CCS Bard Archives
Center for Curatorial Studies
Bard College
Annandale-on-Hudson, NY 12504
Phone: 845.758.7567
Fax: 845.758.2442
Email: [email protected]
CCS Bard
Guide to the Ian White Papers
MSS.022
Published in 2022, 2026
© CCS Bard Archives
Table of Contents
- Summary Description
- Arrangement
- Biographical / Historical
- Scope and Contents
- Information for Users
- Controlled Access Headings
- Related Materials
- Contents List
- Series I: Performances and Artworks by Ian White
- Subseries A: Performance with Andrew Wash and James Hollands, "Dennis Cooper's Inside Out," Nightbird Festival, The Quebec Public House, London
- Series II: Writing
- Series III: Readings, Panels and Talks
- Series IV: Pedagogy and Advocacy Work
- Series V: Curatorial Work
- Subseries A: Freelance and Independent Projects
- Subseries B: LUX
- Subseries C: Whitechapel Gallery
- Subseries D: Horse Hospital
- Subseries E: Mary Kelly Project
- Series VI: Personal Material
- Series VII: Grant Applications
- Series VIII: Research and Photocopied Material
- Series IX: Promotional Material from Attended Exhibitions and Events
- Series X: Financial Invoices
- Series XI: Notebooks
- Series XII: Media
- Oversize Series I
- Accretion 2026 Series I: Digital Archive
- Subseries I.A: Folder, "Ian White- Desktop"
- Suberies I.B: Folder, "Ian White - Laptop"
- Subseries I.C: Folder, "Elements of Performances "
- Subseries I.D: Folder, "Performance documentation"
Summary Description
- Repository
- Center for Curatorial Studies Library & Archives
- Creator
- White, Ian, 1971-2013
- Source
- Artistic Estate of Ian White
- Title
- Ian White Papers
- ID
- MSS.022
- Date [inclusive]
- 1994-2018
- Extent
- 15 Linear Feet in 19 boxes and 1 binder
- Extent
- 663 Gigabytes
- Language
- English
- Author
- Hannah Mandel; Collection processed by Hannah Mandel. 2026 Accretion processed by Josefina Barcia, under the supervision of Hannah Mandel
Preferred Citation
Published citations should take the following form:
Identification of item, date (if known); Ian White Papers; MSS.022; [box number]; [folder number], Center for Curatorial Studies Library and Archives, Bard College.
Biographical / Historical
Ian White (1971–2013) was a British curator, performance artist, writer and educator. White's mentorship and influence palpably impacted a wide ranging group of visual artists, filmmakers, film programmers, and students in his native U.K., his adopted home of Germany, and internationally. Throughout his career, occupying many nominally different roles, White constantly questioned the boundaries between curatorial practice, performance art, and film programming. Often working collaboratively with other artists, White strove to present work that occupied a space separate from traditional institutional models of film and event programming, while often working within their context. White attended Downing College, Cambridge University from 1990–1993, where he received a BA in English Literature. White was engaged with the arts during his time at University, producing a body of work comprised of drawing, painting and performance. While at University, White was also involved with social advocacy projects, including organizing for World AIDS Day in 1994.
White began his career in arts institutions at the Horse Hospital, an independent arts venue in central London. As the Horse Hospital's programmer and manager from 1995–2000, White was responsible for organizing film programming (in the form of a screening club called kinoCULTURE). White also organized events focused on subcultures and underground film communities under the institutional purview of the Horse Hospital.
White was involved as a curator and participant in several performance events at the turn of the millennium, indicative of a tendency in his career towards the blurring of curatorial work and personal and collaborative artistic output. Working with collaborators James Hollands and Andrew Walsh, White staged events and performances including 'Dennis Cooper's Night Out,' an "alternative to the gay nightclub" at a historic gay club in London, where visitors could use a telephone box on the dance floor to speak directly with the author Dennis Cooper. In 'Oedipus Rex: A Concept Symphony,' White, Hollands and Walsh wrote and performed an experimental version of the Stravinsky opera. Like many of his projects, these events were staged only once.
In 2000, White began a new position as Cinema Curator at the Lux Centre, the British film distributor and arts organization for experimental moving image. White curated many screenings and organized screening series over his one year tenure at the Lux Centre, before the shuttering of the institution in 2001. (It would reopen as LUX the following year, and White continued to be deeply involved in later iterations of the institution.) Following the closure of the Lux Centre, White, along with colleagues including Emma Hedditch and Mike Sperlinger, started the Mary Kelly Project, a curatorial collective that sought to breach the boundaries of what a traditional film screening could entail. The group published an account of their activities as a book, titled 'Mary Kelly'. While working at the Lux Centre, White was introduced to future frequent collaborators, the artists Emma Hedditch and Jimmy Robert. The trio staged a performative event together, 'F.A.G: Film, Art, Gainsborough', at Cubitt, London in 2002. White continued to make collaborative works with Robert for the rest of his working life. Their performance works – '6 things we can't do but can do now' (2004); 'Marriage à la Mode et Cor Anglais' (2007-2009); 'Yvonne Rainer's Trio A' (2009); and 'Lemon Rose' (2012) – incorporated modern dance and choreography, institutional critique and sound and video art. White and Robert performed works at Tate Modern, London; MoMA, New York; Jeu de Paume, Paris; ICA, London; and De Appel, Amsterdam, amongst other venues.
From 2001-2011, White worked in a freelance capacity as an Adjunct Film Curator at Whitechapel Gallery, in London, where he organized many screenings, events, festivals and exhibitions with artists and filmmakers including James Benning, Cinenova, the Copenhagen Free University, Adam Curtis, Alfred Leslie, Babette Mangolte, Yvonne Rainer, Hito Steyerl and Bruce & Norman Yonemoto.
During his tenure at Whitechapel, White simultaneously worked as a curator on many external exhibitions and programs, including a series on David Wojnarowicz for the London Lesbian and Gay Film Festival (2002); 'Ways of Seeing,' the Turner Prize film program at Tate Britain (2002); 'Landscape for Fire: Anthony McCall in Context,' Mead Gallery, Warwick, UK (2004); 'Der Geist ist ein Waterfall,' a solo exhibition by Klaus Weber at Showroom MAMA, Rotterdam (2005); 'The Secret Public: the Last Days of the British Underground, 1978-1988,' which traveled from Kunsteverein Munich to ICA, London, and the British School at Rome Gallery, Rome (2006-2007); 'It's not the homosexual who is perverse, but the situation in which he lives: kunst, kino, kontext now,' which was exhibited across three venues in Berlin, Kino Arsenal, Tanya Leighton Gallery, and the sex club lab.oratory (2009); and 'Emily Wardill: Windows broken, break, broke together', De Appel, Netherlands (2010); amongst many others.
White had a long-standing relationship with Frieze Art Fair, for which he curated cinema programming. He was also deeply involved with the Oberhausen International Short Film Festival (Internationale Kurzfilmtage Oberhausen), for which he curated film programs in 2002, 2003, 2007, 2008 and 2010, including the widely influential 'Kinomuseum' for the festival's Theme programme in 2007 (a book of the project, "Kinomuseum: Towards an artists' cinema", was published in 2008 with Mike Sperlinger.)
In 2009, White was the recipient of a DAAD (German Academic Exchange) Artists-in-Berlin program residency. Around this time, White completed a trio of three solo performance works, 'Ibiza,' 'Black Flags' and 'Democracy', which were presented together for the first time at daadgalerie, Berlin in 2010. The works, like much of White's oeuvre, are generative, building off of earlier iterations and, as White described, "layering different vectors...that work in opposite directions… so that the instability of them or multiplicity of ways of reading refuse how you would normally receive information in that situation, refuse a hierarchy of the spoken word over something which is seen, over other noise, refuse the idea of a particular content." Content, as White described, "isn't anything more than looking and seeing and being present." (1) In addition to his curatorial and performance work, White was also an educator and writer. White wrote extensively for the magazines 'Art Monthly' and 'Art Review' (for which he was a columnist and member of the editorial board), in addition to countless articles for other contemporary art and experimental film periodicals, as well as catalogue essays and book contributions.
White was a frequent lecturer, adjunct professor and PhD advisor at universities and institutions around Europe, including Middlesex University; Central St. Martin's School of Art; University of Leeds; Kingston University; Goldsmith's; Trinity Laban Conservatoire of Music and Dance; Oxford University; the Dutch Art Institute; Frei Universität, Berlin; and Zurich University of the Arts. In 2007, White began working as the Lead Facilitator for the LUX Associate Artists Programme, a twelve month post-graduate program for artists working with, or adjacent to moving image practices. His presence in the program, from 2007 until his death in 2013, was invaluable to several cohorts of students.
Ian White died of cancer on October 26, 2013. He has been the subject of several posthumous publications and retrospectives.
(1) Ian White, interviewed by Giles Bailey. 2016. 'Talker #1: Ian White' Talker, no. 1 (December): 18.
Scope and Contents
The Ian White Papers are comprised of the personal and professional records and archives of curator, artist and writer Ian White.
Series I: Performances and Artworks by Ian Whitecontains promotional material, props and components, publications, notes, planning documents, and documentation relating to performance works by Ian White. This includes collaborative performances, as well as solo works, and records pertaining to White's inclusion as an artist in group exhibitions. This series also contains early drawings, paintings and studies by White, completed during his time at University.
Series II: Writing is comprised of clippings, research,notes and drafts for essays and articles by White, published in periodicals and exhibition catalogs and spanning White's career.
Series III: Readings, Panels and Talks contains notes and promotional material for readings, panels and talks in which White was a chief moderator, co-moderator, or otherwise participated.
Series IV: Pedagogy and Advocacy Work is comprised of teaching materials, notes, student assignments, applications and media relating to White's teaching positions at various universities, as well as his time as the facilitator of the LUX Associate Artists Programme. Also included in this section is material relating to White's participation in focus groups and as a judge for artist's awards and grants for various organizations.
Series V: Curatorial Work contains notes, ephemera and assorted research material regarding White's career as a curator and film programmer. These records are separated into subseries by curatorial venue.
V.A: Freelance and independent project subseries is comprised of material describing curatorial projects White undertook in a freelance or independent capacity. These records span White's entire career and include projects completed while White was simultaneously employed with other institutions.
V.B: LUX subseries contains material relating to White's curatorial and programming work at the LUX Centre in London, as the Cinema Curator from 2000-2001, and in various capacities throughout the organization's iterations through 2009.
V.C: Whitechapel Gallery subseries contains material illustrating White's time as the Adjunct Film Curator at Whitechapel Gallery in London from 2001-2011, including promotional material for film programming programs and research documents.
V.D: Horse Hospital subseries contains documentation, notes and promotional material for programming organized by White at the Horse Hospital in London, from 1995-2000.
V.E: Mary Kelly Project subseries consists of research material, documentation, and publication-related items to the Mary Kelly Project, a collective curatorial group project involving White.
Series VI: Personal Material contains personal correspondence and material not directly related to White's professional or artistic practices.
Series VII: Grant Applications consists of application material for grants White applied for.
Series VIII: Research and Photocopied Material consists of miscellaneous research notes by White, and photocopied articles, essays and research material on various topics.
Series IX: Promotional Material from Attended Exhibitions and Events is comprised of brochures, postcards, publications and other informational documents collected by White from exhibitions he attended, primarily in the United Kingdom and Germany.
Series X: Financial Invoices contains outgoing invoices from White to employers, for curatorial and writing services.
Series XI: Notebooks is comprised of eleven notebooks and diaries kept by White, recording professional and personal notes, as well as drawings and paintings.
Series XII: Media contains various VHS and cassette tapes, including commercially released music, documentation and artwork components.
Accretion 2026 Series I: Digital Archive contains digital backups of Ian White's desktop and laptop computers prior to White's death in 2013.
Arrangement
The Ian White Papers are comprised of twelve series:
Series I: Performances and Artworks by Ian White
Series II: Writing
Series III: Readings, Panels and Talks
Series IV: Pedagogy and Advocacy Work
Series V: Curatorial Work
Series VI: Personal Material
Series VII: Grant Applications
Series VIII: Research and Photocopied Material
Series IX: Promotional Material from Attended Exhibitions and Events
Series X: Financial Invoices
Series XI: Notebooks
Series XII: Media
Accretion 2026 Series I: Digital Archive
See individual arrangement notes by subseries throughout the finding aid.
Information for Users
Publication Information
Center for Curatorial Studies Library & Archives
Bard College
Annandale-on-Hudson 12504-5000
Business Number: 845-758-7567
Fax Number: 845-758-2442
[email protected]
URL: http://www.bard.edu/ccs/library/
Access Restrictions
The collection is open to researchers without restrictions. Appointments are necessary to consult manuscript and archival materials. Access copies for media materials may not be available yet. Please contact the CCS Archivist for further details.
Use Restrictions
Collection use is subject to all copyright laws. Permission to publish materials must be obtained in writing from the Director of the Library & Archives at the Center for Curatorial Studies at Bard College. Please contact [email protected] for more information.
Provenance
The Ian White Papers were acquired in 2019 from the Ian White Trust.
Controlled Access Headings
Corporate Name(s)
- Artistic Estate of Ian White
- Daad galerie. daadgalerie
- Horse Hospital
- Institute of Contemporary Arts, London
- LUX (London)
- Tate Modern
- Westdeutsche Kurzfilmtage Oberhausen (International Short Film Festival Oberhausen)
- Whitechapel Art Gallery
Genre(s)
- Audiocassettes
- Clippings (information artifacts)
- Color Prints (photographs)
- Color negatives
- Diaries
- Exhibition catalogs
- Invitations
- Journals (accounts)
- Letters (correspondence)
- Magazines (periodicals).
- Newspapers
- Notes
- Photographs
- Posters
- Promotional materials
- VHS (TM)
Personal Name(s)
- Cooper, Dennis, 1953-
- Hedditch, Emma
- Kelly, Mary, 1941-
- Rainer, Yvonne, 1934-
- Relph, Nick
- Robert, Jimmy, 1975-
- Roysdon, Emily
- Sperlinger, Mike
- Wardill, Emily, 1977-
- Weber, Klaus, 1967-
Subject(s)
- Art -- 21st Century -- Exhibitions
- Art -- Periodicals.
- Art -- Research
- Art, British--21st century
- Art, British--21st century--Exhibitions
- Art, German--21st century--Exhibitions
- Artists' writings
- Conceptual art -- Exhibitions
- Curatorship
- Experimental films--History and criticism
- Film festival programs
- Group work in art
- Motion picture programs
- Performance art
- Performance art--England
- Performance art--Exhibitions
- Video installations (Art)
Related Materials
Related Materials
Related materials text here
Separated Material
Click here for a list of separated materials.
