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Music, like all art, engages the mind and the heart.

The mission of the Bard College Conservatory of Music is to provide the best possible preparation for a person dedicated to a life immersed in the creation and performance of music.

More About Us
  • Visiting Bard
    Interested in visiting Bard for a campus tour or performance? 
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A singer in front of an orchestra in Olin Hall
Photo by Karl Rabe

Offering Unique Undergraduate and Graduate Programs

  • Undergraduate Double Degree in Liberal Arts and Music Performance (BA and BM)
  • Graduate Degree in Vocal Arts (MM)
  • Graduate Degree in Conducting (MM)
  • Graduate Degree in Instrumental Studies (MM)
  • Master of Arts in Chinese Music and Culture (MA)
  • Advanced Performance Studies 
  • Postgraduate Collaborative Piano Fellowship
Learn More
The Bard Conservatory also offers a Preparatory Division for students ages 3–18.

News

a black and white archival photo of a man at a piano

Bard Conservatory of Music Announces Seventh Annual Kurtág Festival Honoring György Kurtág’s 100th Birthday, March 11–April 4

The 2026 edition highlights the clarity, precision, and expressive depth of Kurtág’s music.

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two men raise their hands to conduct against a black backdrop

Bard Conservatory Orchestra Innovation and Legacy Concert Featured in China Daily and Xinhua

The concert, notes Xinhua, was “more than a performance—it was a profound musical dialogue across eras and cultures.”

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The Eighth Annual China Now Music Festival Reviewed in <em>China Daily</em>

The Eighth Annual China Now Music Festival Reviewed in China Daily

The final performance of the festival, a chamber opera and dance concert by the Bard East/West Ensemble, will take place on October 5 at 3 pm at Jazz at Lincoln Center. 

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Upcoming Events and Performances

  • Laurie Smukler (left) playing the violin and Qing Jiang (right) wearing a blue blouse.; Guest Artist Recital: Laurie Smukler, violin&nbsp;and Qing Jiang, piano
    1/25
    Sunday
    Guest Artist Recital: Laurie Smukler, violin and Qing Jiang, piano 4:00 pm
    Bitó Conservatory Building, Performance Space
  • Hugo Valverde (left) holding a french horn. Enriqueta Somarriba (right) leaning on a building.; Faculty Spotlight Series: Hugo Valverde, horn, with Enriqueta Somarriba, piano
    1/31
    Saturday
    Faculty Spotlight Series: Hugo Valverde, horn, with Enriqueta Somarriba, piano 5:00 pm
    Bitó Conservatory Building, Performance Space
  • Peter Wiley (left) wearing black and holding a cello. Anna Polonsky (right) wearing black and leaning on a piano.; Faculty Spotlight Series: Peter Wiley, cello, with guest artist Anna Polonsky, piano
    2/1
    Sunday
    Faculty Spotlight Series: Peter Wiley, cello, with guest artist Anna Polonsky, piano 4:00 pm
    Bitó Conservatory Building, Performance Space
  • Teresa Buchholz (left) with hair styled up, wearing long earrings. Kayo Iwama (right) wearing a colorful blouse.; Faculty Spotlight Series: Teresa Buchholz, mezzo-soprano and Kayo Iwama, piano
    2/14
    Saturday
    Faculty Spotlight Series: Teresa Buchholz, mezzo-soprano and Kayo Iwama, piano 7:00 pm
    Bitó Conservatory Building, Performance Space
  • Rosemary Nelis holding a viola.; Alumni/ae Spotlight Series:&nbsp;Rosemary Nelis, viola
    2/27
    Friday
    Alumni/ae Spotlight Series: Rosemary Nelis, viola 7:30 pm
    Bitó Conservatory Building, Performance Space

Meet Our Faculty

See All Faculty
  • Barbara Jöstlein Currie
    Horn

    Barbara Jöstlein Currie

    Barbara Jöstlein Currie joined the Met Orchestra in 1998, as assistant horn. A year later, she won the 4th horn position which she has held since. Growing up in Chicago and studying with former Chicago Symphony Orchestra musicians Phil Farkas and Nancy Fako, she left for New York to study with former Met principal horn, Julie Landsman at the Juilliard school with a full scholarship. During her studies, she took a year off to play third and associate horn with the Jerusalem Symphony Orchestra in Israel. She has performed frequently at the Hollywood Bowl with the Los Angeles Philharmonic, and with the San Diego Symphony during the summer. Along with teaching at the Bard Conservatory, she also teaches at Manhattan School of Music pre-college, and has given master classes at many universities such as Colburn and Cincinnati Conservatory, as well as in Japan. Barbara is also active in the recording industry, playing on movies such as True Grit and Contagion, and with musicians such as Tony Bennett and Sting, and has also recorded soundtracks in Los Angeles during her time off. During her summers, Barbara lives in Southern California with her husband and three children, and make frequent trips to Disneyland and the beach. Barbara's brother Thomas is the associate principal horn of the St. Louis Symphony and played for two years with the NY Philharmonic.
  • Peter Wiley
    Cello

