Profile: New York Times Explores Composer and Percussionist Sarah Hennies’s “Highly Personal Explorations of ‘Queer and Trans Identity, Love, Intimacy and Psychoacoustics’”

“What Ms. Hennies’s disparate works have in common is their forthright yet subtle, moving evocation of queerness,” writes Steve Smith. “The idea of subverting identity is queer,” Hennies said. “There’s a spectrum of sexuality. There’s a spectrum of identity. And the representation of that is taking something that seems simple, and showing that it is a spectrum.”

Post Date: 10-21-2020