AUDITION REQUIREMENTS
Applicants must submit a prescreening recording along with their conservatory application by January 1. Prescreening and final audition requirements can be found below. Prescreening recordings may be submitted online as either audio or video.-
General InformationAll final auditions are by invitation only, and shortlisted applicants will receive an invitation to either schedule an audition or submit new recordings by mid-January.
All applicants who choose to submit a final audition recording will receive instructions for how to upload your new videos to the applicant portal. Only video recordings will be accepted for the final round, and applicants must include all required final audition repertoire. Final audition video recordings are due on February 1.
Composition applicant interviews will be held in-person or via Zoom.
Vocal applicants who choose to submit a final audition recording may be asked to schedule a Zoom interview with the voice faculty.
Questions regarding the final audition process may be sent to the Conservatory Admissions Office at [email protected]. -
Final Auditions in Spring 2024Final in-person and remote audition dates will be announced in the fall. Please continue to visit this page for updates.
At this time, Bard Conservatory is planning to offer the following final audition options:- Live in-person auditions at Bard
- Live remote auditions via Zoom
- Recorded video audition
Bassoon
Prescreening Requirements:
- An étude
- A concerto movement
- A work of your choice
- An etude
- A concerto movement
- A 20th-century work
- A work of your choice
Cello
Prescreening Repertoire:
- A movement from an unaccompanied Bach suite
- A movement of a concerto
- A work of your choice
- Two contrasting movements from an unaccompanied Bach suite
- A movement of a standard concerto
- A work of your choice
Clarinet
Prescreening Repertoire:
- An étude
- A concerto movement
- A work of your choice
- An etude
- A concerto movement
- A 20th-century work
- 2 orchestral excerpts of your choice (example, Beethoven - Symphony No. 6, Mendelssohn - Scherzo from Midsummer Night's Dream)
- A work of your choice
Chinese Percussion
Pre-screening and Final Audition Repertoire:
- A traditional piece
A new (contemporary) work
Composition
Prescreening:
- A portfolio of scores that best represent the applicant's creative potential
- Recordings of the works submitted (preferably not in MIDI format)
- A recording of the applicant playing an instrument or singing
Final Interview:
Composition applicants who pass prescreening will be invited to campus for a live interview/audition with the composition faculty. Applicants will be asked to with them a portfolio of their works and will be asked to play a piece on the instrument of their choice. International students, and those for whom travel to the Bard campus presents a hardship, may have a Zoom interview.
Dizi
Pre-screening and Final Audition Repertoire:
- A traditional piece
A new (contemporary) work
Double Bass
Undergrad Prescreening Repertoire:
- An étude
- A movement from a Bach solo suite
- A work of your choice
- A movement of solo Bach (6 cello suites) of your choice
- The exposition from one of the standard double bass concertos
- Two contrasting orchestral excerpts
- A movement of solo Bach (6 cello suites) of your choice
- A work of your choice
- Two contrasting orchestral excerpts
Erhu
Pre-screening and Final Audition Repertoire:
- A traditional piece
A new (contemporary) work
Flute
Prescreening Repertoire:
- An étude
- A concerto movement
- A work of your choice
- An etude
- A concerto movement
- A 20th-century work
- A work of your choice
Guqin
Pre-screening and Final Audition Repertoire:
- A traditional piece
- A new (contemporary) work
Guzheng
Pre-screening and Final Audition Repertoire:
- A traditional piece
- A new (contemporary) work
Harp
Prescreening Repertoire:
Two pieces of the following level of difficulty:
- Bach/Grandjany études
- Marcel Tournier: Feerie
- Nina Rota: Sarabande and Toccata
- Handel: Concerto in B-Flat Major
1. Two contrasting solos of the following level of difficulty:
- Handel: Concerto in B-flat Major
- Faure: Impromptu
- Britten: Suite for Harp
2. Two orchestral excerpts of student's choice, such as:
- Wagner: Liebestod
- Berlioz: Symphonie Fantastique
- Ravel: Tzigane
- Britten: Young Person's Guide to the Orchestra
- Stravinsky: Symphony in 3 Movements, 2nd mvt
Horn
Prescreening and Final Audition Repertoire:
- An étude
- A concerto movement
- Wagner: Short Call from Siegfried's Rheinfahrt
- Ravel: Pavane pour une infante défunte
- Shostakovich: Low tutti from Symphony No. 5 (1st movement)
- Brahms: Symphony No. 3 (3rd movement)
- Strauss: Ein Heldenleben (opening)
Konghou
Pre-screening and Final Audition Repertoire:
- A traditional piece
- A new (contemporary) work
Oboe
Prescreening Repertoire:
- An étude
- A concerto movement
- A work of your choice
- An etude
- A concerto movement
- A 20th-century work
- A work of your choice
Percussion
These are our typical audition requirements, but we welcome anyone to audition with this or similar types of repertoire - or anything that best represents you as a player. Please reach out to the Conservatory Admissions office ([email protected]) to discuss your plans for audition - we will make auditions work for everyone who wants to apply!
