Past Programs

CMIA - Fanny and Alexander

• Fanny and Alexander
  (Ingmar Bergman, 1982, Sweden, 188 minutes, 35mm)

CMIA - Endings and Beginnings

• Beau Travail
  (Claire Denis, 1999, France, 93 minutes, 35mm)
• In the Mood for Love
  (Wong Kar-Wai, 2000, Hong Kong, 98 minutes, 35mm)

CMIA - Architecture

• Brutality in Stone
  (Alexander Kluge and Peter Schamoni, 1961, West Germany, 12 minutes)
• The Conformist
  (Bernardo Bertolucci, 1970, Italy, 107 minutes, 35mm)
• La Notte
  (Michelangelo Antonioni, 1961, Italy, 122 minutes)

CMIA - Notre musique

• Notre musique
  (Jean-Luc Godard, 2004, France/Switzerland, 80 minutes, 35mm)

CMIA - Sculpture

• Michelangelo: Eye to Eye
  (Michelangelo Antonioni, 2004, Italy, 12 minutes)
• Night and Day
  (Chantal Akerman, 1991, Belgium/France/Switzerland, 92 minutes, 35mm)
• A.I. Artificial Intelligence
  (Steven Spielberg, 2001, USA, 146 minutes, 35mm)

CMIA - Animation

• Details TBA

CMIA - Dance

• A Study in Choreography for the Camera
  (Maya Deren, 1945, USA, 4 minutes)
• The Music Room
  (Satyajit Ray, 1958, India, 100 minutes)
• Dhrupad
  (Mani Kaul, 1983, India, 72 minutes)

CMIA - Masterworks of Japanese Cinema

• Drive My Car
  (Ryusuke Hamaguchi, 2021, Japan, 179 minutes)*
  *Imported print courtesy of the Japan Foundation

CMIA - Masterworks of Japanese Cinema (Special Guest Event)

• Discussion with William James Carroll, author of Seijun Suzuki and Postwar Japanese Cinema (Columbia University Press, 2022)

CMIA - Mirror

• The Mirror
  (Andrei Tarkovsky, 1975, USSR, 106 minutes, 35mm)

CMIA - Masterworks of Japanese Cinema

• Love Letter
  (Seijun Suzuki, 1959, Japan, 40 minutes, 35mm)*
  *Imported print courtesy of the Japan Foundation
• Satan's Town
  (Seijun Suzuki, 1956, Japan, 79 minutes, 35mm)*
  *Imported print courtesy of the Japan Foundation
• Other Details TBA

CMIA - The Godfather, Part II

• The Godfather, Part II
  (Francis Ford Coppola, 1974, USA, 200 minutes, 35mm)

CMIA - Cinematic Museums

• Histoire(s) du cinéma, 3a: The Currency of the Absolute
  (Jean-Luc Godard, 1998, France, 27 minutes)
• Barry Lyndon
  (Stanley Kubrick, 1975, UK/USA, 184 minutes, 35mm)

CMIA - The Godfather

• The Godfather
  (Francis Ford Coppola, 1972, USA, 179 minutes)

CMIA - Edvard Munch

• Edvard Munch
  (Peter Watkins, 1974, Norway/Sweden, 210 minutes)

CMIA - La Belle Noiseuse

• La Belle Noiseuse
  (Jacques Rivette, 1991, France, 238 minutes, 35mm)

CMIA - Masterworks of Japanese Cinema

• Three films by Peter Kubelka in 35mm
  • Adebar (1957, 2 minutes)
  • Schwechater (1958, 1 minute)
  • Poetry and Truth (2003, 13 minutes)
• Red Lion
  (Kihachi Okamoto, 1969, Japan, 117 minutes, 35mm)*
  *Imported print courtesy of the Japan Foundation
• Japan's Longest Day
  (Kihachi Okamoto, 1967, Japan, 160 minutes, 35mm)*
  *Imported print courtesy of the Japan Foundation

CMIA - 2001: A Space Odyssey

• 2001: A Space Odyssey
  (Stanley Kubrick, 1968, UK/USA, 142 minutes, 35mm)

CMIA - Hell in the Pacific

CMIA - Masterworks of Japanese Cinema

• The Last Gunfight
  (Kihachi Okamoto, 1960, Japan, 95 minutes, 35mm)*
  *Imported print courtesy of the Japan Foundation
• Samurai Assassin
  (Kihachi Okamoto, 1965, Japan, 125 minutes, 35mm)*
  *Imported print courtesy of the Japan Foundation

CMIA - Color

• The Umbrellas of Cherbourg
  (Jacques Demy, 1964, France, 91 minutes, 35mm)
• The Red Shoes
  (Michael Powell, 1948, UK, 142 minutes, 35mm)

