Past Programs

CMIA – Rancho Notorious

• Rancho Notorious
  (Fritz Lang, 1952, USA, 85 minutes, 35mm)

CMIA – The Great Escape

• The Great Escape
  (John Sturges, 1963, USA, 175 minutes, 35mm)

CMIA – International Film Noir

• Jean-Pierre Melville Screening
• Thief
  (Michael Mann, 1981, USA, 126 minutes)

CMIA – Charles Burnett Event (Filmmaker in Attendance)

• To Sleep with Anger
  (Charles Burnett, 1990, USA, 102 minutes, 35mm)*
  *Studio vault print, Filmmaker in Attendance
   
• Please check bard.edu/cmia for the full schedule.

CMIA – International Film Noir

• Night Moves
  (Arthur Penn, 1975, USA, 100 minutes, 35mm)
• Chinatown
  (Roman Polanski, 1974, USA, 130 minutes, 35mm)

CMIA – Antonioni Panel Discussion

• Panel discussion about Michelangelo Antonioni with Franco Baldasso, Joseph Luzzi, and Richard Suchenski

CMIA – Contemporary Cinema

• Russian Ark
  (Alexander Sokurov, 2002, Russia, 81 minutes)
• Casino
  (Martin Scorsese, 1995, USA, 178 minutes, 35mm)

CMIA – Sculpting in Time

• The Mirror
  (Andrei Tarkovsky, 1975, USSR, 106 minutes, 35mm)

CMIA – The Passenger

• The Passenger
  (Michelangelo Antonioni, 1975, UK/Italy, 126 minutes, 35mm)

CMIA – International Film Noir

• Touch of Evil
  (Orson Welles, 1958, USA, 112 minutes, 35mm)
• Point Blank
  (John Boorman, 1967, USA, 92 minutes, 35mm)
   

CMIA – My Neighbor Totoro

• My Neighbor Totoro
  (Hayao Miyazaki, 1989, Japan, 88 minutes, 35mm)

CMIA – International Film Noir

• The Big Heat
  (Fritz Lang, 1953, USA, 90 minutes, 35mm)
• Murder by Contract
  (Irving Lerner, 1958, USA, 82 minutes, 35mm)
• Kiss Me Deadly
  (Robert Aldrich, 1955, USA, 106 minutes, 35mm)

CMIA – International Film Noir

• Pickup on South Street
  (Samuel Fuller, 1953, USA, 80 minutes, 35mm)
• Night and the City
  (Jules Dassin, 1950, USA, 96 minutes, 35mm)

CMIA – Into Great Silence

• Into Great Silence
  (Philip Gröning, 2005, Germany, 169 minutes, 35mm)

CMIA – International Film Noir

• The Wrong Man
  (Alfred Hitchcock, 1956, USA, 105 minutes, 35mm)

CMIA – The Godfather, Part II

• The Godfather, Part II
  (Francis Ford Coppola, 1974, USA, 200 minutes, 35mm)*
  *Restored print

CMIA – International Film Noir

• On Dangerous Ground
  (Nicholas Ray, 1952, USA, 82 minutes, 35mm)
• Stray Dog
  (Akira Kurosawa, 1949, Japan, 122 minutes, 35mm)

CMIA – Rocco and His Brothers

• Rocco and His Brothers
  (Luchino Visconti, 1960, Italy, 192 minutes, 35mm)

CMIA – Avant-Garde Cinema

• At Land
  (Maya Deren, 1944, USA, 15 minutes, 16mm)
• Blue Moses
  (Stan Brakhage, 1962, USA, 11 minutes, 16mm)
• All My Life
  (Bruce Bailie, 1966, USA, 3 minutes, 16mm)
• Visions in Meditation, Part 1
  (Stan Brakhage, 1987, USA, 16 minutes, 16mm)
• The Dante Quartet
  (Stan Brakhage, 1987, 7 minutes, 35mm)

CMIA – International Film Noir

• Brighton Rock
  (John Boulting, 1948, UK, 92 minutes, 35mm)
• Odd Man Out
  (Carol Reed, 1947, UK, 116 minutes, 35mm)

CMIA - Widescreen Aesthetics

• When a Woman Ascends the Stairs
  (Mikio Naruse, 1960, Japan, 111 minutes, 35mm)*
• Home from the Hill
  (Vincente Minnelli, 1960, USA, 150 minutes, 35mm)*
  *Prints courtesy of the British Film Institute

CMIA – International Film Noir

• Quai des Orfèvres
  (Henri-Georges Clouzot, 1947, France, 106 minutes, 35mm)
• Elevator to the Gallows
  (Louis Malle, 1958, France, 93 minutes, 35mm))

