Runs through Wednesday, June 23, 2027 7:30–8:30 pm
Olin Language Center, Room 115 Narcotics Anonymous meeting: This meeting is intended for people who are looking for support, community, or to learn more about addiction. Open to everyone! Olin Language Center, Room 115, 7:30 pm – 8:30 pm For more information, call 845-758-6822, or e-mail [email protected].
Replica of a Chip: The Weaving Technology of Marilou Schultz
Runs through Sunday, November 29, 2026 2–5 pm
CCS Bard Hessel Museum of Art Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected].
CCS Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists.
CCS Bard Hessel Museum of Art In Between provides a glimpse into two decades of art by Uman (b. 1980, Somalia), highlighting key moments and innovations in the trajectory of this prolific and pathbreaking artist. Uman’s distinct visual vocabulary first emerges in early paintings, collages, and drawings, then expands into large-scale and densely layered compositions. Always, her process is one of constant working and reworking to enliven a primary set of signs, symbols, colors and textures.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected]. For more information, call 845-758-7406, or e-mail [email protected].
Hessel Museum of Art, CCS Bard Uman: In Between presents a solo exhibition exploring over two decades of creative practice by the painter Uman, marking the pathbreaking artist’s most comprehensive survey to date. Featuring more than 100 works, the exhibition will trace the evolution of Uman’s prolific painting practice from the intimate portraits she made in the 2000s to the commanding images she creates today, including two new murals developed for the exhibition.
Uman: In Between is organized by CCS Bard’s Hessel Museum of Art and curated by Lauren Cornell. More exhibition info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Saturday, August 1, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Singer-songwriter and Kingston local Al Olender makes her Spiegeltent debut performing songs from her tender new album, The Worrier. Olender tries to grasp the brief, beautiful moments that make up our lives in slow motion—but finds that the tighter she holds on, the more they dissolve into a soupy blur. Change may be our only constant, but The Worrier lingers in the now, capturing the anxieties of an ever-moving world with sweet, silly sincerity. Exploring anxiety, sexuality, and anarchy—both within herself and across her relationships—Olender’s acoustic, blues-tinged melodies trace the butterflies of first crushes, the gut-punching weight of responsibility, and the eternal romance of friendship, never shying away from staring the truth straight in the face.
Runs through Wednesday, June 23, 2027 7:30–8:30 pm
Olin Language Center, Room 115 Narcotics Anonymous meeting: This meeting is intended for people who are looking for support, community, or to learn more about addiction. Open to everyone! Olin Language Center, Room 115, 7:30 pm – 8:30 pm For more information, call 845-758-6822, or e-mail [email protected].
Replica of a Chip: The Weaving Technology of Marilou Schultz
Runs through Sunday, November 29, 2026 2–5 pm
CCS Bard Hessel Museum of Art Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected].
CCS Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists.
CCS Bard Hessel Museum of Art In Between provides a glimpse into two decades of art by Uman (b. 1980, Somalia), highlighting key moments and innovations in the trajectory of this prolific and pathbreaking artist. Uman’s distinct visual vocabulary first emerges in early paintings, collages, and drawings, then expands into large-scale and densely layered compositions. Always, her process is one of constant working and reworking to enliven a primary set of signs, symbols, colors and textures.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected]. For more information, call 845-758-7406, or e-mail [email protected].
Hessel Museum of Art, CCS Bard Uman: In Between presents a solo exhibition exploring over two decades of creative practice by the painter Uman, marking the pathbreaking artist’s most comprehensive survey to date. Featuring more than 100 works, the exhibition will trace the evolution of Uman’s prolific painting practice from the intimate portraits she made in the 2000s to the commanding images she creates today, including two new murals developed for the exhibition.
Uman: In Between is organized by CCS Bard’s Hessel Museum of Art and curated by Lauren Cornell. More exhibition info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Sunday, August 2, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
“Bard has become a haven for important operas.” —The New York Times
A hypnotic blend of myth, melodrama, and psychological intrigue, Richard Strauss’s seldom heard The Egyptian Helen (Die ägyptische Helena) receives a lavish, rare U.S. staging at Bard SummerScape.
Strauss and librettist Hugo von Hofmannsthal reimagine the Helen myth, set in the aftermath of the Trojan War, as a tale of doubling: a phantom Helen returns to Troy, while the real, faithful Helen has been spirited away from harm. The vengeful husband, Menelaus, surrenders to love; the unfaithful Helen renews her devotion. The opera unfolds as a rich exploration of the complexities and contradictions of love, sexuality, and marriage.
Director Christian Räth (Meyerbeer’s Le prophète, Strauss’s The Silent Woman, Korngold’s The Miracle of Heliane) returns for his fourth Bard SummerScape to helm a full production of this neglected Strauss masterpiece. In Räth’s visionary staging, the mystical sorceress Aithra becomes the director of Helen and Menelaus’s story, seeing Helen as her alter ego and transforming the opera into a prism of fame, fantasy, and the creation of identity.
Making her SummerScape debut, the “compelling” (The New York Times) soprano Ambur Braid makes her role debut as Helena, joined by SummerScape Opera favorites: the “incredible” (OperaWire) tenor John Matthew Myers (Smetana’s Dalibor) as Menelaus and the “bright and earnest” (The New York Times) soprano Jana McIntyre (Strauss’s The Silent Woman) as Aithra. Anchored by the American Symphony Orchestra under the baton of Maestro Leon Botstein, this production continues Bard’s decades-long tradition of showcasing rare operatic gems with artists of the highest caliber.
Runs through Wednesday, June 23, 2027 7:30–8:30 pm
Olin Language Center, Room 115 Narcotics Anonymous meeting: This meeting is intended for people who are looking for support, community, or to learn more about addiction. Open to everyone! Olin Language Center, Room 115, 7:30 pm – 8:30 pm For more information, call 845-758-6822, or e-mail [email protected].
Replica of a Chip: The Weaving Technology of Marilou Schultz
Runs through Sunday, November 29, 2026 2–5 pm
CCS Bard Hessel Museum of Art Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected].
CCS Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists.
CCS Bard Hessel Museum of Art In Between provides a glimpse into two decades of art by Uman (b. 1980, Somalia), highlighting key moments and innovations in the trajectory of this prolific and pathbreaking artist. Uman’s distinct visual vocabulary first emerges in early paintings, collages, and drawings, then expands into large-scale and densely layered compositions. Always, her process is one of constant working and reworking to enliven a primary set of signs, symbols, colors and textures.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected]. For more information, call 845-758-7406, or e-mail [email protected].
Runs through Wednesday, June 23, 2027 7:30–8:30 pm
Olin Language Center, Room 115 Narcotics Anonymous meeting: This meeting is intended for people who are looking for support, community, or to learn more about addiction. Open to everyone! Olin Language Center, Room 115, 7:30 pm – 8:30 pm For more information, call 845-758-6822, or e-mail [email protected].
Replica of a Chip: The Weaving Technology of Marilou Schultz
Runs through Sunday, November 29, 2026 2–5 pm
CCS Bard Hessel Museum of Art Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected].
CCS Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists.
CCS Bard Hessel Museum of Art In Between provides a glimpse into two decades of art by Uman (b. 1980, Somalia), highlighting key moments and innovations in the trajectory of this prolific and pathbreaking artist. Uman’s distinct visual vocabulary first emerges in early paintings, collages, and drawings, then expands into large-scale and densely layered compositions. Always, her process is one of constant working and reworking to enliven a primary set of signs, symbols, colors and textures.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected]. For more information, call 845-758-7406, or e-mail [email protected].
Runs through Wednesday, June 23, 2027 7:30–8:30 pm
Olin Language Center, Room 115 Narcotics Anonymous meeting: This meeting is intended for people who are looking for support, community, or to learn more about addiction. Open to everyone! Olin Language Center, Room 115, 7:30 pm – 8:30 pm For more information, call 845-758-6822, or e-mail [email protected].
Replica of a Chip: The Weaving Technology of Marilou Schultz
Runs through Sunday, November 29, 2026 2–5 pm
CCS Bard Hessel Museum of Art Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected].
CCS Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists.
CCS Bard Hessel Museum of Art In Between provides a glimpse into two decades of art by Uman (b. 1980, Somalia), highlighting key moments and innovations in the trajectory of this prolific and pathbreaking artist. Uman’s distinct visual vocabulary first emerges in early paintings, collages, and drawings, then expands into large-scale and densely layered compositions. Always, her process is one of constant working and reworking to enliven a primary set of signs, symbols, colors and textures.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected]. For more information, call 845-758-7406, or e-mail [email protected].
Hessel Museum of Art, CCS Bard Uman: In Between presents a solo exhibition exploring over two decades of creative practice by the painter Uman, marking the pathbreaking artist’s most comprehensive survey to date. Featuring more than 100 works, the exhibition will trace the evolution of Uman’s prolific painting practice from the intimate portraits she made in the 2000s to the commanding images she creates today, including two new murals developed for the exhibition.
Uman: In Between is organized by CCS Bard’s Hessel Museum of Art and curated by Lauren Cornell. More exhibition info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Wednesday, August 5, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Runs through Wednesday, June 23, 2027 7:30–8:30 pm
Olin Language Center, Room 115 Narcotics Anonymous meeting: This meeting is intended for people who are looking for support, community, or to learn more about addiction. Open to everyone! Olin Language Center, Room 115, 7:30 pm – 8:30 pm For more information, call 845-758-6822, or e-mail [email protected].
Replica of a Chip: The Weaving Technology of Marilou Schultz
Runs through Sunday, November 29, 2026 2–5 pm
CCS Bard Hessel Museum of Art Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected].
CCS Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists.
CCS Bard Hessel Museum of Art In Between provides a glimpse into two decades of art by Uman (b. 1980, Somalia), highlighting key moments and innovations in the trajectory of this prolific and pathbreaking artist. Uman’s distinct visual vocabulary first emerges in early paintings, collages, and drawings, then expands into large-scale and densely layered compositions. Always, her process is one of constant working and reworking to enliven a primary set of signs, symbols, colors and textures.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected]. For more information, call 845-758-7406, or e-mail [email protected].
Hessel Museum of Art, CCS Bard Uman: In Between presents a solo exhibition exploring over two decades of creative practice by the painter Uman, marking the pathbreaking artist’s most comprehensive survey to date. Featuring more than 100 works, the exhibition will trace the evolution of Uman’s prolific painting practice from the intimate portraits she made in the 2000s to the commanding images she creates today, including two new murals developed for the exhibition.
Uman: In Between is organized by CCS Bard’s Hessel Museum of Art and curated by Lauren Cornell. More exhibition info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Thursday, August 6, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Gilson Place; Library Rd on the east side of New Annandale Rd A weekly offering of the season's finest fresh vegetables, herbs, mushrooms, maple syrup and flowers, all student grown on Bard's campus. In addition, local meat and eggs are available . . . Find us on Library Rd on the east side of New Annandale Rd (north end of Kline parking lot) between Gilson Place and Kappa House.; Gilson Place, 12:00 pm to 5:00 pm.