Contents List
Series I: Performances and Artworks by Ian White |
||||
| box | folder | |||
|
Early drawings, paintings, and sketches by Ian White Early 1990s |
1 | 1 | ||
|
Texts and notes from performance, "The Equality of Hours" Early 1990s |
1 | 2 | ||
|
Scripts, notes and materials from "So I Face the Bedroom Wall" and other early performances 1994-1995 |
1 | 3 | ||
|
Title cards and script for film, "The Ignoramus and the Maniac," film by Ian White, at Horse Hospital 1999 |
1 | 4 | ||
|
Notes and exhibition planning documents for "Oedipus Rex: a Concept Symphony," collaborative performance at ICA London. October 2000 MediaContains floppy disc, label: "Oedipus" |
1 | 5 | ||
|
Research and correspondence for "Oedipus Rex: a Concept Symphony," collaborative performance at ICA London October 2000 |
1 | 6 | ||
|
Numbered sheet music for "Oedipus Rex: a Concept Symphony," collaborative performance at ICA London October 2000 |
1 | 7 | ||
|
Sheet music for "Oedipus Rex: a Concept Symphony," collaborative performance at ICA London October 2000 |
1 | 8 | ||
|
Material including handbound cloth-bound program and notes for "Oedipus Rex: a Concept Symphony," collaborative performance at ICA London October 2000 |
1 | 9 | ||
|
Research materials, brochures and specs for "Oedipus Rex: a Concept Symphony," collaborative performance at ICA London October 2000 |
1 | 10 | ||
| box | ||||
|
Framed copy of program for "Oedipus Rex: a Concept Symphony," signed by Lionel Richie. Frame chipped. Inscription on verso, "To James + Ian, Love, Orlando, 26/10/00" October 2000 |
13 | |||
| box | folder | |||
|
Notes, research material and collages for "Oedipus Rex: a Concept Symphony," collaborative performance at ICA London October 2000 |
1 | 11 | ||
|
Collages, brochures and floorplans for "Oedipus Rex: a Concept Symphony," collaborative performance at ICA London October 2000 |
1 | 12 | ||
|
Notes, documentation, research material and slides for "F.A.G.: Film, Art and Gainsborough," at Cubitt, London, with Jimmy Robert and Emma Hedditch, and "The Neon Gainsborough," at Neon Gallery, London 2002-2003 |
1 | 13 | ||
|
Photocopies, collages, props and handwritten signs for "F.A.G.: Film, Art and Gainsborough," at Cubitt, London, with Jimmy Robert and Emma Hedditch, and "The Neon Gainsborough," at Neon Gallery, London 2002-2003 |
1 | 14 | ||
|
Floorplans, photos, documentation and research materials from "6 things we couldn't do but can do now," with Jimmy Robert, Tate Britain, London November-December 2004 |
1 | 15 | ||
|
Performance notes, notebooks and media from "6 things we couldn't do but can do now," with Jimmy Robert, Tate Britain, London. November-December 2004 MediaContains Panasonic MiniDV, labels: "From Unlabelled Folder JP," "'6 things' Documents" |
1 | 16 | ||
|
Artworks, notes, informational material, lighter, media and photographs, including original "Trio A on Beach" photo, as part of installation for "6 things we couldn't do then but can do now," with Jimmy Robert, Tate Modern, London November-December 2004 MediaContains 4 CDs 1. Label, "1st perf." 2. Label, "Installation" 3. Label, "Tate Britain 3.12.04" 4. Blank |
1 | 17 | ||
|
Material from "Yvonne Rainer's Trio A," with Jimmy Robert, Tate Modern, London November-December 2004 |
1 | 18 | ||
|
Promotional material from performance of "Marriage à la Mode et Cor Anglais," with Jimmy Robert, STUK, Leuven, Belgium 6-7 November 2007 |
1 | 19 | ||
|
Media from performance, "Marriage à la Mode et Cor Anglais," with Jimmy Robert, at various venues 2007-2009 Scope and ContentsIncludes 7 CDS 1. Label, "Vitrine Images" 2. Label, "Jimmy Robert and Ian White video" 3. Label, "Jimmy Robert and Ian White, Marriage à la mode et Cor Anglais, STUK Kunstcentrum, 7/11/07" 4. Label, "Jimmy Robert and Ian White, 'Marriage à la mode et Cor Anglais' music, 3 songs" 5. Label, "Ian and Jimmy" 6. Label, "Marriage à la mode et cor anglais (STUK, 2007) Jimmy Robert and Ian White 7. Label, "Marriage à la mode et Cor Anglais, Feb. 7 2008, De Brakke Grond (RAW)" 8. Label, "'Marriage à la mode et Cor Anglais,'for de Appel, Feb. 7 2008, De Brokke Grond" |
1 | 20 | ||
|
Props from performance, "Marriage à la Mode et Cor Anglais," with Jimmy Robert, at various venues 2007-2009 |
1 | 21 | ||
|
Research, correspondence and technical specs from performance, "Marriage à la Mode et Cor Anglais," with Jimmy Robert, at various venues 2007-2009 |
1 | 22 | ||
|
Promotional material from performance, "Marriage à la Mode et Cor Anglais," with Jimmy Robert, de Appel, Amsterdam 7 February 2008 |
1 | 23 | ||
|
Notes and media for performance of "Ibiza," The Horse Hospital, London 2008 MediaContains 1 Mini DV tape, 2 CDs 1. Mini DV, Label, "Ian White/Horse Hospital Mini DV"; "From Ibiza folder" 2. CD, Label, "Ian White Ibiza, Horse Hospital" 3. CD, Label, "Ibiza (at Horse Hospital, London) Ian White" |
1 | 24 | ||
|
Notes and promotional material for "Characters, Figures and Signs," series at Tate Modern. Includes performance of "Black Flags" and panel chaired by Ian White 20-21 February 2009 |
1 | 25 | ||
|
Research material and media for "Characters, Figures and Signs," series at Tate Modern. Includes performance of "Black Flags" and panel chaired by Ian White 20-21 February 2009 MediaContains 6 CDs 1. Label, "Black Flags Music" 2. Label, "Black Flags, Ian White" 3. Label, "Black Flags, Ian White" 4. Label, "Ian White, 'Black Flags' Tate Modern, February 2009" 5. Label, "Fanfares Data" 6. Label, "Black Flags Tate Mod., Ian White" |
1 | 26 | ||
|
Media for performance of "Ibiza," Tanya Leighton Gallery, Berlin March 2009 MediaIncludes 4 CDs 1. Label, "Ibiza: A Reading for 'The Flicker' Part One"; "Tanya Leighton" 2. Label, "Ibiza: A Reading for 'The Flicker' Part Two"; "Tanya Leighton" 3. Label, "Ibiza: A Reading for 'The Flicker' Part Three"; "Tanya Leighton" 4. Label, "Ian White Ibiza, Full and Extract"; "Tanya Leighton" |
1 | 26A | ||
|
Promotional material, notes, correspondence (postcards of Queen Elizabeth I) and media related to "Democracy" and "Ibiza" performances, part of exhibition "Ecstatic Resistance," Grand Arts, Kansas City, Missouri November 2009 MediaContains 3 Mini DV tapes, 3 CDS 1. Mini DV, labels, "From 'Democracy' folder"; "NTSC?"; "HOV 59.94 62'"; "Ian White Democracy performed at Grand Arts 11/2009" 2. Mini DV, labels, "Democracy at X 17.12.09"; "From 'Democracy' folder -J.P."; "Democracy at X"; "NTSC DV 35'" 3. Mini DV, labels, "Ibiza at X, 17/12/09"; "Folder Ibiza-J.P." 4. CD, label, "Dean and Craig Ian" 5. CD, label, "Democracy Jpegs Test" 6. CD, label, "Ian White 'Democracy' performance documentation from Ecstatic Resistance at Grand Arts, Nov. 2009"; "Still Images" |
2 | 27 | ||
|
Promotional material and correspondence from performance of "Marriage à la Mode et Cor Anglais," with Jimmy Robert, Micadanses/ CAC Brétigny/ FRAC Ile-de-France, Paris 5 December 2009 |
2 | 28 | ||
|
Yvonne Rainer collages, related to edition Ian White produced for Tanya Leighton Gallery, "NO-YES-I DO" 2009 |
2 | 29 | ||
|
Technical notes, diagrams and floorplans for "Black Flags" performance, daadgalerie, Berlin 3-17 July 2010 |
2 | 30 | ||
|
Media, programs, notes, scripts and floorplans from performances "Ibiza", "Black Flags" and "Democracy", daadgalerie, Berlin June-July 2010 MediaContains 3 Mini DV tapes, 15 CDs, 1 DVD 1. Mini DV tape, labels, "6 Things (Jan '18)"; "From 'DAAD Folder'-J.P."; "PAL DV 51'" 2. Mini DV tape, labels, "Jan perf 17 July [Finissage]"; "From DAAD Folder- J.P." 3. Mini DV tape, labels, "Ian perf, 10 July 2010, Black Flags, Democracy"; "From DAAD Folder- J.P." 5. CDs, label, "Democracy, Ian White, daadgalerie, Berlin, 10 July 2010" (5 copies) 6. CDs, label, "Black Flags, Ian White, daadgalerie, Berlin, 10 July 2010" (4 copies) 7. CDs, label, "Democracy, Ian White, daadgalerie, Berlin, 17 July 2010 (5 copies) 8. CD, label, "Audio Fanfare" 9. DVD, label, "Ian White, Ibiza Black Flags Democracy, DAADgalerie, Berlin, July 2020, Photographs Krzysztof Zieliński" |
2 | 31 | ||
|
Notes, media and promotional material for performance, "Hinterhof," feat. James Richards, KUB Arena, Kunsthaus Bregenz, Austria November 2010-January 2011 MediaContains 3 Mini DV tapes, 6 CDs 1. Mini DV tape, labels, "Performance, KUB Arena, Ian White_06_11_2010"; "Performance Ian White 6 Nov. 2010"; "From Folder 'Hinterhof'-J.P." 2. Mini DV tape, labels, "Hinterhof, Ian White, 04.12.2010"; "Performance-KUB Arena, Ian White, 04.12.10"; "From folder 'Hiterhof'-J.P." 3. Mini DV tape, labels, "Ian White, 8.1.2011"; "Performance-KUB Arena, Ian White, 08_01_2011"; "PAL DV 53'" 4. CD, label, "Performance_KUB Arena Ian White_08_01_2011" 5. CD, label, "Images Bregenz I" 6. CD, label, "Performance_KUB Arena, Ian White 06_11_2010, Ian White 04_12_2010" 7. CD, label, "Ian White Hinterhof Images" 8. CD, label, "Bauchlandung, Karola Schlegelmilch, Deutschland 1991, 3 min, 4:3, Arsenal" 9. CD, label, "Her Mona, Klaus Telscher, Deutschland 1992, 7 min., 4:3, Arsenal" |
2 | 32 | ||
|
Notes and planning documents from performance, "Beginning Good. All Good. (Barcelona)," at Loop Video Art Festival, with Eva Birkenstock; Kerstin Stakemeier; Nina Köller; Felix Meyer 19-21 May 2011 |
2 | 33 | ||
|
Research and promotional material from performance, "Beginning Good. All Good. (Barcelona)," at Loop Video Art Festival, with Eva Birkenstock; Kerstin Stakemeier; Nina Köller; Felix Meyer 19-21 May 2011 |
2 | 34 | ||
|
Printed material from Ian White performance at Kino Arsenale, Berlin, part of "Living Archive: Ausstellung und Performance" March 2012 |
2 | 35A | ||
|
Brochure from posthumous exhibition, "Ian White: Every frame is a thrown voice," Camden Arts Centre, London. Curated by Kirsty Bell and Mike Sperlinger April-June 2018 |
2 | 35B | ||
|
Material from "Lemon Rose," collaborative performance with Jimmy Robert, Jeu de Paume, Paris 13-14 April 2012 |
2 | 36 | ||
|
Media, notes, correspondence and research material related to performances, "Ibiza", "Black Flags" and "Democracy", various venues. n.d. MediaIncludes 2 CDs 1. Label, "DJ Jon Butler, Endless Road" 2. Label, "Beachball, Jon Butler" |
2 | 37 | ||
|
Letraset transfers from plastic bags n.d. |
2 | 38 | ||
|
"IW Museum interior original and copies," image of museum interior and photocopies reworked by Ian White. Also includes photograph of seascape, marked "10 53 G Jackie1.tif" n.d. |
2 | 39 | ||
|
"IW museum interior stack of copies," image of museum interior repeatedly photocopied and reworked by Ian White n.d. |
2 | 40 | ||
|
September 2004 issue of Art Monthly with painting on inside of magazine n.d. |
2 | 41 | ||
| box | ||||
|
Kodak Easy Share P825 Digital Frame, 8". Sticker on box "99.99". From "Black Flag Ibiza Democracy" performances at daadgalerie, Berlin 2010 NoteNote: "IW Democracy- not working, 17.01.18" |
12 | |||
|
Kodak Easy Share P825 Digital frame, 8". Label on box, "3&4." From "Black Flag Ibiza Democracy" performances at daadgalerie, Berlin 2010 NoteNote: "IW Democracy, QE1 pearls and ruffles, 17.01.18 KB" |
12 | |||
|
Kodak Easy Share P825 Digital Frame, 8". Sticker on box "99.99". From "Black Flag Ibiza Democracy" performances at daadgalerie, Berlin 2010 NoteNote: "IW Democracy Bacon-Syringe-TV Tower, 17.01.18 KB" |
12 | |||
|
Kodak Easy Share P825 Digital Frame, 8". Label on box "5". From "Black Flag Ibiza Democracy" performances at daadgalerie, Berlin 2010 NoteNote: "IW Democracy, Kenilworth upside down, TV tower upside down, 17.01.18 KB" |
12 | |||
|
Kodak Easy Share P825 Digital Frame, 8". Label on box, "1&2". From "Black Flag Ibiza Democracy" performances at daadgalerie, Berlin 2010 NoteNote: "IW Democracy, clothes on floor, syringe, chain, 17.01.18 KB" |
12 | |||
|
Kodak Easy Share P825 Digital Frame, 8". Label on box, "Small 1&2". From "Black Flag Ibiza Democracy" performances at daadgalerie, Berlin 2010 NoteNote: "IW Democracy, Kenilworth, 17.01.18 KB" |
12 | |||
|
Hama digital picture frame, not in box n.d. |
12 | |||
|
Hama digital picture frame, not in box, screen detached and damaged n.d. |
12 | |||
|
Intenso 7" PhotoPilot digital frame. Not in box, screen protecting plastic attached n.d. |
12 | |||
|
CnM Lifestyle Electronics 7" digital photo frame. Not in box, screen protecting plastic attached n.d. |
12 | |||
|
Empty black glass picture frame, 4 x 6 in., label on box "3 nxt to mid" |
13 | |||
|
Hama digital picture frame, label on box "End PF".Box also contains laser pointer keychains (3) and adapters n.d. |
13 | |||
|
Assorted adapters and plugs for digital photo frames n.d. |
13 | |||
|
Hama digital picture frame, not in box n.d. |
13 | |||
|
Empty mirrored glass picture frame, 4 x 6 in., label on box, "1 star" n.d. |
13 | |||
|
Empty black glass picture frame, 4 x 6 in., label on box "2 CRI" n.d. |
13 | |||
|
Box containing six 4 x 6 mirrored and black glass empty picture frames |
13 | |||
|
Framed artwork, "NO YES I DO (Trio A)", 2009, photocopy with fingerprint, editioned 4/5 with 2 AP, 29,7 x 21 cm. Label from Tanya Leighton Gallery, Berlin on verso 2009 |
13 | |||
Subseries A: Performance with Andrew Wash and James Hollands, "Dennis Cooper's Inside Out," Nightbird Festival, The Quebec Public House, London |
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| box | folder | |||
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Research material for performance with Andrew Walsh and James Hollands, "Dennis Cooper's Inside Out," Nightbird Festival, The Quebec Public House, London 18 July 2000 |
8 | 231 | ||
|
Manuscript and reviews of novel by Dennis Cooper, Period," related to performance with Andrew Walsh and James Hollands, "Dennis Cooper's Inside Out," Nightbird Festival, The Quebec Public House, London, June-July 2000 |
8 | 232 | ||
|
Notes and correspondence for performance with Andrew Walsh and James Hollands, "Dennis Cooper's Inside Out," Nightbird Festival, The Quebec Public House, London, June-July 2000 |
8 | 233 | ||
| binder | ||||
|
Photographs from performance with Andrew Walsh and James Hollands, "Dennis Cooper's Inside Out," Nightbird Festival, The Quebec Public House, London June-July 2000 Scope and ContentsBinder contains photographs, negatives and postcards stored with photographs. |
1 | |||
Series II: Writing |
||||
| box | folder | |||
|
Copies of interview with Ian White, "Messages from the Underworld," in everything 1996 |
2 | 42 | ||
|
Copies of essay, "KinoKulture: the Destination is the Journey," in Filmwaves, Issue 4 Spring 1998 |
2 | 43 | ||
|
Copies of writing for brochure for "A Rock n' Roll Suicide," ICA London 2-3 July 1998 |
2 | 44 | ||
|
Material and copies of essay, "Joe Coleman and Divine David in Conversation with Ian White," everything, Vol. 2, No. 3 1998 |
2 | 45 | ||
|
Material for essay, "Paranoia at 'Book Sale'," in Influence, No. 4 1999 |
2 | 46 | ||
|
Copies of essay, "The Last Picture Show," in The Guardian 6 October 2001 |
2 | 47 | ||
|
Copy of essay, "Tomorrow, The World: Correspondence with Oliver Payne & Nick Relph," Pandaemonium catalogue 2001 |
2 | 48 | ||
|
Copies of essay, "Information: Suspect, Construction: Evident [John Smith]," from Festivalkatalog 48: Internationale Kurzfilmtage Oberhausen 2002 |
2 | 49 | ||
|
Material relating to writing for LUX Online and LUX Open Writing projects 2002 |
2 | 50 | ||
|
Research material for assorted Art Review articles |
2 | 51 | ||
|
Clippings of published articles by Ian White in Art Review 2002-2005 |
2 | 52 | ||
|
Copy of essay, "Recording and Performing: Cinema as a Live Art," from art in-sight, No. 8 (insert in filmwaves, No. 21) Spring 2003 |
3 | 53 | ||
|
Copies of essay, "Romantic, Beyond, Impossible and Heartbreaking: an Open Response to Tilda Swinton's 2002 Vertigo Address," in Vertigo, Vol. 2, No. 5 Summer 2003 |
3 | 54 | ||
|
Copy of essay, 'Palace Calls Crisis Summit," in Film[Lokal] (Dominique Gonzalez-Foerster, Markus Schinwald, Thomas Steffl, Costa Vece, Albert Weis), Revolver, Frankfurt 2003 |
3 | 55 | ||
|
Information and research on FACT Liverpool for Art Review article 2003 |
3 | 56 | ||
|
Notes and draft of article, "Peter Gidal,' (originally "Yes But If But If But Then But Then"), Lux Online 2003 |
3 | 57 | ||
|
Notes and correspondence for review of Moving Image publication by Gregor Muir, published by Tate Modern, London 2003, n.d. |
3 | 58 | ||
|
Clippings of published articles by Ian White in Art Monthly 2003-2004 |
3 | 59 | ||
|
Notes and research for assorted Art Review articles 2003-2006 |
3 | 60 | ||
|
Notes and research for essay, "_/_/04 (on Fountains)," for catalogue, Klaus Weber: Unfold! You Cul de Sac," Revolver, Frankfurt am Main 2004 |
3 | 61 | ||
|
Material for essay, "Ten Pound Per Head [Ann Course and Paul Clark]," firstsite papers, exhibition text for "No Horizon: Ann Course and Emma Woffenden," firstsite, Colchester 2004 |
3 | 62 | ||
|
Essay, "Das projizierte objekt," trans. Gaby Gehlen, Kurz und Klein: 50 Jahre Internationale Kurzfilmtage Oberhausen, ed. Klaus Behnken, Hatje Cantz, Osfildern-Ruit, Germany 2004 |
3 | 63 | ||
|
Notes and research material for essay, "Who is Not the Author? Gary Schum and the Established Order," in Afterthought: New Writing on Conceptual Art, ed. Mike Sperlinger, Rachmaninoffs, London 2005 |
3 | 64 | ||
|
Research and notes for text, "These Things Happen," about John Wood and Paul Harrison, for DVD booklet and exhibition catalogue 2005-2006 |
3 | 65 | ||
|
Research and notes for article, "John Cage and Black Mountain College," in The Wire, Issue 263 January 2006 |
3 | 66 | ||
|
Notes for article, "On the Road," David Lamelas interview, Frieze, Issue 100 June-August 2006 |
3 | 67A | ||
|
Brochure for exhibition, "Gail Pickering: Hungary! And Other Economies," Gasworks, London. Essay by Ian White included in brochure 2006 |
3 | 67B | ||
|
Notes for writing, "Grace Ndrith in Conversation with Ian White," Lux Online 2006 |
3 | 68 | ||
|
Notes and research for article, "Film and Video: Robert Beavers: Is a Film a Site-Specific Artform?,"Art Review February 2007 |
3 | 69A | ||
|
Brochure for film, "Programme," by Richard Squires. Includes Ian White essay, "Camera Obscura" April 2007 |
3 | 69B | ||
|
Notes for article, "Feelings Are Facts: A Life, Yvonne Rainer," afterall.org May 2007 |
3 | 70 | ||
|
Copies of essay, "Film Art Life (Death, Sex, Social History): David Wojnarowicz," in Untitled, No. 28 Summer 2008 |
3 | 71 | ||
|
Material for book, "Acid Cut Flowers," with Emily Wardill 2008 |
3 | 72A | ||
|
Book, Kinomuseum: Towards an Artists' Cinema, ed. Mike Sperlinger and Ian White, Verlag der Buchandlung, Walther König: Cologne 2008 |
3 | 72B | ||
|
Notes and research for essay, "Architecture is the Act of Looking," for Sheffield Pavilion catalogue, ed. Jannine Griffin 2009 |
3 | 73 | ||
|
Notes for writings on Köken Ergun 2009-2011 |
3 | 74A | ||
|
Book, We are behind, Emily Wardill and Ian White, Book Works: London, De Appel: Amsterdam 2010 |
3 | 74B | ||
|
Book, Ibiza Black Flags Democracy, Ian White, daadgalerie, Berliner Künstlerprogramm/ DAAD 2010 |
3 | 74C | ||
|
Notes and media from essay "Death, Life and Art(ifice): the Films of Sharon Lockhart," from Warhol Wool Newman- Painting Real/ Screening Real- Conner Lockhart Warhol, Walter König 2010 MediaIncludes 2 CDs 1. Label, "Double Tide (Rough Cut), Sharon Lockhart, 2009" 2. Label, "Sharon Lockhart, No, 2003" |
3 | 75 | ||
|
Research material and notes for "Situation Cinema: Models of Spectacle, Empty Spaces, and 'The Saints'," essay for exhibition catalogue, Paul Pfieffer: The Saints, ed. Britta Schmitz, Heidelberg Kehrer Verlag 2010 |
3 | 76 | ||
|
Material for essay, "The hole's the thing...," in Gerald Byrne: Images of Shadows, Irish Museum of Modern Art, Dublin 2011 |
