Jr. Film Center- Marnie
(Alfred Hitchcock, 1964, USA, 130 minutes, 35mm) - Age of Consent
(Michael Powell, 1969, Australia, 98 minutes, 35mm)
*Restored Print
Sponsored by: Center for Moving Image Arts.
For more information, call 845-758-6822, e-mail cmia@bard.edu, or visit http://www.bard.edu/cmia.
Textiles that Talk: East African Textiles and their Meaning
Tuesday, May 6, 2014
7–9 pm
Hegeman Third FloorPlease join us for Food and Drink this Tuesday 6 May at 7PM on the third floor of Hegeman to mark the installation of Textiles that Talk, an exhibition, with music and video, of East African Kangas, their proverbial inscriptions and hidden meanings.
Sponsored by: Africana Studies Program; Rift Valley Institute.
For more information, call 845-853-5768, or e-mail aa2141@bard.edu.
Bard Chamber Singers and Bard Symphonic Chorus
Wednesday, May 7, 2014
8 pm
Fisher Center, Sosnoff TheaterCome hear the Bard Symphonic Chorus and Bard Chamber Singers as they perform music from the Renaissance period all the way up through the modern era! Led by the Graduate Choral Conductors under the tutelage of program director, James Bagwell, the choruses will perform music by standard repertory composers such as Palestrina, Mozart, Haydn, and Rheinberger. In addition, they will sing the music of more recent composers including Debussy, Vaughan Williams, Casals, and Gjeilo. This wonderful selection of works is sure to delight!
| Tickets: $5 adults. Free to the Bard community with ID |
Sponsored by: Music Program.
For more information, call 845-758-7250, or e-mail mongan@bard.edu.
The Bard College Community Jazz Orchestra
Enjoy the Sound and Music of Ellington
Wednesday, May 7, 2014
8 pm
Olin HallThe Bard College Community Jazz Orchestra celebrates the music of Duke Ellington. One of the most influential composers and band leaders in the 20th century, Ellington would have been 115 this year.
This program draws from his Exotic song book entitled "Caravan," his song book of Romantic ballads "Sophisticated Ladies," and his song book of popular song "Satin Doll," with one exception, "Besame Mucho," written by Consuelo Valazquez.
Sponsored by: Music Program.
For more information, call 845-758-7572, or e-mail tbarker@bard.edu.
Non-degree recital: Anna Obbagy, piano
Wednesday, May 7, 2014
8 pm
László Z. Bitó '60 Conservatory BuildingFor more information, call 845-758-7196, or e-mail conservatoryconcerts@bard.edu.
CMIA - Tournées Festival
Wednesday, May 7, 2014
9:30 pm
Jim Ottaway Jr. Film Center- Amour
(Michael Haneke, 2012, France/Germany/Austria, 127 minutes, 35mm)
- The World
(Jia Zhang-ke, 2004, China/Japan/France, 143 minutes, 35mm)
For more information, call 845-758-6822, e-mail cmia@bard.edu, or visit http://www.bard.edu/cmia.
Deviance Credits
Thursday, May 8, 2014
11 am – 6 pm
CCS Bard Hessel Museum of ArtThirteen exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. Brought together in one exhibition, each gallery presents innovative approaches to contemporary art and exhibition making with over 35 artists many of whom have created works specifically for the context of the Hessel Museum.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs/exhibitions/deviance-credits/.
Footnotes
Thursday, May 8, 2014
11 am – 6 pm
Hessel Museum of ArtOpening Reception Sunday April 13, 1-4
Footnotes is an exercise in reading and re-reading the Marieluise Hessel Collection by the first year CCS Bard students which attempts to reveal the multiple logics that can be extrapolated from it.
Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
2014 Spring Exhibitions and Projects
Thursday, May 8, 2014
11 am – 6 pm
CCS Bard / Hessel Museum of ArtThe Center for Curatorial Studies presents exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. The students have organized these exhibitions and projects as part of the requirements for the master of art’s degree.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Biology Student Talks
Thursday, May 8, 2014
12 pm
Reem-Kayden Center Laszlo Z. Bito '60 AuditoriumSam Osborne
“Climate Variability as a Predictor of Ixodes scapularis Annual Peak Activity”
Dalia Najjar
“The Effects of Selective Strains of the Fungi Metarhizium anisopliae and Beauveria bassiana on Blacklegged Ticks and Non-target Organisms”
Max Brown
“The Y Chromosome of the Stalk-Eyed Fly: Eurydiopsis argentifera”
“Climate Variability as a Predictor of Ixodes scapularis Annual Peak Activity”
Dalia Najjar
“The Effects of Selective Strains of the Fungi Metarhizium anisopliae and Beauveria bassiana on Blacklegged Ticks and Non-target Organisms”
Max Brown
“The Y Chromosome of the Stalk-Eyed Fly: Eurydiopsis argentifera”
Sponsored by: Biology Program.
For more information, call 845-758-6822, or e-mail keesing@bard.edu.
Tim Rollins and K.O.S. in conversation with Wendy Tronrud
Thursday, May 8, 2014
5–7 pm
CCS Bard Seminar Room 1The Center for Curatorial Studies, Bard College
Seminar Room
RSVP to Lberfond@gmail.com
The collaborative history of Tim Rollins and K.O.S. began in 1981, when Rollins was recruited to teach at Intermediate School 52 in the South Bronx, developing a curriculum that used art as a means to knowledge and incorporated art-making with reading and writing lessons for students classified as “at risk” or learning disabled. By 1984, Rollins launched the Art and Knowledge Workshop in an abandoned school building, functioning as an after-school program with a group of his self-selected students. The teaching artist and his students soon began to call themselves Kids of Survival, or K.O.S., collaboratively producing paintings, prints, photographs, and sculpture based on a critical engagement with classic Western literary texts. Exploring connections between literature and the complex social, political, and ideological factors that shaped the students’ daily lives in the South Bronx, the works created at this time include their now iconic interventions onto the pages of books, which are cut out and laid in a grid on canvas. Between the mid-1980s and early 1990s, Rollins and K.O.S. participated in two of the Whitney Museum Biennials, Documenta, and the Venice Biennale, and had solo shows at the Walker Art Center, Minneapolis, the Institute of Contemporary Art, Boston, and the Dia Art Foundation, amongst others. In 1994, they moved their operation to a studio in New York’s Chelsea arts district, where Rollins and long-term K.O.S. members rebuilt and expanded the project nationally and internationally, significantly increasing the number of workshops conducted with other schools and arts institutions. Thirty years after the group was first formed, there are active K.O.S. members working across the United States, and they continue to be exhibited worldwide, with their work is represented in public and private collections, including the Marieluise Hessel Collection of Contemporary Art.
