News and Events
News and Notes by Date
|listings 1-50 of 141|
Bard MFA Candidate, Artist NIC Kay Seeks Balance during the Pandemic
Milton Avery Graduate School of the Arts at Bard College (Bard MFA) Presents Class of 2022 Thesis Exhibition, July 17–25, at Bard College Exhibition Center/UBS Gallery in Red Hook, NY
link. Evening presentations of time-based works, including performances, readings, and screenings, will be held at several locations on the Bard College campus during the week of July 19. For more information about the exhibition, please visit bard.edu/mfa/thesis.
The Bard MFA thesis presentations feature works by Lorenzo Bueno, Edythe Woolley, Ben Bennett, William Bradley, Andrew Lee, Rahul Nair, Geneva Skeen, Wibke Tiarks, Harry Davies, Corbin Furguson, Samuel Hindolo, Beaux Mendes, Christopher Baliwas, Sophie Byerley, Dani Lessnau, John Pike, Andrea Sisson, Cecilia Bjartmar Hylta, MJ Daines, Claudette Gacuti, Mindy Solis, Katz Tepper, Riel Bellow, Samuel Breslin, Valerie Hsiung, Aristilde Kirby, Sarah Passino, and Shaheen Qureshi.
The title of this year’s thesis exhibition was conceived from the graduating class’s shared hopes, desires, vulnerabilities, and anxieties. The hope to share space with one another again; the desire to prioritize accessibility, vulnerability, and compromise; and the eagerness to unlearn and redefine what (un)productivity for an artist can mean, look, or sound like. In a way, this loose thread also points to the various adaptive shifts artists must often (un)make in their practice. The exhibition is coordinated by Shehab Awad MA’17, a graduate of the Center for Curatorial Studies at Bard College (CCS Bard). Shehab Awad is a writer and curator from Cairo living in New York City. He/she operates as Executive Care*, an all-encompassing self-as-agency at the service of artists.
The Bard College Exhibition Center will be open Monday through Friday, 11 a.m.–5 p.m., and Saturday/Sunday, 1–5 p.m. For the opening reception, a return shuttle service will be offered from Rhinecliff Amtrak station. Schedules and more information are available here. Parking is available in the Saint Christopher’s Church lot at 7411 South Broadway or on Garden Road. Accessibility: Bard College Exhibition Center/UBS Gallery is located by an unpaved gravel road, and the building is accessible by a 19-foot-wide roll gate entrance positioned at the west side of the building. There are three accessible parking spots adjacent to the entrance. We encourage guests who do not require accessible parking to park at the Saint Christopher’s Church lot, located at 7411 South Broadway, or on Garden Road. Please note that the shuttle return service from Rhinecliff station is not wheelchair accessible. The building has a wheelchair-accessible, all-gender restroom. We provide scent-free soaps and encourage guests to consider attending our events scent-free. Please contact the MFA Administrative Office at T 845-758-7481 or firstname.lastname@example.org for any questions or requests regarding accessibility, including audio or film descriptions.
Founded in 1981, Bard MFA is a nontraditional school for visual, written, and time-based arts. At Bard, the community itself is the primary resource for the student—serving as audience, teacher, and peer group in an ongoing dialogue. In interdisciplinary group critiques, seminars, school presentations, as well as discipline caucuses and one-on-one conferences, the artist students engage with accomplished faculty members, while developing their individual studio practices. The program probes a diversity of approaches and fosters imaginative responses and insights to aesthetic concerns across the disciplines of film/video, writing, painting, sculpture, photography, and music/sound. Bard MFA is a low-residency program that takes place over two years and two months, with students on campus during three consecutive eight-week summer sessions and two independent study sessions off campus completed during the intervening winters. For more information please contact Lawre Stone, associate director, Bard MFA, at email@example.com or 845-758-7481, or visit bard.edu/mfa.
“Unsatisfied in the greatest way”: First Solo Survey Exhibition by Mary Weatherford MFA ’06 at SITE Santa Fe
Bard Professors Krista Caballero and Julia B. Rosenbaum Curate 2021 Wilderstein Outdoor Sculpture Exhibition, Opening June 5
Dia Chelsea Reopens with Newly Commissioned Works by Lucy Raven MFA ’09
Dia Chelsea reopened to the public on April 16 with an exhibition of newly commissioned work by artist Lucy Raven MFA ’09. The culmination of a four-year engagement with Dia, Raven’s two installations fill both galleries. Admission to Dia Chelsea is now permanently free, making all of Dia’s five sites and locations in New York City free to the public.
Five Bard Faculty and Bard MFA Faculty and Graduates Awarded 2021 Guggenheim Fellowships
“We are delighted and impressed that so many Bard MFA alums and faculty have been named 2021 Guggenheim Fellows,” said Hannah Barrett, director of the Milton Avery Graduate School of the Arts. “The Milton Avery School for the Arts wishes to congratulate these faculty and alumni on their 2021 Guggenheim awards. Their recognition is richly deserved and we will follow their careers with pride and admiration.”
“As an experimental filmmaker, our colleague Ephraim Asili has won critical acclaim for The Diaspora Suite (2017), an ambitious cycle of 16 mm short films, and most recently his feature-length The Inheritance (2020), a poetic meditation on history, politics, art, and Black liberation,” said Bard’s Dean of the College, Deirdre d’Albertis. “Asili's presence on the faculty of Bard’s Film and Electronic Arts Program represents for our students both deep continuity with Bard's storied past as a haven for artistic experimentation and a stunningly contemporary approach to documentary and narrative with full awareness of the urgency of our present moment.”
“I am thrilled to announce this new group of Guggenheim Fellows,” said Edward Hirsch, president of the Guggenheim Foundation, “especially since this has been a devastating year in so many ways. A Guggenheim Fellowship has always been meaningful, but this year we know it will be a lifeline for many of the new Fellows at a time of great hardship, a survival tool as well as a creative one. The work supported by the Fellowship will help us understand more deeply what we are enduring individually and collectively, and it is an honor for the Foundation to help them do what they were meant to do.”
