News and Events

Educated at Haverford College and the Yale School of Music, composer and performer Richard Teitelbaum is known principally for live electronic and interactive computer music composition.

His compositions have been performed in Berlin, Paris, Amsterdam, London, Lisbon, Tokyo, Chicago, Minneapolis, New York, and elsewhere around the world. A founder, with Frederic Rzewski and Alvin Curran, of Musica Elettronica Viva in Rome in 1966, he has composed works in a variety of genres, including compositions for the Japanese shakuhachi master Katsuya Yokoyama, pianists Aki Takahashi and Ursula Oppens, a choral piece for 20 Japanese Buddhist monks, and multimedia works with Nam June Paik, Joan Jonas, and others. Recordings include Golem: An Interactive Opera, Tzadik CD (U.S.A.); Live at Merkin Hall: Duets with Anthony Braxton, Music and Arts CD (U.S.A.); Concerto Grosso, Hat Art CD (Switzerland); Run Some By You, Wego CD (Germany); and Cyberband, Moers CD, Germany. He is the recipient of numerous awards, including Prix Ars Electronica from Austrian Radio and Television (1987); commissions from the Venice Biennale, German Radio, National Endowment for the Arts, New York State Council on the Arts, Mary Flagler Cary Trust, Meet the Composer/NEA Commissioning Program, and Rockefeller Foundation; and Fulbright research grants to Italy and Japan. Teitelbaum has taught at Vassar College, California Institute of the Arts, Antioch College, and York University, Toronto. He is on the faculty of the Milton Avery Graduate School of the Arts and professor of music at Bard College. He has been on the Bard faculty since 1988.

We have more exciting postgraduate fellowship news: Seniors Sadaf Hasan and Rachel Van Horn, and alums Duron Jackson MFA '11 and Maya Perlmann '11 have all been awarded Fulbright Fellowships. Congratulations!

Congratulations to Sculpture cochair Kenji Fujita, recipient of a 2012 Individual Support Grant from the Adolph and Esther Gottlieb Foundation!

Ann Lauterbach has been, since 1990, cochair of writing in the Milton Avery Graduate School of the Arts and, since 1997, David and Ruth Schwab Professor of Languages and Literature at Bard College.

Lauterbach has published eight collections of poetry: Many Times, But Then (1979), Before Recollection (1987), Clamor (1991), And for Example (1994), On a Stair (1997), If in Time: Selected Poems 1975-2000 (2001), Hum (2005), and Or to Begin Again (2009). She has also published several chapbooks and collaborations with visual artists, including How Things Bear Their Telling with Lucio Pozzi and A Clown, Some Colors, a Doll, Her Stories, a Song, a Moonlit Cove with Ellen Phelan for the Library Fellows of the Whitney Museum, New York. She has written on art and poetics in relation to cultural value, notably in a book of essays, The Night Sky: Writings on the poetics of experience (Penguin 2005, 2008). She collaborated with artist Ann Hamilton for the “Whitecloth” catalogue at the Aldrich Museum, and wrote the introductory essay to Joe Brainard’s “Nancy” drawings for The Nancy Book, published by Siglio Press (2008). Lauterbach’s essay “The Thing Seen: Reimagining Arts Education for Now” is included in Art School (Propositions for the 21st Century), edited by Steven Madoff (MIT Press 2009). She is a Visiting Core Critic (Sculpture) at Yale. She has received fellowships from the Guggenheim Foundation, The New York State Foundation for the Arts, Ingram Merrill, and The John D. and Catherine C. MacArthur Foundation.