Wendy Tronrud is a teacher who is currently working on her doctorate in American Literature at the CUNY Grad Center. Her research focuses included 18th-early 20th Century African American literature, aesthetics, 19th-20th century poetry and she is busy working on a prison narrative from 1892. Presently, she teaches writing and literature courses at Queens College. In 2008, Wendy earned her Masters in Teaching Literature from Bard College after which she taught 9/10th grade Humanities for four years at Fannie Lou Hamer Freedom High School in the South BronxSponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs/the-third-idiom/.
A Reading by Billie (Goldstein) Chernicoff '78 & Tamas Panitz '14
The second in a new series of readings featuring past and current Bard students
Thursday, May 8, 2014
6–7 pm
Blum HallSponsored by: Written Arts Program & the Office of Alumni/ae Affairs.
For more information, call 845-758-7054, e-mail mmorriss@bard.edu, or visit http://writtenarts.bard.edu.
Degree Recital: Eleni Tsachtani, flute
with Szilvia Mikó, piano
Thursday, May 8, 2014
8 pm
László Z. Bitó '60 Conservatory BuildingFor more information, call 845-758-7196, or e-mail conservatoryconcerts@bard.edu.
Deviance Credits
Friday, May 9, 2014
11 am – 6 pm
CCS Bard Hessel Museum of ArtThirteen exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. Brought together in one exhibition, each gallery presents innovative approaches to contemporary art and exhibition making with over 35 artists many of whom have created works specifically for the context of the Hessel Museum.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs/exhibitions/deviance-credits/.
Footnotes
Friday, May 9, 2014
11 am – 6 pm
Hessel Museum of ArtOpening Reception Sunday April 13, 1-4
Footnotes is an exercise in reading and re-reading the Marieluise Hessel Collection by the first year CCS Bard students which attempts to reveal the multiple logics that can be extrapolated from it.
Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
2014 Spring Exhibitions and Projects
Friday, May 9, 2014
11 am – 6 pm
CCS Bard / Hessel Museum of ArtThe Center for Curatorial Studies presents exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. The students have organized these exhibitions and projects as part of the requirements for the master of art’s degree.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Senior Dance Concert
Friday, May 9, 2014
7:30 pm
Fisher Center, LUMA TheaterAn evening of Senior Projects in dance, this concert represents a culmination of four years of work by the graduating seniors in the Bard Dance Program. Sponsored by: Dance Program.
For more information, call 845-758-7900, e-mail fishercenter@bard.edu, or visit http://fishercenter.bard.edu/calendar/event.php?eid=122625.
Philosophy Program Senior Project Conference
Friday, May 9, 2014
11 am – 5:30 pm
Campus Center, Weis CinemaSeventeen Philosophy Program seniors will present their Senior Projects on panels of three to four students. Each panel will be followed by a Q&A. Conference participants and attendees will be served lunch, and a brief reception will follow the conference.
Philosophy Program Seniors: Daniel Perlman, Dana Miranda, Jared Rankin, Rosette Cirillo, Elena Watson, Samuel Pratt, Kyla Mathis-Angress, Kaitlyn Chang, Lucas Opgenorth, Dee Cao, Jeremiah Tillman, Josephine Williams, Joseph Salvo, Defne Gencler, Shana Joseph, Dean Woodhouse-Weil.
Sponsored by: Philosophy Program.
For more information, call 845-758-4512, or e-mail zisman@bard.edu.
Non-degree recital: Matthew Woodard, violin
Friday, May 9, 2014
12 pm
László Z. Bitó '60 Conservatory BuildingFor more information, call 845-758-7196, or e-mail conservatoryconcerts@bard.edu.
Non-degree recital: Petra Elek, percussion
Friday, May 9, 2014
5 pm
László Z. Bitó '60 Conservatory BuildingFor more information, call 845-758-7196, or e-mail conservatoryconcerts@bard.edu.
Contemporaneous in Concert: Seeing Is Believing
Contemporaneous—a new music ensemble founded at Bard in 2010 and featuring Bard students and alumni/ae—performs a rare concert in Annandale.
Friday, May 9, 2014
7–9 pm
Room N211 (Jazz Room), Edith C. Blum Institute at the Milton and Sally Avery Arts CenterContemporaneous performs Seeing Is Believing, an unbelievable program of two new works by Michael Harrison and music by Nico Muhly and Shawn Jaeger.
Drawing on his expertise in just intonation, Indian ragas and rhythmic cycles, Harrison’s music evokes what the New York Times calls, “a new harmonic world…of vibrant sound.” With "Tessellations" and "Orchestral Modules," written specifically for Contemporaneous and featuring guests Nitin Mitta (tabla), Aaron Shragge (tanpura) and Tim Parsons (countertenor), Harrison brings to life a new chapter in his explorations into these exciting worlds.
In addition to Harrison’s premieres, Contemporaneous will perform Nico Muhly’s effervescent six-string electric violin concerto "Seeing Is Believing" with Contemporaneous violinist Josh Henderson. Featuring Contemporaneous soprano Lucy Dhegrae, the roots for Kentucky composer Shawn Jaeger’s poignant and beautiful "Letters Made with Gold" come from musical gestures and song texts from Appalachian folk music.
Michael Harrison (b. 1959): "Orchestral Modules" (2014) — world premiere
Shawn Jaeger (b. 1985): "Letters Made with Gold" (2011)
— Intermission —
Nico Muhly (b. 1981): "Seeing Is Believing" (2007)
Michael Harrison (b. 1959): "Tessellations" (2014) — world premiere
For more information, call 845-758-6822, or visit http://www.contemporaneous.org/.
TONIGHT! The Hudson Valley Balinese Gamelan Orchestra
Music and Dance of Bali
Friday, May 9, 2014
8 pm
Olin HallArtistic Director Prof. Pak I Nyoman Suadin
Guest Artists Dr. Pete Steele & Shoko Yamamuro
Sponsored by: Music Program.For more information, call 845-679-8624, or e-mail billylitalo@gmail.com.
Degree recital: Szilárd Molnár, French horn
with Szilvia Mikó, piano
Friday, May 9, 2014
8 pm
László Z. Bitó '60 Conservatory BuildingFor more information, call 845-758-7196, or e-mail conservatoryconcerts@bard.edu.
Deviance Credits
Saturday, May 10, 2014
11 am – 6 pm
CCS Bard Hessel Museum of ArtThirteen exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. Brought together in one exhibition, each gallery presents innovative approaches to contemporary art and exhibition making with over 35 artists many of whom have created works specifically for the context of the Hessel Museum.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs/exhibitions/deviance-credits/.