In the event of rain and extreme weather conditions, the market will be held at Bard's Campus Center 30 Ravine Rd.Sponsored by: Bard Farm.
For more information, call 518-653-6118, or e-mail [email protected].
The Onlies are a longstanding collective of young friends defining a powerful new generation of stringband music. Described as “the best old-time stringband out there” (Songlines), they “make old-time music sound fuller and richer and more dense than most bands of a similar ilk” (Bandcamp Daily). Their music moves with a pulsating drive, sharp arrangements, and rich vibration—it resounds with the present.
Runs through Wednesday, June 23, 2027 7:30–8:30 pm
Olin Language Center, Room 115 Narcotics Anonymous meeting: This meeting is intended for people who are looking for support, community, or to learn more about addiction. Open to everyone! Olin Language Center, Room 115, 7:30 pm – 8:30 pm For more information, call 845-758-6822, or e-mail [email protected].
Replica of a Chip: The Weaving Technology of Marilou Schultz
Runs through Sunday, November 29, 2026 2–5 pm
CCS Bard Hessel Museum of Art Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected].
CCS Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists.
CCS Bard Hessel Museum of Art In Between provides a glimpse into two decades of art by Uman (b. 1980, Somalia), highlighting key moments and innovations in the trajectory of this prolific and pathbreaking artist. Uman’s distinct visual vocabulary first emerges in early paintings, collages, and drawings, then expands into large-scale and densely layered compositions. Always, her process is one of constant working and reworking to enliven a primary set of signs, symbols, colors and textures.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected]. For more information, call 845-758-7406, or e-mail [email protected].
Hessel Museum of Art, CCS Bard Uman: In Between presents a solo exhibition exploring over two decades of creative practice by the painter Uman, marking the pathbreaking artist’s most comprehensive survey to date. Featuring more than 100 works, the exhibition will trace the evolution of Uman’s prolific painting practice from the intimate portraits she made in the 2000s to the commanding images she creates today, including two new murals developed for the exhibition.
Uman: In Between is organized by CCS Bard’s Hessel Museum of Art and curated by Lauren Cornell. More exhibition info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Friday, August 7, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Before the opening night concert, celebrate the official start of the Bard Music Festival at the magnificent and picturesque 1916 Ward Manor House. Take in expansive views of the Catskill Mountains and Bard’s new Performing Arts Lab, designed by Maya Lin, while enjoying a savory spread as the 36th Bard Music Festival kicks off.
The 36th Bard Music Festival launches with Program One, “The Many Facets of Mozart.” Harnessing Bard’s unusual ability to integrate orchestral, vocal, and chamber works within a single event, this program will be presented with commentary by Leon Botstein. Devoted entirely to Mozart’s own music, it spans the breadth of the composer’s short career, from the pioneering four-hands duet he wrote as a teenager to Eine kleine deutsche Kantate, a work reflecting his commitment to Freemasonry, written shortly before his death. Other featured works include the masterly Quintet in E-flat for Piano and Winds, which he famously considered his best composition; Ch’io mi scordi di te?, the virtuosic opera aria-cum-piano concerto that he performed with The Marriage of Figaro’s first Susanna; the popular Sinfonia concertante in E-flat, which showcases his solo string writing; and his delightful “Paris” Symphony, composed in the French capital during the final years of the Ancien Regime.
Grab some vodka, a blueberry smoothie, or some ginger ale and join Vivian Bond and her band for an evening of music to lose your gay virginity by—featuring songs from the soundtrack of Heated Rivalry, and soundtrack-adjacent numbers.
Pucker up for your rookie season. Don’t go back to Russia! Don’t be boring.
Runs through Wednesday, June 23, 2027 7:30–8:30 pm
Olin Language Center, Room 115 Narcotics Anonymous meeting: This meeting is intended for people who are looking for support, community, or to learn more about addiction. Open to everyone! Olin Language Center, Room 115, 7:30 pm – 8:30 pm For more information, call 845-758-6822, or e-mail [email protected].
Replica of a Chip: The Weaving Technology of Marilou Schultz
Runs through Sunday, November 29, 2026 2–5 pm
CCS Bard Hessel Museum of Art Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected].
CCS Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists.
CCS Bard Hessel Museum of Art In Between provides a glimpse into two decades of art by Uman (b. 1980, Somalia), highlighting key moments and innovations in the trajectory of this prolific and pathbreaking artist. Uman’s distinct visual vocabulary first emerges in early paintings, collages, and drawings, then expands into large-scale and densely layered compositions. Always, her process is one of constant working and reworking to enliven a primary set of signs, symbols, colors and textures.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected]. For more information, call 845-758-7406, or e-mail [email protected].
Hessel Museum of Art, CCS Bard Uman: In Between presents a solo exhibition exploring over two decades of creative practice by the painter Uman, marking the pathbreaking artist’s most comprehensive survey to date. Featuring more than 100 works, the exhibition will trace the evolution of Uman’s prolific painting practice from the intimate portraits she made in the 2000s to the commanding images she creates today, including two new murals developed for the exhibition.
Uman: In Between is organized by CCS Bard’s Hessel Museum of Art and curated by Lauren Cornell. More exhibition info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Saturday, August 8, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Program Two, “Fathers and Sons,” helps contextualize Mozart among his older contemporaries. His first significant violin sonata (K296), the first of his Viennese Quartets, and several of his earliest arias and songs will be heard alongside violin duets by his father and primary teacher, Leopold Mozart, a composer-violinist who authored a seminal treatise on his instrument; the “Sonata d’intavolatura” for keyboard by prominent Italian composer Giovanni Battista Martini, who mentored Mozart as a child; the Sextet in C by Johann Christian Bach, a student of Martini’s known as the “London” Bach, who greatly influenced Mozart; and the sixth “Prussian Sonata” by J. C. Bach’s half-brother Carl Philipp Emanuel Bach, a leading proponent of Empfindsamkeit (“sensitive style”), whom Mozart held in especially high regard, saying: “He is the father, we are the children.”
Mozart enjoyed immense popularity and personal happiness in Prague, famously declaring, “My Praguers understand me.” Marking the festival’s first all-orchestral concert, Program Three, “Mozart and Prague,” celebrates his special bond with the city. Works by his older Bohemian contemporaries Christoph Willibald Gluck and Josef Mysliveček, a one-time Mozart family friend who served as something of a model for the younger composer, will be heard alongside Mozart’s own “Prague” Symphony and the overture to his opera seria The Clemency of Titus (“La clemenza di Tito”), a work commissioned for Emperor Leopold II’s coronation in the city. Other featured works include Mozart’s first wholly original piano concerto, the Fifth, which he wrote at 17 and continued performing and revising throughout his career, and his beloved motet Exsultate, jubilate.
Grab some vodka, a blueberry smoothie, or some ginger ale and join Vivian Bond and her band for an evening of music to lose your gay virginity by—featuring songs from the soundtrack of Heated Rivalry, and soundtrack-adjacent numbers.
Pucker up for your rookie season. Don’t go back to Russia! Don’t be boring.
Runs through Wednesday, June 23, 2027 7:30–8:30 pm
Olin Language Center, Room 115 Narcotics Anonymous meeting: This meeting is intended for people who are looking for support, community, or to learn more about addiction. Open to everyone! Olin Language Center, Room 115, 7:30 pm – 8:30 pm For more information, call 845-758-6822, or e-mail [email protected].
Replica of a Chip: The Weaving Technology of Marilou Schultz
Runs through Sunday, November 29, 2026 2–5 pm
CCS Bard Hessel Museum of Art Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected].
CCS Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists.
CCS Bard Hessel Museum of Art In Between provides a glimpse into two decades of art by Uman (b. 1980, Somalia), highlighting key moments and innovations in the trajectory of this prolific and pathbreaking artist. Uman’s distinct visual vocabulary first emerges in early paintings, collages, and drawings, then expands into large-scale and densely layered compositions. Always, her process is one of constant working and reworking to enliven a primary set of signs, symbols, colors and textures.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected]. For more information, call 845-758-7406, or e-mail [email protected].
Hessel Museum of Art, CCS Bard Uman: In Between presents a solo exhibition exploring over two decades of creative practice by the painter Uman, marking the pathbreaking artist’s most comprehensive survey to date. Featuring more than 100 works, the exhibition will trace the evolution of Uman’s prolific painting practice from the intimate portraits she made in the 2000s to the commanding images she creates today, including two new murals developed for the exhibition.
Uman: In Between is organized by CCS Bard’s Hessel Museum of Art and curated by Lauren Cornell. More exhibition info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Sunday, August 9, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Program Four • Theatrical Life in Vienna: Hanswurst, Leporello, and Papageno
Sunday, August 9, 2026 11 am – 12 pm
Olin Hall
In a thoughtfully curated concert with commentary, Program Four, “Theatrical Life in Vienna: Hanswurst, Leporello, and Papageno,” scholar Lisa de Alwis investigates the popular Viennese theater traditions that inspired two of Mozart’s best-loved comic characters: Don Giovanni’s Leporello and The Magic Flute’s Papageno. The prototype for both roles was Hanswurst (“Jack Sausage”), a crafty but simple stock character, used for comic relief. Selections will be heard from The Philosopher’s Stone (“Der Stein der Weisen”), a Singspiel based on the same fairy tales as The Magic Flute, and collaboratively created by the same team, with music by Mozart in tandem with Emanuel Schikaneder (The Magic Flute’s commissioner, librettist, and first Papageno), Benedikt Schack (its first Tamino), Franz Xaver Gerl (its first Sarastro), and Johann Baptist Henneberg (its first conductor). Other excerpted works include The Nymph of the Danube (“Das Donauweibchen”), one of the most popular operas of the day, by the prolific Austrian composer Ferdinand Kauer.
The Habsburg Emperor Joseph II pitted Mozart against his Italian peers in two historic contests, both brought back to life in Program Five, “Rivalries and Conspiracies.” On the first such occasion, the emperor invited Mozart and pianist-composer Muzio Clementi, then newly arrived from Italy, to compete at the piano. Clementi played his own virtuosic B-flat-major Sonata, and Mozart responded by improvising a set of variations on a theme from André Grétry’s Les mariages samnites. Both pianists were then challenged to sightread music by Giovanni Paisiello, another Italian rival, after which — despite privately collecting on a bet in Mozart’s favor — Joseph II officially declared the duel a draw. Five years later, he commissioned Mozart and the Imperial Court Composer Antonio Salieri to write one-act operas on the same subject for a contest at Vienna’s vast Schönbrunn Palace, where Salieri’s Prima la musica, poi le parole (“First the Music, then the Words”) and Mozart’s Der Schauspieldirektor (“The Impresario”) premiered back-to-back before a court audience, tasked to choose between them. Keen to promote a German-language Singspiel tradition, Joseph II hoped that Mozart’s offering would prevail, but it was Salieri’s fashionable Italian opera buffa that won the day.
