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Glen Fogel Film/Video
Glen Fogel’s work spans an array of mediums including video, film, installation, sculpture, painting and photography. Recent solo exhibitions include SCAD Museum of Art, Savannah, JTT, NY, Callicoon Fine Arts, NY, Contemporary Arts Museum Houston, Portland Institute for Contemporary Art, Participant Inc., NY, and The Kitchen, NY. He has been included in the Whitney Biennial and numerous group exhibitions at venues including The Power Plant, Toronto, Sikkema Jenkins, NY, CCS Bard Hessel Museum, NY, Artists Space, NY, ICA Philadelphia, and NGBK, Berlin. His film and video work has screened at the Toronto International Film Festival, The London International Film Festival, The Hammer Museum, LA, and MoMA, NY, among many others.
A frequent collaborator, Fogel made a video installation with Alexandra Bachzetsis, “Massacre: Variations on a Theme”, for the MoMA atrium in New York and documenta 14, Kassel, both in 2017. He has worked with RoseAnne Spradlin Dance on numerous productions as a video and visual designer, and most recently as a sound designer for “X” in 2016, and the forthcoming “Y”, premiering at New York Live Arts in the fall of 2018. He directed Antony and Johnson’s first music video, “Hope there’s someone” in 2005. Fogel received his MFA from the Milton Avery Graduate School of the Arts, Bard College in 2010.
A frequent collaborator, Fogel made a video installation with Alexandra Bachzetsis, “Massacre: Variations on a Theme”, for the MoMA atrium in New York and documenta 14, Kassel, both in 2017. He has worked with RoseAnne Spradlin Dance on numerous productions as a video and visual designer, and most recently as a sound designer for “X” in 2016, and the forthcoming “Y”, premiering at New York Live Arts in the fall of 2018. He directed Antony and Johnson’s first music video, “Hope there’s someone” in 2005. Fogel received his MFA from the Milton Avery Graduate School of the Arts, Bard College in 2010.