Footnotes
Saturday, May 10, 2014
11 am – 6 pm
Hessel Museum of ArtOpening Reception Sunday April 13, 1-4
Footnotes is an exercise in reading and re-reading the Marieluise Hessel Collection by the first year CCS Bard students which attempts to reveal the multiple logics that can be extrapolated from it.
Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
2014 Spring Exhibitions and Projects
Saturday, May 10, 2014
11 am – 6 pm
CCS Bard / Hessel Museum of ArtThe Center for Curatorial Studies presents exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. The students have organized these exhibitions and projects as part of the requirements for the master of art’s degree.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Senior Dance Concert
Saturday, May 10, 2014
7:30 pm
Fisher Center, LUMA TheaterAn evening of Senior Projects in dance, this concert represents a culmination of four years of work by the graduating seniors in the Bard Dance Program. Sponsored by: Dance Program.
For more information, call 845-758-7900, e-mail fishercenter@bard.edu, or visit http://fishercenter.bard.edu/calendar/event.php?eid=122625.
Yinette Ortiz
Saturday, May 10, 2014 – Friday, May 16, 2014
10 am – 5 pm
Fisher Studio Arts BuildingINCONGRUOUS JUXTAPOSITIONS
THROUGH DIGITAL PROJECTIONS
A Senior Project by Yinette Ortiz
Fisher Studio Arts Building Galleries
*On view daily, through May 16th, 10:00 AM to 5:00 PM
Sponsored by: Studio Arts Program.
For more information, call 845-453-0588, or e-mail goodwin@bard.edu.
Degree Recital: Tamás Markovics, trombone
with Julia Hsu, piano
Saturday, May 10, 2014
2 pm
László Z. Bitó '60 Conservatory BuildingTamas Markovics, bass trombonist, was born in Budapest, Hungary. Before coming to the United States, Tamas was a member of the King Saint Stephen Symphony Orchestra, one of Hungary's most promising orchestras. Tamas was accepted to Bard College Conservatory of Music in 2009, where he studies with Denson Paul Pollard. In 2011, he was the winner of the Conservatory's Concerto Competition and was offered the opportunity to play two solo concerts with the American Symphony Orchestra. Besides playing music in the Conservatory, Tamas is currently working on his Senior Project that will discuss the importance of solar energy in reducing air pollution in China.
For more information, call 845-758-7196, or e-mail conservatoryconcerts@bard.edu.
Degree Recital:Emma Schmiedecke, cello
with Erika Allen, piano
Saturday, May 10, 2014
8 pm
László Z. Bitó '60 Conservatory BuildingCellist Emma Schmiedecke is a graduating senior at the Bard Conservatory of Music at Bard College where she studies with Peter Wiley, Luis Garcia-Renart and Sophie Shao as recipient of the George Martin-Hans Thatcher Clarke Scholarship for Cello. Most recently Emma was a visiting artist at The Banff Centre in Canada where she coached with composer John Corigliano on his Fancy on a Bach Air for Solo Cello which she performed on a retrospective concert of Corigliano’s works, opening The Banff Centre’s Music for a Summer Evening concert series. While at Banff, Emma also participated in chamber music performances with violinist Barry Shiffman and violist Steve Dann, and was the featured cellist on the recording of international opera/pop soprano Measha Brüggergosman’s forthcoming holiday album. Emma also attended the Oxford Cello School where she was the Christopher Bunting Scholar two years consecutively. As guest soloist Emma has performed with the Woodstock Chamber Orchestra, the Bergen Philharmonic and the Bravura Philharmonic, and as a recitalist has appeared at Beattie Powers Place in Catskill, New York, as well as on various music series in New Jersey and on New Hampshire Public Television. Other appearances include recitals at the Richard B. Fisher Center with violinist Helena Baillie and violist Marka Gustavsson of Bach’s Goldberg Variations as transcribed for string trio, the preparation and presentation of which was filmed for the documentary Bach Among Us which has been seen worldwide.
For more information, call 845-758-7196, or e-mail conservatoryconcerts@bard.edu.
Deviance Credits
Sunday, May 11, 2014
11 am – 6 pm
CCS Bard Hessel Museum of ArtThirteen exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. Brought together in one exhibition, each gallery presents innovative approaches to contemporary art and exhibition making with over 35 artists many of whom have created works specifically for the context of the Hessel Museum.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs/exhibitions/deviance-credits/.
Footnotes
Sunday, May 11, 2014
11 am – 6 pm
Hessel Museum of ArtOpening Reception Sunday April 13, 1-4
Footnotes is an exercise in reading and re-reading the Marieluise Hessel Collection by the first year CCS Bard students which attempts to reveal the multiple logics that can be extrapolated from it.
Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
2014 Spring Exhibitions and Projects
Sunday, May 11, 2014
11 am – 6 pm
CCS Bard / Hessel Museum of ArtThe Center for Curatorial Studies presents exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. The students have organized these exhibitions and projects as part of the requirements for the master of art’s degree.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Catholic Mass on Campus
Sunday Worship
Sunday, May 11, 2014
12:30–1:30 pm
Chapel of the Holy InnocentsSponsored by: Chaplaincy.
For more information, call 845-594-6845, e-mail jmali@bard.edu, or visit http://inside.bard.edu/chaplaincy/.
Evensong Service
A celebration of light in the evening
Sunday, May 11, 2014
7–8 pm
Chapel of the Holy InnocentsAn ancient celebration of the Light (lucernaium) from the second century. Join us for liturgy, song, worship and a multitude of candles.Sponsored by: Chaplaincy.
For more information, call 845-757-4309, or e-mail ggrab@bard.edu.
Senior Dance Concert
Sunday, May 11, 2014
7:30 pm
Fisher Center, LUMA TheaterAn evening of Senior Projects in dance, this concert represents a culmination of four years of work by the graduating seniors in the Bard Dance Program. Sponsored by: Dance Program.
For more information, call 845-758-7900, e-mail fishercenter@bard.edu, or visit http://fishercenter.bard.edu/calendar/event.php?eid=122625.
Senior Dance Concert
Sunday, May 11, 2014
2 pm
Fisher Center, LUMA TheaterAn evening of Senior Projects in dance, this concert represents a culmination of four years of work by the graduating seniors in the Bard Dance Program. Sponsored by: Dance Program.
For more information, call 845-758-7900, e-mail fishercenter@bard.edu, or visit http://fishercenter.bard.edu/calendar/event.php?eid=122625.
Degree Recital: Caitlin Majewski, violin
with Eri Nakamura, piano
Sunday, May 11, 2014
12 pm
László Z. Bitó '60 Conservatory BuildingFor more information, call 845-758-7196, or e-mail conservatoryconcerts@bard.edu.