Grab some vodka, a blueberry smoothie, or some ginger ale and join Vivian Bond and her band for an evening of music to lose your gay virginity by—featuring songs from the soundtrack of Heated Rivalry, and soundtrack-adjacent numbers.
Pucker up for your rookie season. Don’t go back to Russia! Don’t be boring.
Runs through Wednesday, June 23, 2027 7:30–8:30 pm
Olin Language Center, Room 115 Narcotics Anonymous meeting: This meeting is intended for people who are looking for support, community, or to learn more about addiction. Open to everyone! Olin Language Center, Room 115, 7:30 pm – 8:30 pm For more information, call 845-758-6822, or e-mail [email protected].
Replica of a Chip: The Weaving Technology of Marilou Schultz
Runs through Sunday, November 29, 2026 2–5 pm
CCS Bard Hessel Museum of Art Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected].
CCS Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists.
CCS Bard Hessel Museum of Art In Between provides a glimpse into two decades of art by Uman (b. 1980, Somalia), highlighting key moments and innovations in the trajectory of this prolific and pathbreaking artist. Uman’s distinct visual vocabulary first emerges in early paintings, collages, and drawings, then expands into large-scale and densely layered compositions. Always, her process is one of constant working and reworking to enliven a primary set of signs, symbols, colors and textures.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected]. For more information, call 845-758-7406, or e-mail [email protected].
Runs through Wednesday, June 23, 2027 7:30–8:30 pm
Olin Language Center, Room 115 Narcotics Anonymous meeting: This meeting is intended for people who are looking for support, community, or to learn more about addiction. Open to everyone! Olin Language Center, Room 115, 7:30 pm – 8:30 pm For more information, call 845-758-6822, or e-mail [email protected].
Replica of a Chip: The Weaving Technology of Marilou Schultz
Runs through Sunday, November 29, 2026 2–5 pm
CCS Bard Hessel Museum of Art Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected].
CCS Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists.
CCS Bard Hessel Museum of Art In Between provides a glimpse into two decades of art by Uman (b. 1980, Somalia), highlighting key moments and innovations in the trajectory of this prolific and pathbreaking artist. Uman’s distinct visual vocabulary first emerges in early paintings, collages, and drawings, then expands into large-scale and densely layered compositions. Always, her process is one of constant working and reworking to enliven a primary set of signs, symbols, colors and textures.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected]. For more information, call 845-758-7406, or e-mail [email protected].
Runs through Wednesday, June 23, 2027 7:30–8:30 pm
Olin Language Center, Room 115 Narcotics Anonymous meeting: This meeting is intended for people who are looking for support, community, or to learn more about addiction. Open to everyone! Olin Language Center, Room 115, 7:30 pm – 8:30 pm For more information, call 845-758-6822, or e-mail [email protected].
Replica of a Chip: The Weaving Technology of Marilou Schultz
Runs through Sunday, November 29, 2026 2–5 pm
CCS Bard Hessel Museum of Art Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected].
CCS Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists.
CCS Bard Hessel Museum of Art In Between provides a glimpse into two decades of art by Uman (b. 1980, Somalia), highlighting key moments and innovations in the trajectory of this prolific and pathbreaking artist. Uman’s distinct visual vocabulary first emerges in early paintings, collages, and drawings, then expands into large-scale and densely layered compositions. Always, her process is one of constant working and reworking to enliven a primary set of signs, symbols, colors and textures.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected]. For more information, call 845-758-7406, or e-mail [email protected].
Hessel Museum of Art, CCS Bard Uman: In Between presents a solo exhibition exploring over two decades of creative practice by the painter Uman, marking the pathbreaking artist’s most comprehensive survey to date. Featuring more than 100 works, the exhibition will trace the evolution of Uman’s prolific painting practice from the intimate portraits she made in the 2000s to the commanding images she creates today, including two new murals developed for the exhibition.
Uman: In Between is organized by CCS Bard’s Hessel Museum of Art and curated by Lauren Cornell. More exhibition info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Wednesday, August 12, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
This program offers a sampling of Mozart’s sacred music, dating from God is Our Refuge, a motet composed at just nine years old, to his Ave verum corpus. These will be heard alongside Gregorio Allegri’s haunting Miserere, a work strictly guarded by the Vatican until Mozart transcribed it from memory as a child; J. S. Bach’s funeral motet Fürchte dich nicht; an Epiphany anthem by Mozart’s student Thomas Attwood, the organist of London’s St. Paul’s Cathedral; and liturgical choral works by Joseph Haydn, with whom Mozart shared a close friendship and deep-seated mutual reverence.
Runs through Wednesday, June 23, 2027 7:30–8:30 pm
Olin Language Center, Room 115 Narcotics Anonymous meeting: This meeting is intended for people who are looking for support, community, or to learn more about addiction. Open to everyone! Olin Language Center, Room 115, 7:30 pm – 8:30 pm For more information, call 845-758-6822, or e-mail [email protected].
Replica of a Chip: The Weaving Technology of Marilou Schultz
Runs through Sunday, November 29, 2026 2–5 pm
CCS Bard Hessel Museum of Art Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected].
CCS Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists.
CCS Bard Hessel Museum of Art In Between provides a glimpse into two decades of art by Uman (b. 1980, Somalia), highlighting key moments and innovations in the trajectory of this prolific and pathbreaking artist. Uman’s distinct visual vocabulary first emerges in early paintings, collages, and drawings, then expands into large-scale and densely layered compositions. Always, her process is one of constant working and reworking to enliven a primary set of signs, symbols, colors and textures.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected]. For more information, call 845-758-7406, or e-mail [email protected].
Hessel Museum of Art, CCS Bard Uman: In Between presents a solo exhibition exploring over two decades of creative practice by the painter Uman, marking the pathbreaking artist’s most comprehensive survey to date. Featuring more than 100 works, the exhibition will trace the evolution of Uman’s prolific painting practice from the intimate portraits she made in the 2000s to the commanding images she creates today, including two new murals developed for the exhibition.
Uman: In Between is organized by CCS Bard’s Hessel Museum of Art and curated by Lauren Cornell. More exhibition info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Thursday, August 13, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Gilson Place; Library Rd on the east side of New Annandale Rd A weekly offering of the season's finest fresh vegetables, herbs, mushrooms, maple syrup and flowers, all student grown on Bard's campus. In addition, local meat and eggs are available . . . Find us on Library Rd on the east side of New Annandale Rd (north end of Kline parking lot) between Gilson Place and Kappa House.; Gilson Place, 12:00 pm to 5:00 pm.
In the event of rain and extreme weather conditions, the market will be held at Bard's Campus Center 30 Ravine Rd.Sponsored by: Bard Farm.
For more information, call 518-653-6118, or e-mail [email protected].
Big Richard delivers ferocious, unapologetic acoustic music with big energy and even bigger chops. Their live shows are raucous, emotional, and irreverent—mixing ripping instrumentals, dark humor, and raw, socially charged songs. Their new album Pet, out now on Signature Sounds, was recorded live to tape to capture the chaos and catharsis that define their performances.
Program Six • I live with God ever before me: Mozart’s Religion
Thursday, August 13, 2026 7–8 pm
Church of the Messiah, Rhinebeck
Following the past three seasons’ sold-out concerts in nearby Rhinebeck, the Bard Music Festival returns off-campus for Program Six, “I live with God ever before me: Mozart’s Religion.” Featuring James Bagwell, the Bard Festival Chorale, and the renovated organ of the Episcopal Church of the Messiah, this program presents a sampling of Mozart’s own sacred music, dating from God is Our Refuge, a motet composed at just nine years old, to a late work commissioned for the musical clock at a wax museum, by way of two Church Sonatas and the dramatic liturgical psalm settings of his Vesperae solennes de Confessore. These will be heard alongside the original, less familiar version of Gregorio Allegri’s haunting Miserere, a work strictly guarded by the Vatican until Mozart transcribed it from memory as a child; J. S. Bach’s funeral motet Fürchte dich nicht; the fourth Chandos Anthem by George Frideric Handel, whom Mozart held in particularly high esteem; an Epiphany anthem by his student Thomas Attwood, the organist of London’s St. Paul’s Cathedral; and the Missa brevis in F, a major liturgical choral work by Joseph Haydn, with whom Mozart shared a close friendship and deep-seated mutual reverence.
Runs through Wednesday, June 23, 2027 7:30–8:30 pm
Olin Language Center, Room 115 Narcotics Anonymous meeting: This meeting is intended for people who are looking for support, community, or to learn more about addiction. Open to everyone! Olin Language Center, Room 115, 7:30 pm – 8:30 pm For more information, call 845-758-6822, or e-mail [email protected].
Replica of a Chip: The Weaving Technology of Marilou Schultz
Runs through Sunday, November 29, 2026 2–5 pm
CCS Bard Hessel Museum of Art Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected].
CCS Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists.
CCS Bard Hessel Museum of Art In Between provides a glimpse into two decades of art by Uman (b. 1980, Somalia), highlighting key moments and innovations in the trajectory of this prolific and pathbreaking artist. Uman’s distinct visual vocabulary first emerges in early paintings, collages, and drawings, then expands into large-scale and densely layered compositions. Always, her process is one of constant working and reworking to enliven a primary set of signs, symbols, colors and textures.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected]. For more information, call 845-758-7406, or e-mail [email protected].
Hessel Museum of Art, CCS Bard Uman: In Between presents a solo exhibition exploring over two decades of creative practice by the painter Uman, marking the pathbreaking artist’s most comprehensive survey to date. Featuring more than 100 works, the exhibition will trace the evolution of Uman’s prolific painting practice from the intimate portraits she made in the 2000s to the commanding images she creates today, including two new murals developed for the exhibition.
Uman: In Between is organized by CCS Bard’s Hessel Museum of Art and curated by Lauren Cornell. More exhibition info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Friday, August 14, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Mozart was similarly close to Haydn’s less well-remembered younger brother Michael Haydn, then a successful composer whose Requiem, partly inspired by the death of his infant daughter, would influence Mozart’s own. After opening with Mozart’s somber Masonic Funeral Music in C minor, Program Seven, “Beauty, Charity, and Reason,” complements Michael Haydn’s Mass with two of Mozart’s own religious choral works, both of which draw on his devotion to Freemasonry. Scored for male voices and orchestra, the cantata Laut verkünde unsre Freude was written for the dedication of a Masonic temple and represents Mozart’s last completed work. The program concludes with an all-too-rare live account of his Davidepenitente, a cantata combining a specially created cadenza and two new arias with original text settings of his personally selected highlights from the unfinished Great Mass in C minor.
Lauded drag storyteller BenDeLaCreme is well known for her critically acclaimed multimedia solo works and glitzy camp productions. This time around, she is ready to lay it bare. For the very first time, DeLa is dropping the trappings and trimmings and doing her most hilariously candid personal work yet. It’s DeLa unplugged; an intimate evening with the campiest of queens. Join DeLa as she reveals her vulnerable side for the very first time, moving past the superficial outer self to explore the superficial self within.
