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Music, like all art, engages the mind and the heart.

The mission of the Bard College Conservatory of Music is to provide the best possible preparation for a person dedicated to a life immersed in the creation and performance of music.

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A singer in front of an orchestra in Olin Hall
Photo by Karl Rabe

Offering Unique Undergraduate and Graduate Programs

  • Undergraduate Double Degree in Liberal Arts and Music Performance (BA and BM)
  • Graduate Degree in Vocal Arts (MM)
  • Graduate Degree in Conducting (MM)
  • Graduate Degree in Instrumental Studies (MM)
  • Master of Arts in Chinese Music and Culture (MA)
  • Advanced Performance Studies 
  • Postgraduate Collaborative Piano Fellowship
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The Bard Conservatory also offers a Preparatory Division for students ages 3–18.

News

a black and white archival photo of a man at a piano

Bard Conservatory of Music Announces Seventh Annual Kurtág Festival Honoring György Kurtág’s 100th Birthday, March 11–April 4

The 2026 edition highlights the clarity, precision, and expressive depth of Kurtág’s music.

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two men raise their hands to conduct against a black backdrop

Bard Conservatory Orchestra Innovation and Legacy Concert Featured in China Daily and Xinhua

The concert, notes Xinhua, was “more than a performance—it was a profound musical dialogue across eras and cultures.”

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The Eighth Annual China Now Music Festival Reviewed in <em>China Daily</em>

The Eighth Annual China Now Music Festival Reviewed in China Daily

The final performance of the festival, a chamber opera and dance concert by the Bard East/West Ensemble, will take place on October 5 at 3 pm at Jazz at Lincoln Center. 

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Upcoming Events and Performances

  • Studio Recital: Double Bass Students of&nbsp;Satoshi Okamoto
    12/15
    Monday
    Studio Recital: Double Bass Students of Satoshi Okamoto 5:30 pm
    Bitó Conservatory Building, Performance Space
  • Percussion Studio Recital
    12/16
    Tuesday
    Percussion Studio Recital 7:00 pm
    Bitó Conservatory Building, Performance Space
  • Studio Recital: Piano Students of Rieko Aizawa
    12/17
    Wednesday
    Studio Recital: Piano Students of Rieko Aizawa 6:00 pm
    Olin Hall
  • Poetry Into Song
    12/18
    Thursday
    Poetry Into Song 12:00 pm
    Bitó Conservatory Building, Performance Space
  • Laurie Smukler (left) playing the violin and Qing Jiang (right) wearing a blue blouse.; Guest Artist Recital: Laurie Smukler, violin&nbsp;and Qing Jiang, piano
    1/25
    Sunday
    Guest Artist Recital: Laurie Smukler, violin and Qing Jiang, piano 4:00 pm
    Bitó Conservatory Building, Performance Space

Meet Our Faculty

See All Faculty
  • Tyler Duncan
    Graduate Vocal Arts Program

    Tyler Duncan

    With a voice described as “honey-coloured and warm, yet robust and commanding” (The Globe and Mail), baritone Tyler Duncan has performed worldwide to great acclaim in both opera and concert repertoire. Throughout his varied career, he has performed with several of the world’s leading orchestras including the New York Philharmonic, San Francisco Symphony, Toronto Symphony Orchestra, Tafelmusik, Minnesota Orchestra, and the Kansas City Symphony.

    Mr. Duncan recently performed the role of Count Almaviva in Pacific Opera Victoria's production of The Marriage of Figaro, C.P.E. Bach’s Magnificat with the Handel and Haydn Society, Beethoven’s 9th Symphony with the Vancouver Symphony Orchestra, Bach’s St. John and St. Matthew Passions with the Oregon Bach Festival and Haydn’s Creation Mass with Music of the Baroque. Other notable engagements include Handel’s Messiah with Houston Symphony, New Jersey Symphony and Symphony Nova Scotia; Handel’s Theodora with Trinity Wall St at Caramoor; Handel's Apollo e Dafne and Bach’s Ich habe genug with Arizona Early Music’s Tucson Baroque Music Festival; Brahms’ Requiem with Johnstown Symphony; and concerts with Bard Music Festival, Brooklyn Art Song Society and Aspect Chamber Music. He also returned to the roster of The Metropolitan Opera for their new production of Terence Blanchard’s Champion.