Degree Recital:Wei Peng, viola
with Hyanghyun Lee, piano
Sunday, May 11, 2014
3 pm
László Z. Bitó '60 Conservatory BuildingFor more information, call 845-758-7196, or e-mail conservatoryconcerts@bard.edu.
Degree Recital: Mayumi Tsuchida, piano
Sunday, May 11, 2014
5 pm
László Z. Bitó '60 Conservatory BuildingFor more information, call 845-758-7196, or e-mail conservatoryconcerts@bard.edu.
Degree Recital: Jiazhi Wang, violin
with Bálint Zsoldos, piano
Sunday, May 11, 2014
7 pm
Olin HallChinese native violinist Jiazhi Wang, has been playing violin since the age of four. Her father was her first teacher. In 2002, Jiazhi began her studies at the music school at the Central Conservatory of Music in Beijing. She received a scholarship for violin studies every semester, and was ranked as the best violinist of her class at the Central Conservatory of Music matriculation auditions in 2008. Jiazhi entered the Bard College Conservatory of Music in 2008, where she is currently studying violin with Weigang Li and Shmuel Ashkenasi. Her second major is Italian Studies. She has participated in numerous master classes and music festivals including the Kneisel Hall Chamber Music Festival, Taos Chamber Music Festival, Bowdoin International Music Festival as a performing associate for Weigang Li. Her quartet at Bard has collaborated with Bill T. Jones Dance/Arnie Zane Dance Company. As an orchestra player, she has participated in Bowdoin Festival Orchestra as second violin section principal, Korean summer school orchestra as concertmaster under Maestro Nanse Gum, and as assistant concertmaster in New York String Orchestra Seminar under maestro Jaime Laredo in 2012. Jiazhi was a 3rd prize winner of China young artists competition in 2005, a winner of the Bard College Conservatory concerto competition in 2010 and semifinalist of the Sendai International Violin Competition in 2010, and she has performed as a soloist with China orchestra, the Sendai Philharmonic Orchestra, and the American Symphony Orchestra.
For more information, call 845-758-7196, or e-mail conservatoryconcerts@bard.edu.
Degree Recital: Bence Botar, bass
Monday, May 12, 2014
2 pm
László Z. Bitó '60 Conservatory BuildingSponsored by: Bard College Conservatory of Music.
For more information, call 845-758-6822.
The Visitor Talks : Lia Gangitano
Monday, May 12, 2014
3–5 pm
CCS Bard Seminar Room 1In 2001, Lia Gangitano founded PARTICIPANT INC, a not-for-profit art space, presenting exhibitions by Virgil Marti, Charles Atlas, Kathe Burkhart, Michel Auder, and Renée Green, among others. As former curator of Thread Waxing Space, NY, her exhibitions, screenings, and performances include Spectacular Optical (1998), Luther Price: Imitation of Life (1999), Børre Sæthre: Module for Mood (2000) and Sigalit Landau (2001). She is editor of Dead Flowers (2010) and the forthcoming anthology, The Alternative to What? Thread Waxing Space and the '90s. As an associate curator, she co-curated Dress Codes (1993) and Boston School (1995) for The ICA, Boston, and edited New Histories (with Steven Nelson, 1997) and Boston School (1995). She has contributed to publications including Renée Green, Endless Dreams and Time-based Streams, Lovett/Codagnone, Whitney Biennial 2006-Day for Night, and 2012 Whitney Biennial on Charles Atlas. She served as a Curatorial Advisor for MoMA PS1, with exhibitions including Lutz Bacher, My Secret Life (2009).
This talk is given as part of the lecture series The Visitor Talks : Pre-ambulation and Retrospection.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs/events/the-visitor-talks-lia-gangitano/.
Noon Concert
Tuesday, May 13, 2014
12 pm
László Z. Bitó '60 Conservatory BuildingBard College Conservatory of Music students in concert. Free and open to the public.Sponsored by: Bard College Conservatory of Music.
For more information, call 845-758-6822, or e-mail conservatoryconcerts@bard.edu.
Written Arts Project Readings
Graduating students in the Written Arts Program give ten-minute readings from their senior projects.
Tuesday, May 13, 2014 – Thursday, May 15, 2014
7–9 pm
Olin, Room 102Please join us in the Olin Art History Room to hear Bard Written Arts students—fiction writers, poets, memoirists, graphic novelists, digital writers, and more—present brief excerpts from their thesis work.
For the final night, Thursday 05/15, we're delighted to present Jennifer Schwartz, Allie Shyer, Hannah Khalifeh, Jeff Giering, Sarah Alpert, Joe Cotsirilos, Sam Prince, and Maggie Vicknair.
All are welcome!
Sponsored by: Written Arts Program.
For more information, call 845-758-7054, e-mail mmorriss@bard.edu, or visit http://writtenarts.bard.edu.
CMIA - The Films of Josef von Sternberg
Tuesday, May 13, 2014
7 pm
Jim Ottaway Jr. Film Center- That Obscure Object of Desire
(Luis Buñuel, 1977, France/Spain, 102 minutes, 35mm) - 2046
(Wong Kar-wai, 2004, Hong Kong/China/France/Italy/Germany, 129 minutes, 35mm)
Please check http://www.bard.edu/cmia for the full spring scheduleSponsored by: Center for Moving Image Arts.
For more information, call 845-758-6822, e-mail cmia@bard.edu, or visit http://www.bard.edu/cmia.
Written Arts Project Readings
Graduating students in the Written Arts Program give ten-minute readings from their senior projects.
Tuesday, May 13, 2014 – Thursday, May 15, 2014
7–9 pm
Olin, Room 102Please join us in the Olin Art History Room to hear Bard Written Arts students—fiction writers, poets, memoirists, graphic novelists, digital writers, and more—present brief excerpts from their thesis work.
For the final night, Thursday 05/15, we're delighted to present Jennifer Schwartz, Allie Shyer, Hannah Khalifeh, Jeff Giering, Sarah Alpert, Joe Cotsirilos, Sam Prince, and Maggie Vicknair.
All are welcome!
Sponsored by: Written Arts Program.
For more information, call 845-758-7054, e-mail mmorriss@bard.edu, or visit http://writtenarts.bard.edu.
Non-degree recital: Zi Ye, viola
Wednesday, May 14, 2014
6 pm
Olin HallFor more information, call 845-758-7196, or e-mail conservatoryconcerts@bard.edu.
CMIA - Tournées Festival
Wednesday, May 14, 2014
7 pm
Jim Ottaway Jr. Film Center- Inspector Bellamy
(Claude Chabrol, 2009, France, 110 minutes, 35mm) - Almayer’s Folly
(Chantal Akerman, 2011, Belgium/France, 127 minutes, 35mm)
Please check http://www.bard.edu/cmia for the full spring scheduleSponsored by: Center for Moving Image Arts.