How can an evening of camp, song, and storytelling crack at your funny bone and hit you in the heart? Forbes said it best—“keeping you entertained while making you think about your place in the world is all a part of the BenDeLaCreme experience.” Billboard says DeLa “soars past entertainment and into the realm of theatrical art.” TheaterMania calls her work “spectacular… helping to redefine what cabaret can be: an intoxicating cocktail of high, low, topical, and timeless.”
Runs through Wednesday, June 23, 2027 7:30–8:30 pm
Olin Language Center, Room 115 Narcotics Anonymous meeting: This meeting is intended for people who are looking for support, community, or to learn more about addiction. Open to everyone! Olin Language Center, Room 115, 7:30 pm – 8:30 pm For more information, call 845-758-6822, or e-mail [email protected].
Replica of a Chip: The Weaving Technology of Marilou Schultz
Runs through Sunday, November 29, 2026 2–5 pm
CCS Bard Hessel Museum of Art Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected].
CCS Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists.
CCS Bard Hessel Museum of Art In Between provides a glimpse into two decades of art by Uman (b. 1980, Somalia), highlighting key moments and innovations in the trajectory of this prolific and pathbreaking artist. Uman’s distinct visual vocabulary first emerges in early paintings, collages, and drawings, then expands into large-scale and densely layered compositions. Always, her process is one of constant working and reworking to enliven a primary set of signs, symbols, colors and textures.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected]. For more information, call 845-758-7406, or e-mail [email protected].
Hessel Museum of Art, CCS Bard Uman: In Between presents a solo exhibition exploring over two decades of creative practice by the painter Uman, marking the pathbreaking artist’s most comprehensive survey to date. Featuring more than 100 works, the exhibition will trace the evolution of Uman’s prolific painting practice from the intimate portraits she made in the 2000s to the commanding images she creates today, including two new murals developed for the exhibition.
Uman: In Between is organized by CCS Bard’s Hessel Museum of Art and curated by Lauren Cornell. More exhibition info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Saturday, August 15, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Bard’s next chamber concert, Program Eight, “The Pinnacle of Achievement,” celebrates the music of Mozart and Joseph Haydn, when both were in their prime. Featured works include Mozart’s String Quintet in G minor, a profound, dark-hued masterpiece, written during his father’s final illness; several of Mozart’s finest lieder; and his Piano Concerto No. 24 in C minor, perhaps the greatest of his concertos, in the chamber arrangement to which he gave his blessing, by his student Johann Nepomuk Hummel. Known for good reason as the “Father of the String Quartet,” the elder Haydn brother is represented by the third of his “Russian” quartets, a mature work nicknamed “The Joke,” and perhaps one of those that inspired the six that Mozart dedicated to him.
Gather together for a picnic as the Bard Music Festival draws to a close. Nestled perfectly between two Bard Music Festival concerts and before the final Spiegeltent show of the season, the afternoon will include delightful music, good cheer, and picnic meals to order.
Mozart’s Concerto for Two Pianos and his sophisticated “Linz” Symphony, composed in just four days, are two of the composer’s mature orchestral works. Program Nine, “Friends, Family, and Students,” presents them alongside examples by those within his inner circle: the Overture to Der Schulkandidat by his close friend Maria Theresia von Paradis, a musician who lost her sight at an early age; the festive Symphony in C by Marianna Martines, at whose musical soirées he was a frequent guest; the Overture in D by Franz Xaver Wolfgang Mozart, his youngest child, born just four months before his death, who went on to study with Salieri and Hummel; and the “Turkish” Symphony by Franz Xaver Süssmayr, the friend, student, and assistant of Mozart’s, who is best-remembered for his posthumous completion of the latter’s Requiem.
Lauded drag storyteller BenDeLaCreme is well known for her critically acclaimed multimedia solo works and glitzy camp productions. This time around, she is ready to lay it bare. For the very first time, DeLa is dropping the trappings and trimmings and doing her most hilariously candid personal work yet. It’s DeLa unplugged; an intimate evening with the campiest of queens. Join DeLa as she reveals her vulnerable side for the very first time, moving past the superficial outer self to explore the superficial self within.
How can an evening of camp, song, and storytelling crack at your funny bone and hit you in the heart? Forbes said it best—“keeping you entertained while making you think about your place in the world is all a part of the BenDeLaCreme experience.” Billboard says DeLa “soars past entertainment and into the realm of theatrical art.” TheaterMania calls her work “spectacular… helping to redefine what cabaret can be: an intoxicating cocktail of high, low, topical, and timeless.”
Runs through Wednesday, June 23, 2027 7:30–8:30 pm
Olin Language Center, Room 115 Narcotics Anonymous meeting: This meeting is intended for people who are looking for support, community, or to learn more about addiction. Open to everyone! Olin Language Center, Room 115, 7:30 pm – 8:30 pm For more information, call 845-758-6822, or e-mail [email protected].
Replica of a Chip: The Weaving Technology of Marilou Schultz
Runs through Sunday, November 29, 2026 2–5 pm
CCS Bard Hessel Museum of Art Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected].
CCS Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists.
CCS Bard Hessel Museum of Art In Between provides a glimpse into two decades of art by Uman (b. 1980, Somalia), highlighting key moments and innovations in the trajectory of this prolific and pathbreaking artist. Uman’s distinct visual vocabulary first emerges in early paintings, collages, and drawings, then expands into large-scale and densely layered compositions. Always, her process is one of constant working and reworking to enliven a primary set of signs, symbols, colors and textures.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected]. For more information, call 845-758-7406, or e-mail [email protected].
Hessel Museum of Art, CCS Bard Uman: In Between presents a solo exhibition exploring over two decades of creative practice by the painter Uman, marking the pathbreaking artist’s most comprehensive survey to date. Featuring more than 100 works, the exhibition will trace the evolution of Uman’s prolific painting practice from the intimate portraits she made in the 2000s to the commanding images she creates today, including two new murals developed for the exhibition.
Uman: In Between is organized by CCS Bard’s Hessel Museum of Art and curated by Lauren Cornell. More exhibition info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Sunday, August 16, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Program Ten • A Lasting Influence: Mozart’s Legacy
Sunday, August 16, 2026 11:30 am – 12:30 pm
Olin Hall
A master of all genres who revolutionized the opera and concerto forms, Mozart was instrumental in shaping the trajectory of Western concert music. Rather than attempting to capture the full scope of this singular impact, Program Ten, “A Lasting Influence: Mozart’s Legacy,” pairs Mozart’s unfinished, posthumously discovered D-minor Fantasia — a dark but well-loved masterpiece — with some of those of his peers’ and successors’ works that he inspired most directly. These include variations on a Papageno aria by Beethoven, on whose early career Mozart exerted a powerful influence; variations on a theme from Le nozze di Figaro by Beethoven’s friend, the Bohemian-born composer-theorist Anton Reicha; the formidably demanding piano fantasy on themes from Don Giovanni by Franz Liszt, who considered Mozart “the greatest of all masters”; selections from the piano arrangement of Pyotr Ilyich Tchaikovsky’s Mozartiana, composed to mark the centennial of Don Giovanni; and the virtuosic concert fantasy on themes from The Magic Flute by Spanish violinist-composer Pablo de Sarasate. Finally, the String Sextet from Capriccio by Richard Strauss—the composer of this season’s SummerScape opera, The Egyptian Helen, and one in whom Mozart’s influence ran especially deep—offers a modern reflection on the Classical, Mozartean ideals of beauty and structural balance in a nostalgic 18th-century setting.
Program Eleven • “Too beautiful”: Mozart’s Abduction from the Seraglio
Sunday, August 16, 2026 3–4 pm
Fisher Center, Sosnoff Theater
Mozart was commissioned to write The Abduction from the Seraglio (“Die Entführung aus dem Serail”) by Joseph II, who hoped to promote a German-language National Singspiel to rival Italian opera. An immediate success at its premiere, the work established Mozart’s reputation and remained one of the greatest successes of his career. The Abduction is the story of a Spanish nobleman and his fiancée. She and their two servants have been kidnapped by pirates and sold into the harem of a Turkish Pasha. Using intrigue and disguises to outwit their overseer, the lovers plot an escape. However, it is only when the pasha reveals unexpected nobility, choosing mercy over revenge, that the four regain their freedom. This story reflects the fascination that Turkey held for Mozart and his Viennese contemporaries, for whom the Ottoman Empire was not only a key cultural influence but also—in the long shadow of the Ottoman–Habsburg wars—a remembered military threat. Imagining the Ottoman world through Western eyes, the work is imbued with Orientalism, from Mozart’s approximation of Turkish music, loosely based on that of the famous Janissary marching bands, to exoticized characters like the buffoonishly brutal overseer. Yet the opera also complicates such stereotypes: the pasha’s final act of clemency gave Viennese audiences an Enlightenment lesson, presenting virtue as a universal trait and using the imagined East to critique Western cruelty. With its emphasis on historical scholarship and ability to provide a “rich web of context” (The New York Times), Bard is uniquely well-placed to explore these contradictions, when Botstein, the ASO, and the Bard Festival Chorale take part in a semi-staged concert performance of the opera. This forms Program Eleven, “Too beautiful”*: Mozart’s Abduction from the Seraglio, which draws the Bard Music Festival—and all seven weeks of Bard SummerScape—to a gripping close.
Runs through Wednesday, June 23, 2027 7:30–8:30 pm
Olin Language Center, Room 115 Narcotics Anonymous meeting: This meeting is intended for people who are looking for support, community, or to learn more about addiction. Open to everyone! Olin Language Center, Room 115, 7:30 pm – 8:30 pm For more information, call 845-758-6822, or e-mail [email protected].
Replica of a Chip: The Weaving Technology of Marilou Schultz
Runs through Sunday, November 29, 2026 2–5 pm
CCS Bard Hessel Museum of Art Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected].
CCS Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists.
CCS Bard Hessel Museum of Art In Between provides a glimpse into two decades of art by Uman (b. 1980, Somalia), highlighting key moments and innovations in the trajectory of this prolific and pathbreaking artist. Uman’s distinct visual vocabulary first emerges in early paintings, collages, and drawings, then expands into large-scale and densely layered compositions. Always, her process is one of constant working and reworking to enliven a primary set of signs, symbols, colors and textures.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected]. For more information, call 845-758-7406, or e-mail [email protected].
Runs through Wednesday, June 23, 2027 7:30–8:30 pm
Olin Language Center, Room 115 Narcotics Anonymous meeting: This meeting is intended for people who are looking for support, community, or to learn more about addiction. Open to everyone! Olin Language Center, Room 115, 7:30 pm – 8:30 pm For more information, call 845-758-6822, or e-mail [email protected].
Replica of a Chip: The Weaving Technology of Marilou Schultz
Runs through Sunday, November 29, 2026 2–5 pm
CCS Bard Hessel Museum of Art Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected].
CCS Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists.