     Mr. Duncan has performed numerous roles at The Metropolitan Opera including Fiorello in Il barbiere di Siviglia, Moralès in Carmen, Prince Yamadori in Madama Butterfly, and the Journalist in Lulu. At the Spoleto Festival USA, he debuted as Mr. Friendly in the 18th-century ballad opera Flora, returning the next season as Sprecher in Die Zauberflöte. Other notable appearances have included Raymondo in Handel’s Almira, Dandini in La Cenerentola with Pacific Opera Victoria and Demetrius in A Midsummer Night’s Dream at the Princeton Festival. In the realm of new opera, he recently performed the role of Raymond in Nic Gotham’s Nigredo Hotel with City Opera Vancouver and sang the world premiere of Jonathan Berger’s Leonardo at the 92stY in NYC.

     Concert credits include Stravinsky’s Canticum Sacrum with San Francisco Symphony; Messiah with New York Philharmonic and the National Arts Centre Orchestra in Ottawa; Mahler’s 8th Symphony and Beethoven’s 9th Symphony with the Toronto Symphony Orchestra; Bach’s Weihnachtsoratorium with the Minnesota Orchestra; Beethoven’s Mass in C with Kansas City Symphony; Schubert Lieder at the Wigmore Hall with pianist Graham Johnson; Bach’s Ich habe genug with Les Violins du Roy; Mahler’s Des Knaben Wunderhorn with Lviv Philharmonic; a selection of Bach Cantatas and Jeffery Ryan’s Afghanistan Requiem with Calgary Philharmonic; Orff’s Carmina Burana with Quebec Symphony and San Diego Symphony; Beethoven’s An die ferne Geliebte with Vancouver Symphony; Bach’s St. Matthew Passion with Tafelmusik Baroque Orchestra; and Shostakovich’s Suite on Verses of Michelangelo Buonarroti with The Orchestra Now at the Met Museum. He has also performed at the Händel Festival in Halle, Verbier Festival, Bard Festival, Vancouver Early Music Festival, Montreal Bach Festival, Oregon Bach Festival, Grant Park Festival, Lanaudière Festival, Berkshire Choral Festival, and New York’s Mostly Mozart Festival.

     Frequently paired with pianist Erika Switzer, Mr. Duncan has given acclaimed recitals in New York, Boston, Chicago, Paris, and throughout Canada, Germany, Sweden, France, and South Africa. Together they have premiered many new works written for them by composers.  Alongside their debut album English Songs à la française for Bridge Records, they have released A Left Coast on the same label featuring songs from Canada's west coast.

     Notable recordings include the Juno Award winning Vaughan-Williams Serenade to Music with the Toronto Symphony Orchestra, Earthquakes and Islands: an album of songs by Andrew Staniland with texts by Robin Richardson, the title role in John Blow’s Venus and Adonis with Boston Early Music Festival, J.S. Bach’s St. John Passion with the Portland Baroque Orchestra, and is featured with the Montreal Symphony in a video recording of Handel’s Messiah.

     Mr. Duncan has received prizes from the Naumburg, London’s Wigmore Hall, and Munich’s ARD competitions, and won the Joy in Singing competition, the New York Oratorio Society’s Lyndon Woodside Oratorio-Solo Competition, the Prix International Pro Musicis Award, and the Bernard Diamant Prize from the Canada Council for the Arts. Mr. Duncan earned music degrees from the University of British Columbia, Hochschule für Musik (Augsburg), and Hochschule für Musik und Theater (Munich). As a current faculty member for the Vocal Arts Program at Bard College, the Cleveland Institute of Music, and as director of voice for the historical performance program at Case Western Reserve University, he finds joy in helping the next generation of singers find their true voice. Originally from British Columbia, Canada, Mr. Duncan now resides in the scenic Hudson Valley of New York. You may find him frequenting roadside farmstands seeking the perfect, freshly picked apple. 
  • Javier Arrebola
    Graduate Vocal Arts Program

    Javier Arrebola

    Over the past decade, Spanish pianist and scholar Javier Arrebola has emerged as an important figure in art song for his creativity, artistry, performances, and scholarship.