Created in 1925 by Senator Simon and Olga Guggenheim in memory of their son John Simon Guggenheim, the Guggenheim Foundation has offered fellowships to exceptional individuals in pursuit of scholarship in any field of knowledge and creation in any art form, under the freest possible conditions. The great range of backgrounds, fields of study, and accomplishments of Guggenheim Fellows is a unique characteristic of the Fellowship program. In all, 49 scholarly disciplines and artistic fields, 73 different academic institutions, 28 states and two Canadian provinces are represented in this year’s class of Fellows, who range in age from 31 to 85. Close to 60 Fellows have no full-time college or university affiliation. Since its establishment in 1925, the John Simon Guggenheim Memorial Foundation has granted nearly $400 million in Fellowships to over 18,000 individuals, among whom are more than 125 Nobel laureates, members of all the national academies, winners of the Pulitzer Prize, Fields Medal, Turing Award, Bancroft Prize, National Book Award, and other internationally recognized honors. For more information on the 2021 Fellows, please visit the Foundation’s website at gf.org.
Ephraim Asili MFA ’11 is a filmmaker, artist, educator and DJ whose work focuses on the African diaspora as a cultural force. His award-winning films have screened in festivals and venues all over the world, including the Berlinale, New York Film Festival, Toronto International Film Festival, Ann Arbor Film Festival, San Francisco International Film Festival, International Film Festival Rotterdam, MoMA PS1, LAMOCA, Museum of Fine Arts, Boston, The Whitney Museum, and The Barbican Center in London. Asili's 2020 feature debut, The Inheritance, premiered at the 2020 Toronto International film festival and was recently acquired for distribution by Grasshopper Films. As a DJ, Asili has been a regular program host on WGXC, and done guest sets for NTS Radio, Afropop Worldwide, and WFMU. He also hosts a monthly dance party Botanica. Asili currently resides in Hudson, NY, and is a professor in the Film and Electronic Arts Program at Bard.
Roberto Tejada, Bard MFA writing faculty, is the author of poetry collections Full Foreground (Arizona, 2012), Exposition Park (Wesleyan, 2010), Mirrors for Gold (Krupskaya, 2006), Todo en el ahora (Libros Magenta, 2015), selected poems in Spanish translation, and a LatinX poetics of the Americas, Still Nowhere in an Empty Vastness (Noemi, 2019). He is the author of art histories that include National Camera: Photography and Mexico’s Image Environment (Minnesota, 2009), Celia Alvarez Muñoz (Minnesota, 2009), and with Michelle White and others the co-author of Allora & Calzadilla: Specters of Noon (Yale, 2021) He is the Hugh Roy and Lillie Cranz Cullen Distinguished Professor in Creative Writing and Art History at the University of Houston.
A.K. Burns MFA ’10, Bard MFA film & video faculty, is an interdisciplinary artist who views the body as a contentious domain wherein issues of gender, labor, ecology and sexuality are negotiated. Burns is currently producing Negative Space, a cycle of video-installations that take speculative fiction as a point of departure. The opening episode, A Smeary Spot (2015) debuted at Participant Inc., NY, followed by an exhibition at Portland Institute for Contemporary Art, OR, in 2016. The second in this series, titled Living Room (2017) debut at the New Museum, and was subsequently exhibited at Institute of Contemporary Art, Philadelphia in 2018. Additionally in 2018 Burns exhibited a new video work titled Survivors Remorse (2018) at the Harvard Museum and a public sculpture The Dispossessed (2018) at the FRONT International Cleveland Triennial. As a frequent collaborator and advocate for labor issues in the Arts, Burns was a founding member of W.A.G.E (Working Artists in the Great Economy) in 2008. Burns’ works can be found in public collations including the Museum of Modern Art, NY and Los Angeles County Museum of Art, CA. Burns was also a 2018 NYFA Fellow in Interdisciplinary Arts, a 2016-17 Radcliffe Fellow at Harvard University as well as a recipient of a 2015 Creative Capital Foundation Visual Arts Award.
Irene Lusztig MFA ’06 is a filmmaker, visual artist, and archival researcher. She is a professor, Film & Digital Media, and director, Center for Documentary Arts & Research (CDAR), at the University of California, Santa Cruz, Her film and video work mines old images, technologies, and objects for new meanings in order to reanimate forgotten and neglected histories. Often beginning with rigorous research in archives, her work brings historical materials into conversation with the present day, inviting viewers to explore historical spaces as a way to contemplate larger questions of politics, ideology, and the production of personal, collective, and national memories. Much of her work is centered on public feminism, language, and histories of women and women’s bodies, including her debut feature Reconstruction (2001), the feature length archival film essay The Motherhood Archives (2013), the ongoing web-based Worry Box Project (2011), and her newest performative documentary feature Yours in Sisterhood (2018). Her work has been screened around the world, including at the Berlinale, MoMA, Film Society of Lincoln Center, Museum of Fine Arts Boston, Anthology Film Archives, Pacific Film Archive, Flaherty NYC, IDFA Amsterdam, Hot Docs, AFI Docs, and RIDM Montréal, and on television in the US, Europe, and Taiwan. She has received grants from the Massachusetts Foundation for the Humanities, Massachusetts Cultural Council, LEF Foundation, New York State Council for the Arts, and Sustainable Arts Foundation and has been awarded fellowships at the MacDowell Colony, the Flaherty Film Seminar, the Radcliffe Institute for Advanced Study, and Harvard’s Film Study Center. She was the 2016-17 recipient of a Rydell Visual Arts Fellowship and a Fulbright Fellowship in Portugal.
Luba Drozd MFA ’15 is an interdisciplinary multimedia artist. She earned a BFA from Pratt Institute and an MFA from Bard College. Her films and installations articulate the absurd in the established exploitative social structures and demonstrate how the systems of control are manifested and echoed in restrictive architectural environments. Luba’s works screened at Smack Mellon, Apexart, Anthology Film Archives, the New York Video Festival at Lincoln Center and Art in General. She is a 2015 Media Arts fellow at BRIC in Brooklyn, NY. In 2020, Drozd was featured by the New York Post as “hero of the day” and highlighted in the New York Times for her work making and distributing face shields for hospital workers in the early weeks of the pandemic. Drozd is a recipient of the 2020 NYSCA/NYFA Artist Fellowship in Digital/Electronic Arts. Her two-room site specific sound, sculpture, and 3D animation installation piece, “The Aesthetic Limits of Water,” was commissioned and exhibited by the Hessel Museum in 2020.