CCS Bard Hessel Museum of Art In Between provides a glimpse into two decades of art by Uman (b. 1980, Somalia), highlighting key moments and innovations in the trajectory of this prolific and pathbreaking artist. Uman’s distinct visual vocabulary first emerges in early paintings, collages, and drawings, then expands into large-scale and densely layered compositions. Always, her process is one of constant working and reworking to enliven a primary set of signs, symbols, colors and textures.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected]. For more information, call 845-758-7406, or e-mail [email protected].
Runs through Wednesday, June 23, 2027 7:30–8:30 pm
Olin Language Center, Room 115 Narcotics Anonymous meeting: This meeting is intended for people who are looking for support, community, or to learn more about addiction. Open to everyone! Olin Language Center, Room 115, 7:30 pm – 8:30 pm For more information, call 845-758-6822, or e-mail [email protected].
Replica of a Chip: The Weaving Technology of Marilou Schultz
Runs through Sunday, November 29, 2026 2–5 pm
CCS Bard Hessel Museum of Art Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected].
CCS Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists.
CCS Bard Hessel Museum of Art In Between provides a glimpse into two decades of art by Uman (b. 1980, Somalia), highlighting key moments and innovations in the trajectory of this prolific and pathbreaking artist. Uman’s distinct visual vocabulary first emerges in early paintings, collages, and drawings, then expands into large-scale and densely layered compositions. Always, her process is one of constant working and reworking to enliven a primary set of signs, symbols, colors and textures.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected]. For more information, call 845-758-7406, or e-mail [email protected].
Hessel Museum of Art, CCS Bard Uman: In Between presents a solo exhibition exploring over two decades of creative practice by the painter Uman, marking the pathbreaking artist’s most comprehensive survey to date. Featuring more than 100 works, the exhibition will trace the evolution of Uman’s prolific painting practice from the intimate portraits she made in the 2000s to the commanding images she creates today, including two new murals developed for the exhibition.
Uman: In Between is organized by CCS Bard’s Hessel Museum of Art and curated by Lauren Cornell. More exhibition info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Wednesday, August 19, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Runs through Wednesday, June 23, 2027 7:30–8:30 pm
Olin Language Center, Room 115 Narcotics Anonymous meeting: This meeting is intended for people who are looking for support, community, or to learn more about addiction. Open to everyone! Olin Language Center, Room 115, 7:30 pm – 8:30 pm For more information, call 845-758-6822, or e-mail [email protected].
Replica of a Chip: The Weaving Technology of Marilou Schultz
Runs through Sunday, November 29, 2026 2–5 pm
CCS Bard Hessel Museum of Art Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected].
CCS Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists.
CCS Bard Hessel Museum of Art In Between provides a glimpse into two decades of art by Uman (b. 1980, Somalia), highlighting key moments and innovations in the trajectory of this prolific and pathbreaking artist. Uman’s distinct visual vocabulary first emerges in early paintings, collages, and drawings, then expands into large-scale and densely layered compositions. Always, her process is one of constant working and reworking to enliven a primary set of signs, symbols, colors and textures.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected]. For more information, call 845-758-7406, or e-mail [email protected].
Hessel Museum of Art, CCS Bard Uman: In Between presents a solo exhibition exploring over two decades of creative practice by the painter Uman, marking the pathbreaking artist’s most comprehensive survey to date. Featuring more than 100 works, the exhibition will trace the evolution of Uman’s prolific painting practice from the intimate portraits she made in the 2000s to the commanding images she creates today, including two new murals developed for the exhibition.
Uman: In Between is organized by CCS Bard’s Hessel Museum of Art and curated by Lauren Cornell. More exhibition info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Thursday, August 20, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Gilson Place; Library Rd on the east side of New Annandale Rd A weekly offering of the season's finest fresh vegetables, herbs, mushrooms, maple syrup and flowers, all student grown on Bard's campus. In addition, local meat and eggs are available . . . Find us on Library Rd on the east side of New Annandale Rd (north end of Kline parking lot) between Gilson Place and Kappa House.; Gilson Place, 12:00 pm to 5:00 pm.
In the event of rain and extreme weather conditions, the market will be held at Bard's Campus Center 30 Ravine Rd.Sponsored by: Bard Farm.
For more information, call 518-653-6118, or e-mail [email protected].
Runs through Wednesday, June 23, 2027 7:30–8:30 pm
Olin Language Center, Room 115 Narcotics Anonymous meeting: This meeting is intended for people who are looking for support, community, or to learn more about addiction. Open to everyone! Olin Language Center, Room 115, 7:30 pm – 8:30 pm For more information, call 845-758-6822, or e-mail [email protected].
Replica of a Chip: The Weaving Technology of Marilou Schultz
Runs through Sunday, November 29, 2026 2–5 pm
CCS Bard Hessel Museum of Art Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected].
CCS Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists.
CCS Bard Hessel Museum of Art In Between provides a glimpse into two decades of art by Uman (b. 1980, Somalia), highlighting key moments and innovations in the trajectory of this prolific and pathbreaking artist. Uman’s distinct visual vocabulary first emerges in early paintings, collages, and drawings, then expands into large-scale and densely layered compositions. Always, her process is one of constant working and reworking to enliven a primary set of signs, symbols, colors and textures.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected]. For more information, call 845-758-7406, or e-mail [email protected].
Hessel Museum of Art, CCS Bard Uman: In Between presents a solo exhibition exploring over two decades of creative practice by the painter Uman, marking the pathbreaking artist’s most comprehensive survey to date. Featuring more than 100 works, the exhibition will trace the evolution of Uman’s prolific painting practice from the intimate portraits she made in the 2000s to the commanding images she creates today, including two new murals developed for the exhibition.
Uman: In Between is organized by CCS Bard’s Hessel Museum of Art and curated by Lauren Cornell. More exhibition info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Friday, August 21, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Arrival Day, Check-in, and Financial Clearance for All New Transfer Students
Friday, August 21, 2026 9 am – 12 pm
Reem-Kayden Center (Check in with the Deans of Students, Dean of Studies, Residence Life, Health Services, and the Center for Civic Engagement as your first stop before launching into an activity-filled move-in and orientation period. Use this period to get your student ID and parking permit, if applicable)Sponsored by: Registrar's Office.
Runs through Wednesday, June 23, 2027 7:30–8:30 pm
Olin Language Center, Room 115 Narcotics Anonymous meeting: This meeting is intended for people who are looking for support, community, or to learn more about addiction. Open to everyone! Olin Language Center, Room 115, 7:30 pm – 8:30 pm For more information, call 845-758-6822, or e-mail [email protected].
Replica of a Chip: The Weaving Technology of Marilou Schultz
Runs through Sunday, November 29, 2026 2–5 pm
CCS Bard Hessel Museum of Art Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected].
CCS Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists.
CCS Bard Hessel Museum of Art In Between provides a glimpse into two decades of art by Uman (b. 1980, Somalia), highlighting key moments and innovations in the trajectory of this prolific and pathbreaking artist. Uman’s distinct visual vocabulary first emerges in early paintings, collages, and drawings, then expands into large-scale and densely layered compositions. Always, her process is one of constant working and reworking to enliven a primary set of signs, symbols, colors and textures.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected]. For more information, call 845-758-7406, or e-mail [email protected].
Hessel Museum of Art, CCS Bard Uman: In Between presents a solo exhibition exploring over two decades of creative practice by the painter Uman, marking the pathbreaking artist’s most comprehensive survey to date. Featuring more than 100 works, the exhibition will trace the evolution of Uman’s prolific painting practice from the intimate portraits she made in the 2000s to the commanding images she creates today, including two new murals developed for the exhibition.
Uman: In Between is organized by CCS Bard’s Hessel Museum of Art and curated by Lauren Cornell. More exhibition info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Saturday, August 22, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Runs through Wednesday, June 23, 2027 7:30–8:30 pm
Olin Language Center, Room 115 Narcotics Anonymous meeting: This meeting is intended for people who are looking for support, community, or to learn more about addiction. Open to everyone! Olin Language Center, Room 115, 7:30 pm – 8:30 pm For more information, call 845-758-6822, or e-mail [email protected].
Replica of a Chip: The Weaving Technology of Marilou Schultz
Runs through Sunday, November 29, 2026 2–5 pm
CCS Bard Hessel Museum of Art Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected].
CCS Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists.
CCS Bard Hessel Museum of Art In Between provides a glimpse into two decades of art by Uman (b. 1980, Somalia), highlighting key moments and innovations in the trajectory of this prolific and pathbreaking artist. Uman’s distinct visual vocabulary first emerges in early paintings, collages, and drawings, then expands into large-scale and densely layered compositions. Always, her process is one of constant working and reworking to enliven a primary set of signs, symbols, colors and textures.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected]. For more information, call 845-758-7406, or e-mail [email protected].
Hessel Museum of Art, CCS Bard Uman: In Between presents a solo exhibition exploring over two decades of creative practice by the painter Uman, marking the pathbreaking artist’s most comprehensive survey to date. Featuring more than 100 works, the exhibition will trace the evolution of Uman’s prolific painting practice from the intimate portraits she made in the 2000s to the commanding images she creates today, including two new murals developed for the exhibition.
Uman: In Between is organized by CCS Bard’s Hessel Museum of Art and curated by Lauren Cornell. More exhibition info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Sunday, August 23, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Runs through Wednesday, June 23, 2027 7:30–8:30 pm
Olin Language Center, Room 115 Narcotics Anonymous meeting: This meeting is intended for people who are looking for support, community, or to learn more about addiction. Open to everyone! Olin Language Center, Room 115, 7:30 pm – 8:30 pm For more information, call 845-758-6822, or e-mail [email protected].
Replica of a Chip: The Weaving Technology of Marilou Schultz
Runs through Sunday, November 29, 2026 2–5 pm
CCS Bard Hessel Museum of Art Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected].
CCS Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists.
CCS Bard Hessel Museum of Art In Between provides a glimpse into two decades of art by Uman (b. 1980, Somalia), highlighting key moments and innovations in the trajectory of this prolific and pathbreaking artist. Uman’s distinct visual vocabulary first emerges in early paintings, collages, and drawings, then expands into large-scale and densely layered compositions. Always, her process is one of constant working and reworking to enliven a primary set of signs, symbols, colors and textures.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected]. For more information, call 845-758-7406, or e-mail [email protected].
Runs through Wednesday, June 23, 2027 7:30–8:30 pm
Olin Language Center, Room 115 Narcotics Anonymous meeting: This meeting is intended for people who are looking for support, community, or to learn more about addiction. Open to everyone! Olin Language Center, Room 115, 7:30 pm – 8:30 pm For more information, call 845-758-6822, or e-mail [email protected].
Replica of a Chip: The Weaving Technology of Marilou Schultz
Runs through Sunday, November 29, 2026 2–5 pm
CCS Bard Hessel Museum of Art Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected].
CCS Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists.