For more information, call 845-758-6822, e-mail cmia@bard.edu, or visit http://www.bard.edu/cmia.
Degree recital: Peter Blaga, tuba
Wednesday, May 14, 2014
8 pm
László Z. Bitó '60 Conservatory BuildingFor more information, call 845-758-7196, or e-mail conservatoryconcerts@bard.edu.
Deviance Credits
Thursday, May 15, 2014
11 am – 6 pm
CCS Bard Hessel Museum of ArtThirteen exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. Brought together in one exhibition, each gallery presents innovative approaches to contemporary art and exhibition making with over 35 artists many of whom have created works specifically for the context of the Hessel Museum.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs/exhibitions/deviance-credits/.
Footnotes
Thursday, May 15, 2014
11 am – 6 pm
Hessel Museum of ArtOpening Reception Sunday April 13, 1-4
Footnotes is an exercise in reading and re-reading the Marieluise Hessel Collection by the first year CCS Bard students which attempts to reveal the multiple logics that can be extrapolated from it.
Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
2014 Spring Exhibitions and Projects
Thursday, May 15, 2014
11 am – 6 pm
CCS Bard / Hessel Museum of ArtThe Center for Curatorial Studies presents exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. The students have organized these exhibitions and projects as part of the requirements for the master of art’s degree.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Written Arts Project Readings
Graduating students in the Written Arts Program give ten-minute readings from their senior projects.
Tuesday, May 13, 2014 – Thursday, May 15, 2014
7–9 pm
Olin, Room 102Please join us in the Olin Art History Room to hear Bard Written Arts students—fiction writers, poets, memoirists, graphic novelists, digital writers, and more—present brief excerpts from their thesis work.
For the final night, Thursday 05/15, we're delighted to present Jennifer Schwartz, Allie Shyer, Hannah Khalifeh, Jeff Giering, Sarah Alpert, Joe Cotsirilos, Sam Prince, and Maggie Vicknair.
All are welcome!
Sponsored by: Written Arts Program.
For more information, call 845-758-7054, e-mail mmorriss@bard.edu, or visit http://writtenarts.bard.edu.
Biology Student Talks
Thursday, May 15, 2014
12 pm
Reem-Kayden Center Laszlo Z. Bito '60 AuditoriumIsmary Blanco
“Zebrafish as a model organism for studying Alzheimer's disease–focusing on the biological role of ADAM10a”
Haya Dandees
“The Effect of Stress on Taste Perception of Sweet, Salt, and Fat”
Aliza Ray
“DNA Survey of American Eels (Anguilla rostrata) in Hudson River Tributaries”
“Zebrafish as a model organism for studying Alzheimer's disease–focusing on the biological role of ADAM10a”
Haya Dandees
“The Effect of Stress on Taste Perception of Sweet, Salt, and Fat”
Aliza Ray
“DNA Survey of American Eels (Anguilla rostrata) in Hudson River Tributaries”
Sponsored by: Biology Program.
For more information, call 845-758-6822, or e-mail keesing@bard.edu.
Senior Project Poster Session
Thursday, May 15, 2014
6 pm
Reem-Kayden CenterSponsored by: Division of Science, Mathematics, and Computing.
For more information, call 845-758-6822, or e-mail mcgrail@bard.edu.
Deviance Credits
Friday, May 16, 2014
11 am – 6 pm
CCS Bard Hessel Museum of ArtThirteen exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. Brought together in one exhibition, each gallery presents innovative approaches to contemporary art and exhibition making with over 35 artists many of whom have created works specifically for the context of the Hessel Museum.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs/exhibitions/deviance-credits/.
Footnotes
Friday, May 16, 2014
11 am – 6 pm
Hessel Museum of ArtOpening Reception Sunday April 13, 1-4
Footnotes is an exercise in reading and re-reading the Marieluise Hessel Collection by the first year CCS Bard students which attempts to reveal the multiple logics that can be extrapolated from it.
Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
2014 Spring Exhibitions and Projects
Friday, May 16, 2014
11 am – 6 pm
CCS Bard / Hessel Museum of ArtThe Center for Curatorial Studies presents exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. The students have organized these exhibitions and projects as part of the requirements for the master of art’s degree.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Degree Recital: Elizabeth Cohen, soprano
with Hyanghyun Lee, piano
Friday, May 16, 2014
8 pm
László Z. Bitó '60 Conservatory BuildingFor more information, call 845-758-7196, or e-mail conservatoryconcerts@bard.edu.
Deviance Credits
Saturday, May 17, 2014
11 am – 6 pm
CCS Bard Hessel Museum of ArtThirteen exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. Brought together in one exhibition, each gallery presents innovative approaches to contemporary art and exhibition making with over 35 artists many of whom have created works specifically for the context of the Hessel Museum.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs/exhibitions/deviance-credits/.
Footnotes
Saturday, May 17, 2014
11 am – 6 pm
Hessel Museum of ArtOpening Reception Sunday April 13, 1-4
Footnotes is an exercise in reading and re-reading the Marieluise Hessel Collection by the first year CCS Bard students which attempts to reveal the multiple logics that can be extrapolated from it.
Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
2014 Spring Exhibitions and Projects
Saturday, May 17, 2014
11 am – 6 pm
CCS Bard / Hessel Museum of ArtThe Center for Curatorial Studies presents exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. The students have organized these exhibitions and projects as part of the requirements for the master of art’s degree.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Bard College Literary Journal Conjunctions at the 10th Annual Hudson Valley Literary Festival
An Independent Book and Magazine Fair with Readings by Lydia Davis, Joan Retallack, and Others
Saturday, May 17, 2014
11 am – 6 pm
Hudson, NYBard literary journal Conjunctions will be featured at the Literary Magazine and Small Press Book Fair, taking place from 11 a.m. to 4 p.m. on Saturday, May 17, at the Hudson Opera House (327 Warren Street). Hundreds of books and magazines published by regional and national independent literary publishers will be on sale at bargain prices, with many publishers there to meet and greet—including Conjunctions.
At 5 p.m., the Marianne Courville Gallery (341-1/2 Warren Street) hosts readings by Lydia Davis, Joan Retallack, Nick Flynn, and Leslie Jamison, with a book signing and reception to follow. An incredible opportunity for an intimate event with these literary luminaries!
(Please note that the book-arts workshop referenced in the flier below has been canceled.)
Sponsored by: Council of Literary Magazines & Presses, the Hudson Opera House, and Hudson Wine Merchants .
For more information, call 845-758-7054, e-mail conjunctions@bard.edu, or visit http://hudsonoperahouse.org/2013/10/26/8th-annual-hudson-valley-literary-festival-saturday-may-17-2014/.