3 | 77 | ||
|
Material for essay, "Wishful Thinking: Morgan Fisher at the Ziegfeld Follies, or Oliver Hussain and the Potential of Theatrical Excess," in Oliver Hussain: Spoiler Alert, Art Gallery of York University/ The Power Plant, Toronto 2011 |
3 | 78A | ||
|
Book, Documents of Contemporary Art: Moving Image, ed. Omar Kholeif, London: Whitechapel Gallery, Cambridge, Massachusetts: MIT Press. Includes Ian White essay, "Kinomuseum" (originally published in 2008) 2015 |
3 | 78B | ||
|
Magazine, Talker, No. 1: Ian White, Ed. Giles Bailey, 1200m: London. Interview with Ian White (conducted 2012) by Giles Bailey 2016 |
3 | 78C | ||
|
Magazine, Afterall, No. 41, ed. Helena Vilalta, University of the Arts London. Includes Ian White essay, "Intervention: Stuart Marshall" (originally published 2007) Spring/Summer 2016 |
3 | 78D | ||
|
Magazine, Tezte Zur Kunst,, Vol. 26, No. 103, ed. Caroline Busta. Includes essay "Hearing Voices: On the reading and performance of poetry," by Karolin Meunier |
3 | 78E | ||
|
Brochure, from posthumous screening and book release for Here is Information. Mobilise., a collection of Ian White writings, Cinemarket Oslo. Brochure includes Ian White writings on Morgan Fisher's "Screening Room" and Sharon Lockhart's "Teatro Amazonas." Organized by Mike Sperlinger April 2017 |
3 | 78F | ||
Series III: Readings, Panels and Talks |
||||
| box | folder | |||
|
Correspondence and material for lecture at Rudolfinum, Prague, in connection with exhibition, "Reality Check" March 2003 |
3 | 79 | ||
|
Research for panel moderated by Ian White, "Matthias Müller and Christoph Giradet in Conversation," Tate Modern, London May 2004 |
3 | 80 | ||
|
Material for conversation with Andrew Stones, Chisenhale Gallery, London August 2004 |
3 | 81 | ||
|
Material for conversation with Valie Export, National Film Theatre, London October 2004 |
3 | 82 | ||
|
Material for conversation with Sarah Morris, National Film Theatre, London November 2004 |
3 | 83 | ||
|
Notes for lecture, "A-Movies," introduction and Q+A, Cinecity, Brighton Film Festival December 2005 |
3 | 84 | ||
|
Material for guest lecture, "Instituting Images," Gradisca Spring School, Gradisca D'Isonzo, Italy April 2006 |
3 | 85 | ||
|
Notes and research material for "Discover..Reading Video Art" workshop, Camden Arts Centre, London 17 May 2007 |
3 | 86 | ||
|
Material for moderation of talk, "Real Value, Spaces Between Painting and Film," Kunsthaus Granz, Austria January 2010 |
3 | 87 | ||
|
Notes, "6 or more types of theatre," seminar series, no.w.here, London September-October 2010 |
3 | 88 | ||
|
Material for presentation at Symposium on Emerging Practice- a Tramway Event, in collaboration with Vanishing Point and Collective, Tramway, Glasgow 17-19 February 2011 |
3 | 89 | ||
|
Material for lecture series, "Freundschaft," Freie Universität, Berlin, Ian White contribution: "A bracelet of hair about the bone" 9 June 2011 |
3 | 90 | ||
|
Material for Jack Smith symposium at ICA London, "Hinterhof," (presented as a talk), "A feast for open eyes," and "Normal Love" introduction 8-9 September 2011 |
3 | 91 | ||
|
Material for lecture, "A Life, and Times (Three Times)," Piet Zwart Institute, Rotterdam, Netherlands November 2011 |
3 | 92 | ||
|
Notes and correspondence for conversation with T.J. Wilcox, Tate Modern, London June 2013 |
3 | 93 | ||
Series IV: Pedagogy and Advocacy Work |
||||
| box | folder | |||
|
Notes and correspondence for Artist's Moving Image Review, Seminar 4, Central St. Martin's College, London May 2002 |
3 | 94 | ||
|
Notes and research for British Film Institute Black World 2002 working group 2003 |
3 | 95 | ||
|
Teaching notes for Experimental Film course, Middlesex University, weeks 1-3 January-May 2004 |
3 | 96 | ||
|
Teaching material for Experimental Film course, Middlesex University, weeks 4-7 January-May 2004 |
4 | 97 | ||
|
Teaching material for Experimental Film course, Middlesex University, weeks 8-12 January-May 2004 |
4 | 98 | ||
|
Correspondence and teaching materials for Experimental Film Course, Middlesex University, all weeks January-May 2004 |
4 | 99 | ||
|
Student assignments and teaching notes for Experimental Film course, Middlesex University, all weeks January-May 2004 |
4 | 100 | ||
|
Research material, notes and information for teaching workshop at Stability Mobility Sharing Conference, with Mike Sperlinger, Rotterdam, Netherlands 2004 |
4 | 101 | ||
|
Report and agenda from Legacy and Learning, Artists' Film and Video in Collections, Arts Council England January-October 2006 |
4 | 102 | ||
|
Notes and informational material for Arts Council England (ACE) Legacy and Learning Research Seminar (Ian White leader and consultant), Folder 1/2 12 September 2006 |
4 | 103 | ||
|
Notes and informational material for Arts Council England (ACE) Legacy and Learning Research Seminar (Ian White leader and consultant), Folder 2/2 12 September 2006 |
4 | 104 | ||
|
Notes and research material for Arts Council England (ACE) Legacy and Learning Research Seminar (Ian White leader and consultant), Folder 1/2 12 September 2006 |
4 | 105 | ||
|
Notes and research material for Arts Council England (ACE) Legacy and Learning Research Seminar (Ian White leader and consultant), Folder 2/2 12 September 2006 |
4 | 106 | ||
|
Independent Cinema Office course, "Developing Audiences for Artist's Moving Image Work," Arts Council East, Cambridge 18 April 2007 |
4 | 107 | ||
|
Consultancy for Future Histories Research Network, consortium on the sustainability of online moving image archives, led by School of Arts, Design, Media and Culture, University of Sunderland April 2007 |
4 | 108 | ||
|
Material from LUX Associate Artists Programme (Ian White lead facilitator), London 2007-2008 |
4 | 109 | ||
|
Material and media from LUX Associate Artists Programme (Ian White lead facilitator), London 2007-2008 MediaContains 2 CDs 1. Label, "LUX Associate Artists Programme 07/8, Preview DVD" 2. Label, "Shunya Hô" |
4 | 110 | ||
|
Application material from LUX Associate Artists Programme (Ian White lead facilitator), London 2007-2008 |
4 | 111 | ||
|
Teaching notes from LUX Associate Artists Programme (Ian White lead facilitator), London 2007-2008 |
4 | 112 | ||
|
Material from workshop, "How Can I Say We Are Here? Performance and Cinema," Gunen Art Academy, Odense, Denmark March 2008 |
4 | 113 | ||
|
Material collected for exhibitions and events related to Arts Council England: Moving Images: Legacy and Learning Part 2, scoping exercise for Artists Film and Video in Collections 2008 |
4 | 114 | ||
|
Notes and media materials for LUX Associate Artists Programme (Ian White lead facilitator), London 2008-2009 MediaContains 4 DVDs, 1 CD 1. DVD, label, "Stina Wirfelt, Monument, 2008" 2. DVD, label, "Stina Wirfelt -Oasis, -The Village Wash - Memory Empty -Gilda - Collage" 3. DVD, label, "Duncan Marquiss, The Clay Wall, 2007" 4. DVD, label, "Duncan Marquiss, "Video Work 2003-2006" 5. CD, label, "LUX AAP, Oct 2008, 'Margate,' MNT Pics |
4 | 115 | ||
|
Application material for LUX Associate Artists Programme (Ian White lead facilitator), London 2008-2009 |
4 | 116 | ||
|
Notes from Arts Council England: Moving Image: Legacy & Learning Part 2, scoping exercise for artists' film and video in collections 2009 |
4 | 117 | ||
|
Notebook and contract for Arts Council England: Moving Image: Legacy & Learning Part 2, scoping exercise for artists' film and video in collections 2009 |
5 | 118 | ||
|
Applications for LUX Associate Artists Programme (Ian White lead facilitator), London 2009-2010 |
5 | 119 | ||
|
Teaching notes for LUX Associate Artists Programme (Ian White lead facilitator), London 2009-2010 |
5 | 120 | ||
|
Material for LUX Associate Artists Programme (Ian White lead facilitator), London 2009-2010 |
5 | 121 | ||
|
Material for LUX Associate Artists Programme (Ian White lead facilitator), London 2010-2011 |
5 | 122 | ||
|
Teaching notes for LUX Associate Artists Programme (Ian White lead facilitator), London 2010-2011 |
5 | 123 | ||
|
Notes for judging for Collective New Work Scotland programme 2011 |
5 | 124 | ||
|
Material from LUX Associate Artists Programme (Ian White lead facilitator), London 2011-2012 |
5 | 125 | ||
|
Applications for LUX Associate Artists Programme (Ian White lead facilitator), London 2011-2012 |
5 | 126 | ||
|
Teaching notes from LUX Associate Artists Programme (Ian White lead facilitator), London 2011-2012 |
5 | 127 | ||
|
Teaching material, Dutch Art Institute, Arnhem, Netherlands 2011-2012 |
5 | 128 | ||
|
Notes relating to PhD and dissertation supervision for Stella Dimitrakopoulu, City University of London, Trinity Laban Conservatoire of Music and Dance 2011-2012 |
5 | 129 | ||
|
Notebook and teaching material for Fine Art (Studio Practice) course at Goldsmiths, London 2013 |
5 | 130 | ||
|
Notes for judging of Film London programme n.d. |
5 | 131 | ||
|
Material from British Film Institute's Artists' Moving Image focus group n.d. |
5 | 132 | ||
Series V: Curatorial Work |
||||
Subseries A: Freelance and Independent Projects |
||||
| box | folder | |||
|
Material from program, "Reprojection: Recent Queer Video and Performance," Volcano Film Festival, Oval House, London (Folder 1/2) 1998 |
8 | 228 | ||
|
Material from program, "Reprojection: Recent Queer Video and Performance," Volcano Film Festival, Oval House, London (Folder 2/2) 1998 |
8 | 229 | ||
|
Notes for "Die Liebe der Danae," performance organized by Ian White, Garsington Opera House, Oxfordshire Dramaturg June-July 1999 |
5 | 133 | ||
|
Script and promotional postcards for "Die Liebe der Danae" performance organized by Ian White, Garsington Opera House, Oxfordshire Dramaturg June-July 1999 |
5 | 134 | ||
|
Research material for "Die Liebe der Danae" performance organized by Ian White, Garsington Opera House, Oxfordshire Dramaturg June-July 1999 |
5 | 135 | ||
|
Correspondence for "Die Liebe der Danae" performance organized by Ian White, Garsington Opera House, Oxfordshire Dramaturg 1999 |
5 | 136 | ||
|
Material for SPAN2, International Performance Art Festival (Ian White press, publicity and documentation officer), Dilston Grove Mission Church, London November 2001 |
5 | 137 | ||
|
Notes and research for Ian White curated film programs, including research on David Wojnarowicz for London Lesbian and Gay Film Festival 2002 |
5 | 138 | ||
|
Research, notes and negatives for Turner Prize film programme, "Ways of Seeing," Tate Modern, London November 2002 |
5 | 139 | ||
|
Research material, notes and correspondence for program, "Today We Live: Jimmy Robert; Emma Hedditch; Melissa Castagnetto; Ruby Grierson," Oberhausen Short Film Festival, Germany May 2003 |
5 | 140 | ||
|
Materials and notes from International Documentary Film Festival (IFDA), Amsterdam 20-30 November 2003 |
5 | 141 | ||
|
Notes, research and programming material for "Mosaïques," Institut Français, London 2003 |
5 | 142 | ||
|
Research material and correspondence with Alice Anderson, for film programming project, "3 to the Power of 3," Cine Lumiere, Institut Français, London 2003-2004 |
5 | 143 | ||
|
Planning documents, notes and correspondence for film programming project, "3 to the Power of 3," Cine Lumiere, Institut Français, London April-September 2004 |
5 | 144 | ||
|
Curatorial research, promotional material for film programing project, "3 to the Power of 3," Cine Lumiere, Institut Français, London April-September 2004 |
6 | 145 | ||
|
Photographs and negatives from Gwangju Biennial 2004 |
6 | 146 | ||
|
Press and documentation for "The Artists Cinema" program at Frieze London 31 January-8 February 2005 |
6 | 147 | ||
|
Notes, material, flyers, correspondence and budgets for "The Artists Cinema" program at Frieze London 2006 |
6 | 148 | ||
|
Research material for "The Artists Cinema" program at Frieze London 2006 |
6 | 149 | ||
|
Notes, research material and correspondence for exhibition, "Klaus Weber: Der Geist ist ein Waterfall," Showroom MAMA, Rotterdam, Netherlands May 2005 |
6 | 150 | ||
|
Notes and material from Frieze London Film and Video Programme, "Mobile Cinema" project, William Akuffo: "Diablo I-IV" 16-20 October 2005 |
6 | 151 | ||
|
Material related to John Smith video program at Oberhausen Short Film Festival, Germany 2006 |
6 | 152 | ||
|
Notes, press release and promotional material for "Kinomusem" program, Oberhausen Short Film Festival, Germany May 2007 |
6 | 153 | ||
|
Copies of press clippings for "Kinomuseum" program, Oberhausen Short Film Festival, Germany 2007 |
6 | 154 | ||
|
"Casablanca" script for "Kinomuseum" program, Oberhausen Short Film Festival, Germany 2007 |
6 | 155 | ||
|
Research material for "Kinomuseum" program, Oberhausen Short Film Festival, Germany (Folder 1/2) 2007 |
6 | 156 | ||
|
Research material for "Kinomuseum" program, Oberhausen Short Film Festival, Germany (Folder 2/2) 2007 |
6 | 157 | ||
|
Notes, correspondence and promotional material for "The Secret Public: the Last Days of the British Underground 1978-1988," ICA London; Kunstverein Munich; British School at Rome Gallery October 2006-November 2007 |
6 | 158 | ||
|
Press for "The Secret Public: the Last Days of the British Underground 1978-1988," ICA London; Kunstverein Munich; British School at Rome Gallery October 2006-November 2007 |
6 | 159 | ||
|
Research material for "The Secret Public: the Last Days of the British Underground 1978-1988," ICA London; Kunstverein Munich; British School at Rome Gallery October 2006-November 2007 |
6 | 160 | ||
|
Correspondence for programming at Oberhausen Short Film Festival, Germany, "Whose History" and Lis Rhodes 2008 |
6 | 161 | ||
|
Notes for programming at Oberhausen Short Film Festival, Germany, "Whose History" and Lis Rhodes 2008 |
6 | 162 | ||
|
Research material for programming at Oberhausen Short Film Festival, Germany, "Whose History" and Lis Rhodes 2008 |
6 | 163 | ||
|
Photographs of programming at Oberhausen Short Film Festival, Germany, "Whose History" and Lis Rhodes 2008 |
7 | 164 | ||
|
Contracts, brochures and media for programming at Oberhausen Short Film Festival, Germany, "Whose History" and Lis Rhodes 2008 MediaContains 2 CDs 1. Label, "still, Lis Rhodes, 2008" 2. Label, "still, Lis Rhodes, silent: 70 mins) |
7 | 165 | ||
|
Material for exhibition text, "I am not an archive," for exhibition "Videodrama" at Kunsthalle Wien, Vienna, Austria 2009 |
7 | 166 | ||
|
Program notes and promotional material from, "It's not the homosexual who is perverse, but the situation in which he lives: Kino, Kunst, Kontext," Kino Arsenal; Tanya Leighton Gallery; lab.oratory, Berlin March 2009 |
7 | 167 | ||
|
Research material, correspondence and notes for Ian White's time in Berlin curating "It's not the homosexual..." and "Kopietheater" 2009-2010 |
7 | 168 | ||
|
Notebook, correspondence and media for Ian White's time in Berlin curating "It's not the homosexual..." and "Kopietheater" 2009-2010 MediaContains 2 CDs 1. Label, "1. 'D', 2. 'Monogambee', 3. 'Nicht der Homosexuelle ist...'. 4. 'Othon', arsenal, Bilder" 2. Label, "Ian Berlin" |
7 | 169 | ||
|
Material for "The Idea of the Self," presentation series, Oberhausen Short Film Festival, Germany 29 April-4 May 2010 |
7 | 170 | ||
|
Material for Emily Wardill exhibition, "Windows broken, break, broke together," de Appel Art Center Jongensschool, Amsterdam 18 September-28 November 2010 |
7 | 171 | ||
|
Material for "Kopietheater," programming at Berlinale Forum, Kino Arsenal, Berlin 2010 |
7 | 172 | ||
|
Material from Anthony McCall and Andrew Tyndall "Argument" screening, includes booklet, screening insert and notes from discussion group with Gil Leung and Ian White, Arika, Glasgow, Scotland 21 January 2012 |
7 | 173 | ||
|
Layouts from HIIT Studio for publication for "A Performance Project," KUB Arena, Kunsthaus Bregenz, Austria 2012 |
7 | 174 | ||
Subseries B: LUX |
||||
| box | folder | |||
|
Correspondence, announcements and contracts for LUX "Pandaemonium Biennial of Moving Images" 2000-2001 |
7 | 175 | ||
|
Material for LUX programming, screening series, "X," "Asian Shower," and "Girl O'Gram," by Gritt Udall-Jenssens 30 March 2001 |
7 | 176 | ||
|
Material for LUX programming, "Downtown: New York Underground Film Festival" series, James Fotoupolos, Nelson Sullivan 6 May 2001 |
7 | 177 | ||
|
Material for LUX programming series, "Goldsmiths on Film" 16 May 2001 |
7 | 178 | ||
|
Material for LUX programming screening series, "Invisible Adversaries," Valie Export; Kurt Kren; Marina Abramovic; Lisl Ponger; Mara Mattuschka; Kira O'Reilly; Yoko Ono 17-20 May 2001 |
7 | 179 | ||
|
Material for LUX programming, screening series, "Reeltime: Austrian Cinema Documentaries" 23-27 May 2001 |
7 | 180 | ||
|
Material for LUX programming, screening of "Injustice" 2 August 2001 |
7 | 181 | ||
|
Material for LUX programming, screening series, "Arf Arf" 8 August 2001 |
7 | 182 | ||
|
Material for LUX programming, screening series, "Artist's Education Videos," including "Look Around You (Calcium)," by Robert Popper; "Dreaming of Hares" by Mina Courtauld 16 August 2001 |
7 | 183 | ||
|
Material for LUX programming, "Festivals at the LUX: Oberhausen, German Short Films Competition" 22-24 August 2001 |
7 | 184 | ||
|
Material for LUX programming, screening, "David Larcher's Monkey's Birthday" 2 September 2001 |
7 | 185 | ||
|
Material for LUX programming with Ian Helliwell, "Avanto," and "Soundtracks for the City" 6 September 2001 |
7 | 186 | ||
|
Material for LUX programming,"BFM Animation Seminars 1+2" 12-13 September 2001 |
7 | 187 | ||
|
Material for LUX programing, screening series, "Other Cinema" 19 September 2001 |
7 | 188 | ||
|
Material for LUX programming, screening and event, "Brown" 20 September 2001 |
7 | 189 | ||
|
Material for LUX programming, screening series, "Ukrajnska," Khrustalyov, "Get My Car" 26-30 September 2001 |
7 | 190 | ||
|
Material from trip to Kiev, Ukraine, with Greg Muir, for research for LUX program, "Lithuanian Video Art" 2001 |
7 | 191 | ||
|
Material for LUX children's programming 2001 |
7 | 192 | ||
|
Correspondence, notes and materials for assorted LUX programs 2001 |
7 | 193 | ||
|
LUX Artists' Moving Image Festival for London research material for proposal 2004 |
7 | 194 | ||
|
Material for exhibition, "Invisible Mend: Chrissy Coscion; Jasmina Fekovic; Ursula Mayer; James Richards; Elisabeth Subrin," LUX/Lounge, London June 2007 |
7 | 195 | ||
|
Research material and notes for series, "Six Tuesdays: After Film as a Critical Practice," LUX 28 February-March 2009 |
7 | 196 | ||
Subseries C: Whitechapel Gallery |
||||
| box | folder | |||
|
Notes, research, flyers and correspondence for Nan Goldin film program at Whitechapel Gallery, part of Whitechapel exhibition, "Devil's Playground," London 2001-2002 |
7 | 197 | ||
|
Promotional material for "Hermann Nitsch: The Orgies Mysteries Theatre," Whitechapel Gallery, London 19 April 2002 |
7 | 198 | ||
|
Material for Whitechapel Gallery film programming, "A Short History of Performance: Part One," London 15-21 April 2002 |
7 | 199 | ||
|
Promotional material, notes, zine collage and information about Whitechapel Gallery film programming, includes information about exhibitions by Helio Oticica; Liam Gillick; Tetine 2002 |
7 | 200 | ||
|
Brochures and promotional material for Whitechapel Gallery programming (general) 2002 |
7 | 201 | ||
|
Correspondence related to Whitechapel Gallery film programming 2002 |
7 | 202 | ||
|
Promotional flyers for Whitechapel Gallery film programming (general) January-February 2003 |
7 | 203 | ||
|
Material for Whitechapel Gallery film programming, "Other Indias" March 2003 |
8 | 204 | ||
|
