Past Programs

CMIA - Occupation Cinema

• Children of Paradise
  (Marcel Carné, 1945, 190 minutes, 35mm)

CMIA - Cinematic Romanticisms

• Melancholia
  (Lars von Trier, 2011, Denmark/Sweden/France/Germany, 130 minutes, 35mm)
• To the Wonder
  (Terrence Malick, 2012, USA, 110 minutes, 35mm)

CMIA - Europe's Darkest Hour

• Listen to Britain
  (Humphrey Jennings and Stewart McAllister, 1942, UK, 20 minutes, Blu-ray)
• The Magnificent Ambersons
  (Orson Welles, 1943, USA, 83 minutes, 35mm)
• Day of Wrath
  (Carl Theodor Dreyer, 1943, Denmark, 97 minutes, 35mm)

CMIA - Cinematic Romanticisms

• Days of Heaven
  (Terrence Malick, 1978, USA, 95 minutes, 35mm)
• The New World
  (Terrence Malick, 2005, USA, 150 minutes, 35mm)

CMIA - Classic French Cinema

• La Bête humaine
  (Jean Renoir, 1938, France, 109 minutes, 35mm)
• Le Deuxième Souffle
  (Jean-Pierre Melville, 1966, France, 150 minutes, 35mm)

CMIA - Cinematic Romanticisms

• The Double Life of Veronique
  (Krzysztof Kieslowski, 1991, France/Poland/Norway, 98 minutes, 35mm)
• Blue
  (Krzysztof Kieslowski, 1993, France/Poland/Switzerland, 100 minutes, 35mm)

CMIA - Technicolor

• The Thief of Bagdad
  (Michael Powell, 1940, UK, 106 minutes, 35mm)
• Fantasia
  (Walt Disney, et al, 1940, USA, 126 minutes, 35mm)

CMIA - Cinematic Romanticisms

• L'Intrus
  (Claire Denis, 2004, France/Germany, 130 minutes, 35mm)
• The Deer Hunter
  (Michael Cimino, 1978, USA, 178 minutes, 35mm)

CMIA - Rabah Ameur-Zaïmeche Event

CMIA - Cinematic Romanticisms

• A Time to Love and a Time to Die
  (Douglas Sirk, 1958, USA, 132 minutes, 35mm)
• Germany Year 90 Nine Zero
  (Jean-Luc Godard, 1991, France, 62 minutes, 35mm)
• Chinese Roulette
  (Rainer Werner Fassbinder, 1976, West Germany, 84 minutes, 35mm)

CMIA - Election Films

• Mr. Smith Goes to Washington
  (Frank Capra, 1939, USA, 129 minutes, 35mm)
• The Great McGinty
  (Preston Sturges, 1940, 83 minutes, 35mm)

CMIA - Peter Hutton Memorial Tribute Screening

• New York Portrait, Parts 1-3 (Peter Hutton, 1978-1990, USA, ~50 minutes, 16mm)

CMIA - Cinematic Romanticisms

• The Book of Mary
  (Anne-Marie Miéville, 1985, Switzerland/France, 27 minutes, 35mm)
• Hail Mary
  (Jean-Luc Godard, 1985, France/Switzerland/UK, 80 minutes, 35mm)
• Death in Venice
  (Luchino Visconti, 1971, Italy/France, 130 minutes, 35mm)

CMIA - Early Sound Features Part 2

• Air Mail
  (John Ford, 1932, USA, 82 minutes, 35mm)
• Only Yesterday
  (John Stahl, 1933, USA, 105 minutes, 35mm)

CMIA - Early Sound Features

• The Smiling Lieutenant
  (Ernst Lubitsch, 1931, USA, 89 minutes, 35mm)

CMIA - Westerns

• Major Dundee
  (Sam Peckinpah, 1965, USA, 152 minutes, 35mm)
• Two Rode Together
  (John Ford, 1961, USA, 109 minutes, 35mm)

CMIA - Cinematic Romanticisms

• L'Amour fou
  (Jacques Rivette, 1968, 250 minutes, 35mm)

CMIA - German Expressionism

• Destiny
  (Fritz Lang, 1921, Germany, 105 minutes)
• Sunrise
  (F.W. Murnau, 1927, USA, 95 minutes, 35mm)

CMIA - Cinematic Romanticisms

• Mother and Son
  (Aleksandr Sokurov, 1997, Russia, 73 minutes, 35mm)
• Stan Brakhage Program:
  • The Dante Quartet
    (1987, USA, 7 minutes, 35mm)
  • Creation
    (1979, USA, 16 minutes, 16mm)
  • Arabic 3
    (1980, USA, 7 minutes, 16mm)
  • Visions in Meditation, Part 3: Plato’s Cave
    (1990, USA, 19 minutes, 16mm)
  • Untitled: For Marilyn
    (1992, USA, 12 minutes, 16mm)
  • First Hymn to the Night – Novalis
    (1994, 4 minutes, 16mm)
  • Chartres Series
    (1994, 9 minutes, 16mm)
  • Faust's Other: An Idyll
    (1988, 38 minutes, 16mm)
  • Faust 4
    (1989, 45 minutes, 16mm)

CMIA - Cinematic Romanticisms

• Cinematic Mythologies Program including Beauty and the Beast (Jean Cocteau, 1946, France, 93 minutes, 35mm)*
  *New print

CMIA - Montage

• Mother
  (Vsevolod Pudovkin, 1926, USSR, 90 minutes)
• Battleship Potemkin
  (Sergei Eisenstein, 1925, USSR, 75 minutes)