Bill T. Jones/Arnie Zane Dance Company
Residency Showing
Saturday, May 17, 2014
2 pm
Fisher Center, LUMA TheaterFollowed by a discussion with the artists
The world-renowned Bill T. Jones/Arnie Zane Dance Company culminates its annual creative residency at Bard with a showing and discussion of the company’s latest projects, including the reconstruction of duets Duets x 2 (1982), Just You (1993), and Shared Distance (1982).Sponsored by: Dance Program.
For more information, call 845-758-7900, e-mail fishercenter@bard.edu, or visit http://fishercenter.bard.edu/calendar/event.php?eid=122603.
Degree Recital: Devony Smith, soprano
with Julia Hsu, piano
Saturday, May 17, 2014
6 pm
László Z. Bitó '60 Conservatory BuildingSoprano Devony Smith, a Northern California native, is a 2012 graduate of Pepperdine University, where she received her undergraduate degree in Vocal Performance. At Pepperdine, Devony participated in both opera and theater productions, including the roles of Ilene Molloy in Hello Dolly, Meg March in Mark Adamo’s Little Women, Mother Jones in The Kentucky Cycle, and chorus roles in La Boheme, Die Zauberflöte, and Sweeney Todd. In 2009 and 2011, Devony studied opera and German in Heidelberg, Germany, and participated in Songfest in 2010. She is currently a student of Edith Bers. Her favorite moments are spent outdoors—hiking, running, climbing and swimming.
For more information, call 845-758-7196, or e-mail conservatoryconcerts@bard.edu.
Deviance Credits
Sunday, May 18, 2014
11 am – 6 pm
CCS Bard Hessel Museum of ArtThirteen exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. Brought together in one exhibition, each gallery presents innovative approaches to contemporary art and exhibition making with over 35 artists many of whom have created works specifically for the context of the Hessel Museum.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs/exhibitions/deviance-credits/.
Footnotes
Sunday, May 18, 2014
11 am – 6 pm
Hessel Museum of ArtOpening Reception Sunday April 13, 1-4
Footnotes is an exercise in reading and re-reading the Marieluise Hessel Collection by the first year CCS Bard students which attempts to reveal the multiple logics that can be extrapolated from it.
Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
2014 Spring Exhibitions and Projects
Sunday, May 18, 2014
11 am – 6 pm
CCS Bard / Hessel Museum of ArtThe Center for Curatorial Studies presents exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. The students have organized these exhibitions and projects as part of the requirements for the master of art’s degree.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Catholic Mass on Campus
Sunday Worship
Sunday, May 18, 2014
12:30–1:30 pm
Chapel of the Holy InnocentsSponsored by: Chaplaincy.
For more information, call 845-594-6845, e-mail jmali@bard.edu, or visit http://inside.bard.edu/chaplaincy/.
Evensong Service
A celebration of light in the evening
Sunday, May 18, 2014
7–8 pm
Chapel of the Holy InnocentsAn ancient celebration of the Light (lucernaium) from the second century. Join us for liturgy, song, worship and a multitude of candles.Sponsored by: Chaplaincy.
For more information, call 845-757-4309, or e-mail ggrab@bard.edu.
Artist Couples of Woodstock: Student-Curated Exhibit on View at Historical Society of Woodstock
The Historical Society of Woodstock Unveils New Exhibit, Artist Couples of Woodstock, Curated by Bard College Professor Tom Wolf's History of Woodstock Seminar
Sunday, May 18, 2014
1–5 pm
The Historical Society of WoodstockOn Sunday, May 18, the Historical Society of Woodstock will open its 2014 season with a new exhibit titled, Artist Couples of Woodstock. The exhibit will feature paintings, drawings, prints, and sculptures created by eight artist couples who lived, worked, and socialized in Woodstock, including: Milton Avery & Sally Avery, Edward Chavez & Eva van Rijn, Caroline Haeberlin & Reginald Wilson, Doris Lee & Arnold Blanch, Eugene Ludins & Hannah Small, Nan Mason & Wilna Hervey, Caroline Speare Rohland & Paul Rohland, and Andrée Ruellan & Jack Taylor. The works are from the permanent collection of the Historical Society of Woodstock, supplemented by generous loans from the Arthur A. Anderson Collection.
For over a century Woodstock has been a home for creative people. Naturally, some were drawn to each other and a special type of relationship was created when both members of a couple were active artists. This exhibition includes works by sixteen Woodstock artists and was curated by eight students from a Bard College seminar about Woodstock art taught by art historian Tom Wolf. It offers a sense of the variety of styles and temperaments that flourished in the art colony through the unique perspective of artists who made their personal artistic statements while sharing their domestic lives.
The opening reception for this special exhibit will take place from 1:00-5:00 pm on Sunday, May 18th. Refreshments will be served and the public is invited. The exhibit continues every Saturday and Sunday from 1:00 to 5:00 pm through July 6.
Sponsored by: Art History Program.For more information, call 845-758-7247, or e-mail wolf@bard.edu.
Conservatory Sundays: Conservatory Orchestra
Sunday, May 18, 2014
3 pm
Fisher Center, Sosnoff TheaterSuggested donation: $20 (orchestra seating); $15 (parterre / first balcony); free to the Bard community with ID
Conducted by music director Leon Botstein and featuring pianist Peter Serkin, the program includes Bohuslav Martinů’s Memorial to Lidice for orchestra and Thunderbolt; Béla Bartók’s Piano Concerto No. 3 in E Major; and Aaron Copland’s Symphony No. 3. Sponsored by: Bard College Conservatory of Music; Fisher Center.
For more information, call 845-758-7196, e-mail conservatoryconcerts@bard.edu, or visit http://fishercenter.bard.edu/calendar/event.php?eid=122604&year=2014&month=5&day=18.
Bass Class Recital
Monday, May 19, 2014
3 pm
László Z. Bitó '60 Conservatory BuildingConservatory bass students in concert.
Works by Anderson, Bach, Bottesini, Telemann, Paganini
For more information, call 845-758-2401, or e-mail conservatoryconcerts@bard.edu.
Last Day of Classes
Tuesday, May 20, 2014
Bard College CampusFor more information, call 845-758-6822.
Degree Recital: Eszter Ficsor, flute
with Julia Hsu, piano
Tuesday, May 20, 2014
2:30 pm
László Z. Bitó '60 Conservatory BuildingSponsored by: Bard College Conservatory of Music.
For more information, call 845-758-6822.
Deviance Credits
Thursday, May 22, 2014
11 am – 6 pm
CCS Bard Hessel Museum of ArtThirteen exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. Brought together in one exhibition, each gallery presents innovative approaches to contemporary art and exhibition making with over 35 artists many of whom have created works specifically for the context of the Hessel Museum.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs/exhibitions/deviance-credits/.
