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Kurtág Festival
Image courtesy of Budapest Music Center, Hungary

Kurtág Festival

Signs, Games, & Messages
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Bard Conservatory of Music’s annual Kurtág Festival celebrates the last surviving member of the great generation of composers who gave classical music a new direction in the years following World War II. György Kurtág, a seminal figure of the post–World War II musical avant-garde, is celebrated for his intensely expressive music and influential teaching. Born in Romania in 1926, he moved to Hungary to study and later teach at the Franz Liszt Academy. Now recognized as one of the foremost composers of our time, he premiered his first opera, Fin de partie, at La Scala in 2018. After years in Western Europe, he returned to Hungary in 2015, where he continues to compose. He turns 100 in February 2026. The Kurtág Festival has been permanently endowed through the generous support of László Z. Bitó '60 and Olivia Cariño.
Signs, Games, & Messages 2026

Composer György Kurtág. Courtesy of Budapest Music Center, Hungary

Signs, Games, & Messages 2026

March 11 to April 4
The Bard Conservatory of Music presents the seventh season of the Kurtág Festival, Signs, Games & Messages, honoring Hungarian composer György Kurtág’s 100th birthday. The 2026 edition highlights the clarity, precision, and expressive depth of Kurtág’s music, and places his work in dialogue with composers and traditions important to him, including both predecessors and contemporaries. The festival places Kurtág’s music in dialogue with composers who shaped or reflect his artistic world - from Bach and Bartók to Abrahamsen and Adès.
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“Our 2026 Kurtág Festival is the heart of the centenary celebrations in North America, bringing a program that reflects the depth of Kurtág’s musical legacy,” says Artistic Director Benjamin Hochman. “We are pleased to welcome Benjamin Appl, András Kemenes, and András Szalai—artists who have worked closely with Kurtág—and to showcase the central role Bard Conservatory faculty and students play in this festival.” - Benjamin Hochman, festival artistic director

Signs, Games, & Messages: March 11 to April 4, 2026

Program One: Kurtág and the Lieder Tradition Program Two: Abrahamsen’s Schnee
Program Three: Bach Inventions and Sinfonias Program Four: Songs, Laments, Dances, Games
Program Five: Kurtág, Mozart, and the Bach Family Program Six: György Kurtág in Context: Bach, Bartók, and Kurtág
The 2026 festival presents solo, vocal, and chamber works by Kurtág alongside music by Bach, Mozart, Schubert, Schumann, Bartók, Benjamin, Abrahamsen, Adès, and others, including U.S. premieres of selections from the later volumes of Játékok. The programming brings together Bard faculty, students, and artists closely connected to Kurtág, reflecting the collaborative spirit that defines the festival.

Artists performing in the festival include Benjamin Appl (baritone); Demian Austin (trombone); James Baillieu (piano); Sydney Cornett (mezzo-soprano); Luosha Fang (violin); Lucy Fitz Gibbons (soprano); Benjamin Hochman (piano); András Kemenes (piano); Alexandra Knoll (oboe); Ryan McCullough (piano); Marcus Rojas (tuba); Erika Switzer (piano); András Szalai (cimbalom); and additional faculty and students of the Bard College Conservatory of Music.

Program One: Kurtág and the Lieder Tradition

Wednesday, March 11, 2026, 7pm
Olin Hall, Annandale-on-Hudson, NY


Baritone Benjamin Appl joins pianists Erika Switzer, James Baillieu, and Benjamin Hochman for a program that places Kurtág’s vocal writing in conversation with the 19th-century Lieder tradition. Music by Schubert and Schumann appears alongside Kurtág’s Four Schuster Songs and Hölderlin-Gesänge, Op. 35a. Demian Austin (trombone) and Marcus Rojas (tuba) contribute to the Hölderlin-Gesänge, and Hochman performs solo selections from Játékok.

Program Two: Abrahamsen’s Schnee

Friday, March 27, 2026,
Conservatory Performance Space, Annandale-on-Hudson, NY


The festival weekend’s opening night program features Hans Abrahamsen’s masterpiece Schnee, a one-hour cycle of ten canons for nine instruments, inspired by Bach’s canonic writing. The work is performed by an ensemble of Conservatory faculty, students, and guest artists, conducted by Benjamin Hochman. The program also includes George Benjamin’s arrangement of a Canon & Fugue from Bach’s Art of Fugue, as well as solo piano selections from Kurtág’s Játékok.

Program Three: Bach Inventions and Sinfonias

Saturday, March 28, 2026, 1pm
Conservatory Performance Space, Annandale-on-Hudson, NY


Students from across the Bard Conservatory perform Bach’s Inventions and Sinfonias in a 50-minute recital. The program highlights Bach’s central place in Kurtág’s music and the composers’ shared interest in pedagogical composition.

Program Four: Songs, Laments, Dances, Games

Saturday, March 28, 2026, 7pm
Chapel of the Holy Innocents, Annandale-on-Hudson, NY


This program puts a special spotlight on the cimbalom, with Hungarian Fulbright Scholar András Szalai performing alongside Bard Conservatory students and faculty. The concert features musical works within the Hungarian tradition, including Bartok, Kurtág, Ligeti, and Thomas Adès’s Növények for mezzo-soprano and piano sextet.

Program Five: Kurtág, Mozart, and the Bach Family

Sunday, March 29, 2026, 3pm
Conservatory Performance Space, Annandale-on-Hudson, NY


Hungarian pianist András Kemenes makes his U.S. debut with solo works by C. P. E. Bach and later performs two-piano works from Kurtág’s Bach transcriptions and Mozart’s Six German Dances, K. 509, with pianist Benjamin Hochman. Conservatory woodwind students and faculty perform Kurtág’s Wind Quintet, Op. 2, and Mozart’s Quintet for Piano and Winds, K. 452.

Program Six: György Kurtág in Context: Bach, Bartók, and Kurtág

Saturday, April 4, 2026
Brooklyn Public Library, Central Library - Dr. S. Stevan Dweck Cultural Center


The Brooklyn Public Library presents a special event in collaboration with the Bard Conservatory’s Kurtág Festival. The concert program will include highlights from the Bard Kurtág Festival alongside a panel discussion on Kurtág’s life and work led by scholar Gergely Fazekas, Associate Professor at the Liszt Academy. This is presented as part of Brooklyn Public Library’s Classical Interludes Series.

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All photos by Karl Rabe unless stated otherwise.