    Peter Wiley

    Peter Wiley attended the Curtis Institute at just 13 years of age, under the tutelage of David Soyer. He continued his impressive youthful accomplishments with his appointment as principal cellist of the Cincinnati Symphony at age 20, after one year in the Pittsburgh Symphony. He has been awarded an Avery Fisher Career Grant and was nominated with the Beaux Arts Trio for a Grammy Award in 1998. As a member of the Beaux Arts Trio, Wiley performed over a thousand concerts, including appearances with many of the world's greatest orchestras. He continues his association with the Marlboro Music Festival, dating from 1971. He has also been a faculty artist at Caramoor's "Rising Stars" program and has taught at the Cincinnati College Conservatory of Music, Mannes College of Music, and Manhattan School of Music. He is also on the faculty of the Curtis Institute of Music and a member of the Guarneri String Quartet.
  • Jin Yang
    Pipa

    Jin Yang

    Hailed as one of the most energetic, passionate, and respected pipa masters, Yang Jin graduated from the renowned Central Conservatory of Music in Beijing and subsequently taught at the Wuhan Conservatory of Music. Yang has won many awards. In 2004, she earned the prestigious Golden Bell Award for Music in China, and in 2024, she won a Silver Award at the Global Music Awards. Jin collaborates with Yo-Yo Ma's Silk Road Ensemble and has performed at esteemed venues such as Carnegie Hall, Lincoln Center, the Kennedy Center, and Harris Theater. She is an instructor at the University of Delaware’s Master Players Concert & Festival and serves as a judge for the Hummingbird International Music Competition at the Eastman School of Music.

    Yang Jin has performed as a soloist with many prominent orchestras, including the Hong Kong Chinese Orchestra, Macao Chinese Orchestra, Shanghai Symphony Orchestra, Japan's Royal City Orchestra, the Chinese Orchestra of the Central Conservatory of Music, the Oriental Chinese Orchestra and The Chamber Orchestra of Pittsburgh. She was also the featured pipa performer at the 2020 Tucson Winter Chamber Music Festival for the World Premiere of Quintet: Four Inscapes, composed by Ross Edwards. Since 2013, Yang Jin has led various crossover ensembles, including the Pittsburgh Purple Bamboo Music Ensemble, the Helio Phoenix Trio, HarmoniZing, Afro Yaqui Music Collective, J4, and the Summer Breeze Jazz Ensemble.
  • Rufus Müller
    Undergraduate Voice, Undergraduate Performance Workshop, Undergraduate Opera Workshop

    Rufus Müller

    Rufus Müller is a sought-after tenor who was acclaimed by the New York Times, following a performance at Carnegie Hall, as “easily the best tenor I have heard in a live Messiah.” He has performed internationally in operas, oratorios, and recitals. He performed the world premiere of Jonathan Miller’s acclaimed production of the St. Matthew Passion, which was broadcast on BBC TV and recorded for the United label; he repeated the role in three revivals of the production at the Brooklyn Academy of Music. Müller is also a leading recitalist, performing worldwide with pianist Maria João Pires, notably in an extended Schubertiade in London’s Wigmore Hall, and on tour in Spain, Germany, and Japan with Schubert’s Winterreise. Recent performances also include Bach’s Passions and Handel’s Messiah in New York, Princeton, Toronto, Montreal, Washington, D.C., Carmel Bach Festival, Royal Albert Hall, and Canterbury Cathedral; Monteverdi’s Vespers, Schubert’s Winterreise, and Mozart’s Don Giovanni (Ottavio) in Tokyo; Beethoven’s Choral Symphony in Pennsylvania; the title role in Monteverdi’s L’Orfeo in St. Petersburg, Russia; and Haydn’s Creation in London, as well as recitals and master classes in Japan, Germany, and the United States. Born in Kent, England, Müller was a choral scholar at New College, Oxford, and studied in New York with the late Thomas LoMonaco. In 1985 he won first prize in the English Song Award in Brighton and, in 1999, was a prize winner in the Oratorio Society of New York Singing Competition. A list of performances and recordings can be found at his website, rufusmuller.com. BA, MA, University of Oxford. At Bard since 2006.
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Bard College
Bard College
Conservatory of Music
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All photos by Karl Rabe unless stated otherwise.