Press releases, research and flyers for Whitechapel Gallery film programming, including Janet Cardiff and Philip Lorca-di Corcia, Bruce and and Norman Yonemoto Summer-Fall 2003 |
8 | 205 | ||
|
Correspondence, Whitechapel Gallery, general 2003-2004 |
8 | 206 | ||
|
Material for film programming for exhibition, "Gerhard Richter: Atlas," "Raoul de Keyser," and "Edge of the Real" January-May 2004 |
8 | 207 | ||
|
Material about Whitechapel film programming, includes information about exhibitions by Tobias Rehberger; East End Academy 2004 |
8 | 208 | ||
|
Brochures, flyers and media for "Utopia" program at Whitechapel Gallery 2004-2005 MediaContains 1 CD, label, "Utopia" |
8 | 209 | ||
|
Notes and planning documents, for "Utopia" programming at Whitechapel Gallery 2004-2005 |
8 | 210 | ||
|
Research material for "Utopia" programming at Whitechapel Gallery |
8 | 211 | ||
|
Notes from Whitechapel Gallery open-call screenings 2004-2006 |
8 | 212 | ||
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Material for Whitechapel Gallery, "Art Plus Party 2005" 27 January 2005 |
8 | 213 | ||
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Whitechapel Gallery programming material for "New Work UK" 2005-2008 |
8 | 214 | ||
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Press releases for Whitechapel film programming, Hito Steyerl and Marcel Odenbach 20 July 2006 |
8 | 215 | ||
|
Material for Whitechapel Gallery programming, "New Semantics I: Raymond Entwistle" 5 October 2006 |
8 | 216 | ||
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Material for Whitechapel programming, "A Weekend with Alfred Leslie" 21-22 April 2007 |
8 | 217 | ||
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Material for Whitechapel programming, "Le Ping Pong d'Amour" 15-16 September 2007 |
8 | 218 | ||
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Material for Whitechapel programming, "Adam Curtis: The World of the Self/Our World" 8-9 December 2007 |
8 | 219 | ||
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Programming notes and exhibition planning documents for "The Artists Cinema" programming at Whitechapel Gallery 2007-2008 |
8 | 220 | ||
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Research and promotional material for Whitechapel programming, "Film Circus! Whitechapel Films for Children" 10 May 2008 |
8 | 221 | ||
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Material for Whitechapel programming, "Here: Radical Animation Now" 27-28 September 2008 |
8 | 222 | ||
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Material for Whitechapel programming, "Sigmund Freud's Dora: A Case of Mistaken Identity" 23 April-11 June 2009 |
8 | 223 | ||
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Material for Whitechapel programming, "It's not the Homosexual Who is Perverse, but the Situation in Which He Lives" 9 July-6 August 2009 |
8 | 224 | ||
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Material for Whitechapel programming, Silvia Kolbowski: "After Hiroshima Mon Amour" n.d. |
8 | 225 | ||
Subseries D: Horse Hospital |
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| box | folder | |||
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Promotional material, flyers and brochures for Horse Hospital / Kinokulture projects 1998 n.d. |
8 | 226 | ||
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Photographs, slides, research material on Horse Hospital / Kinokulture projects, Divine David and "Ripping the Skin from the Screen" (Ursula Martinez; Emily Richardson; Richard Squires) 1998 |
8 | 227 | ||
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Research material for Horse Hospital programming 2000 |
8 | 230 | ||
Subseries E: Mary Kelly Project |
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| box | folder | |||
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Notes, promotional material, research, receipts and photographs related to Mary Kelly Project 2003 |
8 | 234 | ||
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Drafts and final copy with edits of experimental publication by Mary Kelly Project 2008 |
8 | 235 | ||
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Publication, "Mary Kelly" 2003, n.d. |
8 | 235A | ||
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Articles and press about artist Mary Kelly, part of research for Mary Kelly Project n.d. |
8 | 236 | ||
Series VI: Personal Material |
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| box | folder | |||
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Prints, posters and drawings by other artists, from Ian White's time at University. Includes World AIDS Day 1994 ResourcePack and posters 1994 n.d. |
9 | 238 | ||
|
Magazine, greeting cards, real estate documents and personal receipts 2005 2010 2011 n.d. |
9 | 239 | ||
|
"The Face" and "Attitude" magazines featuring Ian White modeling shots 1996-1997 |
9 | 240 | ||
| box | ||||
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Box containing original folders for Ian White Papers, hand-labeled by Ian White 1994-2013 |
19 | |||
Series VII: Grant Applications |
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| box | folder | |||
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Grant application material for Visual Arts Research and Development Fund, London Arts 2002-2003 |
9 | 241 | ||
|
Résumés, notes, research and media for Ian White application for Paul Hamlyn Foundation grant application 2009 |
9 | 242 | ||
Series VIII: Research and Photocopied Material |
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| box | folder | |||
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Notes and research on Pauline Boudry and Renata Lorenz, "Salomania" 2009 |
9 | 243 | ||
|
Handwritten notes and assorted annotated research 2011 |
9 | 244 | ||
|
Correspondence, research and promotional material relating to Nick Relph and Oliver Payne n.d. |
9 | 245 | ||
|
Photocopies and notes on New York School artists and poets n.d. |
9 | 246 | ||
|
Assorted photocopied essays and publication excerpts collected for research purposes (Folder 1/3) n.d. |
9 | 247 | ||
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Assorted photocopied essays and publication excerpts collected for research purposes (Folder 2/3) n.d. |
9 | 248 | ||
|
Assorted photocopied essays and publication excerpts collected for research purposes (Folder 3/3) n.d. MediaContains 2 CDs 1. Label, "PHF 09, Ian White Images" 2. Label, "PHF 09, Ian White Images |
9 | 249 | ||
|
Handwritten notes and assorted annotated research (Folder 1/2) n.d. |
9 | 250 | ||
|
Handwritten notes and assorted annotated research (Folder 2/2) n.d. |
9 | 251 | ||
Series IX: Promotional Material from Attended Exhibitions and Events |
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| box | folder | |||
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Promotional material collected from exhibitions and events attended by Ian White 2002-2004 |
9 | 252 | ||
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Promotional material collected from exhibitions and events attended by Ian White (UK and Germany) 2009 |
9 | 253 | ||
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Promotional material collected from exhibitions and events attended by Ian White (UK and Germany) 2010 |
9 | 254 | ||
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Promotional material collected from exhibitions and events attended by Ian White (UK and Germany) 2011 |
9 | 255 | ||
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Promotional material collected from exhibitions and events attended by Ian White (UK and Germany) 2012 |
10 | 256 | ||
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Promotional material collected from exhibitions and events attended by Ian White (UK and Germany) n.d. |
10 | 257 | ||
|
Maps collected by Ian White from various locations n.d. |
10 | 258 | ||
|
Business cards collected by Ian White n.d. |
10 | 259 | ||
Series X: Financial Invoices |
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| box | folder | |||
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Outgoing invoices 2002 |
10 | 260 | ||
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Outgoing invoices 2003 |
10 | 261 | ||
|
Outgoing invoices 2004 |
10 | 262 | ||
|
Outgoing invoices 2005 |
10 | 263 | ||
|
Outgoing invoices 2006 |
10 | 264 | ||
|
Outgoing invoices 2007 |
10 | 265 | ||
|
Outgoing invoices 2008 |
10 | 266 | ||
|
Outgoing invoices 2009 |
10 | 267 | ||
|
Outgoing invoices 2010 |
10 | 268 | ||
Series XI: Notebooks |
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| box | folder | |||
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Notebook 1 Notebook, 6 x 4 x 1 inch. Black cover, water damaged. First page, "Whitechapel". Includes notes on various projects including "Kinomuseum" at Oberhausen Short Film Festival; "Marriage à la Mode et Cor Anglais", with Jimmy Robert; Klaus Weber: "Der Geist ist ein Waterfall", Showroom MAMA, Rotterdam, Netherlands; IBIZA performance. n.d. |
10 | 269 | ||
|
Notebook 2 Notebook, 6 x 4 x 1 inch. Black cover. First page, "James Benning" Includes notes about exhibitions IW viewed, including some notes for various published writings on Catherine Sullivan and Paul McCarthy. n.d. |
10 | 270 | ||
|
Notebook 3 Notebook, 5 x 3.2 x .2 in., spiral bound, black cover. First page, "There are no members...". Includes notes from trip to Gwangju Biennial, Korea. 2004 |
10 | 271 | ||
|
Notebook 4 Notebook, 5 x 3.2 x .2 in., spiral bound, black cover. Label: "Liverpool Biennial 2004." First page, "LIVERPOOL." Includes notes from Liverpool Biennial 2004 2004 |
10 | 272 | ||
|
Notebook 5 Notebook, 5 x 3.2 x .2 in., spiral bound, red cover. Text on cover, "Shelley, Rotterdam, Klaus Der Geist." First page, "WG Dance." Includes notes on Klaus Weber exhibition, "Der Geist ist ein Waterfall", Showroom MAMA, Rotterdam, Netherlands 2005 |
10 | 273 | ||
|
Notebook 6 Notebook, 5 x 3.2 x .2 in., spiral bound, red cover. First page: pen drawing of face with grid, "me" on verso. Includes general notes of films and events viewed by IW and sketches 2005 |
10 | 274 | ||
|
Notebook 7 Notebook, 8 x 5 x 1 in., spiral bound, black cover. Text, "MIF" on cover. First page, "07/07 Ben & Lux Mike". Includes notes and research from LUX Artists' Moving Image Festival for London 2004 |
10 | 275 | ||
|
Notebook 8 Notebook, 8.4 x 5 x .1 in. Brown cover. Text, "FRONT" on cover. First page, "June 07, Marriage a la Mode et Cor Anglais." Includes notes for performance ""Marriage à la Mode et Cor Anglais", with Jimmy Robert 2007 |
10 | 276 | ||
|
Notebook 9 Notebook, A4. Blue cover, "A4 Standard Refill Pad." First page, "Style Council 4 Internatationalists." Notes and lists about music. n.d. |
10 | 277 | ||
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Notebook 10 Notebook, 6 x 4 x .5 in., black cover, spine, "Ruled Ryman." Includes black ink drawings of rectangles and shapes. n.d. |
10 | 278 | ||
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Notebook 11 Notebook, 6 x 4 x 1 in., black cover, spine, "Ruled Ryman." Includes black and blue ink drawings of rectangles and shapes n.d. |
10 | 279 | ||
Series XII: Media |
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| box | ||||
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Cassette tape, TDX FE Ferric 90, label: "Video Feedback" n.d. |
11 | |||
|
Cassette tape, TDX FE Ferric 90, labels: "A- Ken Hollings 15/5/01"; "Ken Hollings 29/5/01"; "But Then... 3"4" 2001 |
11 | |||
|
Cassette tape, TDX FE Ferric 90, label: "Quebec Tape 1" n.d. |
11 | |||
|
Cassette tape, TDK 90, labels: "Utopia 1/Saturday 04/12/04"; "Ursula Biemann Intro to Performing at the Border, Q&A"; "Helena Maleno Intro to Europlex" 2004 n.d. |
11 | |||
|
Cassette tape, TDK 90, labels: "Ken Hollings"; "A- Ken Hollings 10/5/01"; "B-Camilla/Fucklands Q+A 11/4/01" October-November 2001 |
11 | |||
|
Cassette tape, TDK SF-90, labels: tracklist for "The Very Best of the Mamas and the Papas"; "Mangina" n.d. |
11 | |||
|
Cassette tape, Sonomax 90, label: "Ken Hollings, But Then II" n.d. |
11 | |||
|
Cassette tape, TDK SA90, label: "Quebec Tape 3" n.d. |
11 | |||
|
Cassette tape, TDK 90, labels: "Utopia 1/Sunday"; "Helena Maleno Intro to Frontera Sur & Paralglo 36"; "Utopia 1/Sunday 05/12/04" 2004 |
11 | |||
|
Cassette tape, Maxell UDII 46, label: "Music for Divine David @ Manchester Neil Kaczor" n.d. |
11 | |||
|
Cassette tape, label: track listing and cast information; "Stravinsky-- Oedipus Rex" n.d. |
11 | |||
|
VHS, TDK E-HG, labels: "Reactalite (Pyramus), Ian White, 1997"; "Reactalite (Pyramus) (Master)" 1997 |
11 | |||
|
VHS, Mistsubishi E-180, label: "Reactalite Crash Edit 1" n.d. |
11 | |||
|
VHS, TDK 240, label: "Doc of Quebec (Vid/Vid Copy)" n.d. |
11 | |||
|
VHS, Konica Super SG, label: "Ian White, 071 240 4699, 'So I face the Bedroom Wall', Stoke, March 1995" 1995 |
11 | |||
|
VHS, JVC E-240, labels: "N00380 C"; "Black Flags/Ian White" n.d. |
11 | |||
|
VHS, WH Smith E180, labels: "©1999, Holland/Beresford/Hollands, Fuck the Fucking Lot of You, Filmed by White"; "Fuck the Fucking Lot of You, Holland/Bereford/Hollands, Filmed by White, 1999." Includes postcard "Holland Beresford Hollands, The blues had a baby and they called in rock and roll. Thanks for all your help and support" 1999 |
11 | |||
|
VHS, PAL SECAM, label: "Holland/Beresford/Hollands/ White Film The Fucking Lot of You" n.d. |
11 | |||
|
VHS, JVC SX, label: "Oedipus 'Copy'" n.d. |
11 | |||
|
VHS, TDK 240, label: "The Divine David Presents 55" n.d. |
11 | |||
|
VHS, label: "'6 things...' Rijksaka demie, Sunday, November 7th 2004" 2004 |
11 | |||
|
VHS, MGM HG, label: "Newstext & Rollercoaster 24'" n.d. |
11 | |||
|
VHS, Gold, case: "Reprojection Showreel #1, running time c. 6'"; "Reprojection Showreel #1"; "Contact: Ian White, Work Tel: 0171 713 7370, Home Tel: 0171 240 8213, Email: [email protected], Flat 5, 121 Long Acre, London, WC2E 9PA, ©2000", labels on case: "Credits: Title: Reprojection Showreel #1, By: James B.L. Hollands, Ian White, Jim Beresford, c. 6 mins, 2000"; "Spot 22" 2000 |
11 | |||
|
VHS, JVC 180 SX, labels: "N00380 A"; "Gainsborough 182" n.d. |
11 | |||
|
VHS, TDK E-HG, labels: "Reactalite (Pyramus), NTSC"; "Reactalite (Pyramus), NTSC, Crash Edit" n.d. |
11 | |||
|
VHS, TDK E-HG, labels: "Joe Coleman in Conversation with The Divine David, 20', 5/8/98, Prod., Ed., Ian White"; "Joe Coleman in Conversation with The Divine David, 8/5/98, 20' Prod., Ed: Ian White" 1998 |
11 | |||
|
VHS, JVC E-180, labels: "Crusing/Reason to Live 5' Version, Dockyard Doris 12', Ebon-Knee 7'"; "Cruising/Reason to Live, Dockyard Doris, Ebon-Knee" n.d. |
11 | |||
|
VHS, TDK HS, label: "Ignoramus first cut" n.d. |
11 | |||
|
VHS, label: "Tape 4 Ian PREVIEW!!" n.d. |
11 | |||
|
VHS, TDK 180, label: "The Neon Gainsborough" n.d. |
11 | |||
|
Cassette, TDK SA 90, labels: "Ian-Medea"; "Ian A-Medea" n.d. |
11 | |||
|
Cassette, TDK DIEC 90, labels: "Wojnarowicz Prog 1 Intro"; "Wojnarowicz Prog 2 Intro"; "David Wojnarowicz A Prog, 1 Intro // 3 Prog, 2 Intro"; "David Wojnarowicz Prog 1 Intro, David Wojnarowicz Prog 2 Intro" n.d. |
11 | |||
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Cassette, TDK DIEC 90, labels: "Telephone conversation, William Akuffo, 05.03.05, Ian White Utopia"; "William Akuffo/Ian White, Introduction 05.03.05" n.d. |
11 | |||
|
CD, Verbatim CD-RW, labels: "MAW converation"; "MAW" n.d. |
11 | |||
Oversize Series I |
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| box | folder | |||
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Newspaper, tabloid, fashion and adult magazine clippings collected by Ian White. Also includes Greek pottery collage materials n.d. |
14 | 280 | ||
|
Assorted UK newspaper clippings collected by Ian White regarding soccer and art events 2001-2004 |
14 | 281 | ||
|
A3 doublesided prints for "6 things we couldn't do but can do now," performance with Jimmy Robert, Tate Britain, London November-December 2004 |
15 | 282 | ||
|
Large folded poster for "Temenos 2008," Agra Publications 2008 |
15 | 283 | ||
|
Posters for Emily Roysdon and Ian White exhibition, "Interim," at Chisenhale, London 22 April 2010 |
15 | 284 | ||
|
"IW Museum Interior A3 photocopy stack," photocopy of image of museum interior, repeatedly reworked by Ian White |
15 | 285 | ||
|
Research on Hogarth, photocopies, postcards, correspondence, notes related to performance "Marriage à la Mode et Cor Anglais," with Jimmy Robert 2007-2009 |
15 | 286 | ||
|
Collaged and drawn Safe Sex Awareness Day posters Early 1990s |
15 | 287 | ||
|
Pencil and ink figure drawings by Ian White; collages 24 January 1992 April 1997 n.d. |
15 | 288 | ||
|
Correspondence and photocopied drawings from Anthony McCall, relating to works, "Passage," and "Doubling Back; Installation Drawing and Film Frames" 2003 n.d. |
16 | 289 | ||
|
Painting, watercolor on paper, black square, 23 x 28 in n.d. |
16 | 290 | ||
| box | ||||
|
Ian White death mask from Horse Hospital event n.d. |
17 | |||
| oversize | ||||
|
"Richard Serra" drawing with charcoal, collage, paint, 58 x 40.5 in n.d. |
18 | |||
|
Painting with black rectangles of various sizes, 44 x 59 in n.d. |
18 | |||
|
Painting with larger black rectangles and tear on top of paper, 47 x 58.5 in n.d. |
18 | |||
Accretion 2026 Series I: Digital ArchiveScope and ContentsThe 2026 Accretion to the Ian White Papers was received in 2022 from Mike Sperlinger. It contains digital backups of Ian White's desktop and laptop computers prior to White's death in 2013. The files were organized and compiled onto a single hard drive by Mike Sperlinger prior to their accession into the Ian White Papers. In some cases, Mike Sperlinger has included brief digital notes about the status and provenance of certain files as they relate to the documentation of performances. These notes are in the form of .rft files, and have been described in the finding aid. |
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Subseries I.A: Folder, "Ian White- Desktop" |
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Items in root folder, "Ian White - DESKTOP MAC," .jpg research and installation images paintings of "The Neon Gainsborough;" .rtf description of seminar "6 or more types of theatre;" contract negotiation; .rtf and .doc copies of essay, "Division" 2010-2013 |
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Folders and subfolders, "6 things," contains .tif and .jpg installation images; .rtf, .doc, .pdf planning documents, budgets, invoices, agreements, contracts, panel transcriptions, scripts for performances, program, brochure, book with text by Catherine Wood; transcript of Art Now Panel Discussion with Kate Davis, Ian White, Sally O'Reilly, Janannne Al Ani, Andrew Grassie, Lizzie Carey-Thomas, Katharine Stout; permissions, discussion on 'Hang a painting' [part of "6 things we couldn't do but can do now'" with Ian White and Jimmy Roberts at Tate Britain, MoMA]; .doc with text on "Cor Anglais"; .doc lyrics "Hounds of Love" song by Kate Bush; .doc Yvonne Rainer "Trio A" Statement 2005-2010 |
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Folder, "aap," contains .doc outlines and summaries of LUX Associate Artists Programme (AAP) , The Leverhulme Trust Application. 2013 |
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Items in root Folder, "ACE," [Arts Council of England] contains .doc, .rt, notes, Legacy and Learning Final Report Phase II and Triennial Report. 2009 |
