Ken Okiishi Painting
Ken Okiishi works in disparate media systems. His works hover over and within relationships between matter and memory, perception and action, image-networks and language-systems, often confronting our digitally and materially entwined culture with hesitation. Okiishi lives and works in New York. Recent solo exhibitions include: Screen Presence, Museum Ludwig, Cologne (2014); Reena Spaulings, New York (2014); gesture/data, Pilar Corrias, London (2013); (List Projects) Ken Okiishi, MIT List Visual Arts Center, Cambridge, Massachusetts (2013); The Very Quick of the Word, Hessel Museum of Art, Bard Center for Curatorial Studies (2013); Gino/Marcel Duchamp on Streeteast.com, Mathew, Berlin (2012); (Goodbye to), Take Ninagawa, Tokyo (2012); (Goodbye to) Manhattan, Alex Zachary, New York (2010). Recent group exhibitions include: Cut to Swipe, The Museum of Modern Art, New York (2015); Whitney Biennial 2014, Whitney Museum of American Art, New York (2014); Frieze Projects, Frieze Art Fair, London (2013); Speculations on Anonymous Materials, Kunsthalle Fridericianum, Kassel 2013); Version Control, Arnolfini, Bristol (2013); Frozen Lakes, Artists Space, New York (2013); Liebe ist Kälter als das Kapital [Love is Colder than Capital], Kunsthaus Bregenz (2013); Perfect Man II, White Columns, New York (2012); The Log-0-Rithmic, GAMeC, Bergamo (2012). His writing has appeared in Artforum, May, Bidoun, and a book on his work was recently published by Sternberg Press (The Very Quick of the Word, 2014).