About Bard College
Founded in 1860, Bard College is a four-year residential college of the liberal arts and sciences located 90 miles north of New York City. With the addition of the Montgomery Place estate, Bard’s campus consists of nearly 1,000 parklike acres in the Hudson River Valley. It offers bachelor of arts, bachelor of science, and bachelor of music degrees, with majors in nearly 40 academic programs; graduate degrees in 11 programs; eight early colleges; and numerous dual-degree programs nationally and internationally. Building on its 161-year history as a competitive and innovative undergraduate institution, Bard College has expanded its mission as a private institution acting in the public interest across the country and around the world to meet broader student needs and increase access to liberal arts education. The undergraduate program at our main campus in upstate New York has a reputation for scholarly excellence, a focus on the arts, and civic engagement. Bard is committed to enriching culture, public life, and democratic discourse by training tomorrow’s thought leaders. For more information about Bard College, visit bard.edu.
# # #(4/09/21)
Xaviera Simmons MFA ’05 One of Three Female Artists Urged to Go Big. They Didn’t Hold Back.
“Flatwing,” the First U.S. Solo Museum Exhibition of Multidisciplinary Artist Madeline Hollander MFA ’19 Opens at the Whitney
Frieze Profiles Painter, Writer, and Teacher Amy Sillman MFA ’95
Artist George Condo to Support New Concert Series, Scholarships, and Exhibitions at Bard College
“The Condo Concerts,” presented by the Bard College Conservatory of Music and CCS Bard, begins February 19 with a performance by violinist Leila Josefowicz, winner of the Avery Fisher Prize and a MacArthur Fellowship, and continues with recitals by The Fred Sherry Quartet on March 14 and April 18, and clarinetist Anthony McGill on May 2. Full details on upcoming performances follow below.
“During one of the most challenging times for colleges in the United States, I wanted to provide both funding and inspirational programming for students,” says Condo, whose daughter, Raphaelle, graduated from Bard in 2018. “Bard College is a place where my daughter thrived and one where the arts are central to the student experience.”
“We are grateful to George Condo for his support not only of the students at Bard, but also for underwriting these concerts and supporting the great musicians on this series, whose opportunities to perform have been so limited by the pandemic,” said Bard Conservatory Director Franks Corliss.
In establishing this fund, Condo created a special edition etching being sold through Hauser & Wirth, with all proceeds dedicated to supporting the arts at Bard. For more information on purchasing Condo’s etching, contact Cristopher Canizares at Hauser & Wirth.
About the Condo Concert Series
The first concert in the series, streaming February 19 at 8 pm, is a solo performance by the internationally renowned violinist Leila Josefowicz, winner of the Avery Fisher Prize and a MacArthur Fellowship. Her program combines a Partita by J. S. Bach with a new work by the noted conductor and composer Matthias Pintscher, La Linea Evocativa, that was composed for her in 2020 and inspired by Condo’s artwork.
For the next two concerts, streaming on March 14 and April 18, Josefowicz will perform as part of the Fred Sherry String Quartet with her renowned colleagues, violinist Jesse Mills, violist Hsin-Yun Huang, and cellist Fred Sherry, to perform string quartets by Schoenberg and Schubert, and other works to be announced.
The final concert in the series will be a recital by clarinetist Anthony McGill, who is the principal clarinet of the New York Philharmonic and a recipient of the 2020 Avery Fisher Career Prize.
The Condo Concerts Spring 2021 programs
Friday, February 19, at 8 pm
Matthias Pintscher La Linea Evocativa (2020)
Bach Partita No. 2 BWV 1004
Leila Josefowicz, violin
Sunday, March 14, at 3 pm
Schoenberg String Quartet #1, Opus 7
Fred Sherry String Quartet, with Leila Josefowicz and Jesse Mills, violins, Hsin-Yun Huang, viola, and Fred Sherry, cello.
Sunday, April 18, at 7 pm
Schubert String Quartet No. 15 in G Major
Fred Sherry String Quartet, with Leila Josefowicz and Jesse Mills, violins, Hsin-Yun Huang, viola, and Fred Sherry, cello.
Sunday, May 2, at 3 pm
Anthony McGill, clarinet
Please click here for reservations and additional program details.
About the Artists
Leila Josefowicz’s passionate advocacy of contemporary music for the violin is reflected in her diverse programs and enthusiasm for performing new works. In recognition of her outstanding achievement and excellence in music, she won the 2018 Avery Fisher Prize and was awarded a prestigious MacArthur Fellowship in 2008, joining prominent scientists, writers and musicians who have made unique contributions to contemporary life.
Highlights of Josefowicz’s 2019/20 season include opening the London Symphony Orchestra’s season with Sir Simon Rattle and returning to San Francisco Symphony with the incoming Music Director Esa-Pekka Salonen to perform his Violin Concerto. Other engagements include concerts with Los Angeles Philharmonic, NDR Elbphilharmonie Orchester, Orchestre de la Suisse Romande, Chicago Symphony Orchestra, City of Birmingham Symphony Orchestra and the Cleveland and Philadelphia orchestras, where she will be working with conductors at the highest level, including Susanna Mälkki, Matthias Pintscher and John Adams.
A favourite of living composers, Josefowicz has premiered many concertos, including those by Colin Matthews, Steven Mackey and Esa-Pekka Salonen, all written specially for her. This season, she will perform the UK premiere of Helen Grime’s Violin Concerto with the BBC Symphony Orchestra and Dalia Stasevska. Other recent premieres include John Adams’ Scheherazade.2 (Dramatic Symphony for Violin and Orchestra) in 2015 with the New York Philharmonic and Alan Gilbert, and Luca Francesconi’s Duende – The Dark Notes in 2014 with Swedish Radio Symphony Orchestra and Susanna Mälkki. Josefowicz enjoyed a close working relationship with the late Oliver Knussen, performing various concerti, including his violin concerto, together over 30 times.
