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July 2020

07-31-2020
Xinyi Wang
Xinyi Wang experienced quarantine twice during the height of the pandemic, and although she had to quarantine for a total of three months, she still keeps a bright smile on her face. Her initial period of isolation was in Jiangsu, China, in January, when she went home from Bard for winter break. She was quarantined with her family during the week of the annual spring festival. Even though Xinyi was stuck inside, she enjoyed herself because “spring festival was fun, with a lot of eating and drinking.” Her time there was focused on her family, while her time at Bard has been focused on schoolwork.

Xinyi managed to make it back to Bard, and was surprised to be quarantined again because of COVID-19 regulations, but working on her Senior Project in classical studies has kept her busy. For her project she chose to write about an inspiring Greek female character: Ariadne, daughter of Pasiphaë and the Cretan king Minos, who helped the Athenian hero Theseus escape the Labyrinth after he slew the Minotaur. She discovered the character through her adviser, classics professor Lauren Curtis, and was intrigued by how a female character was viewed in ancient poetry and how the same character is perceived in 20th-century opera. Xinyi appreciates her professors, who have stayed connected with her through this difficult time. She is also grateful for her adviser, who has been a help above and beyond academics. “She is very supportive,” Xinyi exclaims. “She pushes me to get out more.”

Xinyi, who has one more year at Bard as a double major in the Bard College Conservatory of Music, finds joy in playing her violin and staying connected to her friends via WeChat. She has learned to enjoy the peace of the quiet campus. As she chooses her classes for the fall, she is looking forward to the coming academic year, when the campus will be full of people again.


Meta: Type(s): Student | Subject(s): Admission,Bard Connects,Classical Studies Program,Division of Social Studies | Institutes(s): Bard Conservatory of Music |
07-09-2020
Interview: Jindong Cai Talks with the BBC’s <em>Witness History</em> about Beethoven’s Role in China’s Cultural Revolution
Chairman Mao banned all classical music in 1966, but that didn’t stop some from listening to the music they loved, sometimes as an act of rebellion. Beethoven was a favorite. Jindong Cai, director of the US-China Music Institute at the Bard College Conservatory of Music, talks about a life-changing moment as a teenager: secretly listening to Beethoven’s Symphony No. 4 on a scratchy gramophone at a friend’s house.
Listen Now on BBC
Photo: Portrait of Beethoven by Joseph Karl Stieler, 1820 (detail).
Meta: Type(s): Faculty | Institutes(s): Bard Conservatory of Music |
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All photos by Karl Rabe unless stated otherwise.