CCS Bard Hessel Museum of Art In Between provides a glimpse into two decades of art by Uman (b. 1980, Somalia), highlighting key moments and innovations in the trajectory of this prolific and pathbreaking artist. Uman’s distinct visual vocabulary first emerges in early paintings, collages, and drawings, then expands into large-scale and densely layered compositions. Always, her process is one of constant working and reworking to enliven a primary set of signs, symbols, colors and textures.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected]. For more information, call 845-758-7406, or e-mail [email protected].
Runs through Wednesday, June 23, 2027 7:30–8:30 pm
Olin Language Center, Room 115 Narcotics Anonymous meeting: This meeting is intended for people who are looking for support, community, or to learn more about addiction. Open to everyone! Olin Language Center, Room 115, 7:30 pm – 8:30 pm For more information, call 845-758-6822, or e-mail [email protected].
Replica of a Chip: The Weaving Technology of Marilou Schultz
Runs through Sunday, November 29, 2026 2–5 pm
CCS Bard Hessel Museum of Art Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected].
CCS Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists.
CCS Bard Hessel Museum of Art In Between provides a glimpse into two decades of art by Uman (b. 1980, Somalia), highlighting key moments and innovations in the trajectory of this prolific and pathbreaking artist. Uman’s distinct visual vocabulary first emerges in early paintings, collages, and drawings, then expands into large-scale and densely layered compositions. Always, her process is one of constant working and reworking to enliven a primary set of signs, symbols, colors and textures.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected]. For more information, call 845-758-7406, or e-mail [email protected].
Hessel Museum of Art, CCS Bard Uman: In Between presents a solo exhibition exploring over two decades of creative practice by the painter Uman, marking the pathbreaking artist’s most comprehensive survey to date. Featuring more than 100 works, the exhibition will trace the evolution of Uman’s prolific painting practice from the intimate portraits she made in the 2000s to the commanding images she creates today, including two new murals developed for the exhibition.
Uman: In Between is organized by CCS Bard’s Hessel Museum of Art and curated by Lauren Cornell. More exhibition info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Wednesday, August 26, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Runs through Wednesday, June 23, 2027 7:30–8:30 pm
Olin Language Center, Room 115 Narcotics Anonymous meeting: This meeting is intended for people who are looking for support, community, or to learn more about addiction. Open to everyone! Olin Language Center, Room 115, 7:30 pm – 8:30 pm For more information, call 845-758-6822, or e-mail [email protected].
Replica of a Chip: The Weaving Technology of Marilou Schultz
Runs through Sunday, November 29, 2026 2–5 pm
CCS Bard Hessel Museum of Art Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected].
CCS Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists.
CCS Bard Hessel Museum of Art In Between provides a glimpse into two decades of art by Uman (b. 1980, Somalia), highlighting key moments and innovations in the trajectory of this prolific and pathbreaking artist. Uman’s distinct visual vocabulary first emerges in early paintings, collages, and drawings, then expands into large-scale and densely layered compositions. Always, her process is one of constant working and reworking to enliven a primary set of signs, symbols, colors and textures.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected]. For more information, call 845-758-7406, or e-mail [email protected].
Hessel Museum of Art, CCS Bard Uman: In Between presents a solo exhibition exploring over two decades of creative practice by the painter Uman, marking the pathbreaking artist’s most comprehensive survey to date. Featuring more than 100 works, the exhibition will trace the evolution of Uman’s prolific painting practice from the intimate portraits she made in the 2000s to the commanding images she creates today, including two new murals developed for the exhibition.
Uman: In Between is organized by CCS Bard’s Hessel Museum of Art and curated by Lauren Cornell. More exhibition info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Thursday, August 27, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Gilson Place; Library Rd on the east side of New Annandale Rd A weekly offering of the season's finest fresh vegetables, herbs, mushrooms, maple syrup and flowers, all student grown on Bard's campus. In addition, local meat and eggs are available . . . Find us on Library Rd on the east side of New Annandale Rd (north end of Kline parking lot) between Gilson Place and Kappa House.; Gilson Place, 12:00 pm to 5:00 pm.
In the event of rain and extreme weather conditions, the market will be held at Bard's Campus Center 30 Ravine Rd.Sponsored by: Bard Farm.
For more information, call 518-653-6118, or e-mail [email protected].
Runs through Wednesday, June 23, 2027 7:30–8:30 pm
Olin Language Center, Room 115 Narcotics Anonymous meeting: This meeting is intended for people who are looking for support, community, or to learn more about addiction. Open to everyone! Olin Language Center, Room 115, 7:30 pm – 8:30 pm For more information, call 845-758-6822, or e-mail [email protected].
Replica of a Chip: The Weaving Technology of Marilou Schultz
Runs through Sunday, November 29, 2026 2–5 pm
CCS Bard Hessel Museum of Art Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected].
CCS Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists.
CCS Bard Hessel Museum of Art In Between provides a glimpse into two decades of art by Uman (b. 1980, Somalia), highlighting key moments and innovations in the trajectory of this prolific and pathbreaking artist. Uman’s distinct visual vocabulary first emerges in early paintings, collages, and drawings, then expands into large-scale and densely layered compositions. Always, her process is one of constant working and reworking to enliven a primary set of signs, symbols, colors and textures.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected]. For more information, call 845-758-7406, or e-mail [email protected].
Hessel Museum of Art, CCS Bard Uman: In Between presents a solo exhibition exploring over two decades of creative practice by the painter Uman, marking the pathbreaking artist’s most comprehensive survey to date. Featuring more than 100 works, the exhibition will trace the evolution of Uman’s prolific painting practice from the intimate portraits she made in the 2000s to the commanding images she creates today, including two new murals developed for the exhibition.
Uman: In Between is organized by CCS Bard’s Hessel Museum of Art and curated by Lauren Cornell. More exhibition info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Friday, August 28, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Runs through Wednesday, June 23, 2027 7:30–8:30 pm
Olin Language Center, Room 115 Narcotics Anonymous meeting: This meeting is intended for people who are looking for support, community, or to learn more about addiction. Open to everyone! Olin Language Center, Room 115, 7:30 pm – 8:30 pm For more information, call 845-758-6822, or e-mail [email protected].
Replica of a Chip: The Weaving Technology of Marilou Schultz
Runs through Sunday, November 29, 2026 2–5 pm
CCS Bard Hessel Museum of Art Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected].
CCS Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists.
CCS Bard Hessel Museum of Art In Between provides a glimpse into two decades of art by Uman (b. 1980, Somalia), highlighting key moments and innovations in the trajectory of this prolific and pathbreaking artist. Uman’s distinct visual vocabulary first emerges in early paintings, collages, and drawings, then expands into large-scale and densely layered compositions. Always, her process is one of constant working and reworking to enliven a primary set of signs, symbols, colors and textures.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected]. For more information, call 845-758-7406, or e-mail [email protected].
Hessel Museum of Art, CCS Bard Uman: In Between presents a solo exhibition exploring over two decades of creative practice by the painter Uman, marking the pathbreaking artist’s most comprehensive survey to date. Featuring more than 100 works, the exhibition will trace the evolution of Uman’s prolific painting practice from the intimate portraits she made in the 2000s to the commanding images she creates today, including two new murals developed for the exhibition.
Uman: In Between is organized by CCS Bard’s Hessel Museum of Art and curated by Lauren Cornell. More exhibition info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Saturday, August 29, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Runs through Wednesday, June 23, 2027 7:30–8:30 pm
Olin Language Center, Room 115 Narcotics Anonymous meeting: This meeting is intended for people who are looking for support, community, or to learn more about addiction. Open to everyone! Olin Language Center, Room 115, 7:30 pm – 8:30 pm For more information, call 845-758-6822, or e-mail [email protected].
Replica of a Chip: The Weaving Technology of Marilou Schultz
Runs through Sunday, November 29, 2026 2–5 pm
CCS Bard Hessel Museum of Art Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected].
CCS Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists.
CCS Bard Hessel Museum of Art In Between provides a glimpse into two decades of art by Uman (b. 1980, Somalia), highlighting key moments and innovations in the trajectory of this prolific and pathbreaking artist. Uman’s distinct visual vocabulary first emerges in early paintings, collages, and drawings, then expands into large-scale and densely layered compositions. Always, her process is one of constant working and reworking to enliven a primary set of signs, symbols, colors and textures.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected]. For more information, call 845-758-7406, or e-mail [email protected].
Hessel Museum of Art, CCS Bard Uman: In Between presents a solo exhibition exploring over two decades of creative practice by the painter Uman, marking the pathbreaking artist’s most comprehensive survey to date. Featuring more than 100 works, the exhibition will trace the evolution of Uman’s prolific painting practice from the intimate portraits she made in the 2000s to the commanding images she creates today, including two new murals developed for the exhibition.
Uman: In Between is organized by CCS Bard’s Hessel Museum of Art and curated by Lauren Cornell. More exhibition info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Sunday, August 30, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Runs through Wednesday, June 23, 2027 7:30–8:30 pm
Olin Language Center, Room 115 Narcotics Anonymous meeting: This meeting is intended for people who are looking for support, community, or to learn more about addiction. Open to everyone! Olin Language Center, Room 115, 7:30 pm – 8:30 pm For more information, call 845-758-6822, or e-mail [email protected].
Replica of a Chip: The Weaving Technology of Marilou Schultz
Runs through Sunday, November 29, 2026 2–5 pm
CCS Bard Hessel Museum of Art Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected].
CCS Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists.
CCS Bard Hessel Museum of Art In Between provides a glimpse into two decades of art by Uman (b. 1980, Somalia), highlighting key moments and innovations in the trajectory of this prolific and pathbreaking artist. Uman’s distinct visual vocabulary first emerges in early paintings, collages, and drawings, then expands into large-scale and densely layered compositions. Always, her process is one of constant working and reworking to enliven a primary set of signs, symbols, colors and textures.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected]. For more information, call 845-758-7406, or e-mail [email protected].
Runs through Wednesday, June 23, 2027 7:30–8:30 pm
Olin Language Center, Room 115 Narcotics Anonymous meeting: This meeting is intended for people who are looking for support, community, or to learn more about addiction. Open to everyone! Olin Language Center, Room 115, 7:30 pm – 8:30 pm For more information, call 845-758-6822, or e-mail [email protected].
Replica of a Chip: The Weaving Technology of Marilou Schultz
Runs through Sunday, November 29, 2026 2–5 pm
CCS Bard Hessel Museum of Art Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected].
CCS Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists.
CCS Bard Hessel Museum of Art In Between provides a glimpse into two decades of art by Uman (b. 1980, Somalia), highlighting key moments and innovations in the trajectory of this prolific and pathbreaking artist. Uman’s distinct visual vocabulary first emerges in early paintings, collages, and drawings, then expands into large-scale and densely layered compositions. Always, her process is one of constant working and reworking to enliven a primary set of signs, symbols, colors and textures.
Opening Reception, Saturday, June 27, 2pm - 5pm Limited free seating is available on a roundtrip chartered bus from New York City for the June 27 opening. Reservations are required and can be made on this by calling +1 845-758-7598 or emailing Mary Rozell at [email protected]. For more information, call 845-758-7406, or e-mail [email protected].
