FREE CONCERT BY THE RENOWNED DA CAPO CHAMBER PLAYERS AT BARD COLLEGE ON NOVEMBER 10Performance features the world premiere of Oracle by Chinary Ung, as well as works by Dmitri Capyrin, John Harbison, Dmitri Riabtsev, Joan Tower, and Kirill Umansky ANNANDALE-ON-HUDSON, N.Y.—On the eve of performances by the Da Capo Chamber Players at the celebrated Moscow Autumn Festival and in St. Petersburg, Russia—where they will perform two programs of American and Russian music—the group will preview their program for the Hudson Valley community on Wednesday, November 10, at Bard College. The concert, presented by The Bard Center, is free and open to the public and begins at 8:00 p.m. in Olin Hall. The program will include the world premiere of Oracle by Chinary Ung, scored for amplified flute, clarinet, violin, violoncello, and percussion. Ung dedicates Oracle “to all the players of this premiere performance, who will be asked to use their voices in various ways, including whispering, chanting, humming, speaking, shouting, whistling, and singing.” The concert will also include Dmitri Capyrin’s Incarnation of Color, for flute, clarinet, violin, cello, piano, percussion, and tape; the New York premiere of John Harbison’s Songs America Loves to Sing, for flute, clarinet, violin, cello, and piano; Dmitri Riabtsev’s Berceuse, for flute, clarinet, string quartet, and piano; Bard professor Joan Tower’s Petroushskates, commissioned by Da Capo for the group’s 10th anniversary; and Kirill Umansky’s Kammerstuck, for flute, clarinet, violin, viola, cello, and piano. Guest artists include violinist Jane Chung, violist Maiya Papach, percussionists Thomas Kolor and Pablo Rieppi, and conductor Matthew Cody. Da Capo is widely acclaimed for its virtuosity, stimulating programs, and openness to a wide spectrum of styles in new music. Its dedication to working with composers is matched by a commitment to rehearsing each piece as a living, moving, breathing entity, rather than as a fixed blueprint. Winner of the Naumburg Chamber Music Award in 1973, Da Capo has been a leader in building a strong heritage of present-day American chamber music and can point with pride to more than 90 chamber music works written especially for the ensemble by Joan Tower, Philip Glass, Harvey Sollberger, and Philippe Bodin, among many others. In April 2003, Da Capo performed at the Moscow Forum International Festival of Contemporary Music. Forthcoming recordings include chamber works by Alla Borzova and Judith Shatin. The Da Capo Chamber Players are flutist Patricia Spencer, clarinetist Meighan Stoops, violinist David Bowlin, cellist André Emelianoff, and pianist Blair McMillen. This concert is made possible, in part, through the generosity of the Homeland Foundation and the Leon Levy Endowment at Bard College. For further information about the program, call The Bard Center at 845-758-7425. ABOUT DA CAPO: Violinist David Bowlin is a 2002 graduate of The Juilliard School, where he studied with Ronald Copes. Winner of first prize in violin at the 2003 Washington International Competition for Strings, he will perform a debut recital at the Phillips Collection in Washington, D.C., this season. This season marks Bowlin’s second as a member of the Da Capo Chamber Players; he was chosen in June 2003 after performing extensively last season as a guest with the ensemble. He is a founding member of the International Contemporary Ensemble, a uniquely structured collective of composers and instrumentalists that performs concerts in Chicago and New York, including an annual weeklong festival in Chicago in June. As a member of the Andros Quartet (a finalist in the 2003 Concert Artists’ Guild competition), he has performed traditional quartet literature in numerous venues around the New York area, including Bargemusic and Alice Tully Hall. Bowlin received a B.M. degree from the Oberlin Conservatory, where he was a student of Roland and Almita Vamos. He currently serves as Copes’s teaching assistant at Juilliard. André Emelianoff has toured North America, Japan, Russia, Austria, and England, and given recitals throughout central Asia and the Mediterranean as an American Ambassador for the Arts, sponsored by the U.S Information Agency. Cellist with Da Capo Chamber Players since 1976, he is also a member of the Aeolian Chamber Players and has been involved with the Music Today Ensemble. Winner of a 1985 National Endowment for the Arts Solo Recitalist