Footnotes
Thursday, May 22, 2014
11 am – 6 pm
Hessel Museum of ArtOpening Reception Sunday April 13, 1-4
Footnotes is an exercise in reading and re-reading the Marieluise Hessel Collection by the first year CCS Bard students which attempts to reveal the multiple logics that can be extrapolated from it.
Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
2014 Spring Exhibitions and Projects
Thursday, May 22, 2014
11 am – 6 pm
CCS Bard / Hessel Museum of ArtThe Center for Curatorial Studies presents exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. The students have organized these exhibitions and projects as part of the requirements for the master of art’s degree.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Baccalaureate and Senior Dinner
Thursday, May 22, 2014
Bard College CampusCommencement Rehearsal
11:45 a.m., Bard Chapel
Baccalaureate
Cap and Gown Required
5:15 p.m. - Line up in front of Stone Row for Procession to Bard Chapel
5:30 p.m. - Baccalaureate in Bard Chapel (rain plan: Olin Hall)
Senior Dinner
7:00 p.m., Commencement Tent
Details about Commencement can be found on the following website at: annandaleonline.org/commencement. This includes a full schedule of events and online registration.
Seniors, please also visit bard.edu/dosa/senioryear for more information.
For more information, call 845-758-7867, or e-mail events@bard.edu.
MAT Graduate Thesis Presentations (Classroom Research Projects)
Thursday, May 22, 2014
4–6:30 pm
Olin Humanities BuildingMAT graduate student classroom research project presentations. Select titles include:
"The Effects of Differentiated Assessment to Reinforce Biological Concepts"
"Learning New Words: Effective Vocabulary Instruction in High School English"
"What Student Preferences About Writing Conference Feedback Reveal About Their Conceptions of the Revision Process"
Sponsored by: Master of Arts in Teaching Program.
For more information, call 845-758-7145, e-mail cmaple@bard.edu, or visit http://www.bard.edu/mat.
Deviance Credits
Friday, May 23, 2014
11 am – 6 pm
CCS Bard Hessel Museum of ArtThirteen exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. Brought together in one exhibition, each gallery presents innovative approaches to contemporary art and exhibition making with over 35 artists many of whom have created works specifically for the context of the Hessel Museum.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs/exhibitions/deviance-credits/.
Footnotes
Friday, May 23, 2014
11 am – 6 pm
Hessel Museum of ArtOpening Reception Sunday April 13, 1-4
Footnotes is an exercise in reading and re-reading the Marieluise Hessel Collection by the first year CCS Bard students which attempts to reveal the multiple logics that can be extrapolated from it.
Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
2014 Spring Exhibitions and Projects
Friday, May 23, 2014
11 am – 6 pm
CCS Bard / Hessel Museum of ArtThe Center for Curatorial Studies presents exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. The students have organized these exhibitions and projects as part of the requirements for the master of art’s degree.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Commencement and Alumni/ae Reunion Weekend
Friday, May 23, 2014 – Sunday, May 25, 2014
9 am
Annandale-on-HudsonAttend this weekend to watch the Class of 2014 graduate and reconnect with your fellow alumni/ae. Reunion classes celebrating in 2014: 1954 and older, 1964, 1974, 1984, 1988, 1994, 1999, 2004, and 2009. Please plan to attend! If you would like to help organize your upcoming reunion, contact events@bard.edu. Online pre-registration opens February 1, 2014.
Sponsored by: Bard College Alumni/ae Association.
For more information, call 845-758-7867, e-mail events@bard.edu, or visit http://annandaleonline.org/commencement.
MAT Graduate Academic Research Project Presentations
Friday, May 23, 2014
3–6 pm
Reem-Kayden CenterMAT Graduate Student Academic Research Project Presentations
Select titles include:
"Assessing the Bactericidal Effectiveness of a Novel Ultraviolet Light Treatment Protocol in Disinfecting Bard College Campus Keyboards"
"Shouting Fire in a Crowded Theatre: The Post-World War I Red Scare"
"An Exploration and Analysis of Musical Rhythms in Polygonal Representation with Geometric Constraints"
"The Poet of the Body and Soul: Sexuality in Walt Whitman's Poetry"
Sponsored by: Master of Arts in Teaching Program.
For more information, call 845-758-7145, e-mail cmaple@bard.edu, or visit http://www.bard.edu/mat.
Deviance Credits
Saturday, May 24, 2014
11 am – 6 pm
CCS Bard Hessel Museum of ArtThirteen exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. Brought together in one exhibition, each gallery presents innovative approaches to contemporary art and exhibition making with over 35 artists many of whom have created works specifically for the context of the Hessel Museum.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs/exhibitions/deviance-credits/.
Footnotes
Saturday, May 24, 2014
11 am – 6 pm
Hessel Museum of ArtOpening Reception Sunday April 13, 1-4
Footnotes is an exercise in reading and re-reading the Marieluise Hessel Collection by the first year CCS Bard students which attempts to reveal the multiple logics that can be extrapolated from it.
Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
2014 Spring Exhibitions and Projects
Saturday, May 24, 2014
11 am – 6 pm
CCS Bard / Hessel Museum of ArtThe Center for Curatorial Studies presents exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. The students have organized these exhibitions and projects as part of the requirements for the master of art’s degree.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Artist Couples of Woodstock: Student-Curated Exhibit on View at Historical Society of Woodstock
The Historical Society of Woodstock Unveils New Exhibit, Artist Couples of Woodstock, Curated by Bard College Professor Tom Wolf's History of Woodstock Seminar
Saturday, May 24, 2014
1–5 pm
The Historical Society of WoodstockOn Sunday, May 18, the Historical Society of Woodstock will open its 2014 season with a new exhibit titled, Artist Couples of Woodstock. The exhibit will feature paintings, drawings, prints, and sculptures created by eight artist couples who lived, worked, and socialized in Woodstock, including: Milton Avery & Sally Avery, Edward Chavez & Eva van Rijn, Caroline Haeberlin & Reginald Wilson, Doris Lee & Arnold Blanch, Eugene Ludins & Hannah Small, Nan Mason & Wilna Hervey, Caroline Speare Rohland & Paul Rohland, and Andrée Ruellan & Jack Taylor. The works are from the permanent collection of the Historical Society of Woodstock, supplemented by generous loans from the Arthur A. Anderson Collection.
For over a century Woodstock has been a home for creative people. Naturally, some were drawn to each other and a special type of relationship was created when both members of a couple were active artists. This exhibition includes works by sixteen Woodstock artists and was curated by eight students from a Bard College seminar about Woodstock art taught by art historian Tom Wolf. It offers a sense of the variety of styles and temperaments that flourished in the art colony through the unique perspective of artists who made their personal artistic statements while sharing their domestic lives.