Hessel Museum of Art, CCS Bard Uman: In Between presents a solo exhibition exploring over two decades of creative practice by the painter Uman, marking the pathbreaking artist’s most comprehensive survey to date. Featuring more than 100 works, the exhibition will trace the evolution of Uman’s prolific painting practice from the intimate portraits she made in the 2000s to the commanding images she creates today, including two new murals developed for the exhibition.
Uman: In Between is organized by CCS Bard’s Hessel Museum of Art and curated by Lauren Cornell. More exhibition info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Saturday, August 1, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Singer-songwriter and Kingston local Al Olender makes her Spiegeltent debut performing songs from her tender new album, The Worrier. Olender tries to grasp the brief, beautiful moments that make up our lives in slow motion—but finds that the tighter she holds on, the more they dissolve into a soupy blur. Change may be our only constant, but The Worrier lingers in the now, capturing the anxieties of an ever-moving world with sweet, silly sincerity. Exploring anxiety, sexuality, and anarchy—both within herself and across her relationships—Olender’s acoustic, blues-tinged melodies trace the butterflies of first crushes, the gut-punching weight of responsibility, and the eternal romance of friendship, never shying away from staring the truth straight in the face.
Hessel Museum of Art, CCS Bard Uman: In Between presents a solo exhibition exploring over two decades of creative practice by the painter Uman, marking the pathbreaking artist’s most comprehensive survey to date. Featuring more than 100 works, the exhibition will trace the evolution of Uman’s prolific painting practice from the intimate portraits she made in the 2000s to the commanding images she creates today, including two new murals developed for the exhibition.
Uman: In Between is organized by CCS Bard’s Hessel Museum of Art and curated by Lauren Cornell. More exhibition info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Sunday, August 2, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
“Bard has become a haven for important operas.” —The New York Times
A hypnotic blend of myth, melodrama, and psychological intrigue, Richard Strauss’s seldom heard The Egyptian Helen (Die ägyptische Helena) receives a lavish, rare U.S. staging at Bard SummerScape.
Strauss and librettist Hugo von Hofmannsthal reimagine the Helen myth, set in the aftermath of the Trojan War, as a tale of doubling: a phantom Helen returns to Troy, while the real, faithful Helen has been spirited away from harm. The vengeful husband, Menelaus, surrenders to love; the unfaithful Helen renews her devotion. The opera unfolds as a rich exploration of the complexities and contradictions of love, sexuality, and marriage.
Director Christian Räth (Meyerbeer’s Le prophète, Strauss’s The Silent Woman, Korngold’s The Miracle of Heliane) returns for his fourth Bard SummerScape to helm a full production of this neglected Strauss masterpiece. In Räth’s visionary staging, the mystical sorceress Aithra becomes the director of Helen and Menelaus’s story, seeing Helen as her alter ego and transforming the opera into a prism of fame, fantasy, and the creation of identity.
Making her SummerScape debut, the “compelling” (The New York Times) soprano Ambur Braid makes her role debut as Helena, joined by SummerScape Opera favorites: the “incredible” (OperaWire) tenor John Matthew Myers (Smetana’s Dalibor) as Menelaus and the “bright and earnest” (The New York Times) soprano Jana McIntyre (Strauss’s The Silent Woman) as Aithra. Anchored by the American Symphony Orchestra under the baton of Maestro Leon Botstein, this production continues Bard’s decades-long tradition of showcasing rare operatic gems with artists of the highest caliber.
Hessel Museum of Art, CCS Bard Uman: In Between presents a solo exhibition exploring over two decades of creative practice by the painter Uman, marking the pathbreaking artist’s most comprehensive survey to date. Featuring more than 100 works, the exhibition will trace the evolution of Uman’s prolific painting practice from the intimate portraits she made in the 2000s to the commanding images she creates today, including two new murals developed for the exhibition.
Uman: In Between is organized by CCS Bard’s Hessel Museum of Art and curated by Lauren Cornell. More exhibition info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Wednesday, August 5, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Hessel Museum of Art, CCS Bard Uman: In Between presents a solo exhibition exploring over two decades of creative practice by the painter Uman, marking the pathbreaking artist’s most comprehensive survey to date. Featuring more than 100 works, the exhibition will trace the evolution of Uman’s prolific painting practice from the intimate portraits she made in the 2000s to the commanding images she creates today, including two new murals developed for the exhibition.
Uman: In Between is organized by CCS Bard’s Hessel Museum of Art and curated by Lauren Cornell. More exhibition info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Thursday, August 6, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Gilson Place; Library Rd on the east side of New Annandale Rd A weekly offering of the season's finest fresh vegetables, herbs, mushrooms, maple syrup and flowers, all student grown on Bard's campus. In addition, local meat and eggs are available . . . Find us on Library Rd on the east side of New Annandale Rd (north end of Kline parking lot) between Gilson Place and Kappa House.; Gilson Place, 12:00 pm to 5:00 pm.
In the event of rain and extreme weather conditions, the market will be held at Bard's Campus Center 30 Ravine Rd.Sponsored by: Bard Farm.
For more information, call 518-653-6118, or e-mail [email protected].
The Onlies are a longstanding collective of young friends defining a powerful new generation of stringband music. Described as “the best old-time stringband out there” (Songlines), they “make old-time music sound fuller and richer and more dense than most bands of a similar ilk” (Bandcamp Daily). Their music moves with a pulsating drive, sharp arrangements, and rich vibration—it resounds with the present.
Hessel Museum of Art, CCS Bard Uman: In Between presents a solo exhibition exploring over two decades of creative practice by the painter Uman, marking the pathbreaking artist’s most comprehensive survey to date. Featuring more than 100 works, the exhibition will trace the evolution of Uman’s prolific painting practice from the intimate portraits she made in the 2000s to the commanding images she creates today, including two new murals developed for the exhibition.
Uman: In Between is organized by CCS Bard’s Hessel Museum of Art and curated by Lauren Cornell. More exhibition info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Friday, August 7, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Before the opening night concert, celebrate the official start of the Bard Music Festival at the magnificent and picturesque 1916 Ward Manor House. Take in expansive views of the Catskill Mountains and Bard’s new Performing Arts Lab, designed by Maya Lin, while enjoying a savory spread as the 36th Bard Music Festival kicks off.
The 36th Bard Music Festival launches with Program One, “The Many Facets of Mozart.” Harnessing Bard’s unusual ability to integrate orchestral, vocal, and chamber works within a single event, this program will be presented with commentary by Leon Botstein. Devoted entirely to Mozart’s own music, it spans the breadth of the composer’s short career, from the pioneering four-hands duet he wrote as a teenager to Eine kleine deutsche Kantate, a work reflecting his commitment to Freemasonry, written shortly before his death. Other featured works include the masterly Quintet in E-flat for Piano and Winds, which he famously considered his best composition; Ch’io mi scordi di te?, the virtuosic opera aria-cum-piano concerto that he performed with The Marriage of Figaro’s first Susanna; the popular Sinfonia concertante in E-flat, which showcases his solo string writing; and his delightful “Paris” Symphony, composed in the French capital during the final years of the Ancien Regime.
Grab some vodka, a blueberry smoothie, or some ginger ale and join Vivian Bond and her band for an evening of music to lose your gay virginity by—featuring songs from the soundtrack of Heated Rivalry, and soundtrack-adjacent numbers.
Pucker up for your rookie season. Don’t go back to Russia! Don’t be boring.
Hessel Museum of Art, CCS Bard Uman: In Between presents a solo exhibition exploring over two decades of creative practice by the painter Uman, marking the pathbreaking artist’s most comprehensive survey to date. Featuring more than 100 works, the exhibition will trace the evolution of Uman’s prolific painting practice from the intimate portraits she made in the 2000s to the commanding images she creates today, including two new murals developed for the exhibition.
Uman: In Between is organized by CCS Bard’s Hessel Museum of Art and curated by Lauren Cornell. More exhibition info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Saturday, August 8, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Program Two, “Fathers and Sons,” helps contextualize Mozart among his older contemporaries. His first significant violin sonata (K296), the first of his Viennese Quartets, and several of his earliest arias and songs will be heard alongside violin duets by his father and primary teacher, Leopold Mozart, a composer-violinist who authored a seminal treatise on his instrument; the “Sonata d’intavolatura” for keyboard by prominent Italian composer Giovanni Battista Martini, who mentored Mozart as a child; the Sextet in C by Johann Christian Bach, a student of Martini’s known as the “London” Bach, who greatly influenced Mozart; and the sixth “Prussian Sonata” by J. C. Bach’s half-brother Carl Philipp Emanuel Bach, a leading proponent of Empfindsamkeit (“sensitive style”), whom Mozart held in especially high regard, saying: “He is the father, we are the children.”
Mozart enjoyed immense popularity and personal happiness in Prague, famously declaring, “My Praguers understand me.” Marking the festival’s first all-orchestral concert, Program Three, “Mozart and Prague,” celebrates his special bond with the city. Works by his older Bohemian contemporaries Christoph Willibald Gluck and Josef Mysliveček, a one-time Mozart family friend who served as something of a model for the younger composer, will be heard alongside Mozart’s own “Prague” Symphony and the overture to his opera seria The Clemency of Titus (“La clemenza di Tito”), a work commissioned for Emperor Leopold II’s coronation in the city. Other featured works include Mozart’s first wholly original piano concerto, the Fifth, which he wrote at 17 and continued performing and revising throughout his career, and his beloved motet Exsultate, jubilate.
Grab some vodka, a blueberry smoothie, or some ginger ale and join Vivian Bond and her band for an evening of music to lose your gay virginity by—featuring songs from the soundtrack of Heated Rivalry, and soundtrack-adjacent numbers.
Pucker up for your rookie season. Don’t go back to Russia! Don’t be boring.
Hessel Museum of Art, CCS Bard Uman: In Between presents a solo exhibition exploring over two decades of creative practice by the painter Uman, marking the pathbreaking artist’s most comprehensive survey to date. Featuring more than 100 works, the exhibition will trace the evolution of Uman’s prolific painting practice from the intimate portraits she made in the 2000s to the commanding images she creates today, including two new murals developed for the exhibition.
Uman: In Between is organized by CCS Bard’s Hessel Museum of Art and curated by Lauren Cornell. More exhibition info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Sunday, August 9, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Program Four • Theatrical Life in Vienna: Hanswurst, Leporello, and Papageno
Sunday, August 9, 2026 11 am – 12 pm
Olin Hall
In a thoughtfully curated concert with commentary, Program Four, “Theatrical Life in Vienna: Hanswurst, Leporello, and Papageno,” scholar Lisa de Alwis investigates the popular Viennese theater traditions that inspired two of Mozart’s best-loved comic characters: Don Giovanni’s Leporello and The Magic Flute’s Papageno. The prototype for both roles was Hanswurst (“Jack Sausage”), a crafty but simple stock character, used for comic relief. Selections will be heard from The Philosopher’s Stone (“Der Stein der Weisen”), a Singspiel based on the same fairy tales as The Magic Flute, and collaboratively created by the same team, with music by Mozart in tandem with Emanuel Schikaneder (The Magic Flute’s commissioner, librettist, and first Papageno), Benedikt Schack (its first Tamino), Franz Xaver Gerl (its first Sarastro), and Johann Baptist Henneberg (its first conductor). Other excerpted works include The Nymph of the Danube (“Das Donauweibchen”), one of the most popular operas of the day, by the prolific Austrian composer Ferdinand Kauer.