Award, he has commissioned works by Aaron Kernis, Joan Tower, George Perle, Richard Wernick, Shulamit Ran, Stephen Jaffe, and Gerald Levinson. He has appeared as a guest artist with Da Camera of Houston, the New Jersey Chamber Society, and Lincoln Center Chamber Society; as a participant in the Marlboro, Chamber Music West, and Piccolo Spoleto festivals; and as a soloist with the Albany Symphony. He is on the faculty at The Juilliard School, as well as the Round Top (Texas) Festival and the Perlman Program. Emelianoff has recorded for CRI, Opus One, New World Records, Nonesuch, GM Recordings, RCA, Bridge Records, and Pro Arte. Pianist Blair McMillen leads a varied life as soloist, chamber musician, and teacher. Hailed by the New York Times as “lustrous,” “riveting,” and “a prodigiously accomplished and exciting artist,” he has appeared at Alice Tully Hall, was soloist on a tour of Japan with the Juilliard Orchestra, and gave a much-heralded New York debut recital in 1998. As a collaborator, he has appeared with tenor Anthony Dean Griffey, Eos Orchestra, New York Woodwind Quintet, Locrian Chamber Players, Avian Orchestra, and New Juilliard Ensemble. Equally at home in both new and traditional repertoire, McMillen is a founding member of the composer/performer collective counter)induction, which holds a residency at Columbia University and will be a featured ensemble at the 2004 MATA (Music at the Anthology) Festival. Recent engagements include concerto appearances with the American Ballet Theater and a solo recital juxtaposing the music of Giacinto Scelsi and Luciano Berio for the Piano Revolution series at Coumbia’s Miller Theatre. A past winner of the Sony ES Career Grant, the Juilliard Gina Bachauer Scholarship, and the National Young Artists Competition, McMillen holds degrees from Oberlin College and The Juilliard School. He has recorded for BMG/Catalyst, Koch International, CRI, Albany, and New World. After frequent guest appearances with the Da Capo Chamber Players, he became a member of the group in the fall of 2003. “Patricia Spencer’s presence was striking and her playing was extraordinary in its control over minutiae of dynamics, pitch, and timbre, particularly in relationship to the complex, fluid electronic environment that surrounded her. The performance was the tour de force of technique, emotion, and spirituality that the piece requires; it will stand as one of the highlights of the musical season,” wrote Richard Dyer in the Boston Globe. Recent high points in Spencer’s career, devoted to new music, include her 2002 recital in Moscow for the Alternativa Festival; her premiere of Shulamit Ran’s flute concerto, Voices, at the 2000 National Flute Association convention; and her premiere of solo flute works by Louis Karchin and Eugene Lee at the Sonic Boom Festival in the fall of 2001. An exciting repertoire of pieces has been written for her, including Thea Musgrave’s Narcissus and Judith Shatin’s Kairos, which was featured on her solo CD, (Neuma Records). An earlier CD, with pianist Linda Hall, features Boulez’s Sonatine, plus works by Carter, Perle, Korde, Talma, Martirano, Kreiger, and Jaffe. Both CDs received rave reviews from Fanfare and the American Record Guide. Spencer has received awards for her solo recordings and commissioning projects from the National Endowment for the Arts, the Mary Flagler Cary Charitable Trust, and the Aaron Copland Fund for Music. As a recitalist and Da Capo member, she has commissioned more than 80 solo, duo, and chamber works for flute. A graduate of the Oberlin Conservatory, where she studied with Robert Willoughby, Spencer also has studied with Marcel Moyse, John Wummer, and Josef Marx. She teaches flute and chamber music at Bard College and Hofstra University. Clarinetist Meighan Stoops is an active chamber musician, recitalist, and teacher. She has performed at Bargemusic and with the Chamber Music Society of Lincoln Center, Orchestra of St. Luke’s, Key West Symphony Orchestra, and Con Brio Ensemble. With the Da Capo Chamber Players she performed on John Schaefer’s New Sounds on WNYC and at MATA (Music at the Anthology). Stoops holds degrees from Northwestern University and Yale University, where she received the Lucy G. Moses Fellowship and the Dean’s Award. Her teachers have included Russell Dagon, David Shifrin, and Kalmen Opperman.
Bard Press Contact:Emily M. Darrow
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