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Folder and subfolders "ACE," [Arts Council of England] contains .doc, .rt, .pdf, .xls Legacy and Learning Reports, Triennial Report, books and publications, contracts, symposium schedules, attendees list, expenses, letters of invitations , FACT Dossier; all part of the Arts Council England (ACE) Legacy and Learning Research Seminar (Ian White leader and consultant), Phase I and II. Institutions and entities involved: FACT [Foundation for Film, Art and Creative Technology) ], LUX, Intermix, Tate Modern, University of Liverpool, Moma, CAS [The Contemporary Arts Society], Science Museum of London, Harris Museum, Variable Media Initiative. 2006-2009 |
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Folder and subfolders "Art Monthly Final Pieces" contain .doc, .rtf, with drafts and final texts by Ian White, with reviews of the following books and cultural events: John Wyver, "Vision On: Film, Television and the Arts in Britain" book; "A Kind of Bliss" exhibition at The Drawing Room, London; "The Bogside Artists" exhibition at The Chamber of Pop Culture, London; 'Experimental Film Today conference at University of Central Lancashire; "Hey Production!" exhibition at Cubitt, London; "Mark Leckey" exhibition at Cabinet, London; all published in "Art Monthly" magazine. 2006-2008 |
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Folder and subfolders "Art Review" contain .doc, .rtf, .pdf with contracts and letters from "Art Review," drafts and final texts by Ian White. 2006-2008 |
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with speakers Pablo Bronstein, Martin Hargreaves, Jennifer Lacey and Martin Spanberg, Schedule for "CHARACTERS, FIGURES AND SIGNS" at Tate Modern 2009, Text "Learning by making" and "COLLECTIVITY? YOU MEAN COLLABORATION" by Bojana Cvejić, Technical Specs of "Black Flags," Text for "Black Flags" and Copyright License template for live performance "Black Flags" at Tate Modern, London 2009. 2009 |
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Folder "Burn Folder.fpbf" contains .jpg with stills of performances, "Marriage à la Mode et Cor Anglais," "Interim," "Democracy," "Yvonne Rainer's Trio A," "No Yes I Do (Trio A), and window display of "Marriage à la Mode et Cor Anglais." 2010 |
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Items in root folder "Daad book" .jpg, .pdf images of National Gallery and slides with images for performance at daadgalerie, Berlin in 2010 2010 |
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Folder and Subfolders "Daad book" contains .jpg, .tiff photo documentation of "Black Flags" and "Democracy" performances; digital photo selection "Democracy" powerpoint views of the Kenilworth Castle and the Elizebethan Garden, Painted Portraits of Queen Elizabeth I: The Ditchley portrait' and others , Fernsehturm (TV Tower) in Berlin; Francis Bacon's painting "Lying Figure with Hypodermic Syringe," 1963 and a set of domestic photos that show, headphones, a chain, a syringe, clothes and a framed photo of "Yes No I do "; digital photos of landscapes including views of: Ibiza, Eastbourne, Whitstable, Vassiviere, Norfolk, Kenilworth Castle and the Elizebethan Garden; and .rtf with texts of transcript and script for book, of each the performances: "Ibiza," "Black Flags" and "Democracy" and a text with their performance history. 2010 |
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Folder and Subfolder "Democracy desktop" contains .ppt, .rtf, .jpg, .doc, .tiff, .mov, technical rider, Text, Powerpoint (complete and loose images of slides), radio transcript Julia Stoschek Collection, Dusseldorf 9 April 2010; Grand Arts, Kansas City floor plan and photos; New York guest list, and New York digital invitation, New York travel expenses; photo and video documentation of the performance "Democracy," at: Ecstatic Resistance, Grand Arts, Kansas City, November 2009, Ecstatic Resistance, X Initiative, New York, Dec 2009, and Here and Now, Julia Stoschek Collection, Dusseldorf, Apr 2010. 2009-2010 |
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Folder and subfolders "Emily wardill" contains, .jpg, .tiff, .pdf, .doc, .rtf, with curatorial research and working material for projects with Emily Wardill: "Acid Cut Flowers" 2007, ICA Cinema, London, and Basel, 2008), "Windows broken, break, broke together," Emily Wardill exhibition at de Appel Art Center Amsterdam (2010) curated by Ian White and other projects such as the book, "We are behind, "Emily Wardill and Ian White, Book Works: London, De Appel: Amsterdam (2010) Documents: Script for "Theatre," Script for "Object," copy of Frank Luntz Republican list of words, Copy of Georges Lakoff text: "Framing the Debate: Politics & Language," SPACEX contract template, picture of the painting "The Ambassadors" by Hans Holbein; picture of the painting "The Annunciation" by Carlo Crivelli, and Jacques Callot "Proscenium"; floorplan of De Appel building at Campenstraat 59; Budget [De appel ], Budget [Bookworks], tech rider, Notes of conversation between Ian White and Emily Wardill, Secondary Modern Design Dossier; copy of text "One drop of water falling onto nail is more or less than anything else" Emily Wardill interviewed by Silvia Sgualdini published at UOVO Magazine 2007; 2008-2010 |
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Folder and Subfolders "frieze Art Fair" contains .doc, .rtf, .pdf, .xls, .jpg, press and documentation, notes, research material, working notes, flyers, correspondence, film commission briefs, film credits, screening timelines, installation schedules, quotes, invoices, guidelines, technical riders, program notes, promotional images, grant applications, photo documentation and budgets relating to the programs curated by Ian White "The Artists Cinema" [TAC], organized by Frieze Projects and LUX with guest curators and supported by Arts Council of England, at Frieze Art Fair, Regent's Park, London, 21–24 october 2005, and 12 – 15 October 2006; iteration of some programs to FACT, Liverpool and Arnolfini, Bristol and program, "Mobile Cinema" project, William Akuffo: "Diablo I-IV," Frieze London Film and Video, 2005. 2005-2008 Scope and ContentsCollaborators: Polly Staple, Director, Frieze Projects and Ben Cook, Director, LUX Mentioned Participant Curators: Stuart Comer, Sharon Lockhart, The Otolith Group, Cristina Ricupero, Christine Tohme, Maria-Christina Villaseñor, Bernadette Corporation, Cerith Wyn Evans, Chrissie Iles, Marta Kuzma, Philippe-Alain Michaud, Berta Sichel, Catherine Wood, Tirdad Zolghadr. Mentioned Participant Artists: Miguel Calderón, Dominique Gonzalez-Foerster, Joan Jonas, Kurt Kren, Stuart Marshall & Neil Bartlett, Ulla von Brandenburg, Sarah Morris, Jean Painlevé, Philippe Parreno, Oskar Schlemmer, Sean Snyder, Catherine Sullivan, Tunga & Eric Rocha, Andy Warhol, Akram Zaatari, Ant Farm, Jem Cohen, Christian Jankowski, Roger Hiorns, Donald Urquhart, Cathy Wilkes, Yang Fudong, Mark Leckey, Daria Martin, Jimmy Robert, Imogen Stidworthy, Mika Taanila, k2 Aufbau Organisation (featuring k2ao & Stephan Dillemuth), Gill Eatherley, Malcolm Le Grice, Sharon Hayes, Lindsay Ljungkull, Yoko Ono, Mark Webber, Markus Schinwald, Alicia Framis, Gerard Byrne, David Maljković, Aïda Ruilova, Joachim Koester, Nathalie Djurberg, Brice Dellsperger, Gabriel Lester, Bernadette Corporation, Oliver Payne, Nick Relph, Emily Wardill, Apichatpong Weerasethakul, Phil Collins, Manon de Boer, Bonnie Camplin, Cerith Wyn Evans. |
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Folder and subfolder "Gainsborough" contains .jpg slides of presentation with images of paintings by Thomas Gainsborough, .ppt presentation with slides showing images of painter Thomas Gainsborough, part of the performance "Neon Gainsborough" 2010 |
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Folder "Goldsmiths," contains .rtf, .pdf, .doc with schedules, University site plan, logistic information and list of students and schedule for meeting with Ian White, while he was a Visiting Tutor at Goldsmith´s University, London 2009-2010 |
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Folder and subfolders "Ibiza Desktop" contains .rtf, .doc, .jpg, with text, technical rider, emails, description, promo image, installation scheme of live performance "IBIZA: A reading for 'The Flicker'" at The Horse Hospital, [HH] London, July 2008; .mov video documentation of live performance "IBIZA: A reading for 'The Flicker'" at Tanya Leighton Gallery, [TLG] Berlin, Mar 2009; pdf, .jpg, .tiff, of images of Ibiza Sunsets, for the live performance "; booking confirmation for Ian White to Toronto, for live performance "IBIZA: A reading for 'The Flicker' at Images Festival, Toronto, April 2009 and Lux invoice for the screening of "The Flicker" by Tony Conrad. 2008-2009 |
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Folder and subfolder "Interim" contains .jpg. photo documentation of Ian White and Emily Roysdon performing live performance "Interim" at Chisenhale Gallery, London, April 2010; .mp3 audio recording of song "Guilty" by Barbra Streisand ft. Barry Gibb; .rtf, text with lyrics of the song "Islands in the Stream" by Dolly Parton and Kenny Rogers; text with lyrics of the song "Will You Love Me Tomorrow," by Gerry Goffin and Carole King, list of contacts with address, description of performance "Interim," description and commentary of performance "Democracy," .pdf, .jpg, with excerpt of text and cover of book by Luis Zapata "My deep Dark Pain is Love,"floor plan of Tramway 4; posters of Chisenhale Gallery, research images, print proofs and final poster of performance "Interim" at Chisenhale Gallery, London, April 2010. 2010 |
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Folder and Subfolders "INTH" ["It's not the homosexual who is perverse, but the situation in which he lives: kunst, kino, kontext now"] contains .rtf, .doc, .jpg, .tiff, .pdf, .zip; stills of film "It's not the homosexual who...." by Rosa von Praunheim; Emily Roysdon and Rosa von Praunheim film pictures paired, [ER:RvP pics], photo of Ian White and Emily Roysdon at Kino Arsenal, cover of The Oxford Dictionary of Quotations, [ODQ], excerpt of "Diary: How to Improve the World (You Will Only Make Matters Worse)"by John Cage, research material, program notes, promotional material, screening schedule, budget, brochure text,production schedule, photo documentation, floor plans, contact sheet, of the event curated by Ian White: "It's not the homosexual who is perverse, but the situation in which he lives: kunst, kino, kontext now" [INTH] which was exhibited in Berlin, Kino Arsenal [KA], Tanya Leighton Gallery [TLG], and the sex club lab.oratory (2009) 2008-2009 |
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Folder "Invoices" contains .rtf, .doc, contracts, invoices with: Ars Cameralis Silesiae Superioris Cultural Institution – [Upper Silesian Chamber Arts Festival, Poland]; and with The Photographer Gallery. 2005-2010 |
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Folder "IW CV" contains .doc, .rtf, .jpg, with Ian White´s Curriculum Vitae [CV] in various formats. 2006-2010 |
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Folder and Subfolders "Kopietheater" contains .doc, .rtf, .jpg, .ppt, .pdf, .mov, letter of invitation, video documentation, digital images of Emily Roysdon, and film stills of Rosa von Praunheim film "It's Not the Homosexual Who Is Perverse, But the Situation In Which He Lives"; technical rider, program notes, brochure, Emily Roysdon images slideshow, running order, list of contributors; "Reading Sebald" program notes; slideshow with text of work by Vito Acconci and transcript for work by Henrik Olesen; photo documentation of Q&A with von Praunheim and Emily Roysdon (via skype) and booking confirmation for Ian White in Berlin. All material related to "Kopietheater" experiment in radical cinema curated by Ian White, at Kino Arsenal, Berlin, 2010 2009-2010 |
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Items in root folder "Lux DT" .doc, .rtf, .pdf, .jpg, Ian White texts on Alfred Leslie, 2007; Ian White texts on PULL MY DAISY, Robert Frank & Alfred Leslie, 2003; Gwangju Biennial Press Kit, 2004; Lux related documents, contracts, proposals, templates, description, report, MIF [Moving Image Festival] related document, Interim Reports, Final Report, appendices: ; MA in Artists' Moving Image Program; Moving Image Review Report, Text on Rachel Reupke´s exhibition at www.tank.tv; The Leverhulme Grant report instructions. 2006-2010 |
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"Folder and subfolders ""Lux DT"" contain .doc, .rtf, .pdf, .jpg, .xls, .tiff, .mov,.mp3 contains material relating to White's curatorial and programming work at LUX , London 2006-2010 |
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Subfolder "Invisible Mend," Material for exhibition, "Invisible Mend: Chrissy Coscion; Jasmina Fekovic; Ursula Mayer; James Richards; Elisabeth Subrin," curated by Ian White at LUX/Lounge, London, 2007 2007 |
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Subfolder "Lux Website Texts" and ""Lux Online," contains texts by Ian White Notes for writing, "Grace Ndrith in Conversation with Ian White,"" Text on Stuart Marshal, Text on Peter Gidal, Text "Luxonline tour" for Lux Online; 2006-2007 2006-2007 |
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Subfolder, "Six Tuesdays," contains research material, budget, floor plans, press releases, photo and audio documentation, schedule, program text, biographies of participants, and notes for series of "Six Tuesdays After Film as a Critical Practice," with Rosa Barba, Peter Gidal, Tom Holert, Alexander Kluge, Emily Roysdon, Emily Wardill and Cerith Wyn Evans, 3 February 2009 - 24 March, Curated by Ian White at LUX 28, London. 2009 |
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Subfolder AAP [LUX Associate Artists Programme]: administrative notes; working documents of analysis of applicants; lists of participants and mentors; correspondence; participants accreditation; group guidelines; suggested speakers; introductory and exit questionnaire; schedule for meetings; annual reports; readings; exit survey; Leverhulme Grant documents, budget breakdown and press releases of the first three editions: 2007:08; 2008:09 and 2009:10, of the LUX Associate Artists Programme [AAP] (Ian White lead facilitator), London, 2008-2010 2008-2010 |
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Items in root folder "Marriage" [Marriage à la Mode et Cor Anglais] .rtf, .doc, .pdf, .jpg, photo documentation of live performance "Marriage à la Mode et Cor Anglais," invoice, letter, floor plan and picture of ICA theater in London, picture of Philip Glass and Robert Wilson by Robert Mapplethorpe, travel expenses, outline of the performance "Marriage à la Mode et Cor Anglais," Poster of "Marriage à la Mode et Cor Anglais," at micadanses, Paris 2009; Letter to Nomaduma Masilela from The Kitchen and Introduction and proposal of the work,"Rainbow Bridge," by Wu Tsang and Emily Roysdon 2007-2009 |
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Folder and subfolders "Marriage" [Marriage à la Mode et Cor Anglais] contain .rtf, .jpg, .doc, .pdf with floor plans, technical rider, poster, program notes, work schedule, photo documentation of venue, photo documentation of performance, brochure text, invoices, Image of Robert Wilson and Philip Glass by Robert Mapplethorpe, correspondence, Hospitality Contact Sheet, Press texts by Frédérique Bergholtz and interview published at "Metropolis M" magazine, of live performance "Marriage à la Mode et Cor Anglais," photos of sculptures and tombs of the Monumentale Cemetery in Milano, and British Council Guidelines to art grants and application forms. 2007-2009 |
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Folder "Mary Kelly" contains .jpg, .rtf, .doc with research material, notes and documentation relating to the "Mary Kelly Project," a collective curatorial initiative involving Ian White. Includes: Poster of The Man Who Envied Women, 1985 film by Yvonne Rainer, at Curzon Cinema, Interview with Yvonne Rainer, Correspondence, notes, Research file on Jane Fonda containing working notes, correspondence, copied web sources, transcripts, articles, and reference material relating to Jane Fonda's 1972 visit to North Vietnam, Research file with working notes, reference texts, essays, and source material on Mary Kelly, feminist theory. 2006 |
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Folder "Middlesex" contains .rtf, .doc with teaching notes, schedules, texts and student assignments for Experimental Film course, Middlesex University, London 2004 |
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Items in root Folder "Misc Projects" contains .rtf, .doc, .pdf, .jpg, .xls, with miscellaneous documents related to different projects of Ian White. The documents include: Tate payment procedures; notes for lecture "A Movies" at Brighton Film Festival 2005, notes for talk entitled "Being Here"; Notes on the Centre of Contemporary Art (Warsaw) and itinerary for the Curatorial Research Trip to Poland of the Polish Cultural Institute, 2006; Notes on Cinenova Meeting at Lux, 2003; schedule on Catherine Sullivan symposium; Research Proposal DAAD/Arsenal Curatorial Residency 2008/9; Dance Camp 2009 program, Ostkreuz, Berlin; Text "For Drew" 2006; "Expanding Film Festivals" proposal, Hamburger Banhoff, Berlin; List of poems by Frank O'Hara; ; Goldsmiths University and London Metropolitan University claim for payment; The Horse Hospital 30th Anniversary program press release; Material from workshop, "How Can I Say We Are Here? Performance and Cinema," Gunen Art Academy, Odense, Denmark, 2008; Material for guest lecture, "Instituting Images," Gradisca Spring School, Gradisca D'Isonzo, Italy, 2008; Press Release of "Instructions For Films" program, 2007; "This is Love" film program, film selection, directors contacts and description; "More Work to do" film program proposal by Madeleine Bernstorff; "The World is a Cartoon: Stray Notes on Animation" by Steve Reinke; Notes on Sarah Morris; Notes on Oliver Payne & Nick Relph at Serpentine Gallery, 2005; Serpentine Gallery and City Screens film proposal; Correspondence between Ian White and Tate Modern for the coordination of the event "TJ Wilcox: Screening and Discussion," 2003; Notes on Valie Export; Notes on "Today We Live: A Film of life in Britain" by Ruby Grierson & Ralph Bond; "In the Heart of Darkness" review by Adam Hochschild and miscellaneous correspondence, a picture of IW, and notes for lectures. 2006-2009 |
