Faculty Profiles

Sō Percussion - Program Description

 Sō  Percussion - Program Description Studying at Bard with Sō Percussion

Sō Percussion:
Eric Cha-Beach
Josh Quillen
Adam Sliwinski
Jason Treuting

Details of the Program:
Students study with the members of Sō Percussion, with an exciting roster of additional teachers drawn from the professional music world, and, in a masterclass setting, with program advisers Jan Williams and Garry Kvistad. In addition, students explore music outside of the western tradition—most notably Gamelan—and have opportunities to work closely with the John Cage Trust, located on the Bard campus.

Private Instruction:
All percussion students study privately with the members of Sō Percussion and the teaching roster. In the first 2 years, students spend one semester with each of the members of Sō Percussion on fundamental skills. In addition to lessons with their primary teacher, students study 1-3 times each semester with a teacher from our excellent roster, covering topics to be determined by their primary teacher and the roster teacher. During the last 3 years, students and faculty collaborate on a course of study geared toward the student’s interests.

Percussion Ensemble:
All percussion majors study and perform chamber music together as part of Bard’s resident student percussion ensemble.

Orchestral Experience:
All percussion students perform in the Bard Conservatory Orchestra, which meets twice a week and performs both on and off campus throughout the year.

Solo Performance Requirements:
Students perform in public frequently, programming full recitals in at least 2 out of their last 3 years.

For students who have already graduated from conservatory with a bachelor of music degree the percussion program also offers a Percussion Teaching Fellow position. The Teaching Fellow receives a stipend and living expenses while studying with members of Sō Percussion and helping organize the musical activities of students in the undergraduate percussion program. For more information please click here.

Frequent Guests:
Dan Druckman - Associate Principal Percussionist of the New York Philharmonic, chair of the Juilliard percussion program
Jonathan Haas - Principal Percussionist of the American Symphony Orchestra, artist-faculty at the Aspen Music Festival
Tzong-Ching Ju - artistic director of Ju Percussion Group of Taiwan
Garry Kvistad - member of Nexus Percussion, Steve Reich and Musicians
Jan Williams - emeritus professor of percussion at SUNY Buffalo
Greg Zuber - Principal Percussionist of the Metropolitan Opera Orchestra, artist-faculty of the Verbier Music Festival

About Sō Percussion:

Our Mission
Sō Percussion is a percussion-based music organization that creates and presents new collaborative works to adventurous and curious audiences and educational initiatives to engaged students, while providing meaningful service to its communities, in order to exemplify the power of music to unite people and forge deep social bonds.

Our Vision
To create a new model of egalitarian artistic collaboration that respects history, champions innovation and curiosity, and creates an essential social bond through service to our audiences and our communities.

Ensemble Bio
With its innovative multi-genre original productions, sensational interpretations of modern classics, and “exhilarating blend of precision and anarchy, rigor and bedlam,” (The New Yorker), Sō Percussion has redefined the scope of the modern percussion ensemble.

Their repertoire ranges from “classics” of the 20th century, by John Cage, Steve Reich, and Iannis Xenakis, et al, to commissioning and advocating works by contemporary composers such as David Lang, Steve Mackey, and Paul Lansky, to distinctively modern collaborations with artists who work outside the classical concert hall, including vocalist Shara Worden, electronic duo Matmos, the groundbreaking Dan Deacon, legendary drummer Bobby Previte, jam band kings Medeski, Martin, and Wood, Wilco’s Glenn Kotche, choreographer Shen Wei, and composer and leader of The National, Bryce Dessner, among many others.

Sō Percussion also composes and performs their own works, ranging from standard concert pieces to immersive multi-genre programs – including Imaginary City, Where (we) Live, and the newest endeavor, A Gun Show. In these concert-length programs, Sō Percussion employs a distinctively 21st century synthesis of original music, artistic collaboration, theatrical production values and visual art, into a powerful exploration of their own unique and personal creative experience.

In 2014/15, Sō Percussion performed David Lang’s percussion concerto “man made” with Gustavo Dudamel for the opening of the LA Phil season; performed Bryce Dessner’s “Music for Wood and Strings” at the Barbican in London, and at Bonnaroo Music and Art Festival; released a collaborative album with Bobby Previte and the Dessner work in a Billboard-charting disc; created and performed an original score for a live performance and broadcast of WNYC’s Radiolab with Jud Abumrad and Robert Krulwich at BAM; performed at SFJazz, the Museum of Fine Arts, Boston, the Mona Bismarck Center in Paris; and more.

In the 15/16 season, Sō returns to Carnegie Hall for a performance with Glenn Kotche and Shara Worden; opens Da Camera of Houston’s season in collaboration with Dawn Upshaw and Gil Kalish; tours internationally to Poland and Ireland; performs at the SONiC Festival with the JACK Quartet and Tristan Perich; appears at the universities of Washington, Denver, and Wisconsin-Madison and, as Ensemble-in-Residence, offers multiple concerts at Princeton University.

Sō Percussion is the Edward T. Cone Ensemble-in-Residence at Princeton University, and its members are Co-Directors of the percussion department at the Bard College-Conservatory of Music. They run the annual Sō Percussion Summer Institute (SoSI), providing college-age composers and percussionists an immersive exposure to collaboration and project development.

Rooted in the belief that music is an essential facet of human life, a social bond, and an effective tool in creating agency and citizenship, Sō Percussion enthusiastically pursues a growing range of social and community outreach. Examples include their Brooklyn Bound presentations of younger ensembles; commitments to purchasing offsets to compensate for carbon-heavy activities such as touring travel; and at SoSI 2105, leading their students in packing 25,400 meals for the Crisis Center of Mercer County through the organization EndHungerNE.

Sō would like to thank Pearl/Adams Instruments, Zildjian cymbals, Vic Firth drumsticks, Remo drumheads, Black Swamp Accessories, and Estey organs for their sponsorship.

E-mail: so@sopercussion.com
Website: http://www.sopercussion.com/