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Lotus L. Kang Sculpture
Lotus L. Kang works with sculpture, photography and site-sensitive installation. Known for her sprawling installations and distinctive material repertoire, Kang’s practice is a dialogue with the impermanent and the in between. Elegantly disordered and richly layered, her site-sensitive works explore the relational bonds between time, personal history, and cultural knowledge. Rather than a prescriptive or reiterative approach, her practice is one of regurgitation.
Selected exhibitions include: 2024 Whitney Biennial: Even Better Than the Real Thing, Whitney Museum of American Art, New York (2024); In Cascades, Chisenhale Gallery, London (2023); In Cascades, Contemporary Art Gallery, Vancouver (2023); Molt (New York-Lethbridge-Los Angeles-Toronto-Chicago-), Museum of Contemporary Art, Chicago (2023); Memory Work, Hessel Museum of Art, Annandale-on-Hudson (2023); 2021 Triennial: Soft Water Hard Stone, New Museum, New York (2021); Total Disbelief, SculptureCenter, New York (2019), If I Have A Body, Remai Modern, Saskatoon (2019); and Beolle, Oakville Galleries, Oakville (2019). She holds an MFA from the Milton Avery School of the Arts at Bard College.
Selected exhibitions include: 2024 Whitney Biennial: Even Better Than the Real Thing, Whitney Museum of American Art, New York (2024); In Cascades, Chisenhale Gallery, London (2023); In Cascades, Contemporary Art Gallery, Vancouver (2023); Molt (New York-Lethbridge-Los Angeles-Toronto-Chicago-), Museum of Contemporary Art, Chicago (2023); Memory Work, Hessel Museum of Art, Annandale-on-Hudson (2023); 2021 Triennial: Soft Water Hard Stone, New Museum, New York (2021); Total Disbelief, SculptureCenter, New York (2019), If I Have A Body, Remai Modern, Saskatoon (2019); and Beolle, Oakville Galleries, Oakville (2019). She holds an MFA from the Milton Avery School of the Arts at Bard College.