Alongside pianist John Novacek, with whom she has enjoyed a close collaboration since 1985, Josefowicz has performed recitals at world-renowned venues such as New York’s Zankel Hall, Washington DC’s Kennedy Center and London’s Wigmore Hall, as well as in Reykjavik, Chicago, San Francisco and Santa Barbara. This season, they appear together at Washington DC’s Library of Congress, New York’s Park Avenue Armory and Amherst College. She will also join Thomas Adès in recital to perform the world premiere of his new violin and piano work at Fondation Louis Vuitton in Paris and the Japanese premiere at the Tokyo Opera City Cultural Foundation.
Recent highlights include engagements with the Berliner Philharmoniker, Royal Concertgebouw Orchestra, Washington’s National Symphony Orchestra, Tonhalle-Orchester Zürich and Boston and Finnish Radio symphony orchestras. In summer 2019, Josefowicz took part in a special collaboration between Los Angeles Philharmonic, the Royal Ballet, and Company Wayne McGregor featuring the music of composer-conductor Thomas Adès.
Josefowicz has released several recordings, notably for Deutsche Grammophon, Philips/Universal and Warner Classics and was featured on Touch Press’s acclaimed iPadapp, The Orchestra. Her latest recording, released in 2019, features Bernd Alois Zimmermann’s Violin Concerto with the Finnish Radio Symphony Orchestra conducted byHannu Lintu. She has previously received nominations for Grammy Awards for her recordings of Scheherazade.2 with the St Louis Symphony conducted by David Robertson, and Esa-Pekka Salonen’s Violin Concerto with the Finnish Radio Symphony Orchestra conducted by the composer.
+++Violist Hsin-Yun Huang has forged a career by performing on international concert stages, commissioning and recording new works, and nurturing young musicians. Highlights of her 2017–2018 season included performances as soloist under the batons of David Robertson, Osmo Vänskä, Xian Zhang, and Max Valdés in Beijing, Taipei, and Bogota. She is also the first solo violist to be presented in the National Performance Center of the Arts in Beijing and was featured as a faculty member with Yo-Yo Ma and his new initiative in Guangzhou. She has commissioned compositions from Steven Mackey, Shih-Hui Chen, and Poul Ruders. Her 2012 recording for Bridge Records, titled Viola Viola, won accolades from Gramophone and BBC Music Magazine. Her next recording will be the complete unaccompanied sonatas and partitas of J. S. Bach, in partnership her husband, violist Misha Amory.
Ms. Huang regularly appears at festivals, including Marlboro, Spoleto, Ravinia, Santa Fe, and Music@Menlo, among many others. Huang first came to international attention as the gold medalist in the 1988 Lionel Tertis International Viola Competition. In 1993, she was the top-prize winner in the ARD International Competition in Munich and was awarded the highly prestigious Bunkamura Orchard Hall Award. A native of Taiwan, she received degrees from the Yehudi Menuhin School, the Curtis Institute of Music, and The Juilliard School. She now serves on the faculties of Juilliard and Curtis and lives in New York City.
+++Two-time Grammy nominated violinist Jesse Mills performins music of many genres, from classical to contemporary, as well as composed and improvised music of his own. Since his concerto debut at the Ravinia Festival in Chicago, Mr. Mills has performed throughout the U.S. and Canada. He has been a soloist with the Phoenix Symphony, the Colorado Symphony, the New Jersey Symphony, the Green Bay Symphony, Juilliard Chamber Orchestra, the Denver Philharmonic, the Teatro Argentino Orchestra (in Buenos Aires, Argentina), and the Aspen Music Festival's Sinfonia Orchestra.
As a chamber musician Jesse Mills has performed throughout the U.S. and Canada, including concerts at Lincoln Center's Alice Tully Hall, Carnegie Hall, the 92nd Street Y, the Metropolitan Museum, the Kennedy Center in Washington, DC, Boston's Gardener Museum, Chicago’s Ravinia Festival, and the Marlboro Music Festival. He has also appeared at prestigious venues in Europe, such as the Barbican Centre of London, La Cité de la Musique in Paris, Amsterdam’s Royal Carré Theatre, Teatro Arcimboldi in Milan, and the Palais des Beaux Arts in Brussels. Mills is co-founder of Horszowski Trio and Duo Prism, a violin-piano duo with Rieko Aizawa, which earned 1st Prize at the Zinetti International Competition in Italy in 2006.
Mills is also known as a pioneer of contemporary works, a renowned improvisational artist, as well as a composer. He earned Grammy nominations for his performances of Arnold Schoenberg's music, released by NAXOS in 2005 and 2010. He can also be heard on the Koch, Centaur, Tzadik, Max Jazz and Verve labels for various compositions of Webern, Schoenberg, Zorn, Wuorinen, and others. As a member of the FLUX Quartet from 2001-2003, Mills performed music composed during the last 50 years, in addition to frequent world premieres. As a composer and arranger, Mills has been commissioned by venues including Columbia University’s Miller Theater, the Chamber Music Northwest festival in Portland, OR and the Bargemusic in NYC.
Jesse Mills began violin studies at the age of three. He graduated with a Bachelor of Music degree from The Juilliard School in 2001. He studied with Dorothy DeLay, Robert Mann and Itzhak Perlman. Mr. Mills lives in New York City, and he is on the faculty at Longy School of Music of Bard College and at Brooklyn College.
+++Fred Sherry has introduced audiences on five continents and all fifty United States to the music of our time for over five decades. He was a founding member of TASHI and Speculum Musicae, Artistic Director of the Chamber Music Society of Lincoln Center, and has been a member of the Group for Contemporary Music, Berio's Juilliard Ensemble and the Galimir String Quartet. He has also enjoyed a close collaboration with jazz pianist and composer Chick Corea.
Elliott Carter, Mario Davidovsky, Steve Mackey, David Rakowski, Somei Satoh, Charles Wuorinen and John Zorn have written concertos for Sherry, and he has premiered solo and chamber works dedicated to him by Milton Babbitt, Derek Bermel, Jason Eckardt, Lukas Foss, Oliver Knussen, Peter Lieberson, Donald Martino and Toru Takemitsu among others.
Fred Sherry’s vast discography encompasses a wide range of classic and modern repertoire; he has been soloist and “sideman” on hundreds of commercial and esoteric recordings. Mr. Sherry was the organizer for Robert Craft’s New York recording sessions from 1995-2012. Their longstanding collaboration produced celebrated performances of the Schoenberg Cello Concerto, all four String Quartets and the String Quartet Concerto as well as major works by Stravinsky and Webern.