CMIA - Two Lovers

• Two Lovers
  (James Gray, 2008, USA, 110 minutes, 35mm)

CMIA - Masterworks of Japanese Cinema

• The Idiot
  (Akira Kurosawa, 1951, Japan, 166 minutes, 35mm)*
  *Imported print courtesy of the Japan Foundation

CMIA - Masterworks of Japanese Cinema

• A Wife's Heart
  (Mikio Naruse, 1956, Japan, 100 minutes, 35mm)*
  *Imported print courtesy of the Japan Foundation

CMIA - Jean Renoir

• La Chienne
  (Jean Renoir, 1931, France, 95 minutes, 35mm)
   

CMIA - Theater

• Henry V
  (Laurence Olivier, 1944, UK, 132 minutes, 35mm)
• My Night at Maud's
  (Éric Rohmer, 1969, France, 110 minutes, 35mm)

CMIA - Montage

• Battleship Potemkin
  (Sergei Eisenstein, 1925, USSR, 75 minutes, Blu-ray)
• Un Chien Andalou
  (Luis Buñuel and Salvador Dali, 1929, France, 16 minutes, 35mm)
• Earth
  (Aleksandr Dovzhenko, 1930, USSR, 75 minutes, 35mm)

CMIA - The Seventh Art

• Sunrise
  (F.W. Murnau, 1927, USA, 91 minutes, 35mm)
• Solaris
  (Andrei Tarkovsky, 1972, USSR, 167 minutes, 35mm)

CMIA - Silent Art Films

• The Kid
  (Charles Chaplin, 1921, USA, 72 minutes, 35mm)
• Sunrise
  (F.W. Murnau, 1927, USA, 91 minutes, 35mm)

CMIA - Vertigo

• Vertigo
  (Alfred Hitchcock, 1958, USA, 129 minutes, 35mm)

CMIA - Animation

• Details TBA

CMIA - Stanley Kubrick and the Vienna School

• The Shining
  (Stanley Kubrick, 1980, UK/USA, 150 minutes)

CMIA - Avant-Garde Cinema

• Program of films by Maya Deren, Stan Brakhage, and Bruce Conner (details TBA).

CMIA - Hollywood in China (Special Guest Ying Zhu)

• Guest lecture by Ying Zhu (Professor Emeritus at the City University of New York and Director of the Center for Film and Moving Image Research in the Academy of Film, Hong Kong Baptist University), author of Two Billion Eyes (2014) and Hollywood in China (2022). The lecture will be followed by open discussion.

CMIA - Stanley Kubrick and the Vienna School

• The Deep Blue Sea
  (Terence Davies, 2012, UK, 92 minutes, 35mm)
• A.I. Artificial Intelligence
  (Steven Spielberg, 2001, USA, 132 minutes, 35mm)

CMIA - Sculpting in Time

• A Year of the Quiet Sun
  (Krzysztof Zanussi, 1984, Poland, 110 minutes, 35mm)
• Mirror
  (Andrei Tarkovsky, 1975, USSR, 100 minutes, 35mm)

CMIA - Stanley Kubrick and the Vienna School

• Barry Lyndon
  (Stanley Kubrick, 1975, UK/USA, 175 minutes, 35mm)

CMIA - Bresson and Kazan

• A Man Escaped
  (Robert Bresson, 1956, France, 110 minutes, 35mm)
• On the Waterfront
  (Elia Kazan, 1954, USA, 105 minutes)

CMIA - Stanley Kubrick and the Vienna School

• 2001: A Space Odyssey
  (Stanley Kubrick, 1968, UK/USA, 142 minutes, 35mm)

CMIA - Japanese Period Films

• Three Outlaw Samurai (Hideo Gosha, 1964, Japan, 93 minutes, 35mm)*

CMIA - Stanley Kubrick and the Vienna School

• The Trial
  (Orson Welles, 1962, France/Italy/West Germany, 102 minutes, 35mm)
• Dr. Strangelove
  (Stanley Kubrick, 1964, UK/USA, 94 minutes)

CMIA - The Cardinal

• The Cardinal (Otto Preminger, 1963, USA, 170 minutes, 35mm)*
  *IB Technicolor Print

CMIA - The Red Shoes

• The Red Shoes (Michael Powell, 1948, UK, 138 minutes, 35mm)

CMIA - Amadeus

• Amadeus (Milos Forman, 1984, USA/Czechoslovakia, 162 minutes, 35mm)

CMIA - Ophuls and Kubrick

• The Earrings of Madame de... (Max Ophuls, 1953, France, 90 minutes, 35mm)
• The Killing (Stanley Kubrick, 1956, USA, 100 minutes, 35mm)