CMIA - Cinematic Romanticisms

• Special Abel Gance Screening

CMIA - Italian silent films with live musical accompaniment by Virginia Guastella

• Cenere
  (Febo Mari, 1916, Italy, 31 minutes)
• Il Fuoco
  (Giovanni Pastrone, 1916, Italy, 51 minutes)

CMIA - Cinematic Romanticisms

• Stalker
  (Andrei Tarkovsky, 1979, USSR, 163 minutes, 35mm)

CMIA - Cinematic Romanticisms

• Nostalghia
  (Andrei Tarkovsky, 1983, Italy, 125 minutes, 35mm)
• Histoire(s) du cinéma 1A, 1B, 4B
  (Jean-Luc Godard, 1988/1998, ~130 minutes)

CMIA - Asian Cinema at the Turn of the Millennium

• Crouching Tiger, Hidden Dragon
  (Ang Lee, 2000, 120 minutes, Taiwan, 35mm)

CMIA - Film Among the Arts

• The Mirror
  (Andrei Tarkovsky, 1975, USSR, 107 minutes, 35mm)
• Sans Soleil
  (Chris Marker, 1983, France, 103 minutes, 16mm)

CMIA - Film Among the Arts

• The Mirror
  (Andrei Tarkovsky, 1975, USSR, 107 minutes, 35mm)
• Gertrud
  (Carl Theodor Dreyer, 1964, Denmark, 119 minutes, 35mm)

CMIA - Film Among the Arts

• Teshigahara and Antonioni Program

CMIA - Film Among the Arts

• Night and Day
  (Chantal Akerman, 1991, Belgium/France/Switzerland, 92 minutes, 35mm)

CMIA - China's Fifth Generation

• Yellow Earth
  (Chen Kaige, 1985, 90 minutes, China, 35mm)

CMIA - Film Among the Arts

• A Study in Choreography for the Camera
  (Maya Deren, 1945, USA, 4 minutes, 16mm)
• The Red Shoes
  (Michael Powell and Emeric Pressburger, 1948, UK, 132 minutes, 35mm)
• Beau Travail
  (Claire Denis, 1999, France, 96 minutes, 35mm)

CMIA - Hong Kong Cinema

• The Killer
  (John Woo, 1989, Hong Kong, 111 minutes, 35mm)
• Fulltime Killer
  (Johnnie To and Wai Ka-fai, 2001, Hong Kong, 102 minutes, 35mm)

CMIA - Film Sound Program

• To Have and Have Not (Howard Hawks, 1944, USA, 100 minutes, 35mm)
• Jean-Luc Godard Program

CMIA - The Taiwanese New Wave

• Dust in the Wind
  (Hou Hsiao-hsien, 1986, Taiwan, 110 minutes, 35mm)
• Taipei Story
  (Edward Yang, 1985, Taiwan, 110 minutes, 16mm)

CMIA - Film Among the Arts

• Macbeth
  (Roman Polanski, 1971, UK/USA, 140 minutes, 35mm)
• Throne of Blood
  (Akira Kurosawa, 1957, Japan, 108 minutes)

CMIA - Seijun Suzuki and the Japanese New Wave

• Tattooed Life
  (Seijun Suzuki, 1965, Japan, 87 minutes, 35mm)
• Fighting Elegy
  (Seijun Suzuki, 1966, Japan, 86 minutes, 35mm)
• Carmen from Kawachi
  (Seijun Suzuki, 1966, Japan, 89 minutes, 35mm)

CMIA - Film Among the Arts

• La Belle Noiseuse
  (Jacques Rivette, 1991, France, 238 minutes, 35mm)

CMIA - Film Among the Arts

• Special Film Among the Arts Program including Caravaggio (Derek Jarman, 1986, UK, 93 minutes, 35mm)

CMIA - Film Among the Arts

• Edvard Munch
  (Peter Watkins, 1976, Norway, 171 minutes)

CMIA -In the Land of the Head Hunters 

• Screening of Edward S. Curtis's pioneering 1914 feature with a reconstruction of the original score
• Introduced by visiting scholar Aaron Glass (Bard Graduate Center)
• Co-sponsored by the Bard Anthropology Program

CMIA - Seijun Suzuki and the Japanese New Wave

• Story of a Prostitute
  (Seijun Suzuki, 1965, Japan, 96 minutes, 35mm)
• Kagerō-za
  (Seijun Suzuki, 1981, Japan, 143 minutes, 35mm)

CMIA - Seijun Suzuki and the Japanese New Wave

• Ziegeunerweisen
  (Seijun Suzuki, 1980, Japan, 145 minutes, 35mm)
• Yumeji
  (Seijun Suzuki, 1980, Japan, 128 minutes, 35mm)

CMIA - Seijun Suzuki and the Japanese New Wave

• Youth of the Beast
  (Seijun Suzuki, 1963, Japan, 92 minutes, 35mm)

CMIA - Film Among the Arts

• Ivan the Terrible, Part 1
  (Sergei Eisenstein, 1944, USSR, 95 minutes, 35mm)
• Ivan the Terrible, Part 2
  (Sergei Eisenstein, 1946/1958, USSR, 88 minutes, 35mm)

CMIA - Film Among the Arts

• The Kid
  (Charles Chaplin, 1921, USA, 68 minutes, 35mm)
• Solaris
  (Andrei Tarkovsky, 1972, USSR, 167 minutes, 35mm)

CMIA - Film Among the Arts

• Vertigo
  (Alfred Hitchcock, 1958, USA, 128 minutes, 35mm)
• Preceded by a visiting filmmaker event including Je suis Annemarie Schwarzenbach (Véronique Aubouy, 2014, 85 minutes) at 7:15 PM.