Mr. Sherry's book 25 Bach Duets from the Cantatas was published by Boosey & Hawkes in 2011, the revised edition was released in 2019. C.F. Peters unveiled his treatise on contemporary string playing, A Grand Tour of Cello Technique in 2018. He is a member of the cello faculty of The Juilliard School, The Mannes School of Music and The Manhattan School of Music.
+++Clarinetist Anthony McGill is one of classical music’s most recognizable and brilliantly multifaceted figures. He serves as the principal clarinet of the New York Philharmonic — that orchestra’s first African-American principal player — and maintains a dynamic international solo and chamber music career. Hailed for his “trademark brilliance, penetrating sound and rich character” (The New York Times), as well as for his “exquisite combination of technical refinement and expressive radiance” (The Baltimore Sun), McGill also serves as an ardent advocate for helping music education reach underserved communities and for addressing issues of diversity, equity, and inclusion in classical music. He was honored to take part in the inauguration of President Barack Obama, premiering a piece written for the occasion by John Williams and performing alongside violinist Itzhak Perlman, cellist Yo-Yo Ma, and pianist Gabriela Montero.
McGill’s 2019-20 season includes the premiere of a new work by Tyshawn Sorey at the 92Y, and a special collaboration with mezzo-soprano Joyce DiDonato at Carnegie Hall. He will be a featured soloist at the Kennedy Center performing the Copland concerto at the SHIFT Festival of American Orchestras with the Jacksonville Symphony, and will also perform concertos by Copland, Mozart, and Danielpour with the Richmond, Delaware, Alabama, Reno, and San Antonio Symphonies. Additional collaborations include programs with Gloria Chien, Demarre McGill, Michael McHale, Anna Polonsky, Arnaud Sussman, and the Pacifica Quartet.
McGill appears regularly as a soloist with top orchestras around North America including the New York Philharmonic, Metropolitan Opera, Baltimore Symphony, San Diego Symphony, and Kansas City Symphony. As a chamber musician, McGill is a favorite collaborator of the Brentano, Daedalus, Guarneri, JACK, Miró, Pacifica, Shanghai, Takacs, and Tokyo Quartets, as well as Emanuel Ax, Inon Barnatan, Gloria Chien, Yefim Bronfman, Gil Shaham, Midori, Mitsuko Uchida, and Lang Lang. He has led tours with Musicians from Marlboro and regularly performs for the Chamber Music Society of Lincoln Center and the Philadelphia Chamber Music Society. Festival appearances include Tanglewood, Marlboro, Mainly Mozart, Music@Menlo, and the Santa Fe, Seattle, and Skaneateles Chamber Music Festivals.
In January 2015, McGill recorded the Nielsen Clarinet Concerto together with Alan Gilbert and the New York Philharmonic, which was released on DaCapo Records. He also recorded an album together with his brother Demarre McGill, principal flute of the Seattle Symphony, and pianist Michael McHale; and one featuring the Mozart and Brahms Clarinet Quintet with the Pacifica Quartet that were both released by Cedille Records.
A dedicated champion of new music, in 2014, McGill premiered a new piece written for him by Richard Danielpour entitled “From the Mountaintop” that was commissioned by the New Jersey Symphony, Kansas City Symphony, and Orchestra 2001. McGill served as the 2015-16 Artist-in-Residence for WQXR and has appeared on Performance Today, MPR’s St. Paul Sunday Morning, and Mr. Roger’s Neighborhood. In 2013, McGill appeared on the NBC Nightly News and on MSNBC, in stories highlighting the McGill brothers’ inspirational story.
A graduate of the Curtis Institute of Music, McGill previously served as the principal clarinet of the Metropolitan Opera and associate principal clarinet of the Cincinnati Symphony Orchestra. In-demand as a teacher, he serves on the faculty of the Juilliard School, the Curtis Institute of Music, and Bard College’s Conservatory of Music. He also serves as the Artistic Advisor for the Music Advancement Program at the Juilliard School, on the Board of Directors for both the League of American Orchestra and the Harmony Program, and the advisory council for the InterSchool Orchestras of New York.
# # #2/11/21
Woojae Kim MFA ’22 on the Territory of the Unsmelled
Night Sky Time-Lapse Photographs by Pete Mauney ’93 MFA ‘00 Exhibited at Quad City Airport
The Inheritance, Debut Film by Professor Ephraim Asili MFA ’11, Acquired by Grasshopper Film and Will Open March 12 in New York at Film at Lincoln Center and in Other Cities
Review: In Faux Pas: Selected Writings and Drawings, Amy Sillman MFA ’95 Pokes Fun at History and Makes a Case for Awkwardness
Painter Amy Sillman MFA ’95 Explores Diagrams in a Previously Unpublished Version of Her “an endlessly revised essay”
Martine Syms MFA ’17 is Shortlisted by Rolls-Royce Art Programme for Its Inaugural Flagship Initiative, the Dream Commission
Master Class: New York Times Reviews New Work by Painter Amy Sillman MFA ’95
Bard’s Ephraim Asili MFA ’11 Talks to BOMB Magazine About His Debut Film, The Inheritance, Which Weaves Together Histories of the MOVE Organization, the Black Arts Movement, and His Time in a Black Marxist Collective
Toronto International Film Festival on September 14 and 17, and at the New York Film Festival September 18–23.
Suzanne Kite MFA ’18 Among Inaugural Women at Sundance Adobe Fellows
Bard College Names Hannah Barrett Director of the Milton Avery Graduate School of the Arts
“I am delighted that Hannah Barrett has accepted the appointment as the new Director of the MFA program, one of Bard’s most distinguished graduate programs and one of the finest MFA programs in the country,” said Bard College President Leon Botstein. “She has been a terrific colleague and is uniquely suited to take this vital task on. She follows the remarkable, long, and distinguished tenure of Arthur Gibbons, who led the MFA to achieve its international renown. I thank Hannah and the faculty in the MFA program for their cooperation in finding a path to continue the excellent and innovative work of the MFA in this challenging time.”
