Skip to main content.
Bard Conservatory
  • Menu sub-menuMenu
      Programs
    • Undergraduate Double Degree
    • Graduate Vocal Arts
    • Graduate Conducting
    • Graduate Instrumental Arts
    • Collaborative Piano Fellowship
    • Advanced Performance Studies
    • MA in Chinese Music and Culture
    • US-China Music Institute
    • Preparatory Division
      About
    • Our Story
    • Facilities
    • Staff
    • Faculty
    • Contact Us
      News + Events
    • Newsroom
    • Events
    • Kurtag Festival
    • 20th Anniversary
    • Archive
    • Information For:
    • Admitted Undergraduate Students
    • Admitted Graduate Students
  • Bard Conservatory Logo
  • Apply
  • Inquire
  • Events
  • Support
  • Search

Events and Performances

Events Menu
  • Events
  • 20th Anniversary
  • Newsroom
  • News Archive
View All Events

Photo above of composer György Kurtág.; Signs, Games, and Messages 2026 - Program Five (lecture and concert)
Photo above of composer György Kurtág, courtesy of Budapest Music Center, Hungary.

Signs, Games, and Messages 2026 - Program Five (lecture and concert)

Preconcert Lecture with Gergely Fazekas at 1:30 PM
Kurtág, Mozart, and the Bach Family at 3:00 PM
Sunday, March 29, 2026
Bitó Conservatory Building, Performance Space
1:30 pm
Free and open to the public.


PROGRAM

Preconcert Lecture with Gergely Fazekas
"I compose to seek the truth": The Musical Universe of György Kurtág

Sunday, March 29 at 1:30 pm
Conservatory Performance Space
“The final masterpiece of twentieth-century music.” Alex Ross, music critic for The New Yorker, so described György Kurtág’s first opera, Fin de partie, which premiered in 2018 at La Scala in Milan. What makes Kurtág one of the most important voices in contemporary music in the 21st century, despite his reluctance toward fame and recognition, and despite a career that was restricted for decades behind the Iron Curtain in communist Hungary? How does he think about music, and how does he frame the “truth” he seeks in composing? These are the questions that musicologist Gergely Fazekas, associate professor at the Liszt Academy in Budapest, seeks to answer.

Kurtág, Mozart, and the Bach Family
Sunday, March 29 at 3 pm
Conservatory Performance Space

C. P. E. Bach
Rondo in G Major, Wq. 59, No. 2

András Kemenes, piano

György Kurtág
Three Chorale Preludes for piano four hands

J. S. Bach
Allein Gott in der Höh’ sei Ehr, BWV 711
Aus tiefer Not schrei ich zu dir, BWV 687
Das alte Jahr vergangen ist, BWV 614

András Kemenes, piano
Benjamin Hochman, piano

György Kurtág
Selections from Játékok (Games)

András Kemenes, piano

György Kurtág
Wind Quintet, Op. 2 for flute, oboe, clarinet, horn, and bassoon

Christian Middy, flute
Kai O’Donnell, oboe
Mohammad AbdNikfarjam, clarinet
Dominik Kovács, horn
Adelaide Braunhill, bassoon

INTERMISSION

Wolfgang Amadeus Mozart
Andante with Five Variations for piano four hands, K. 501

András Kemenes, piano
Benjamin Hochman, piano

Quintet for Piano and Winds, K. 452
Alexandra Knoll, oboe
Noemi Sallai, clarinet
Dominik Kovács, horn
Philip McNaughton, bassoon
Benjamin Hochman, piano

Download: Kurtag Program FINAL.pdf

For more information, call 845-758-6822, or e-mail [email protected].

View Press Release

Time: 1:30 pm

Location: Bitó Conservatory Building, Performance Space

Subscribe: Save this Event: Subscribe / .ics File

Bard College
Bard College
Conservatory of Music
30 Campus Road
Annandale-on-Hudson
New York 12504-5000
845-758-7196
[email protected]
More Music at Bard: 
Bard Music Program
The Orchestra Now
Musical Mentorship Initiative
Contact Us
Visit the Conservatory
Join our Mailing List
Support Us
Accreditation 
Undergraduate Inquiry Form
Graduate Inquiry Form
Virtual Viewbook
Join the Conversation
Facebook
Twitter
Instagram
YouTube

All photos by Karl Rabe unless stated otherwise.