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Folder and subfolders "Misc Projects" contain .doc, .rtf, .pdf, .jpg, .tiff, .ppt,.xls, with miscellaneous documents related to different projects of Ian White: Notes and research material for "Discover..Reading Video Art" workshop, Camden Arts Centre [CAC], London 2007; Material for moderation of talk, "Real Value, Spaces Between Painting and Film," Kunsthaus Granz, Austria: photo documentation, programme, schedule, speakers biographies, 2010; Materials related to Consultancy for Future Histories Research Network, consortium on the sustainability of online moving image archives, led by School of Arts, Design, Media and Culture, University of Sunderland, 2007; Notes, slideshow and research material for talk entitled "On Television: Ian White" at Fruitmarket Gallery, Edinburgh, 2007; Research and project document for "Exorcism," with conceptual notes, reference material on religious exorcism, and draft texts involving Sean Cubitt and Roger Hiorns; Working documents on The Independent Cinema Office [ICO] program "Essentials"; Working document and floor plan for "la musique dans la chambre" with Emma Hedditch and Jimmy Robert at Julia Stoschek Collection, Dusseldorf Germany; Working documents on Independent Cinema Office course, [ICO] "Developing Audiences for Artist's Moving Image Work,"; Research material, planning documents, notes, correspondence, promotional material, and curatorial research relating to the film programming project "3 to the Power of 3," Cine Lumière, Institut Français, London. 2003–2004; Research material on Jasmina Fekovic; Notes for a lecture on Museums, Leeds; Notes for Landscape for Fire: Anthony McCall in Context," curated by Ian White at Mead Gallery, Warwick, UK (2004); Working Notes and slideshow for "MAW" Conversation; Working notes, programe, outline and description of "Material Critical Poetics" curated by Ian White for Office of Contemporary Art [OCA] Norway; Application for the Paul Hamlyn Foundation – Award for Visual Arts 2009 and 2010; Press, research material, notes, correspondence and promotional material for "The Secret Public: the Last Days of the British Underground 1978-1988," curated by Ian White, at ICA London; Kunstverein Munich; British School at Rome Gallery October 2006-November 2007; Material for exhibition text, "I am not an archive," for exhibition "Videorama" at Kunsthalle Wien, Vienna, Austria; Draft project document titled SEX, comprising chronological lists of websites and venues in London, 2005 and 2007; William Hogarth images "Marriage à la Mode"; Excerpt of John Colapinto, text "You'll Think I'm a Madman," The Observer Magazine, 27 May 2007; Notes, program, submission form and working material of "The Whole World" curated by Ian White for TankTV. 2006-2010 |
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Items in root Folder "Oberhausen" [Westdeutsche Kurzfilmtage Oberhausen (International Short Film Festival Oberhausen)], .pdf, .rtf, .doc, .jpg, .ppt, contains copy of the preface of "An Anagram of ideas on art form and film" by Maya Deren, 1946; copy of text "Death from Above" by Ken Hollings, 1999; Notes for text "Palace Calls Crisis Summit" by Ian White; Guest accreditation for International Short Film Festival Oberhausen 2006 and 2009; copy of essay by Markus Heinzelmann; Notes for the essay "Das projizierte objekt,"[The projected Object] and final text by Ian White; copy of text "The moving image in art and film" by Mark Nash; International Short Film Festival Oberhausen questionnaire, 2003; Oberhausen [International Short Film Festival Oberhausen] Special Programme Installations, 2003; Panel Statements running order International Short Film Festival Oberhausen, n.d.; Podium discussions outline International Short Film Festival Oberhausen 2009; Program text of "Kinomuseum" 53rd International Short Film Festival Oberhausen, 2007 and Notes for program, "Today We Live: Jimmy Robert; Emma Hedditch; Melissa Castagnetto; Ruby Grierson," Oberhausen Short Film Festival, Germany, 2003 2006-2008 |
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Folder and subfolders "Oberhausen" [Westdeutsche Kurzfilmtage Oberhausen (International Short Film Festival Oberhausen)] contains .pdf, .rtf, .doc, .jpg, with research material, contracts, brochure, press clippings, budget, and working files and texts relating to the "Kinomuseum" program and book, Oberhausen Short Film Festival, 2007; research material, press clippings, budget and working files and texts for "The Idea of the Self," presentation series, Oberhausen Short Film Festival, 2010; Correspondence, notes, research material, photographs, contracts, brochures, photo documentation and media relating to the film programs "Whose History" and Lis Rhodes at Oberhausen Short Film Festival, Germany, 2008. 2006-2010 |
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Folder and subfolders "Rotterdam" .rtf, .pdf, .doc, .xls, .jpg contain description, budget, correspondence,working and research texts, photo documentation, invoice, related to the show curated by Ian White "Klaus Weber" at Showroom MAMA, Rotterdam (2005); "Treehugger" interview with Ian White; and Research material, notes and information for teaching workshop at Stability Mobility Sharing Conference, with Mike Sperlinger, Rotterdam, Netherlands. 2006-2007 |
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Items in root Folder "Whitechapel" .rtf, .pdf, .doc, .xls, .jpg files with material related to Ian White's work as a freelance Adjunct Film Curator at Whitechapel Gallery, London, from 2001–2011, and with LUX. This includes: Adjunct Film Curator description; touring grant application and proposal of the project "Utopia"; Africa Somali Film Session Outline, 2005; draft and final Annual Report 2007–2008; "Arts Plus Dance" program and running order, 2005; Auditorium Refurbishment Plan; correspondence; research materials: notes, texts; running order of program "Bastards"; press release of BRITDOC, Arts Council of England funding program; featured artists' biographies; Cinema Groups Directory; University and Colleges Offering Film Courses directory; Program Timeline and Deadlines, 2006–2007; Whitechapel Announcement of Expansion, 2006; schedules and deadlines; freelance contract template; Video Still Reproduction Agreement template; minutes of meetings with directors and gallery and LUX team; project proposals; budgets; monthly program schedule; IT instructions; London Film and Video Development Agency [LFVDA] Evaluation Report; Women Pioneers interview; program notes; Festival of Moving Image proposal; invitee list for glamorous opening party; Whitechapel General Schedule; Gallery Style Guidelines; "The Space Between" roundtable, notes and program description; "We Would Argue: Argument Now" draft by Mike Sperlinger and Ian White; list of contacts, quarterly reports, and miscellaneous docs related to the work with the Whitechapel Gallery. 2006-2010 |
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Folder and subfolders "Whitechapel" contain .rtf, .pdf, .doc, .xls, .jpg ; .mp3, .tif, with material related to Ian White´s work as a freelance Adjunct Film Curator at Whitechapel Gallery, London from From 2001-2011. This includes: research material, audio documentation,photo documentation, notes, correspondence, programs, budgets, reports, press releases, promotional images, planning documents, projects rationale, posters, flyers, film stills, artist biographies, filmographies, invoices, screening schedules, agreements, grant applications and other related documents. 2006-2010 Scope and Contents-The programs adressed are: "Janet Cardiff & George Bures Miller / Philip-Lorca diCorcia," 2003; "Film Programme 1: John Cage, Anthony McCall," 2003; "Film Programme 2: Vito Acconci, David Hall, Charlemagne Palestine," 2003; "Film Programme 3: Joan Jonas / Marianne Heske," 2003; "Film Programme 4: Shirley Clarke / The Cool World," 2003; "Cristina Iglesias: Film Programme 3," 2003; "East End Academy [EEA] Film Programme," 2004; "Flemish Film/Video," 2004; "Richter's Atlas: Film Programme," 2004; "Noble/Rehberger Film Programme," 2004; "Faces in the Crowd / Film Programme," 2004/05; "Love and Industry: British Amateur Cinema," 2005; "Enthusiasm / Crumb Film Programme 1: Polish Film Festival, Lech Majewski Retrospective," 2005; "Somali Film/Video," 2005; "James Benning Retrospective," 2005; "Back to Black [B2B]," 2005; "Utopia I, Ursula Biemann/Performing Borders," 2004; "Utopia II, Video Africa," 2005; "Utopia III, Radio Project," 2005; "Utopia IV: Utopia Live! / Copenhagen Free University (CFU)," 2005; "Utopia V / Numbi: Somali Art, Film and Culture," 2005; "Utopia VI, Kinderkino," 2005; "Arts Plus Dance," 2005; "New Work UK [NWUK]," 2005–2008; "Open Screening," 2005–2010; "Inner Worlds, Outside," 2006; "Argument," 2006; "Open Screenings," 2006; "New Semantics 1," 2006; "New Semantics 2," 2006; "New Semantics 3," 2006; "New Work UK 3: The Chemical Effect," 2006; "New Work UK 4: Bastards," 2006; "New Work UK, Pastoral: Stephen Sutcliffe / Emily Wardill," 2007; "New Work UK: Trust Yourself," 2007; "Le PingPong d'Amour [PP], Part I, II and III," 2007; "Adam Curtis The World of the Self/Our World," 2007; "A Weekend with Alfred Leslie," 2007; "Programme, Richard Squires," 2007; "Learning Behaviour, Learnt Action, Unlearning Knowledge: A Weekend of Work from the Cinenova Collection," 2007; "Here: Radical Animation Now," 2008; "Star Spangled to Death [SSTD]," 2008; "Children's Film Library [CFL]," 2008; "Jim Hollands & Patricide," 2008; "New Work UK: In Media Res," 2008; "It's Not the Homosexual Who Is Perverse, but the Situation in Which He Lives [INTH]," 2009; "Salomania," 2009; "Sigmund Freud's Dora: A Case of Mistaken Identity," 2009; "Silvia Kolbowski: After Hiroshima Mon Amour," 2009; "Goshogaoka," 2010; "FLAMIN Productions: 1," 2010; "The Films of John Latham: 1," 2010. -Institutions, partners, and supporters involved: Animate Projects, Arts Council England, Arts Council England Yorkshire, BFI, Bell Laboratories (New Jersey), Bloomberg, Chantal Crousel Gallery, Channel 4, Children's Film Library, Cinenova, De Appel, Documenta, Electronic Arts Intermix, Embassy Gallery (Scotland), Emma Hedditch, Film London, Film London Artists' Moving Image Network's (FLAMIN) Productions Fund, Flat Time House, Galleria Sonia Rosso (Torino), Gary Thomas (Animate), Goethe Institute (London), Henriette Heise, Idea Store (Whitechapel High Street), Jakob Jakobsen, Kerlin Gallery (Dublin), Leeds Animation Workshop, Lumen, LUX, Metrofusion, Minima Cinema, Oberhausen International Short Film Festival, Osmani Primary School, Rich Mix Cultural Foundation, Sorcha Dallas (Glasgow), University of East London, University of Hertfordshire, VDB (Video Data Bank) -The artists and professionals screened or programmed: Vito Acconci, William Akuffo, Costanze Alvarez, Cory Arcangel, Dr Ken Arnold, Steven Arnold, Dragan Asler, Katja Augustin, Oliver Bancroft, Lezli Ann Barrett, Sadie Benning, Berwick Street Collective, Joseph Beuys, Ursula Biemann, Ute Binder, Alessio Bonaccorsi, Ivan Boskovic, Pauline Boudry & Renate Lorenz, Elfe Brandenburger, Christine Noll Brinckmann, Nick Broomfield, Pablo Bronstein, Esther Buss, John Cage, Bonnie Camplin, Mary Capps, Janet Cardiff y Philip-Lorca diCorcia, Alberto Cavalcanti, Melanie Chait, Adam Chodzko, Michelle Citron, George Clark, Shirley Clarke, Phil Collins, Stuart Comer, Luc Compernol, Ben Cook, Pam Cook, Michelle Cotton, Phil Coy, Robert Crumb, Adam Curtis, Keren Cytter, Paul Davies, Douglas Davis, Michelle Deignan, Maya Deren, Stephan Dillemuth, Nathalie Djurberg, Regina Dold, Barry Doupe, Katy Dove, Lina Dzuverovic, Redmond Entwistle, Haris Epaminonda, Kevin Jerome Everson, Valie Export, Katja Eydel, Harun Farocki, Silke Fischer, Suzanne Fletcher, Susanne Flender, Mat Fleming & Christo Wallers, Luke Fowler, William Fowler, Megan Fraser, Petra Freeman, Rachel Garfield, Florian Gass, Stephan Geene, Charlotte Ginsborg, Pete Gomes, Karola Gramann, Vanalyne Green, Pia Greschner, Anthony Gross, Deedee Halleck, Johannes Hammel, Seamus Harahan, Paul Harrison, Sharon Hayes, Emma Hedditch, Jochen Heilek, Neil Henderson, Tara Herbst, Marianne Heske, Henry Hills, Jonathan Hodgson, Will Holder, Jim Hollands, Gun Holmstrom, Judith Hopf, Paul Howard, Oliver Husain, Anne Ilegira, Jaki Irvine, Joris Ivens, Ken Jacobs, Chia-En Jao, Ines Johnson-Spain, Joan Jonas, Tam Joseph, Isaac Julien, Jens Kabisch, Mike Kelley, Mary Kelly, Emily King, Anja Kirschner & David Panos, Lewis Klahr, Alexander Kluge, Silvia Kolbowski, Joel Kovel, Kurt Kren, Clemens Krümmel, Francis Lamb, Yaron Lapid, John Latham, Torsten Lauschmann, Mark Leckey, Alfred Leslie, Hilary Lloyd, Sharon Lockhart, Amy Lockhart, Kai Lossgott, Anna Lucas, Kristin Lucas, Matthew Lutz-Kinoy, Mandy MacIntosh, Lech Majewski, Babette Mangolte, Daria Martin, Ute Marxreiter, Mara Mattuschka, Anthony McCall and Andrew Tyndall, Paul McCarthy, Flávia Müller Medeiros, Carolina Melis, Karolin Meunier, Juliet Miller, Claudia Milne, Karen Mirza & Brad Butler, Sinisa Mitrovic, Frédéric Moffet, Philippe Mora, Craig Mulholland, Laura Mulvey, Alex Muñoz & Helena Maleno, Rayna Nadeem, Nils Norman, Marcel Odenbach, Harold Offeh, Chris Ofili, Susanne Ofteringer, Michael Oppitz, Uriel Orlow, Peter Ott, Nam June Paik, Jean Painlevé, Claire Pajaczkowska, Charlemagne Palestine, Eduardo Paolozzi, Paper Rad, Kayla Parker, Cornelia Parker, Oliver Payne, Simon Payne, Cristina Perincioli, Suzanne Pitt, Plastique Fantastique (David Burrows and Simon O'Sullivan), Ken Pratt (curator), Elizabeth Price, Josephine Pryde, Sarah Pucill, Radical Software Group (RSG), Yvonne Rainer, Samantha Rebello, Jürgen Reble, Duncan Reekie, Nick Relph, Alain Resnais, Lis Rhodes, James Richards, Monika Rinck, Stefan Rinck, Ben Rivers, Jimmy Robert, Esther Ronay, Melany Rose, William Rose, Jean Rouch, Emily Roysdon, Emma Savage, Deborah Schamoni, Schmelzdahin (Collective), Ernst Schmidt Jr., Lillian Schwartz, Brigid Seagrave, Lindsay Seers, Tai Shani, Sheffield Film Co-op, Nicolas Siepen, Sistren Theatre Collective, Lucy Skaer, Mark Sladen, John Smith, Mark E. Smith and Mouse on Mars (as Von Südenfed), Mike Sperlinger, Richard Squires, Steel Bank Co-op, Thomas Steffl, Barbara Steveni, Samuel Stevens, Hito Steyerl, Henri Storck, Annika Ström, Gabriele Szekatsch, Teodora Tabacki, José Luis Tirado, Ryan Trecartin, Humphrey Trevelyan, Wu Ingrid Tsang, Joost van Veen, Sarah Vanagt, Stan Vanderbeek, Marina Vishmidt, Rosa von Praunheim, Kara Walker, Mark Aerial Waller, Ivan Ward, Klaus Weber, Jane Weinstock, Rachel Whiteread, Joyce Wieland, Cathy Wilkes, Jane Wilson, Louise Wilson, Mano Wittmann, Holly Rose Wood, John Wood, Run Wrake, Jen Wu, Cerith Wyn Evans, Bruce Yonemoto, Norman Yonemoto, Hesan D Yousif, Akram Zaatari. |
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Suberies I.B: Folder, "Ian White - Laptop" |
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Folder and Subfolders "Dropbox" contains .jpg with photo documentation of live performance by Ian White,"Trauerspiel 1," performed March 2012, Hebbel-am-Ufer Theatre, [HAU] Berlin; .mp3 and .rtf with audio and transcription of discussion between Eva Birkenstock, Ruth Buchanan, Joerg Franzbecker, Emma Hedditch, Suchan Kinoshita, Andreas Müller, Falke Pisano & Ian White , in "On Performance," (Bregenz: Kunsthaus Bregenz, 2011). 2011-2012 |
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Item root in Folder "Desktop" .rtf LUX Associate Artists Programme Summary for the Leverhulme Grant Application 2013 |
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Folder and subfolders "Artists School" contains .doc, .rtf, .pdf, .ppt with material related to "Artists School" a 5 day course led by Ian White, running parallel to the "LUX/ICA Biennial of Moving Images," at Institute of Contemporary Arts (ICA) London, 2012. It contains: draft for call, correspondence , presentation by Ian White entitled "Cinema as Art"; Seminar schedules, LUX/ICA Guidelines for processing invoices; Outline of the "LUX/ Oberhausen International School" experimental course; bibliography, Evaluation Report for the "LUX/ICA Biennial of Moving Images; "Cinema as Art" panel,; "LUX/ICA Biennial of Moving Images general schedule and list of guests. 2012-2013 |
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Folder and subfolders "Collaborative works" contain materials on Ian White´s collaborative performances and events: 2004-2012 |
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Subfolder "6 things," contains material of performance "6 things we couldn't do, but can do now," with Jimmy Robert performed in Nov 2004, Art Now, Tate Britain, London. Contains .jpg, .doc, .pdf, .rtf, .tif, photos documentation of performance; program notes; installation inventory; photos of performance; Art Now panel discussion transcript (with Kate Davis, Ian White, Sally O'Reilly, Jananne Al Ani, Andrew Grassie, Lizzie Carey-Thomas, Katharine Stout); Draft of Reproduction rights request, Tate; Dialogue between Catherine Wood, Curator, and Ian White and Jimmy Robert transcript. 2005-2009 |
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Subfolders "Moma" and "Trio A at Moma" contain material of performance "Yvonne Rainer's Trio A" at Moma, with Jimmy Robert & Pat Catterson, .jpg, .pdf, .doc, .mov video and photo documentation of live performance, invoices, draft of agreement, payment forms. 2009-2010 |
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Subfolder " Interim" contains material of performance"Interim" with Emily Roysdon at Chisenhale Gallery, London, Apr 2010, .jpg, .tif, .doc, photo documentation of live performance, program notes, outline and copy of text "My deep Dark Pain is Love" by Luis Zapata. 2009-2011 |
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Subfolder "Jimmy Jeu de Pomme" contains material of performance "Lemon Rose" with Jimmy Robert Jeu de Paume, Paris, at Apr 2012, .jpg, .tif, .doc, .pdf, .rtf, description, rationale, program catalogue and flyer, copies of texts about Hollis Frampton, transcripts of texts by Jimmy Roberts, promotional materiales, photo documentation of live performance, research material, final texts and travelling documents. 2011-2012 |
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Subfolder "Marriage," contains material of performance "Marriage à la Mode et Cor Anglais" with Jimmy Robert Nov 2007, STUK, Leuven; Dec 2009, Micadanses, Paris; May 2009, ICA, London, Jan 2008, De Appel/Something Raw Festival, De Brakke Grond, Amsterdam, jpg, .tif, .doc, .pdf, .rtf, with photo documentation of live performance, grant applications, correspondence, Cvs, technical riders, floor plans, research material, press material, invoices, vitrine material, program notes, description, and Introduction and proposal of the work "Rainbow Bridge" by Wu Tsang and Emily Roysdon. 2007-2010 |
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Subfolder "6 things" contains material of "6 things we couldn't do, but can do now" with Jimmy Robert performed in Nov 2004, Art Now, Tate Britain, London contains .jpg, .doc, .pdf, .rtf, .tif, photos documentation of performance, program notes; installation inventory; photos of performance, Art Now panel discussion transcript (with Kate Davis, Ian White, Sally O'Reilly, Jananne Al Ani, Andrew Grassie, Lizzie Carey-Thomas, Katharine Stout), Draft of Reproduction rights request, Tate; Dialogue between Catherine Wood, Curator, and Ian White and Jimmy Robert transcript. 2005-2009 |
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Subfolder "Tramway," contains material for presentation at Symposium on Emerging Practice- a Tramway Event, in collaboration with Vanishing Point and Collective, Tramway, Glasgow, 2011 .jpg, .doc, .pdf, research material, images, copy of Roland Barthes, "Image, Music , Text" 2012 |
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Subfolder "Two Songs," contains material of Ian White, "The American Way of Death" .bmp, .jpg, .mp3, audio documentation ; images of a gallery space; research material and correspondence. 2009-2014 |
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Folder and subfolders "Curatorial projects" contains a .pdf, copy of the book "Kinomuseum: Towards an Artists' Cinema," ed. Mike Sperlinger and Ian White, Verlag der Buchandlung, Walther König: Cologne, 2008; and nine subfolders with documents related to Curatorial Projects developed by Ian White 2009-2013 |