Hannah Barrett is a Brooklyn and Hudson Valley based artist. The portrayal of gender ambiguity has driven her painting for over a decade, which has led to the current exploration of dandy monsters in domestic space. Recent exhibitions include a 2020 retrospective at Childs Gallery, Boston, a two-person invitational in 2019 at La MaMa Galleria, and a solo at Yours Mine and Ours Gallery in 2018. Selected group shows include Spring Break 2020, Platform Project Space, Dumbo NY, Kate Werble and Calicoon galleries in NYC, Mother Gallery, Beacon NY, and September Gallery in Hudson NY. Museum Shows include the Decordova Museum, Museum of Fine Arts Boston, and National Museum of Women in the Arts. Her work has been written about in Art Forum, Time Out New York, and Modern Painters. Barrett is on the curatorial staff of Soloway Gallery in Williamsburg. Barrett is also the illustrator of a vegan and lesbian themed children’s book “Nuts in Nutland”. Prior to coming to Bard, Barrett taught painting and drawing for 18 years and was on the faculty at the School of the Museum of Fine Arts Boston and the Pratt Institute Brooklyn. Barrett holds a BA in studio art and German literature from Wellesley College and an MFA in painting from Boston University.
Founded in 1981, Bard MFA is a nontraditional school for visual, written, and time-based arts. At Bard, the community itself is the primary resource for the student—serving as audience, teacher, and peer group in an ongoing dialogue. In interdisciplinary group critiques, seminars, school presentations, as well as discipline caucuses and one-on-one conferences, the artist students engage with accomplished faculty members, while developing their individual studio practices. The program probes a diversity of approaches and fosters imaginative responses and insights to aesthetic concerns across the disciplines of film/video, writing, painting, sculpture, photography, and music/sound.
Bard MFA Alumnae Christine Sun Kim ’13 and Xaviera Simmons ’05 among Artists Creating Digital Billboards for Essential City Workers
Interview: Xaviera Simmons MFA ’05 Talks to the Brooklyn Rail about Art, Politics, and the Value of Impermanence
Luba Drozd MFA ’15 Is Making Masks for New York Doctors and Nurses with a GoFundMe Campaign and a 3D Printer
Christine Sun Kim MFA '13: I Performed at the Superbowl. You Might Have Missed Me.
Christine Sun Kim Writes for the New York Times
Malik Gaines, former Bard MFA faculty member, presents new drawings by Kim in ArtForum.
Interview with Kim in Artnet
Opera Against the Patriarchy: New Works by Chaya Czernowin MFA ’88, Olga Neuwirth, and Hans Abrahamsen Upend a Conservative Season
“At first glance, Czernowin, an Israeli native who teaches at Harvard, is an unlikely composer for such a project. Much of her work has tended toward images of primordial upheaval and elemental change. Her previous operas, Pnima and Infinite Now, conjured scenes of 20th-century catastrophe: the Holocaust in the former, the First World War in the latter. She avoids familiar harmonic signposts and is inclined toward spectacularly vivid eruptions of instrumental and electronic sound. The wonder of Heart Chamber is how she uses her radical sonic palette to evoke the stream of consciousness beneath the surface of ordinary life.”
New Yorker Names Chaya Czernowin MFA ’88’s Heart Chamber Premiere a Top Performance of 2019
Profile: Bard MFA Alumnus Todd Haynes Rewrites the Hollywood Playbook
Interview: Bard MFA Faculty Ulrike Mueller on Humiliation, Repetition, and Painting with Enamel
Artist Amy Sillman MFA ’94 Curates Artist’s Choice Show at the New MoMA
Pedagogy and Practice in Civic Engagement: Middle Schoolers Visit Campus to Work with Bard Undergraduates
Engaged Liberal Arts and Sciences offering that is crosslisted between Bard’s undergraduate and master of arts in teaching programs. This course is cotaught each year by Bard MAT visiting faculty member Mary Leonard and BHSEC Newark faculty member Michael Murray. The course is designed for Bard undergraduates who are working in one of the College’s many educational outreach programs and who are committed to the idea of civic engagement. Guided by readings in education, the class considers the interpersonal, cultural, social, and ethical issues that arise in the context of civic engagement in schools.
Business Insider Highlights Artworks by Bard Students and Alumni/ae at New York’s Freehand Hotel
Nayland Blake ’82 Retrospective Opens at Institute of Contemporary Art, Los Angeles, September 29
Milton Avery Graduate School of the Arts at Bard College (Bard MFA) Presents Class of 2020 Thesis Exhibition, July 21–28, at Bard College Exhibition Center / UBS Gallery in Red Hook, N.Y.
An opening reception takes place on Saturday, July 20, 1–4 p.m. Evening presentations of time-based works, including performances, readings, and screenings, will be held at several locations on the Bard College campus during the week of July 22. All presentations are free and open to the public.
The Bard MFA thesis presentations feature works by Luis Arnias, Georgian Badal, Jobi Bicos, Lauren Burrow, Gwenan Davies, Omari Douglin, Carolina Fandiño Salcedo, Carolyn Ferrucci, Marco Gomez, Colleen Hargaden, Evie K. Horton, Christiane Huber, Rachel James, Jamie Krasner, Nawahineokala'i Lanzilotti, Dani Leder, Isabel Mallet, Carla Jean Mayer, Lee Nachum, Brandon Ndife, Diane Severin Nguyen, Miko Revereza, Alicia Salvadeo, Robert Sandler, Jaxyn Randall, Estelle Srivijittakar, Jordan Strafer, Daniel Sullivan, Christopher van Ginhoven Rey, Jessica Wilson, and Alex Zandi. The exhibition is coordinated by Marisa Espe ’20, a graduate student at the Center for Curatorial Studies at Bard College (CCS Bard).
The Bard College Exhibition Center will be open Monday through Friday, 11 a.m. – 5 p.m., and Saturday/Sunday, 1–5 p.m. For the opening reception, a return shuttle service will be offered from Rhinecliff Amtrak station. Schedules, accessibility information, and more are available below. Parking is available in the Saint Christopher’s Church lot at 7411 South Broadway or on Garden Road.
Fitz Patton MFA '94 Wins 2019 Tony Award for Best Sound Design of a Play
Bard MFA alumnus Fitz Patton won the 2019 Tony Award for Best Sound Design of a Play for Choir Boy.
