The Fisher Center at Bard Presents the World Premiere of Elevator Repair Service’s Ulysses, Which Brings the Epic James Joyce Novel to Wild Theatrical Life, September 21–October 1
© 2022 Kevin Yatarola for Symphony Space
James Joyce’s Ulysses has fascinated, perplexed, scandalized, and/or defeated readers for over a century. ERS takes on this Mount Everest of twentieth-century literature having staged modernist works including Fitzgerald’s The Great Gatsby, Faulkner’s The Sound and the Fury, and Hemingway’s The Sun Also Rises—all with highly acclaimed results.
In the world premiere at the Fisher Center, seven ERS ensemble members—Dee Beasnael (7 Daughters of Eve), OBIE Award-winner Kate Benson (Fondly, Collette Richland), Maggie Hoffman (founding member, Radiohole), Vin Knight (Gatz, The Select (The Sun Also Rises), The Sound and the Fury, and more with ERS), OBIE Award-winner Scott Shepherd (Gatz, The Wooster Group), Christopher-Rashee Stevenson (Baldwin and Buckley at Cambridge), and Stephanie Weeks (The Whitney Album)—sit down for a sober reading but soon find themselves guzzling pints, getting in brawls, and committing debaucheries as they careen on a fast-forward tour through Joyce’s funhouse of styles. With madcap antics and a densely layered sound design, ERS presents an eclectic sampling from Joyce’s life-affirming masterpiece.
Ulysses is directed by ERS Artistic Director John Collins, with co-direction and dramaturgy by Scott Shepherd and text by James Joyce. The production features set design by dots (The Sign in Sidney Brustein’s Window, Public Obscenities), costume design by Enver Chakartash (A Doll's House, Is This A Room on Broadway) and Assistant Costume Designer Caleb Krieg, lighting design by Marika Kent (ERS’s Seagull) and Assistant Lighting Designer Matt Lazarus, sound design by OBIE Award-winner Ben Williams (The Whitney Album), sound engineering by Gavin Price, projections by Matthew Deinhart (El Amor Brujo, ANIMUS ANIMA//ANIMA ANIMUS) and Assistant Projections Designer Alessandra Cronin, and props by Patrícia Marjorie (Wolf Play, Flex) and Assistant Properties Designer Ned Gaynor. Maurina Lioce (Fondly, Collette Richland; Baldwin and Buckley at Cambridge) is the Assistant Director and Stage Manager, and Jack Ganguly is the Assistant Stage Manager. Hanna Novak of ERS is the producer.
Ulysses is a Fisher Center LAB commission and is co-commissioned by Symphony Space, where the work was partly developed. Daphne Gaines, April Matthis, and Mark Barton contributed to the development of the work.
Performance Schedule and Ticketing
Performances of Ulysses take place in the LUMA Theater at the Fisher Center:
Thursday, September 21, at 8pm
Friday, September 22, at 8pm
Saturday, September 23, at 8pm
Sunday, September 24, at 3pm
Thursday, September 28, at 8pm
Friday, September 29, at 8pm
Saturday, September 30, at 2pm
Saturday, September 30, at 8pm
Sunday, October 1, at 3pm
Critics are welcome as of Saturday, September 23, at 8 pm for an official opening on Sunday, September 24, at 3 pm.
Tickets start at $25 ($5 for Bard students through the Passloff Pass) and can be purchased here.
Credits
The Fisher Center’s 20th Anniversary Season is dedicated to the founders of the Fisher Center who have cultivated extraordinary artistic experiences—past, present, and future. We honor the memory of Richard B. Fisher, a true champion of the arts and Bard College, and his visionary leadership.
The Fisher Center is generously supported by Jeanne Donovan Fisher, the Martin and Toni Sosnoff Foundation, Felicitas S. Thorne, the Advisory Boards of the Fisher Center at Bard and Bard Music Festival, Fisher Center and Bard Music Festival members, the Ettinger Foundation, the Thendara Foundation, and the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature. Fisher Center LAB has received funding from members of the Live Arts Bard Creative Council, the Lucille Lortel Foundation, and the Fisher Center’s Artistic Innovation Fund, with lead support from Rebecca Gold and S. Asher Gelman ’06 through the March Forth Foundation.
Post Date: 09-13-2023