Prescreening Repertoire:
- Marimba: Mallet solo (5-12 minutes)
- Timpani: An étude of choice. The following are recommended: Elliott Carter Eight Pieces for Solo Timpani, Richard Hochrainer Etuden Für Timpani, Jacques Delecluse Vingt Etudes
- Snare Drum: An étude of choice. The following are recommended: Cirone Portraits in Rhythm, Delecluse Douze Etudes, Smith Publications' The Noble Snare Collection
- Something Else (optional): Send us something else that makes you a unique musician. Possibilities could include orchestra excerpts, steel drum playing, multiple percussion solo, drumset, even another instrument
- Marimba:
- Four mallet solo (5-12 minutes in length)
- Two mallet solo (transcription of J.S. Bach or other substantial work)
- Two mallet sight-reading may be asked at live audition
- Timpani:
- An étude of choice. The following are recommended: Elliott Carter Eight Pieces for Solo Timpani, Richard Hochrainer Etuden Für Timpani, Jacques Delecluse Vingt Etudes
- Interval knowledge and basic tuning may be examined
- Snare Drum:
- An étude of choice. The following are recommended: Cirone Portraits in Rhythm, Delecluse Douze Etudes, Smith Publications' The Noble Snare Collection
- Sight-reading may be asked
- Chamber Music:
- Candidate will be asked to sight-read an excerpt from the chamber music repertoire with members of the percussion faculty. Music and instruments will be provided
- Something Else (optional): Please feel welcome to bring in something else that makes you a unique musician. Possibilities could include orchestra excerpts, steel drum playing, multiple percussion solo, drumset, even another instrument.
Piano
Prescreening Repertoire:
- A work by J. S. Bach
- A movement of a classical sonata
- A movement or work from the romantic era
- A work by J. S. Bach
- A movement of a classical sonata
- A movement or work from the romantic era
- A work composed in the 20th or 21st century
- A work of your choice
Pipa
Pre-screening and Final Audition Repertoire:
- A traditional piece
- A new (contemporary) work
Ruan
Pre-screening and Final Audition Repertoire:
- A traditional piece
A new (contemporary) work
Trombone
Precreeening Repertoire:
- An étude
- A concerto or sonata movement
- A work of your choice
- An etude
- A concerto or sonata movement
- A 20th-century work
- A work of your choice
Trumpet
Precreeening Repertoire:
- An étude
- A concerto or sonata movement
- A work of your choice
- An etude
- A concerto or sonata movement
- A 20th-century work
- A work of your choice
Sheng
Pre-screening and Final Audition Repertoire:
- A traditional piece
A new (contemporary) work
Suona
Pre-screening and Final Audition Repertoire:
- A traditional piece
- A new (contemporary) work
Tuba
Precreeening Repertoire:
- An étude
- A concerto or sonata movement
- A work of your choice
- An etude
- A concerto or sonata movement
- A 20th-century work
- A work of your choice
Viola
Prescreening Repertoire:
- A movement from an unaccompanied Bach suite (originally for cello) or partita or sonata (originally for violin)
- A sonata or concerto movement
- A work of your choice
- Two contrasting movements from an unaccompanied Bach suite (originally for cello) or partita or sonata (originally for violin)
- A concerto movement or étude
- A work of your choice
Violin
Prescreening Repertoire:
- A movement from an unaccompanied Bach partita or sonata
- A movement of a standard concerto
- A work of your choice
- Two contrasting movements from an unaccompanied Bach partita or sonata
- A movement of a standard concerto
- A work of your choice
Voice
Pre-screening Requirements:
Three pieces in varying musical styles, in at least two different languages, one of which must be English. Non-native speakers of English are encouraged to include one piece in their native language. If possible, all recordings should be made with piano accompaniment, however there is no penalty if pieces are recorded a capella.
Final Audition Requirements:
Same requirements as pre-screening round. Applicants may present the same repertoire as during the pre-screening round or new repertoire, as long as it meets all requirements.