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Subfolder "Cold War," contains .doc; .mov; .xls, .tiff, .jpg, with, description, outline, contract, list of guests, film stills, research material, invoices, Lux booking documents, program schedule, catalogue entries, for program "Cold War for Love: recent film and video 'from' the United Kingdom" presented at the Bilbao International Short and Documentary Film Festival (ZINEBI), 2010 and a copy of the short film "Belfast Trio: Tea at 4 O'Clock " by Redmond Entwistle. 2010 |
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Subfolder "Emily Wardill," contains .jpg, .tiff, .pdf, .doc, .rtf, .mp3, .au with curatorial research and working material for curatorial projects by Ian White with Emily Wardill: "Acid Cut Flowers" 2007, ICA Cinema, London, and Basel, 2008), "Windows broken, break, broke together," Emily Wardill exhibition at de Appel Art Center Amsterdam (2010) curated by Ian White and other projects such as the book, "We are behind, "Emily Wardill and Ian White, Book Works: London, De Appel: Amsterdam (2010) Documents include : Script for "Theatre," Script for "Object," excerpts of of Frank Luntz Republican list of words, Georges Lakoff text: "Framing the Debate: Politics & Language," SPACEX contract template, picture of the painting "The Ambassadors" by Hans Holbein; picture of the painting "The Annunciation" by Carlo Crivelli, and Jacques Callot "Proscenium" and other images in the book "We are behind"; floorplan of De Appel building at Campenstraat 59; Budget [De appel], Budget [Bookworks], tech rider, contracts, budgets, notes of conversation between Ian White and Emily Wardill, floor plans, Secondary Modern Design Dossier; copy of text "One drop of water falling onto nail is more or less than anything else" Emily Wardill interviewed by Silvia Sgualdini published at UOVO Magazine 2007. 2008-2011 |
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Subfolder "INTH images," contains .jpg with film stills, photo documentation and flyer of the project "It's not the homosexual who is perverse, but the situation in which he lives: kunst, kino, kontext now" ["INTH"], Berlin, 2009 2009-2012 |
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Subfolder "Kinomuseum," contains .pdf, copy of the book "Kinomuseum: Towards an Artists' Cinema," ed. Mike Sperlinger and Ian White, Verlag der Buchandlung, Walther König: Cologne, 2008 2008-2012 |
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Subfolder "Kopietheater," contains .doc, .rtf, .jpg, .ppt, .pdf, .mov, related to "Kopietheater" experiment in radical cinema curated by Ian White, at Kino Arsenal, Berlin, 2010. letter of invitation, video documentation, digital images of Emily Roysdon and film stills of Rosa von Praunheim film "It's Not the Homosexual Who Is Perverse, But the Situation In Which He Lives"; ["INTH" ] technical rider, program notes, brochure, Emily Roysdon images slideshow, running order, list of contributors; "Reading Sebald" program notes; slideshow with text of work by Vito Acconci and transcript for work by Henrik Olesen; photo documentation of Q&A with von Praunheim and Emily Roysdon (via skype) and booking confirmation for Ian White in Berlin. 2009-2010 |
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Subfolder "Laure," contains .doc, .jpg, .rtf, with research material, filmography, catalogue text, programme notes, for "Laure Prouvost Profile Screening" and copy of text by Ian White, "Animal, Vegetable, Incidental," for Laure Prouvost programme, Festival Katalog 59. Internationale Kurzfilmtage Oberhausen 2013 |
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Subfolder "The Idea of the Self," contains .tif, .jpg,.doc,.rtf, research material, working files, budgets, contract, catalogue, programme, outline, for "The Idea of the Self," Podium Series" series, Oberhausen Short Film Festival, Germany, 2010 2009-2010 |
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Subfolder "Victory over the Sun," contains .tif, .jpg, .doc, .rtf,.mp4, .m2v, .mov research and promotional material, notes, planning documents from performance, "Beginning Good. All Good. (Barcelona)," at Loop Video Art Festival, with Eva Birkenstock; Kerstin Stakemeier; Nina Köller; Felix Meyer, 2011 2011-2012 |
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Subfolder "Videorama," contains .doc, .rtf, .xls, .pdf, worklist, press release, description, floorplan, text "I am not an archive," for program "Videorama" at Kunsthalle Wien, Vienna, Austria, 2009. 2009 |
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Folder and subfolders "Goldsmiths," contains rtf, .pdf, .doc, .xls, .mp4, .m4v with Ian White´s application to teach at Goldsmith, schedules, workload, reading, plan for courses, University site plan, logistic information and list of students, while he was a Visiting Tutor at Goldsmith´s University, London, 2013 2013 |
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Folder and subfolders, "If I Can't Dance" [If I Can't Dance, I Don't Want To Be Part of Your Revolution] contain jpg, .rtf, .doc, .pdf, .ppt, .xls, .mov, with correspondence, budgets, schedules, course readings, contract, travel documents, workshop proposals, teaching notes, photo documentation, research material, for Ian White´s work as tutor at " If I Can't Dance, I Don't Want To Be Part Of Your Revolution" with the Dutch Art Institute [DAI], Amsterdam, 2011-2012-2013. Collaborators: Emma Hedditch, Jimmy Roberts and others. 2011-2013 |
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Folder and subfolders "Invoices" contain .rtf, .doc, .pdf, .jpg contracts with: Ars Cameralis Silesiae Superioris Cultural Institution, Poland and The Photographer Gallery, invoices from Ian White addressed to different institutions for working in the following: Screening preparation & Presentation, curatorial fee, Advisor/ Consultant, performance fee, mentor, performer fee, Author/Artist Fee, Jury, speaker, moderator, programmer, guest lecturer, curatorial committee/ board, tour coordination, editorial, film screening, coordination of public programs, researcher, texts (reviews, columns, essays, program outlines, articles, catalogue texts, exhibition texts, interviews) and expenses (travel, production). The folder also includes Tax Return files for 2011 and 2012 periods and a text entitled "Latest Cancer information" from Johns Hopkins. 2006-2013 |
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Folder and subfolders "IW CV" contains .doc, .rtf, .jpg, with Ian White´s Curriculum Vitae [CV] in various formats, headshot. 2006-2013 |
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Folder and subfolders "Jim stuff," .jpg and .wav with images and an audio excerpt of the song "Another World" by the Roches, 1985. 2012 |
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Folder and subfolders, "Living Archives" contains .mov, .rtf, .doc, .pdf, .jpg, .xls with documents related to Ian White´s participation in the project "A Shared Stage of Contingent Production" with Johannes Paul Raether part of: "Living Archive – Archive Work as a Contemporary Artistic and Curatorial Practice", organized by Arsenal Film Institute, Berlin. at HAU 1 Hebbel am Ufer, 2012. White presented his performance "Trauerspiel 1". Documents include: contracts, research material, research images, research readings, proposals, budget, meeting notes, drafts, brochure notes, copy and working documents of "Living Archive" Catalogue; copy of text by Maeve Connolly on Ian white; photo and video documentation, technical script and slide show of Ian White´s live performance "Trauerspiel 1" at Hebbel-am-Ufer Theatre, Berlin., 2012; copy of film "Cloud Dance" Directed by Andrew Horn, Robyn Brentano United States, 1979; copy of text "The Value of Autonomy"A conversation between Kerstin Stakemeier and Marina Vishmidt about the reproduction of art. 2011-2013 |
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Folder and subfolders "LR" contain .zrtf, .rtf, .doc, .jpg, with research material and readings related to filmmaker Lis Rhodes, photo documentation and texts related to Ian White´s performance "Lemon Rose" with Jimmy Robert, Jeu de Paume, Paris, 2012. 2011-2013 |
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Folder and subfolders "Misc stuff," contains .aiff, rtf, .doc, .jpg, .pdf, .avi audio files with songs from opera "Acteon;" texts from Moving Image Review & Art Journal (MIRAJ Journal); texts by Chris McCormack; scan of handwritten note and drawing for Ian White, signed by Cory and Hanne, dated 2013; short text about "The Morning Walk" painting by by Thomas Gainsborough; Flyer for a concert of David Hoyle, at Royal Vauxhall Tavern; copy of the poem "A Part Song" by Denise Riley; copy of text "L'1%, C'EST MOI" by Andrea Fraser; film "The Monkey in the Machine and the Machine in the Monkey" by Adam Curtis's BBC documentary, 2011; Copenhagen Free University Script; Flyer for Sharon Lockhardt and Noa Eshkol exhibition at the Israel Museum of Jerusalem and at the Center For Contemporary Art Tel Aviv, 2011; Copy of text "CROSS GENDER/CROSS GENRE" by Mike Kelley, 2000; copy of "Ontology of the Accident (An Essay on Destructive Plasticity) by Catherine Malabou, 2012; Press Release for "ArthUr RAInbOw" collective exhibition, organized by Air de Paris, Paris, 2012; Pride Poster; ,Copy of text "Video Chamber" by Judy Radul; text "The Living Message and Its Virtual Medium (working title)" by Shama Khanna, copy of "The Wretched of the Screen" by Hito Steyerl, 2012; transcript of "WELCOME TO THE TATE CAFÉ" A conversation between Merlin Carpenter, Emily Sundblad and John Kelsey. Paris, March, 2012 and copy of text, "Where's the Passion? Where's the Politics? or How I Became Interested in Impersonating, Approximating, and End Running Around My Selves and Others, and Where Do I Look When You're Looking At Me?" by Yvonne Rainer. 2011-2013 |
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Folder and subfolders "Other Projects" contains .rtf, .doc, .jpg, .pdf, .mp3, .xls, audio file with song "Who Am I to Feel so Free (feat. Antony)" JD Samson & MEN; research material, drafts and proposal for program "Freddie on the Plinth", tribute to Freddie Mercury and Irena Sedlecka; working material (scripts, costume samples, rehearsal and shooting, schedules, pitches, photo documentation, cues) for the creation of the films "Tenant", 2012 and "Only a free individual can create a free society" 2013, by Grace Schwindt; Planning document related to New Work Scotland Programme (NWSP), venues including Tramway, Collective (Edinburgh), Studio Voltaire, and The Woodmill, 2011; Working files for "Pedagogy," a screening program featuring films by Robert Blanchon, John Boskovich and Stuart Marshall, curated by Stuart Comer and taught by a substitute teacher, Ian White, artist and Facilitator of LUX Associate Artists Programme, 2013; German language course at the Goethe Institut documents, 2011; Ian White´s Cover Letter to apply for a Media and Performance teaching position at Universität der Künste Berlin; Documents for the application to the Paul Hamlyn Foundation Awards for Visual Arts, 2010 and 2013. 2011-2013 |
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Items in root folder. "Solo Works," .doc, .rtf, contract for video documentation template, "Making Normative Orders – Demonstrations of Power, Doubt and Protest," "Formation of Normative Orders" by curators Fanti Baum, Britta Peters and Dr Sabine Wit, Goethe-Universität Frankfurt, 2012 2009-2013 |
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Folder and subfolders, "Solo works" contains .doc, .rtf, .jpg, .tif, .ppt; .mov, .mp3, .au, .mov, .bup, .ifo, .m4v, with documentation and working material for primarily solo works of Ian White, and some collaborative works. 2009-2013 |
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Subfolder, "A Life, and Time," contains technical rider and description of "A Life, and Time: Alfred Leslie to Frank O'Hara + Roland Barthes on Racine" originally presented as a performance/reading at Kino Arsenal, Berlin, 11 May 2011); video recording of Ian White reading - PME ["Poor Man's Expression"] at Cinema Arsenal, 2011, copy of the text read; a copy of a letter from Alfred Leslie to Frank O´Hara. 2011 |
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Subfolder, "Black Flags," contains photo documentation of performance "Black Flags"; .ppt presentation [pages of hand-painted notebook with black squares] part of performance "Black Flags"; questions for Round table chaired by Ian White with speakers Pablo Bronstein, Martin Hargreaves, Jennifer Lacey and Martin Spanberg, Schedule for "CHARACTERS, FIGURES AND SIGNS" at Tate Modern 2009, Text "Learning by making" and "COLLECTIVITY? YOU MEAN COLLABORATION" by Bojana Cvejić, Text "On Characters, Figures and Signs" at Tate Modern, Feb 2009; Technical Specs of "Black Flags," Text for "Black Flags" and Copyright License template for live performance "Black Flags" at Tate Modern, London 2009. 2009-2011 |
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Subfolder, "Daad," [Künstlerprogramm/German Academic Exchange] Working materials for the performances "Ibiza Black Flags Democracy" of Ian White at daadgalerie, Berliner Künstlerprogramm/ DAAD, 2010 and the accompanying publication. Contains: photo documentation of "Black Flags" and "Democracy" performances; digital photo selection "Democracy" powerpoint views of the Kenilworth Castle and the Elizebethan Garden [Fountain, Arbour, Obelisk, Paths], Painted Portraits of Queen Elizabeth I: The Ditchley portrait' and others [full and details], Fernsehturm (TV Tower) in Berlin; Francis Bacon´s painting "Lying Figure with Hypodermic Syringe," 1963 and a set of domestic photos that show, headphones, a chain, a syringe, clothes and a framed photo of "Yes No I do "; digital photos of landscapes including views of: Ibiza, Eastbourne, Whitstable, Vassiviere, Norfolk, Kenilworth Castle and the Elizebethan Garden; and .rtf with texts of transcript and script for book, of each the performances: "Ibiza," "Black Flags" and "Democracy" and a text with their performance history; images of National Gallery and slides with images for performance at daadgalerie, Berlin in 2010; digital copy of the book "Ibiza Black Flags Democracy", Ian White, daadgalerie, Berliner Künstlerprogramm/ DAAD; copy of drafts and final essay by Catherine Wood, Curator of Contemporary Art/Performance, Tate Modern, included in the book. 2009-2012 |
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Subfolder, "Democracy," contains brochure text and technical specifications and .ppt with a slide show of images [showing: views of the Kenilworth Castle and the Elizebethan Garden [Fountain, Arbour, Obelisk, Paths], Painted Portraits of Queen Elizabeth I: The Ditchley portrait' and others [full and details], Fernsehturm (TV Tower) in Berlin; Francis Bacon´s painting "Lying Figure with Hypodermic Syringe," 1963 and a set of domestic photos that show headphones, a chain, a syringe, clothes and black photos.] part of the performance "Democracy" (Some images are upside down); technical riders, brochures, press, photo documentation of "Democracy" live performance at Ecstatic Resistance, Grand Arts, Kansas City, Nov 2009; .tiff .jpg photo documentation of live performance "Democracy" at Ecstatic Resistance, X Initiative, New York, Dec 2009, at Here and Now, Julia Stoschek Collection, Dusseldorf Apr 2010, and at daad galerie, Berlin, July 10 and 17, 2010. 2009-2010 |
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Subfolder, "Gainsborough," presentation for performance "The Neon Gainsborough" 2010 |
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Subfolder, "Glasgow," contains floor plan and images of venue, Studio Warehouse Glasgow. 2011 |
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Subfolder, "Hinterhof," contains photo documentation, working documents, proposal, photos of the Bregenz lake, schedule, technical rider, floor plans, research bibliography, program notes for "Hinterhof" performance at Kunsthaus Bregenz, Austria. Performances 11/04/2010, 12/06/2010, 1/08/2011; Working material and transcript of discussion between Eva Birkenstock, Ruth Buchanan, Joerg Franzbecker, Emma Hedditch, Suchan Kinoshita, Andreas Müller, Falke Pisano & Ian White , in On Performance (Bregenz: Kunsthaus Bregenz, 2011), digital copy of KUB [Kunsthaus Bregenz] publication, 2010/2011 2010-2012 |
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Subfolder, "Images for HAU [Hebbel-am-Ufer Theatre, Berlin], contains photo documentation of performances "6 Things Installation" ["6 things we couldn't do, but can do now"] (Ian White & Jimmy Robert, Tate Britain, 2004), "Marriage à la Mode et Cor Anglais" (Ian White & Jimmy Robert, STUK, Leuven, 2007),"Interim" Chisenhale Gallery, 2010, "Hinterhof" (Ian White, Kunsthaus Bregenz, 2010), "Ibiza Black Flags Democracy" (daadgalerie, Berlin, 2010), and event curated by Ian White: "It's not the homosexual who is perverse, but the situation in which he lives: kunst, kino, kontext now" [INTH] which was exhibited in Berlin, Kino Arsenal [KA], Tanya Leighton Gallery [TLG], and the sex club lab.oratory (2009) in cooperation with the Berlin artist program of the DAAD. 2009-2011 |
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Subfolder, "Lick Piece," contains three copies of a text for "Lick piece" 2010 |
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Subfolder, "Ibiza," contains text, technical rider, emails, description, promo image, installation scheme of live performance "IBIZA: A reading for 'The Flicker'" at The Horse Hospital, [HH] London, July 2008; .mov video documentation of live performance "IBIZA: A reading for 'The Flicker'" at Tanya Leighton Gallery, [TLG] Berlin, Mar 2009; images of Ibiza Sunsets, for the live performance "; booking confirmation for Ian White to Toronto, for live performance "IBIZA: A reading for 'The Flicker' at Images Festival, Toronto, April 2009 and Lux invoice for the screening of "The Flicker" by Tony Conrad. 2008-2012 |
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Subfolder, "Perf Images," contains a selection of photo documentation of: "6 Things Installation" ["6 things we couldn't do, but can do now"] (Ian White & Jimmy Robert, Tate Britain, 2004), "Hinterhof" (Ian White, Kunsthaus Bregenz, 2010), "Ibiza Black Flags Democracy" (daadgalerie, Berlin, 2010), "Interim" (Ian White & Emily Roysdon, Chisenhale, London, 2010), "Marriage à la Mode et Cor Anglais" (Ian White & Jimmy Robert, STUK, Leuven, 2007), "Yvonne Rainer's Trio A" (MoMA, New York, 2009) 2009-2012 |
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Subfolder, "Trauerspiel 2," contain, script, budget, floor plan of Theatre Bretigny, 2012. 2012 |
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Folder, "Ticket receipts," contains .pdfs of various ticket receipts. 2012-2013 |
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Folder and subfolders, "Wardill La Loge" contain .pdf proposal "The Night we want Turned on" by Emily Wardill at La Loge, 2013 and .m4a audio file with song, "Get a kick out of you" 2013 |
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Folder and subfolders, "Whitechapel" contains .rtf, .pdf, .doc, .jpg ; .mp3, .tif, with material related to Ian White´s work as a freelance Adjunct Film Curator at Whitechapel Gallery, London from From 2001-2011. Includes: research material, audio documentation,photo documentation, notes, correspondence, programs, budgets,, press releases, promotional images, planning documents, projects rationale, posters, flyers, film stills, artist biographies, filmographies, invoices, screening schedules, agreements, grant applications and other related documents for the programs: "Silvia Kolbowski: After Hiroshima Mon Amour," 2009; "Goshogaoka" by Sharon Lockhart, 2010 and Seasons of Summer and Spring 2010 and 2011. 2003-2011 |