CMIA – International Film Noir

• The Smallest Show on Earth
  (Basil Dearden, 1957, UK, 80 minutes, 35mm)*
  *Imported print
• Nightmare Alley
  (Edmund Goulding, 1947, USA, 111 minutes, 35mm)

CMIA – Color

• Black Narcissus
  (Michael Powell and Emeric Pressburger, 1947, UK, 101 minutes, 35mm)
• Kagemusha
  (Akira Kurosawa, 1980, Japan, 162 minutes, 35mm)

CMIA – International Film Noir

• Raw Deal
  (Anthony Mann, 1948, USA, 79 minutes, 35mm)*
  *Restored print courtesy of the Library of Congress
• Pursued
  (Raoul Walsh, 1947, USA, 105 minutes, 35mm)*
  *35mm preservation print courtesy of the UCLA Film and Television Archive. Preservation funding provided by The Film Foundation and the AFI/NEA Film Preservation Grants Program.
• Pitfall
  (André de Toth, 1948, USA, 85 minutes, 35mm)*
  *Restored by UCLA Film & Television Archive, with funding provided by the AFI/NEA Film Preservation Grants Program.

CMIA – Westerns

• Fort Apache
  (John Ford, 1948, USA, 128 minutes, 35mm)*
  *Library of Congress print
• Red River
  (Howard Hawks, 1948, USA, 132 minutes, 35mm)

CMIA – International Film Noir

• Scarlet Street
  (Fritz Lang, 1945, USA, 105 minutes, 35mm)*
  *Restored print courtesy of the Library of Congress
• Clash by Night
  (Fritz Lang, 1952, USA, 103 minutes, 35mm)

CMIA – International Film Noir

• The Night of the Hunter
  (Charles Laughton, 1955, USA, 92 minutes, 35mm)*
  *Film Foundation restoration print
• Dark Passage
  (Delmer Daves, 1947, USA, 106 minutes, 35mm)

CMIA – City Girl

• City Girl
  (F. W. Murnau, 1930, USA, 90 minutes, 35mm)*
  *Studio vault print

CMIA – Pre-Code Musical

• Love Me Tonight
  (Rouben Mamoulian, 1932, USA, 104 minutes, 35mm)*
  *Studio vault print

CMIA – International Film Noir

• M
  (Fritz Lang, 1931, Germany, 105 minutes, 35mm)

CMIA – Pre-Code Comedy

• Sailor’s Luck
  (Raoul Walsh, 1933, USA, 64 minutes, 35mm)*
  *Studio vault print

CMIA – International Film Noir

• The Lady from Shanghai
  (Orson Welles, 1947, USA, 85 minutes, 35mm)
• The Postman Always Rings Twice
  (Tay Garnett, 1946, USA, 113 minutes, 35mm)

CMIA – Westerns (copy)

• Rio Bravo
  (Howard Hawks, 1959, USA, 142 minutes, 35mm)
• The Man Who Would be King
  (John Huston, 1975, USA, 132 minutes, 35mm)

CMIA – Montage

• Un chien andalou
  (Luis Buñuel and Salvador Dali, 1929, France, 16 minutes, 35mm)
• Battleship Potemkin
  (Sergei Eisenstein, 1925, USSR, 75 minutes, 35mm)
• I Fidanzati
  (Ermanno Olmi, 1963, Italy, 77 minutes, 35mm)

CMIA – International Film Noir

• Shadow of a Doubt
  (Alfred Hitchcock, 1943, USA, 112 minutes, 35mm)
• Double Indemnity
  (Billy Wilder, 1944, USA, 107 minutes, 35mm)
   

CMIA – Weimar Cinema

• The Last Laugh
  (F. W. Murnau, 1924, Germany, 90 minutes, 35mm)
• Pandora’s Box
  (G. W. Pabst, 1929, Germany, 135 minutes, 35mm)

CMIA – International Film Noir

• The Maltese Falcon
  (John Huston, 1941, USA, 101 minutes, 35mm)
• The Big Sleep
  (Howard Hawks, 1946, USA, 111 minutes, 35mm)
   

CMIA – The Space of Viewing

• Sherlock, Jr.
  (Buster Keaton, 1924, USA, 45 minutes)
• Rear Window
  (Alfred Hitchcock, 1954, USA, 115 minutes, 35mm)

CMIA – International Film Noir

• The Killers
  (Robert Siodmak, 1946, USA, 105 minutes, 35mm)
• Angel Face
  (Otto Preminger, 1953, USA, 91 minutes, 35mm)