Bard Alumnus Hadi Fallahpisheh MFA ’17 Wins 2019 New York Artadia Award
The annual award provides $10,000 in unrestricted funding to a visual artist who has lived or worked in New York City for at least two years.
Interview with New York–Based Artist and Bard Alumnus Anton Ginzburg MFA ’15
Ginzburg, who was raised in Saint Petersburg, Russia, talks about the range of possibilities inherent in the movement and transition between one place and another: “The experience of immigration . . . makes you aware of how perception and self-awareness shift with displacement (both geographical and cultural).”
Two Bard MFA Faculty Go to Philly to Sing Songs about Work ... with Strangers
Bard MFA professors Hong-Kai Wang and Bill Dietz are leading a monthlong project in Philadelphia called “Singing is what makes work possible.” Participants learn songs people sing during work in different languages and cultures, in collaboration with a sound art gallery called Remote Viewing.
Freehand X Bard Partnership Announces 2019/2020 Fellows
The yearlong residency program is open to alumni/ae of the Bard MFA program and affiliated artists of Live Arts Bard. This year’s winners: artists William Lamson, Caitlin MacBride, and Tania El Khoury, visiting assistant professor of theater and performance at Bard; and pianist Courtney Bryan.
Filmmaker, DACA Immigrant Miko Revereza MFA ’20 Tackles Issues of Statelessness in No data plan
Revereza’s first feature documentary tracks his journey by train from his home in Los Angeles to Rhinecliff, New York, and ultimately grad school at Bard.
Bard Alumna Michelle Handelman MFA ’00 Receives 2019 Creative Capital Award
Handelman will receive up to $100,000 to develop her multichannel video installation Delirium.
Bard MFA Faculty Member Wu Tsang Named One of the Most Influential Artists of 2018
Tsang “is recognized as much for being an innovator in the medium of documentary film ... as she is for being a powerful, searing voice among nonbinary artists.”
Bard MFA Student Alisha B. Wormsley Wins Carol R. Brown Creative Achievement Award
Interdisciplinary artist Alisha Wormsley MFA ‘19, whose work is inspired by the collective memory of African American culture, will receive a $15,000 prize with the award.
Bard MFA Faculty Jace Clayton, AKA DJ /rupture, Presents Multimedia Performance Honoring Artist Jacob Lawrence
Bard MFA Music/Sound faculty member Jace Clayton will present his latest video, The Jacob Lawrence of Jacob Lawrence, at Black Mountain College Museum + Arts Center on October 19.
Freehand New York: The Art of Hospitality
In the Bardian
If, during your time in Annandale, you lived in a dorm full of extremely creative people (or napped in one of the art studios) you may have had the good fortune to wake up to great Bard art. If not, you now have your chance. All you have to do is check in to the recently opened Freehand New York hotel, where all 395 guest rooms have murals on the walls—a few even have them on their ceilings—hand-painted by Bard students and alumni/ae. You’ll also see one of those murals in the ground-floor lobby, surrounded by beautifully restored original millwork. That conversation, between the building’s history and young artists’ creativity, continues throughout the property.
The newly renovated building, on the corner of 23rd Street and Lexington Avenue in Manhattan, began life in 1929 as the George Washington Hotel. Over the years it has been home to writers, musicians, and artists as diverse as W. H. Auden, Dee Dee Ramone, and Keith Haring, who lived in the building when it served as a School of Visual Arts residence hall. Andrew Zobler, a member of the Fisher Center advisory board and CEO and founder of Sydell Group, which also owns Freehand hotels in Chicago, Miami, and Los Angeles, wanted to cultivate an ongoing artistic community in New York City, so he partnered with the Fisher Center, the Bard MFA Program, and the Office of Development and Alumni/ae Affairs to commission original artworks for the public spaces and guest rooms.
“The challenge in New York, given the size of the project, was to make sure it remained true to the Bohemian spirit of Freehand,” says Zobler. “I think using the building as a blank canvas for young artists was the perfect way to give life to that spirit.”
The first Freehand, which opened in an art deco building in Miami in 2012, sought to capture the ethos of a hostel, where social interactions are more frequent and less predictable, while still providing a high-quality hospitality experience. “The culture of the hostel remains core to the Freehand in New York,” says Zobler. “The idea is to create places for people to mix and get to know each other and exchange ideas. Art and performance help stimulate that interaction.”
A panel made up of the hotel’s designers, Roman and Williams, and representatives of Freehand New York and Bard chose the artists after an extensive application process and blind portfolio review. The hotel’s guest room mural painters were Marty Abbe-Schneider ’14, Hannah Berger ’16, Kira Buckel ’16, Lukas Geronimas MFA ’11, Martin Katzoff ’19, Elizabeth Marshall MFA ’14, Isabelle Sigrid Marshall ’18, Louise Smith ’13, Scott Vanderveen ’16, and Rowan Willigan ’15. Leslie Fry MFA ’93, created sculptures for the Mezzanine Gallery, Lia Lowenthal MFA ’14 made framed tile panels as well as a piano installation, Vanderveen also painted the colorful gym mural and a mural on the ground floor, while Katzoff did a mural leading to the bar from the elevator on the roof. Several of those artists, along with Jordan Segal ’14 and Sarah Bastacky ’19, have framed pieces scattered throughout the hotel. Photographer Isaac Diggs MFA ’03 documented the project, which was managed by Zia Affronti Morter ’12 and Sean Leo ’14.
Berger painted murals in some 45 rooms, an experience that has changed her attitude toward her own work. “More than anything, this project has taught me to step away and let go of my work after it’s complete,” she says. “Doing so many murals in such quick succession forbids attachment to any one of them. I hope to carry this impact into my personal studio practice.”
The artists had to deal with logistical issues imposed by the spaces—furniture placement, windows, corners—but there were few specific guidelines for the artwork itself (no neon colors, not too much red, murals should have a gestural quality). “Constraints can be helpful,” says Berger. “I imposed more constraints upon myself—limiting the palette to one color, using one brush size—than anyone from the design team at Freehand did.”