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Folder and subfolders, "Writing Talks Teaching" contains working, research and final documents related to Ian White´s work as a, speaker, teacher/facilitator, and writer 2006-2013 |
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Subfolders, "Interviews" and "Talks," contains documents related to Ian White´s role as a speaker. Documents include: .doc, .rtf, .jpg, .zip, .pdf, .ppt, .mp3, .mov, with: Interview with Ian White by Siri Peyer & Wolf Schmelter, "The Cinema Auditorium: Interview with Ian White," ONCurating.org #03/10 (2009); Script and description for an Imaginary play called "John Johnes is a Pervert"; Documents for the project "The Round Tables (An Investigation into the Perception of Nudity)" project by Matthias Hamann and Daniel Rother that includes a conversation between: Ian White, Jonas Lindström, Mari Mikkola; Notes, texts, contracts, invoices, notes, research material and presentations for the following talks/lectures given by Ian White: "Being Here" (n.d.); Material for lecture series, "Freundschaft," Freie Universität, Berlin, Ian White contribution: "A bracelet of hair about the bone," 2011; Talk at Cambridge Cinema Museum; Copy of text "Pale Blue Dots" on Staged by Kim Coleman and Jenny Hogarth, at City Observatory, Calton Hill for Symposium: How to inform without informing; Speakers: Hito Steyerl, Kim Coleman, Jenny Hogarth, Alfredo Cramerotti, Francis McKee, Lisa Panting, Ian White; Scotland, 2010; Material for moderation of talk, "Real Value, Spaces Between Painting and Film," Kunsthaus Granz, Austria, 2010; Material for Jack Smith symposium at ICA London, "Hinterhof," (presented as a talk), "A feast for open eyes," and "Normal Love" introduction, 2011; "On Potential or a Speculative Workshop for an Immanent Practice" ICA Workshop proposal, 2010; "Screening Artists' Moving Image course" Independent Cinema Office [ICO] at Whitechapel Gallery, 2009; Artist Talk: Klaus Weber in conversation with Ian White, Nottingham Contemporary, 2011; "What Do We Listen to When We Hear?" 'in conversation with Oreet Ashery and Ian White, Spill Festival, Barbican, 2011; symposium 'Rethinking Robert Smithson',; Royal Academy of Art / Koninklijke Academie van Beeldende Kunsten (KABK), The Hague 2012; "Being Here" Universität der Künste Berlin [UDK], 2009; Material for presentation at Symposium on Emerging Practice- a Tramway Event, in collaboration with Vanishing Point and Collective, Tramway, Glasgow, 2012; "Stations of Cinema" Round table with Stuart Comer (film curator Tate Modern, London), Ulrike Ottinger (film maker, Berlin), Katharina Sykora (prof. for art history, HBK Brunswick), moderated by Ian White (film curator, artist, Berlin), 2012; Material from Anthony McCall and Andrew Tyndall "Argument" screening, includes booklet, screening insert and notes from discussion group with Gil Leung and Ian White, Arika, Glasgow, Scotland, 2012; "La Javanaise – a work in progress" Salon ABA, 2012. 2007-2012 |
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Subfolder, "Teaching," contains documents related to Ian White´s work as a teacher. Documents include: .doc, .rtf, .jpg, .pdf, .ppt, .xls, .m4v with: material and notes, "6 or more types of theatre," seminar series, no.w.here, London, 2010; Notes relating to PhD and dissertation supervision for Stella Dimitrakopoulou, City University of London, Trinity Laban Conservatoire of Music and Dance; schedule for LUX Festival, 2011; "Power of Material / Politics of Materiality" Akademie der Bildenden Künste München, 2012; "Performer, Audience, Mirror [PAM]: Cinema, Theatre and the Idea of the Live"seminars, 2011; Material for lecture, "A Life, and Times (Three Times)," Piet Zwart Institute, Rotterdam, Netherlands, 2011; Ruskin School of Drawing and Fine Art, University of Oxford, 2011; "Poor Man ́s Expression" A lecture series organized by Florian Zeyfang at Art Academy Umeå, 3rd workshop; Ian White: Antichamber! 2011/2012; Visiting Tutor at Goldsmith´s University, London, 2012; Susanne Bürner, studio visit, 2011; "Kinomusuems", talk in Kurich, 2012. 2010-2012 |
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Subfolder "Writing" contains documents related to Ian White´s work as a writer Documents include: .doc, .rtf, .pdf,.tif, .jpg, with: drafts, research documents, contracts, invoices, final texts: "Time/Form(s)/Friendship Jimmy Robert and Ian White" published in the catalogue of the exhibition Jimmy Robert Vis-á-vis, Museum of Contemporary Art Chicago,2012; "Division", Exchange, exhibition catalogue, ed. Gil Leung , London: Flat Time House, 2013;he hole's the thing…', Gerard Byrne: Images or Shadows, exhibition catalogue, ed. Pablo Lafuente, Dublin: Irish Museum of Modern Art, 2011; "(I am) For The Birds", exhibition text for "Jimmy Robert: Made to Measure", 1857, Oslo (2013);"'Köken Ergun: Personal Works of Public Ceremonies', Anywhere But Now, exhibition catalogue, ed. Samar Kanafani, Munira Khayyat, Rasha Salti and Layla Al-Zubaidi Ars (Beirut: Heinrich Böll Foundation, 2009) Originally written for the catalogue of "Labyrinth of Memor" exhibition organized by Ars Cameralis, Poland, Fall 2009; "On Access and Exclusion" (interview with Köken Ergun), Who Am I Anyway? – Three Interviews with Köken Ergun, ed. Oliver Kielmayer (Winterthur: Kunsthalle Winterthur, 2011); "Bodyimage: Lene Berg's Kopfkino", Afterall, no.34 (Autumn/Winter 2013); 'Death, Life and Art(ifice): The films of Sharon Lockhart', Painting Real: Warhol Wool Newman / Screening Real: Conner Lockhart Warhol, ed. Peter Pakesch (Graz: Walther König, 2009); "Inevitably Making Sense' [with Martin Gustavsson], Martin Gustavsson: In No Particular Order, exhibition catalogue (Gothemburg: Gothemburg Museum of Art, 2011)"; "Wishful Thinking: Morgan Fisher at the Ziegfeld Follies, or, Oliver Husain and the Potential of Theatrical Excess", Oliver Husain: Spoiler Alert, exhibition catalogue, ed. Emelie Chhangur (Toronto: Art Gallery of York University, 2012); "Performer, Audience, Mirror [PAM]: Cinema, Theatre and the Idea of the Live", The Sensible Stage: Staging and the Moving Image, ed. Bridget Crone (Bristol: Picture This, 2012); "Foye"', Poor Man's Expression [PME]: Technology, Experimental Film, Conceptual Art – A Compendium in Texts and Images, ed. Martin Ebner and Florian Zeyfang (Berlin: Sternberg Press, 2011); "An Idea in Three Dimensions", Rosa Barba: White Is An Image, ed. Andrea Viliani and Chiara Parisi (Berlin: Hatje Cantz, 2011);"What is Material?", Ruth Buchanan: The weather, a building (Berlin: Sternberg Press, 2012) [includes .ppt; .mov, with video documentation and presentation for book launch ]; "Signs of the (Other) Times: Television, video, representation", Be nice, share everything, have fun, ed. Stefan Kalmár and Daniel Pies (Munich: Kunstverein Munich, 2009); "All That Melts is Solid", exhibition text for Emily Wardill, Art Basel Statements (2011); "Blank Space", exhibition text for 'Gail Pickering', Gasworks, London (2008); "As thin as they could be and as strong as they could be: Isa Genzken's Chicago Drive and My Grandparents in the Bavarian Forest", Isa Genzken: Open, Sesame!, exhibition catalogue, ed. Iwona Blazwick (London and Cologne: Whitechapel Gallery and Museum Ludwig, 2009); Untitled [Here is information. Mobilise.]; "Situation Cinema: Models of spectacle, empty spaces and The Saints", Paul Pfeiffer: The Saints, exhibition catalogue, ed. Britta Schmitz (Heidelberg: Kehrer Verlag, 2010); "Recording and Performing: Cinema as a Live Art/Becoming Object", previously unpublished (2008, originally commissioned for a proposed issue of Cinemamatograph, the journal of the San Francisco Cinematheque, on the subject of 'live cinema') and untitled notes on Robert Zank. Texts published online in Live of Performer [LoP] Blog, in LUX Blog and in Guggenheim Website : "F R E E (Prisons 2)", blog post on Lives of Performers (29 October 2012), "First, Six or so People", blog post on Lives of Performers (20 December 2012); "His Name's Not Bambi", blog post on Lives of Performers (13 February 2013); "Thought & Behaviour" (Matthew, Piano…", blog post on Lives of Performers (April 18 2013); Untitled blog post on Lives of Performers (7 October 2012), [What can be said…]; "Lube", blog post on Lives of Performers (13 November 2012); "The Trouble With Pictures", blog post on Lives of Performers (6 December 2012); "Not Based in Berlin"', blog post on LUX website (21 June 2011); "Crowd Control", blog post on LUX website (10 September 2009); "Baum im Herbst",, blog post on LUX website (8 October 2009); "Ecstatic Resistance, Jingle Bells", blog post on LUX website (18 December 2009); "Hello/Goodbye Jack Smith/Berlin", blog post on LUX website (19 November 2009); "Invisible Cinemas", blog post on LUX website (21 July 2011); "A blog's not a tweet, but London is the Île de Vassivière", blog post on LUX website (1 July 2010); "On Yvonne Rainer", blog post on LUX website (12 November 2010); "Where do you stand, colleague? Art criticism and social critique", blog post on LUX website (9 March 2011); 'Someday Soon', blog post on Guggenheim website (10 September 2010). 2006-2013 |
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Subseries I.C: Folder, "Elements of Performances " |
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Folder "A Life, And Time" contains .doc and .jpg script materials of "A Life, and Time: Alfred Leslie to Frank O'Hara + Roland Barthes on Racine" 2011 |
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Items in root folder "Black Flags" contains .ppt presentation [pages of hand-painted notebook with black squares] and .mov video [pickpocket, domestic sex tape] part of "Black Flags" performance 2009-2013 |
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Folder "Black Flags" contains .m4a fanfare audio tracks; .tif images of painted hand-painted notebook and .rtf tech specs and text part of "Black Flags" performance 2009-2010 |
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Item in root Folder "daad window display 2010 - photos for frames" [contains .rtf text with notes by Mike Sperlinger on the material in the folder], exhibition at daadgalerie, Berlin, 2010 2020 |
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Folder and subfolders, "daad window display 2010 - photos for frames," contains .jpeg digital photo frames selection, showing: views of the Kenilworth Castle and the Elizebethan Garden [Fountain, Arbour, Obelisk, Paths], Painted Portraits of Queen Elizabeth I: The Ditchley portrait' and others [full and details], Fernsehturm (TV Tower) in Berlin; Francis Bacon´s painting "Lying Figure with Hypodermic Syringe," 1963 and a set of domestic photos that show, headphones, a chain, a syringe, clothes and black photos.] Some images are upside down.These were displayed during the exhibition period in the windows of the galleries during a residency at daadgalerie, Berlin, 2010. [Ian White was a DAAD (German Academic Exchange) Artists-in-Berlin program residency recipient 2009.] 2010 |
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Folder, "Democracy," contains .doc brochure text and technical specifications and .ppt with a slideshow of images [showing: views of the Kenilworth Castle and the Elizebethan Garden [Fountain, Arbour, Obelisk, Paths], Painted Portraits of Queen Elizabeth I: The Ditchley portrait' and others [full and details], Fernsehturm (TV Tower) in Berlin; Francis Bacon´s painting "Lying Figure with Hypodermic Syringe," 1963 and a set of domestic photos that show headphones, a chain, a syringe, clothes and black photos. Part of the performance "Democracy". 2009 |
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Folder "Ibiza," [contains .rtf text with notes by Mike Sperlinger on the material in the folder] .jpg of a diagram for the first Horse Hospital performance in 2008; .doc tech list; running order for technicians for the double-bill performance of "IBIZA" and "Democracy" at X Initiative in New York, 2009. 2009-2020 |
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Folder "Marriage a la Mode," .rtf text with technical rider of "Marriage a la Mode et Cor Anglais"; .jpg section plan and floor plan with lights, sound, and technical specs and layout of "Marriage a la Mode et Cor Anglais" performance with with Jimmy Robert 2008 |
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Items in root Folder, "The Neon Gainsborough"[contains .rtf text with notes by Mike Sperlinger on the material in the folder] .mov two versions of video for monitor shot at Ian White´s apartment at Goswell Road, part of "The Neon Gainsborough" performance. 2013-2020 |
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Folder and subfolders, "The Neon Gainsborough,"contains .ppt with Gainsborough´s paintings for a discussion with Tate curator Catherine Wood, for unrealized 2010 restaging; .pdf copy of Ian White's manuscript notes on the slides of Powerpoint and technical script, Camden Arts Center [CAC] video sync plan scheme; .xlsx with timeline made by Mike Sperlinger for [CAC] posthumous restaging in 2018; .tiff and .jpeg images of Gainsborough paintings by Ståle Eriksen; .mp4 edited video for "The Neon Gainsborough" at CAC, 2018 2010-2018 |
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Folder, "Trauerspiel," contains .doc technical script, list of 16mm films [Bauchlandung by Karola Schlegelmilch (1991, 3 min); Her Mona by Klaus Telcher (1992, 7 min); Besonders wertvoll by Helmut Costard (1968, 11 min); Studie IV (Frigolese) by Peter Weiss (1954, 9 min); and Cloud Dance by Robin Brentano and Andrew Horn (1980, 13 min).]; program notes [Walter Benjamin's 'The Origin of German Tragic Drama'], of "Trauerspiel 1" performance , co-performed with Ingolf Sander-Lahr 2012 |
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Subseries I.D: Folder, "Performance documentation" |
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Items in root folder "Performance documentation,".pdf Ian White CV through July 2013' .rtf contract template. 2018-2020 |
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Folder and subfolders, "6 Things (with Jimmy Robert)" .tif photos of installation; .pdf installation inventory; .jpg photos of performance and .mov, .vob, .ifo, .bup video documentation of "6 things we couldn't do, but can do now" live performance at Art Now, Tate Britain, London Nov 2004. 2004-2018 |
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Items in root folder, "A Life, And Time" [contains .rtf text with notes by Mike Sperlinger on the material in the folder, and email from Martin Ebner, 20 February 2015] 2015-2020 |
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Folder, "A Life, And Time," contains .mov video recording of Ian White reading - PME ["Poor Man's Expression"] at Cinema Arsenal, 2011 2015 |
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Folder, "Film Art Gainsborough, (scans from Ians photos)" contains .tiff scan of Ian White´s photos of the performance "F.A.G: Film, Art, Gainsborough," with artists Emma Hedditch and Jimmy Robert at Cubitt, London in 2002 2018 |
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Items in root folder "Hinterhof," [contains .rtf text with notes by Mike Sperlinger on the material in the folder] 2020 |
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Folder and subfolders "Hinterhof" contains .mov video documentation and .jpg photo documentation of "Hinterhof" performance at Kunsthaus Bregenz, Austria. 2010-2018 |
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Folder and subfolders "IBIZA," contains .m4v, .mov, .vob, .ifo, .bup video documentation of live performance "IBIZA: A reading for 'The Flicker'" at The Horse Hospital, London, July 2008; Tanya Leighton Gallery, Berlin, March 2009; at Ecstatic Resistance, X Initiative, New York, Dec 2009, and .tiff, .jpg photo documentation of live performance "IBIZA: A reading for 'The Flicker'" at daad galerie Berlin, 3 July 2010 with a .rtf text with notes of Mike Sperlinger on the material in the subfolder "4.daad 2010" 2009-2020 |
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Folder, "Interim (with Emily Roysdon)," contains .jpg, .tiff photo documentation of live performance "Interim" with Emily Roysdon at Chisenhale Gallery, London, April 2010 2010 |
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Folder and subfolders, "Lemon Rose (with Jimmy Robert)," contains .doc, photo selection; .jpg photo documentation and m4v, .mov, .vob, .ifo, .bup video documentation of live performance Lemon Rose (with Jimmy Robert) at Jeu de Paume, Paris, April 2012 2005-2013 |
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Folder and subfolders "Marriage a la Mode," contains .jpg photo documentation and m4v, .mov, video documentation of live performance "Marriage à la Mode et Cor Anglais" with Jimmy Robert at STUK, Leuven Nov 2007; at ICA, London, May 2009, and at Micadanses, Paris, Dec 2009 2007-2018 |
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Folder and subfolders, "Other - objects etc," contains .jpg photo documentation of window display at daad, galerie, berlin, 2010, [contains .rtf text with notes by Mike Sperlinger on the material in the subfolders] "NO YES I DO (edition for Tanya Leighton)" and .jpeg photos of "NO YES I DO "an edition Ian made for Tanya Leighton Gallery, Berlin: a print based on an image of an Yvonne Rainer performance, with Ian's text - based on Rainer's 'No Manifesto' 2009-2020 |
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Folder and subfolders. "Other - performances" [contains .rtf text with notes by Mike Sperlinger on the material in the folders "Horse Hospital - early performances from 90s" and "Martin Gustavsson performances·"] .avi video documentation of projects Ian White made in the 1990s, during his time at the Horse Hospital: "So I Face the Bedroom Wall appears," "Reactalite" and "Oedipus Rex" and .m4v video documentation of a collaboration with the Swedish painter Martin Gustavsson on a performance for the opening of the latter's exhibition 'In No Particular Order' at Maria Stenfors Gallery, London in 2010 and at at Eastside Projects, Birmingham in 2012. 2012-2020 |
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Folder and subfolders, "Trauerspiel 1," [contains .rtf text with notes by Mike Sperlinger on the material in the folder "Trauerspiel 1"] .mp4 video documentation and .jpg photo documentation of "Trauerspiel 1" a performance commissioned by Arsenal – Institute for Film and Video Art. and performed: March 2012, Hebbel-am-Ufer Theatre, Berlin. 2012-2020 |
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Folder "Trauerspiel Earthwork" [contains .rtf text with notes by Mike Sperlinger on the material in the folder] .avi and .mpeg video documentation of the statement/performance "Trauerspiel Earthwork" [a version of "Trauerspiel 1"] and a panel discussion with Ian White, Ann Reynolds, Sabeth Buchmann and Eric C.H. de Bruyna, all this was part of a presentation Ian White gave as part of a symposium, 'Rethinking Robert Smithson' at the Royal Academy of Art in the Hague in 2012. 2018-2020 |
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Folder, "Trio A - MoMA (with Jimmy Robert)" contains .jpg photo documentation of performance " Yvonne Rainer's Trio A" with Jimmy Robert & Pat Catterson, at the Museum of Modern Art, New York, March, 2009 2009 |
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