CMIA - Andrzej Wajda and the Cinemas of Central Europe

• Katyń
  (Andrzej Wajda, 2007, Poland, 125 minutes)
• Ida
  (Paweł Pawlikowski, 2013, Poland/Denmark/France/UK, 82 minutes)

CMIA - Twenty-First Century Cinema

• In Praise of Love
  (Jean-Luc Godard, 2001, France/Switzerland, 98 minutes, 35mm)
• Magnolia
  (Paul Thomas Anderson, 1999, USA, 188 minutes, 35mm)

CMIA - Andrzej Wajda and the Cinemas of Central Europe

• The Decalogue: 1
  (Krzysztof Kieślowski, 1988, Poland, 57 minutes)
• The Double Life of Veronique
  (Krzysztof Kieślowski, 1991, France/Poland/Norway, 98 minutes, 35mm)
• Red
  (Krzysztof Kieślowski, 1994, France/Poland/Switzerland, 99 minutes, 35mm)

CMIA - New Chinese Cinemas

• Yellow Earth
  (Chen Kaige, 1984, China, 91 minutes, 35mm)
• Good Men, Good Women
  (Hou Hsiao-hsien, 1995, Taiwan/Japan, 108 minutes, 35mm)*
  *New 35mm Print

CMIA - Andrzej Wajda and the Cinemas of Central Europe

• Young Girls of Wilko
  (Andrzej Wajda, 1979, Poland, 118 minutes)
• The Wedding
  (Andrzej Wajda, 1973, Poland, 106 minutes)

CMIA - Sculpting in Time

• The Seasons
  (Artavazd Peleshian, 1975, USSR, 28 minutes)
• Andrei Rublev
  (Andrei Tarkovsky, 1966/1969 ,USSR, 205 minutes, 35mm)

CMIA - Andrzej Wajda and the Cinemas of Central Europe

• Illumination
  (Krzysztof Zanussi, 1973, Poland, 94 minutes)
• Year of the Quiet Sun
  (Krzysztof Zanussi, 1984, Poland, Poland/USA/West Germany, 106 minutes, 35mm)

CMIA - Public Discussion with French Editor Yann Dedet

• Public discussion with editor Yann Dedet beginning at 6:00 PM

CMIA - Yann Dedet Visit (Screening)

• Two English Girls
  (François Truffaut, 1971, France, 130 minutes, 35mm)
• Van Gogh
  (Maurice Pialat, 1991, France, 158 minutes)

CMIA - The Godfather

• The Godfather
  (Francis Ford Coppola, 1972, USA, 175 minutes, 35mm)*
  *Restored 35mm Print

CMIA - Films of Stanley Kubrick

• Dr. Strangelove
  (Stanley Kubrick, 1964, USA, 103 minutes, 35mm)

CMIA - Charles Burnett Event

• Discussion with Charles Burnett (beginning at 6:00 PM) followed by an 8:30 screening of:
• Killer of Sheep
  (Charles Burnett, 1977, USA, 83 minutes, 35mm)*

CMIA - Andrzej Wajda and the Cinemas of Central Europe

• Dragon's Return
  (Eduard Grečner, 1967, Czechoslovakia, 81 minutes)
• Marketa Lazarová
  (František Vláčil, 1967, Czechoslovakia,164 minutes, 35mm)*
  *New 35mm Print

CMIA - French New Wave

• Gare du Nord
  (Jean Rouch, 1965, France, 15 minutes, 35mm)
• My Life to Live
  (Jean-Luc Godard, 1962, France, 84 minutes, 35mm)
• Cléo from 5 to 7
  (Agnés Varda, 1961, France, 90 minutes, 35mm)

CMIA - Andrzej Wajda and the Cinemas of Central Europe

• Oratorio for Prague
  (Jan Němec, 1968, Czechoslovakia, 26 minutes)

CMIA - Andrzej Wajda and the Cinemas of Central Europe

• Daisies
  (Věra Chytlová, 1966, Czechoslovakia, 79 minutes, 35mm)
• The Firemen’s Ball
  (Miloš Forman, 1967, Czechoslovakia, 75 minutes, 35mm)
• The Ear
  (Karel Kachyňa, 1970/1989, Czechoslovakia, 93 minutes, 35mm)

CMIA - Beyond Neorealism

• 8 ½
  (Federico Fellini, 1963, Italy, 138 minutes, 35mm)
• The Passenger
  (Michelangelo Antonioni, 1975, Italy/Spain/France, 126 minutes, 35mm)

CMIA - Andrzej Wajda and the Cinemas of Central Europe

• The Round-Up
  (Miklós Jancsó, 1966, Hungary, 90 minutes, 35mm)
• Werckmeister Harmonies
  (Béla Tarr and Ágnes Hranitzky, 2000, Hungary, 145 minutes)

