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Celebratory Musical Events Honor The John Cage Trust at Bard
Fisher Center Honors Cage with Two Evenings of Featuring World-Acclaimed Participants
“John Cage Tribute Concert” on September 27 Features the Merce Cunningham Dance Company Musicians and Nexus
September 28 Staging of Cage’s Lecture on the Weather Includes John Ashbery, Leon Botstein, Merce Cunningham, Sage Fuller Cowles, Jasper Johns, John Kelly, Kevin Klose, Garry Kvistad, Mikel Rouse, John Ralston Saul, and Musicians from The Bard College Conservatory of Music and Music Program
ANNANDALE-ON-HUDSON, N.Y.—In honor of the permanent placement of the John Cage Trust at Bard College, the Richard B. Fisher Center for the Performing Arts presents two celebratory evenings of music, organized in conjunction with the residency of Merce Cunningham, Cage’s longtime partner and collaborator, and the Merce Cunningham Dance Company (MCDC) at Dia:Beacon.
The John Cage Tribute Concert on Thursday, September 27, features performances of Cage and Cunningham’s collaborations: Four3 (1991), performed by MCDC Musicians: David Behrman, John King, Takehisa Kosugi, Stephan Moore, and Christian Wolff; the U.S. premier of Dance Music for Elfrid Ide (1940), performed by Nexus: Bob Becker, Bill Cahn, Robin Engelman, Russell Hartenberger, and Garry Kvistad; the world premiere of For John (2007), performed by MCDC Musicians; and Water Walk (1959), performed by David Behrman of the MCDC Musicians. The program begins at 8:00 p.m. in the Sosnoff Theater of the Fisher Center. Tickets are $35, 25, 15.
Lecture on the Weather, a 1975 collaborative multimedia stage work composed by John Cage in collaboration with Maryanne Amacher and Luis Frangella, was commissioned by the Canadian Broadcast Company in observance of the American bicentennial. Based on the texts of Henry David Thoreau, it is scored for 12 speaker-vocalists or -instrumentalists, sound recordings, and film. The staging at Bard on Friday, September 28, includes poet John Ashbery; Leon Botstein, president of Bard College; choreographer and dancer Merce Cunningham; dancer Sage Fuller Cowles; artist Jasper Johns; performance artist John Kelly; Kevin Klose, president of National Public Radio; Garry Kvistad, musician and founder of Woodstock Percussion; composer and director Mikel Rouse; essayist and novelist John Ralston Saul, and musicians from The Bard College Conservatory of Music and Music Program. The program begins at 8:00 p.m. in the Sosnoff Theater of the Fisher Center. Tickets are $35, 25, 15.
For further information and tickets, call 845-758-7900, e-mail firstname.lastname@example.org, or visit www.fishercenter.bard.edu. Special support for these events has been made possible by The New York State Music Fund.
Merce Cunningham Dance Company at Dia:Beacon
As part of a two-year residency at Dia:Beacon, Merce Cunningham will choreograph a number of his signature site-specific Events within the vast spaces of Dia:Beacon. Known throughout his career for his collaborations with both visual artists and composers—most notably John Cage—Merce Cunningham’s new works will be presented in distinct galleries at Dia:Beacon, coupled with live presentation of specially developed scores. Family Day, on Sunday, September 30, from 12:00 to 1:30 p.m., (capacity is limited; children 6+ only must be accompanied by an adult), followed by performance of Beacon Event in the Andy Warhol Shadows gallery from 3:00 to 4:00 p.m. MCDC Events are free with admission to Dia:Beacon. For information, call 845-440-0100 or visit diaart.org.
About Merce Cunningham
About John Cage
John Cage was born in Los Angeles in 1912. He studied with Richard Buhlig, Henry Cowell, Adolph Weiss, and Arnold Schoenberg. In 1938 he began working as an accompanist for dance and a teacher at the Cornish School of the Arts in Seattle, Washington. It was here that he first met the dancer Merce Cunningham, with whom he would have a lifelong working relationship. Together they were responsible for a number of radical innovations in musical and choreographic compositions, such as the use of chance operations and the independence of dance and music. Cage was musical adviser for the Merce Cunningham Dance Company until his death in New York City on August 12, 1992.
In the 1940s, Cage moved to New York and joined a group of avant-garde artists, including Cunningham, and painters Robert Rauschenberg and Jasper Johns. During this period, Cage became interested in Eastern religions, particularly Zen, and while his compositions continued his use of carefully structured segments of time, he began to fill them in with materials derived by chance processes (the rolling of dice, the use of the I Ching, and other methods). In perhaps the ultimate statement of this aesthetic, he wrote 4’33’, a piece of total silence on the part of the performer into which the random sounds of the world enter. In 1952, at Black Mountain College, he presented a theatrical event considered by many to have been the first “Happening.” In 1958, Johns, Rauschenberg, and Emile de Antonio organized a 25-year retrospective concert of Cage’s music at Town Hall in New York.
Cage was the recipient of many awards and honors, beginning in 1949 with a Guggenheim Fellowship and an award from the National Academy of Arts and Letters for having extended the boundaries of music through his work with percussion orchestra and his invention, in 1940, of the prepared piano. He was awarded membership in the American Academy of Arts and Sciences (1978), American Academy of Arts and Letters (1989); named Commandeur de l’Ordre des Arts et des Lettres by the French Legion d’Honneur (1982), laureate of the Kyoto Prize given by the Inamori Foundation (1989); and recipient of an honorary doctorate in performing arts the California Institute of the Arts (1986). Cage was the Charles Eliot Norton Professor of Poetry at Harvard University for the academic year.
Cage is the author of Silence, A Year from Monday, M, Empty Words, and X (all published by the Wesleyan University Press). I-VI (the Charles Eliot Norton Lectures delivered at Harvard and published by Harvard University Press) includes transcripts of the question-and-answer periods that followed each lecture, and an audiocassette of Cage reading one of the six lectures. Conversations with Cage, a book-length composition of excerpts from interviews by Richard Kostelanetz, was published in 1988 by Limelight Editions. Cage’s music is published by the Henmar Press of C. F. Peters Corporation and has been recorded on many labels.
Since 1958, many of Cage’s scores have been exhibited in galleries and museums. In 1990, a series of 52 watercolors, the New River Watercolors, executed by Cage at the Miles C. Horton Center at the Virginia Polytechnic Institute and State University, was shown at the Phillips Collection in Washington, D.C., Cage/Cunningham, a documentary film on the collaboration of Merce Cunningham and John Cage, partly funded by PBS, directed by Elliot Caplan, was produced in 1991 by the Cunningham Dance Foundation.
About the John Cage Trust at Bard College
The John Cage Trust at Bard College is now a resident organization at Bard College, in Annandale-on-Hudson, N.Y., where all of the trust’s materials will be housed and maintained. The John Cage Trust at Bard College will provide access to these holdings through courses, workshops, and concerts, and will develop new programs around this extraordinary resource. The Trust completed its move to Bard’s campus this spring.
Laura Kuhn, in addition to operating and maintaining The John Cage Trust at Bard College, will hold the position of John Cage Professor of Performance Arts at Bard and teach courses at both undergraduate and graduate levels.
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