A visitor might experience a slight shock upon walking into a crisp, clean room and seeing unmistakably handmade markings on the walls. No matter how lovely the images, all those years of being told to keep that crayon on the coloring book makes its own mark. For Berger, however, that didn’t present a problem. “I’ve definitely drawn, painted, and stuck wads of gum onto plenty of walls and ceilings,” Berger admits. “But holding a brush up to a pristine hotel room wall still felt like an unfamiliar thing to do. With all the other construction going on throughout the hotel, however, it seemed less invasive and strange.”
Handing over the keys, not to mention the bare walls, to a group of young artists shows a level of trust that perfectly reflects the Freehand culture. There’s a refreshing optimism to embracing the unknown, giving up control, and encouraging artistic freedom. Such an attitude goes hand in hand with trusting that people who are attracted to a place that seeks to go beyond the ordinary will want to interact with others who feel similarly.
Each hotel has its own identity, and they all have a mix of room styles, from bunks to sprawling penthouse suites. They also share variety in their eating and drinking establishments. Freehand New York includes two restaurants from the king of the West Village, Gabriel Stulman; a rooftop bar that is an outpost of the phenomenal Broken Shaker, whose Miami location has made the World’s 50 Best Bars list four years running; the third location of Smile to Go from the owners of popular Bond Street café the Smile; and the George Washington Bar (also run by Stulman), in the former library room, where another remarkable piece of art can be seen: a portrait of our first president that was commissioned for the original hotel and has somehow survived the Great Depression, bankruptcy, the wounding and capture by F.B.I. agents of a fugitive on the most-wanted list, a drug raid in the early ’80s, and even the threat of demolition (averted with the help of a local historical society). Zobler says they considered introducing new art into that bar, but decided against it. “We wanted one space where you would really connect with the history of the building without modification. I think that room makes you feel rooted, and that is a good thing.”
Iconic architecture from New York City’s history—with significant and playful modification—is on display on the same floor as the bar. Fry installed plaster sculptures in arched niches in the Mezzanine Gallery. “I meld forms from architecture, human anatomy, and plants,” Fry explains. Each sculpture is around four feet tall. In one, a classical male bust with a condensed cityscape atop his head is supported on a column covered in a whir of modes of urban transport, from bikes to VW bugs to high heels. In another, a large plant grows out of a heart cradled in human hands and is topped by that icon of the New York City skyline the Chrysler Building. “Some of the other architectural references are the Empire State Building, Guggenheim Museum, Washington Square Arch, and the hotel building itself,” says Fry. “The sculptures depict transformation, growth, and energy.” Much like the pulsating city itself, not to mention the kinds of guests the hotel will attract.
One other ingredient in the hotel’s cultural stew is the Freehand Fellowship. Zobler’s Sydell Group engaged Live Arts Bard—the Fisher Center’s residency and commissioning program—and the Bard MFA Program to create an ongoing fellowship for multidisciplinary artists in residence at the hotel. The residencies offer alumni/ae of the MFA program and affiliated artists of Live Arts Bard a paid, yearlong fellowship; three months’ use of the hotel’s 520-square-foot rooftop studio; accommodations at the hotel; and opportunities to curate public programs and exhibitions in the hotel’s public spaces. Four fellowships will be awarded each year.
Abraham McNally ’97 MFA ’03, one of the first fellows, incorporates into his work fabric from worn-out clothes that belonged to his three young children and poplar from trees he cut with his father on the family Christmas-tree farm in northern Vermont. “Both the wood and fabric are pieces of history, reminders of time past,” he says. “The materials are naturally distinct and often hard for me to control. My history and personal associations with these materials are critical, pulling me into an active conversation with the material, the past, and the present.” The other inaugural fellows are composer, pianist, and singer Dane Terry; performance artist Miguel Gutierrez; and installation artist Fawn Krieger MFA ’05.
Zia Affronti Morter ’12, who administers the partnership, says it “brings the creative force of Live Arts Bard and Bard MFA to New York City by providing artists the time and space to create—a rare luxury in our current cultural climate—and a unique environment in which to share and workshop new work.”
For discounted room rates, Bardians can go to freehandhotels.com/newyork and enter promo code BARDCOLLEGE.
Read the Spring 2018 Bardian
Bard MFA Professor R. H. Quaytman Is Focus of Exhibition at NYC’s Guggenheim Museum
The exhibition, featuring a new group of paintings titled + x, Chapter 34, opens October 12.
Visionary Work by Paul Chan MFA ’03 Now Part of Block Museum Permanent Collection
The Block Museum of Art is devoting its first-floor gallery to Chan’s media work Happiness (finally) after 35,000 years of civilization.
Bard MFA 2018 Thesis Exhibition Opens on Saturday, July 21
The Bard MFA presents the Class of 2019 thesis exhibition, titled Setup, on view from July 21 through July 28 at the Bard College Exhibition Center/UBS Gallery in Red Hook.
Bard MFA Presents Class of 2019 Thesis Exhibition at Bard College Exhibition Center in Red Hook, July 21–29
Bard College Commencement
Bard College Holds 158th Commencement on Saturday, May 26, 2018
Engineer and Entrepreneur Megan J. Smith Delivered Commencement Address; Honorary Degrees Were Awarded to Smith, Composer and Conductor Carl Davis ’58, Educator and Economist Catharine B. Hill, Historian Martin E. Jay, Artist Glenn Ligon, and Songwriter Billy Steinberg ’72.
Bard College held its 158th commencement on Saturday, May 26, 2018. At the commencement ceremony, Bard President Leon Botstein conferred 469 undergraduate degrees on the Class of 2018 and 164 graduate degrees, including master of fine arts; doctor and master of philosophy and master of arts in decorative arts, design history, and material culture; master of science in economic theory and policy; master of business administration in sustainability; master of arts in teaching; master of arts in curatorial studies; master of science in environmental policy; master of music in vocal arts and in conducting; and master of music in curatorial, critical, and performance studies. President Botstein also awarded associate degrees to the first students to graduate from the Bard Microcollege. The program took place at 2:30 p.m. in the commencement tent on the Seth Goldfine Memorial Rugby Field and included the presentation of honorary doctoral degrees.
Full Text of Commencement Speeches
Layli Long Soldier MFA ’14 Wins National Book Critics Circle Award for Poetry
Long Soldier received the National Book Critics Circle Award for her poetry collection Whereas, “a brilliantly innovative text that examines history, landscapes, and identities.”
|listings 1-50 of 141|