CMIA - Films by Martin Scorsese

• Mean Streets
  (Martin Scorsese, USA, 1973, 112 minutes, 35mm)
• Raging Bull
  (Martin Scorsese, USA, 1980, 128 minutes, 35mm)

CMIA - Andrzej Wajda and the Cinemas of Central Europe

• Promised Land
  (Andrzej Wajda, 1975, Poland, 175 minutes)

CMIA - Widescreen Aesthetics

• Once Upon a Time in the West
  (Sergio Leone, 1968, Italy/USA, 175 minutes, 35mm)

CMIA - Avant-Garde Cinema

• Meshes of the Afternoon
  (Maya Deren, 1943, USA, 14 minutes, 16mm)
• Visions in Meditation #1
  (Stan Brakhage, 1989, USA, 16 minutes, 16mm)
• The Dante Quartet
  (Stan Brakhage, 1987, USA, 7 minutes, 35mm)

CMIA - Andrzej Wajda and the Cinemas of Central Europe

• Danton
  (Andrzej Wajda, 1983, France, 132 minutes)
• Moonlighting
  (Jerzy Skolimowski, 1982, UK, 87 minutes)

CMIA - Widescreen Aesthetics

• The Pink Panther
  (Blake Edwards, 1963, USA, 115 minutes, 35mm)*
  *IB Technicolor Print
• McCabe and Mrs. Miller
  (Robert Altman, 1971, USA, 121 minutes, 35mm)

CMIA - Andrzej Wajda and the Cinemas of Central Europe

• Wróblewski According to Wajda
  (Andrzej Wajda, 2015, Poland, 40 minutes)

CMIA - Andrzej Wajda and the Cinemas of Central Europe

• Man of Marble
  (Andrzej Wajda, 1977, Poland, 166 minutes)

CMIA - Notes on the Cinematographer

• Pickpocket
  (Robert Bresson, 1959, France, 79 minutes, 35mm)
• On the Waterfront
  (Elia Kazan, 1954, USA, 108 minutes, 35mm)

CMIA - Andrzej Wajda and the Cinemas of Central Europe

• House
  (Dom, Walerian Borowczyk and Jen Lenica, 1958, Poland, 11 minutes)
• Two Men and a Wardrobe
  (Roman Polanski, 1958, Poland, 15 minutes)
• The Saragossa Manuscript
  (Wojciech Has, 1965, Poland, 185 minutes)

CMIA - Postwar Japan

• Ikiru
  (Akira Kurosawa, 1952, Japan, 142 minutes)

CMIA - Andrzej Wajda and the Cinemas of Central Europe

• Innocent Sorcerers
  (Andrzej Wajda, 1960, Poland, 88 minutes)
• Barrier
  (Jerzy Skolimowski, 1966, Poland, 77 minutes, 35mm)
• The Departure
  (Jerzy Skolimowski, 1967, Poland, 93 minutes, 35mm)

CMIA - Noir and Surrealism

• Duck Amuck
  (Chuck Jones, 1953, USA, 8 minutes, 35mm)
• Out of the Past
  (Jacques Tourneur, 1947, USA, 97 minutes, 35mm)
• Los Olvidados
  (Luis Buñuel, 1950, Mexico, 88 minutes, 35mm)

CMIA - Andrzej Wajda and the Cinemas of Central Europe

• Ashes and Diamonds
  (Andrzej Wajda, 1958, Poland, 110 minutes, 35mm)
• Night Train
  (Jerzy Kawalerowicz, 1959, Poland, 97 minutes)

CMIA - Neorealism

• Paisà
  (Roberto Rossellini, 1946, Italy, 115 minutes)
• Flowers of St. Francis
  (Roberto Rossellini, 1950, 89 minutes, 35mm)

CMIA - Andrzej Wajda and the Cinemas of Central Europe

• Passenger
  (Andrzej Munk, 1963, Poland, 62 minutes)

CMIA - Andrzej Wajda and the Cinemas of Central Europe

• Calling Mr. Smith
  (Stefan and Franciszka Themerson, 1943, UK, 9 minutes)
• Brzozowa Street
  (Wojciech Has and Stanislaw Rózewicz, 1947, Poland, 9 minutes)
• A Generation
  (Andrzej Wajda, 1956, Poland, 95 minutes, 35mm)
• Kanał
  (Andrzej Wajda, 1957, Poland, 96 minutes, 35mm)

The House of Mirth

Atlantic City

The Cranes are Flying

Man of Music

Kismet

The Devil Is a Woman

A Night on Bald Mountain & Fantasia

Russian Ark