    Mr. Arrebola is currently Artistic Associate at Renée Fleming’s SongStudio at Carnegie Hall and faculty member at the Tanglewood Music Center. In the past, he has held positions as Co-Artistic Director and Director of the Piano Program at SongFest, Head of Piano in the Program for Singers at Ravinia’s Steans Music Institute, Chair of Collaborative Piano at Boston University and Visiting Professor at Indiana University Jacobs School of Music. He is also a frequent guest at institutions such as The Juilliard School in New York City, Shanghai’s Conservatory, Boston’s New England Conservatory, University of Minnesota, Bard College, Hochschule für Musik Karlsruhe, Conservatoire Hector Berlioz in Paris, and The Royal Conservatory’s Glenn Gould School of Music in Toronto.

    In the last years, Mr. Arrebola’s work and contributions have extended to being the video editor and illustrator of, among other projects, Wigmore Hall’s Schubert in Life & Songs, a seminal series by pianist and scholar Graham Johnson, and of SongFest’s Songs of Unity & Hope, an online event conceived and curated by Mr. Arrebola featuring over 60 countries and 40 different languages from all over the world.

    Mr. Arrebola holds a Doctor of Musical Arts Degree and a Master’s Degree in Piano Performance from the Sibelius Academy in Helsinki, as well as degrees in Piano Performance and Chamber Music from the Madrid Royal Conservatory. His doctoral studies included the public performance of all of Schubert's completed piano sonatas on both historical fortepianos and modern instruments, as well as a thesis on The Unfinished Piano Sonatas of Franz Schubert.
  • Honggang Li
    Violin Masterclasses

    Honggang Li

    Honggang Li is the founding member of the Shanghai Quartet, now in it’s 30th season, has performed over two thousand concerts in 30 countries, and can be heard on more than 30 CD albums. Mr. Li began studying the violin with his parents at age seven. When the Central Conservatory of music in Beijing reopened in 1977 after the Cultural Revolution, Mr. Li was selected to attend from a group of over five hundred applicants. He continued his training at the Shanghai Conservatory and co- founded the Shanghai Quartet with his brother Weigang while in his senior year in the conservatory. The quartet soon became the first Chinese quartet to win a major international chamber music competition (the London International) and came to the US in 1985. He received MM of North Illinois University and served as a teaching assistant at the Juilliard School in New York. In 1987, he won the special prize (a 1757 DeCable violin) given by Elisa Pegreffi of Quartetto Italiano at the First Paolo Borciani International Competition in Italy. In addition to his work at the Bard Conservatory of Music Mr. Li is currently also an artist-in-residence and faculty at Montclair State University. He also held the title of artist in residence at University of Richmond in Virginia from 1989 to 2003. He has been the guest professor of both conservatories of Shanghai and Beijing. Mr. Li is also the guest principal violist of the Shanghai Symphony Orchestra since 2009.
  • Rieko Aizawa
    Piano

    Rieko Aizawa

    Praised by the NY Times for an “impressive musicality, a crisp touch and expressive phrasing,” Japanese pianist Rieko Aizawa has performed throughout the U.S., Canada and Europe, including at New York City’s Lincoln Center, Boston's Symphony Hall, Chicago’s Orchestra Hall, Vienna’s Konzerthaus, and London’s Wigmore Hall.