The opening reception for this special exhibit will take place from 1:00-5:00 pm on Sunday, May 18th. Refreshments will be served and the public is invited. The exhibit continues every Saturday and Sunday from 1:00 to 5:00 pm through July 6.
Sponsored by: Art History Program.For more information, call 845-758-7247, or e-mail wolf@bard.edu.
Commencement and Alumni/ae Reunion Weekend
Friday, May 23, 2014 – Sunday, May 25, 2014
9 am
Annandale-on-HudsonAttend this weekend to watch the Class of 2014 graduate and reconnect with your fellow alumni/ae. Reunion classes celebrating in 2014: 1954 and older, 1964, 1974, 1984, 1988, 1994, 1999, 2004, and 2009. Please plan to attend! If you would like to help organize your upcoming reunion, contact events@bard.edu. Online pre-registration opens February 1, 2014.
Sponsored by: Bard College Alumni/ae Association.
For more information, call 845-758-7867, e-mail events@bard.edu, or visit http://annandaleonline.org/commencement.
Commencement
Saturday, May 24, 2014
Bard College CampusFor more information, call 845-758-7867, e-mail events@bard.edu, or visit http://annandaleonline.org/commencement.
Deviance Credits
Sunday, May 25, 2014
11 am – 6 pm
CCS Bard Hessel Museum of ArtThirteen exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. Brought together in one exhibition, each gallery presents innovative approaches to contemporary art and exhibition making with over 35 artists many of whom have created works specifically for the context of the Hessel Museum.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs/exhibitions/deviance-credits/.
Footnotes
Sunday, May 25, 2014
11 am – 6 pm
Hessel Museum of ArtOpening Reception Sunday April 13, 1-4
Footnotes is an exercise in reading and re-reading the Marieluise Hessel Collection by the first year CCS Bard students which attempts to reveal the multiple logics that can be extrapolated from it.
Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
2014 Spring Exhibitions and Projects
Sunday, May 25, 2014
11 am – 6 pm
CCS Bard / Hessel Museum of ArtThe Center for Curatorial Studies presents exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art. The students have organized these exhibitions and projects as part of the requirements for the master of art’s degree.Sponsored by: Center for Curatorial Studies.
For more information, call 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs.
Artist Couples of Woodstock: Student-Curated Exhibit on View at Historical Society of Woodstock
The Historical Society of Woodstock Unveils New Exhibit, Artist Couples of Woodstock, Curated by Bard College Professor Tom Wolf's History of Woodstock Seminar
Sunday, May 25, 2014
1–5 pm
The Historical Society of WoodstockOn Sunday, May 18, the Historical Society of Woodstock will open its 2014 season with a new exhibit titled, Artist Couples of Woodstock. The exhibit will feature paintings, drawings, prints, and sculptures created by eight artist couples who lived, worked, and socialized in Woodstock, including: Milton Avery & Sally Avery, Edward Chavez & Eva van Rijn, Caroline Haeberlin & Reginald Wilson, Doris Lee & Arnold Blanch, Eugene Ludins & Hannah Small, Nan Mason & Wilna Hervey, Caroline Speare Rohland & Paul Rohland, and Andrée Ruellan & Jack Taylor. The works are from the permanent collection of the Historical Society of Woodstock, supplemented by generous loans from the Arthur A. Anderson Collection.
For over a century Woodstock has been a home for creative people. Naturally, some were drawn to each other and a special type of relationship was created when both members of a couple were active artists. This exhibition includes works by sixteen Woodstock artists and was curated by eight students from a Bard College seminar about Woodstock art taught by art historian Tom Wolf. It offers a sense of the variety of styles and temperaments that flourished in the art colony through the unique perspective of artists who made their personal artistic statements while sharing their domestic lives.
The opening reception for this special exhibit will take place from 1:00-5:00 pm on Sunday, May 18th. Refreshments will be served and the public is invited. The exhibit continues every Saturday and Sunday from 1:00 to 5:00 pm through July 6.
Sponsored by: Art History Program.For more information, call 845-758-7247, or e-mail wolf@bard.edu.
Commencement and Alumni/ae Reunion Weekend
Friday, May 23, 2014 – Sunday, May 25, 2014
9 am
Annandale-on-HudsonAttend this weekend to watch the Class of 2014 graduate and reconnect with your fellow alumni/ae. Reunion classes celebrating in 2014: 1954 and older, 1964, 1974, 1984, 1988, 1994, 1999, 2004, and 2009. Please plan to attend! If you would like to help organize your upcoming reunion, contact events@bard.edu. Online pre-registration opens February 1, 2014.
Sponsored by: Bard College Alumni/ae Association.
For more information, call 845-758-7867, e-mail events@bard.edu, or visit http://annandaleonline.org/commencement.
Artist Couples of Woodstock: Student-Curated Exhibit on View at Historical Society of Woodstock
The Historical Society of Woodstock Unveils New Exhibit, Artist Couples of Woodstock, Curated by Bard College Professor Tom Wolf's History of Woodstock Seminar
Saturday, May 31, 2014
1–5 pm
The Historical Society of WoodstockOn Sunday, May 18, the Historical Society of Woodstock will open its 2014 season with a new exhibit titled, Artist Couples of Woodstock. The exhibit will feature paintings, drawings, prints, and sculptures created by eight artist couples who lived, worked, and socialized in Woodstock, including: Milton Avery & Sally Avery, Edward Chavez & Eva van Rijn, Caroline Haeberlin & Reginald Wilson, Doris Lee & Arnold Blanch, Eugene Ludins & Hannah Small, Nan Mason & Wilna Hervey, Caroline Speare Rohland & Paul Rohland, and Andrée Ruellan & Jack Taylor. The works are from the permanent collection of the Historical Society of Woodstock, supplemented by generous loans from the Arthur A. Anderson Collection.
For over a century Woodstock has been a home for creative people. Naturally, some were drawn to each other and a special type of relationship was created when both members of a couple were active artists. This exhibition includes works by sixteen Woodstock artists and was curated by eight students from a Bard College seminar about Woodstock art taught by art historian Tom Wolf. It offers a sense of the variety of styles and temperaments that flourished in the art colony through the unique perspective of artists who made their personal artistic statements while sharing their domestic lives.
The opening reception for this special exhibit will take place from 1:00-5:00 pm on Sunday, May 18th. Refreshments will be served and the public is invited. The exhibit continues every Saturday and Sunday from 1:00 to 5:00 pm through July 6.
Sponsored by: Art History Program.For more information, call 845-758-7247, or e-mail wolf@bard.edu.