    At the age of thirteen, Ms. Aizawa was brought to the attention of conductor Alexander Schneider on the recommendation of the pianist Mitsuko Uchida. Schneider engaged Ms. Aizawa as soloist with his Brandenburg Ensemble at the opening concerts of Tokyo's Casals Hall. Later that year, Schneider presented her in U.S. début concerts at the Kennedy Center and Carnegie Hall with his New York String Orchestra. She has since established her own unique musical voice.

    Highlights have included acclaimed performances with the New Japan Philharmonic under Seiji Ozawa, the English Chamber Orchestra under Heinz Holliger, the Festival Strings Lucerne in Switzerland under Rudolf Baumgartner, the St. Paul Chamber Orchestra under Hugh Wolff, the Curtis Institute Orchestra with Peter Oundjian, the St. Louis Symphony under David Loebel and a wonderfully received performance with the Vienna Chamber Orchestra. Ms. Aizawa also has a great interest in exploring unusual repertoire. The St. Paul Pioneer Press described her performance with the St. Paul Chamber Orchestra conducted by Hans Graf "the Salieri Piano Concerto in C was played so splendidly by Rieko Aizawa. Hers was a graceful reading. .... Aizawa's performance lent the work a respect it rarely receives." In the same year, she received the Washington Award.

    As a recitalist, Ms. Aizawa has been heard in many North American cities, including New York, Philadelphia, Washington DC, St. Louis, Seattle, Boulder, Los Angeles, Houston, and Toronto; at the Caramoor International Festival; at Lincoln Center's Mostly Mozart Festival; Ravinia Festival, and the Gilmore Keyboard Festival. Following her all-Beethoven program recital in Dresden, Germany, a reviewer wrote: "Her listeners followed her playing -- full of details and delicate contrasts -- breathlessly." Ms. Aizawa gave her "Prism" series in Japan, with tributes to Beethoven, Brahms and Schumann, and specially commissioned works for each program by Akira Nishimura, Dan Coleman and Toshiro Saruya. She also had a project performing a Beethoven Piano Sonata cycle at Rutgers University in New Jersey. Ms. Aizawa performed a series of all- Mozart recitals, a project which was jointly presented by WFMT-Chicago and PianoForte Chicago. Ms. Aizawa’s solo debut recording of Scriabin’s and Shostakovich’s “24 Preludes” was released by Altus in Japan, and her second album of Messiaen's and Faure's preludes is coming out in the upcoming season.

    Ms. Aizawa is also an active chamber musician. The youngest-ever participant at the Marlboro Music Festival, she has performed as a guest with string quartets such as the Guarneri Quartet and the Orion Quartet. She has appeared in numerous festivals, such as the Marlboro Music Festival; Bowdoin Festival; the Kammermusik Festival of Moritzburg, Germany; and the Evian Festival, France. She also has been a guest artist of Boston's, Philadelphia's and Seattle's Chamber Music Societies. She is a founding member of the prize-winning Duo Prism and of the Horszowski Trio, which honors the legacy of her teacher.

    As a member of the Horszowski Trio, acclaimed as “the most compelling American group to come on the scene” by the New Yorker, Ms. Aizawa has recently made debuts at the 92nd St. Y in NYC, and at Wigmore Hall in London. The trio recorded the complete Robert Schumann piano trios on AVIE Records and the album was featured by Gramophone as an “exemplary performance.” Currently, they are celebrating their 10th Anniversary season with a project which takes inspiration from Schumann, commissioning three American composers from different generations: Paul Chihara, Derek Bermel and David Fulmer. 

    Ms. Aizawa was the last pupil of Mieczyslaw Horszowski at the Curtis Institute and she also studied with Seymour Lipkin and Peter Serkin at the Juilliard School. She lives in New York City, and she is on the faculty at the Longy School of Music of Bard College and at Brooklyn College. She became artistic director of the Alpenglow Chamber Music Festival in Colorado in 2010.

    Ms. Aizawa is a Steinway Artist.

    https://www.riekoaizawa.com/
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Bard College
Bard College
Conservatory of Music
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All photos by Karl Rabe unless stated otherwise.