The Habsburg Emperor Joseph II pitted Mozart against his Italian peers in two historic contests, both brought back to life in Program Five, “Rivalries and Conspiracies.” On the first such occasion, the emperor invited Mozart and pianist-composer Muzio Clementi, then newly arrived from Italy, to compete at the piano. Clementi played his own virtuosic B-flat-major Sonata, and Mozart responded by improvising a set of variations on a theme from André Grétry’s Les mariages samnites. Both pianists were then challenged to sightread music by Giovanni Paisiello, another Italian rival, after which — despite privately collecting on a bet in Mozart’s favor — Joseph II officially declared the duel a draw. Five years later, he commissioned Mozart and the Imperial Court Composer Antonio Salieri to write one-act operas on the same subject for a contest at Vienna’s vast Schönbrunn Palace, where Salieri’s Prima la musica, poi le parole (“First the Music, then the Words”) and Mozart’s Der Schauspieldirektor (“The Impresario”) premiered back-to-back before a court audience, tasked to choose between them. Keen to promote a German-language Singspiel tradition, Joseph II hoped that Mozart’s offering would prevail, but it was Salieri’s fashionable Italian opera buffa that won the day.
Grab some vodka, a blueberry smoothie, or some ginger ale and join Vivian Bond and her band for an evening of music to lose your gay virginity by—featuring songs from the soundtrack of Heated Rivalry, and soundtrack-adjacent numbers.
Pucker up for your rookie season. Don’t go back to Russia! Don’t be boring.
Hessel Museum of Art, CCS Bard Uman: In Between presents a solo exhibition exploring over two decades of creative practice by the painter Uman, marking the pathbreaking artist’s most comprehensive survey to date. Featuring more than 100 works, the exhibition will trace the evolution of Uman’s prolific painting practice from the intimate portraits she made in the 2000s to the commanding images she creates today, including two new murals developed for the exhibition.
Uman: In Between is organized by CCS Bard’s Hessel Museum of Art and curated by Lauren Cornell. More exhibition info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Wednesday, August 12, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
This program offers a sampling of Mozart’s sacred music, dating from God is Our Refuge, a motet composed at just nine years old, to his Ave verum corpus. These will be heard alongside Gregorio Allegri’s haunting Miserere, a work strictly guarded by the Vatican until Mozart transcribed it from memory as a child; J. S. Bach’s funeral motet Fürchte dich nicht; an Epiphany anthem by Mozart’s student Thomas Attwood, the organist of London’s St. Paul’s Cathedral; and liturgical choral works by Joseph Haydn, with whom Mozart shared a close friendship and deep-seated mutual reverence.
Hessel Museum of Art, CCS Bard Uman: In Between presents a solo exhibition exploring over two decades of creative practice by the painter Uman, marking the pathbreaking artist’s most comprehensive survey to date. Featuring more than 100 works, the exhibition will trace the evolution of Uman’s prolific painting practice from the intimate portraits she made in the 2000s to the commanding images she creates today, including two new murals developed for the exhibition.
Uman: In Between is organized by CCS Bard’s Hessel Museum of Art and curated by Lauren Cornell. More exhibition info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Thursday, August 13, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Gilson Place; Library Rd on the east side of New Annandale Rd A weekly offering of the season's finest fresh vegetables, herbs, mushrooms, maple syrup and flowers, all student grown on Bard's campus. In addition, local meat and eggs are available . . . Find us on Library Rd on the east side of New Annandale Rd (north end of Kline parking lot) between Gilson Place and Kappa House.; Gilson Place, 12:00 pm to 5:00 pm.
In the event of rain and extreme weather conditions, the market will be held at Bard's Campus Center 30 Ravine Rd.Sponsored by: Bard Farm.
For more information, call 518-653-6118, or e-mail [email protected].
Big Richard delivers ferocious, unapologetic acoustic music with big energy and even bigger chops. Their live shows are raucous, emotional, and irreverent—mixing ripping instrumentals, dark humor, and raw, socially charged songs. Their new album Pet, out now on Signature Sounds, was recorded live to tape to capture the chaos and catharsis that define their performances.
Program Six • I live with God ever before me: Mozart’s Religion
Thursday, August 13, 2026 7–8 pm
Church of the Messiah, Rhinebeck
Following the past three seasons’ sold-out concerts in nearby Rhinebeck, the Bard Music Festival returns off-campus for Program Six, “I live with God ever before me: Mozart’s Religion.” Featuring James Bagwell, the Bard Festival Chorale, and the renovated organ of the Episcopal Church of the Messiah, this program presents a sampling of Mozart’s own sacred music, dating from God is Our Refuge, a motet composed at just nine years old, to a late work commissioned for the musical clock at a wax museum, by way of two Church Sonatas and the dramatic liturgical psalm settings of his Vesperae solennes de Confessore. These will be heard alongside the original, less familiar version of Gregorio Allegri’s haunting Miserere, a work strictly guarded by the Vatican until Mozart transcribed it from memory as a child; J. S. Bach’s funeral motet Fürchte dich nicht; the fourth Chandos Anthem by George Frideric Handel, whom Mozart held in particularly high esteem; an Epiphany anthem by his student Thomas Attwood, the organist of London’s St. Paul’s Cathedral; and the Missa brevis in F, a major liturgical choral work by Joseph Haydn, with whom Mozart shared a close friendship and deep-seated mutual reverence.
Hessel Museum of Art, CCS Bard Uman: In Between presents a solo exhibition exploring over two decades of creative practice by the painter Uman, marking the pathbreaking artist’s most comprehensive survey to date. Featuring more than 100 works, the exhibition will trace the evolution of Uman’s prolific painting practice from the intimate portraits she made in the 2000s to the commanding images she creates today, including two new murals developed for the exhibition.
Uman: In Between is organized by CCS Bard’s Hessel Museum of Art and curated by Lauren Cornell. More exhibition info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Friday, August 14, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Mozart was similarly close to Haydn’s less well-remembered younger brother Michael Haydn, then a successful composer whose Requiem, partly inspired by the death of his infant daughter, would influence Mozart’s own. After opening with Mozart’s somber Masonic Funeral Music in C minor, Program Seven, “Beauty, Charity, and Reason,” complements Michael Haydn’s Mass with two of Mozart’s own religious choral works, both of which draw on his devotion to Freemasonry. Scored for male voices and orchestra, the cantata Laut verkünde unsre Freude was written for the dedication of a Masonic temple and represents Mozart’s last completed work. The program concludes with an all-too-rare live account of his Davidepenitente, a cantata combining a specially created cadenza and two new arias with original text settings of his personally selected highlights from the unfinished Great Mass in C minor.
Lauded drag storyteller BenDeLaCreme is well known for her critically acclaimed multimedia solo works and glitzy camp productions. This time around, she is ready to lay it bare. For the very first time, DeLa is dropping the trappings and trimmings and doing her most hilariously candid personal work yet. It’s DeLa unplugged; an intimate evening with the campiest of queens. Join DeLa as she reveals her vulnerable side for the very first time, moving past the superficial outer self to explore the superficial self within.
How can an evening of camp, song, and storytelling crack at your funny bone and hit you in the heart? Forbes said it best—“keeping you entertained while making you think about your place in the world is all a part of the BenDeLaCreme experience.” Billboard says DeLa “soars past entertainment and into the realm of theatrical art.” TheaterMania calls her work “spectacular… helping to redefine what cabaret can be: an intoxicating cocktail of high, low, topical, and timeless.”
Hessel Museum of Art, CCS Bard Uman: In Between presents a solo exhibition exploring over two decades of creative practice by the painter Uman, marking the pathbreaking artist’s most comprehensive survey to date. Featuring more than 100 works, the exhibition will trace the evolution of Uman’s prolific painting practice from the intimate portraits she made in the 2000s to the commanding images she creates today, including two new murals developed for the exhibition.
Uman: In Between is organized by CCS Bard’s Hessel Museum of Art and curated by Lauren Cornell. More exhibition info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Saturday, August 15, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Bard’s next chamber concert, Program Eight, “The Pinnacle of Achievement,” celebrates the music of Mozart and Joseph Haydn, when both were in their prime. Featured works include Mozart’s String Quintet in G minor, a profound, dark-hued masterpiece, written during his father’s final illness; several of Mozart’s finest lieder; and his Piano Concerto No. 24 in C minor, perhaps the greatest of his concertos, in the chamber arrangement to which he gave his blessing, by his student Johann Nepomuk Hummel. Known for good reason as the “Father of the String Quartet,” the elder Haydn brother is represented by the third of his “Russian” quartets, a mature work nicknamed “The Joke,” and perhaps one of those that inspired the six that Mozart dedicated to him.
Gather together for a picnic as the Bard Music Festival draws to a close. Nestled perfectly between two Bard Music Festival concerts and before the final Spiegeltent show of the season, the afternoon will include delightful music, good cheer, and picnic meals to order.
Mozart’s Concerto for Two Pianos and his sophisticated “Linz” Symphony, composed in just four days, are two of the composer’s mature orchestral works. Program Nine, “Friends, Family, and Students,” presents them alongside examples by those within his inner circle: the Overture to Der Schulkandidat by his close friend Maria Theresia von Paradis, a musician who lost her sight at an early age; the festive Symphony in C by Marianna Martines, at whose musical soirées he was a frequent guest; the Overture in D by Franz Xaver Wolfgang Mozart, his youngest child, born just four months before his death, who went on to study with Salieri and Hummel; and the “Turkish” Symphony by Franz Xaver Süssmayr, the friend, student, and assistant of Mozart’s, who is best-remembered for his posthumous completion of the latter’s Requiem.
Lauded drag storyteller BenDeLaCreme is well known for her critically acclaimed multimedia solo works and glitzy camp productions. This time around, she is ready to lay it bare. For the very first time, DeLa is dropping the trappings and trimmings and doing her most hilariously candid personal work yet. It’s DeLa unplugged; an intimate evening with the campiest of queens. Join DeLa as she reveals her vulnerable side for the very first time, moving past the superficial outer self to explore the superficial self within.
How can an evening of camp, song, and storytelling crack at your funny bone and hit you in the heart? Forbes said it best—“keeping you entertained while making you think about your place in the world is all a part of the BenDeLaCreme experience.” Billboard says DeLa “soars past entertainment and into the realm of theatrical art.” TheaterMania calls her work “spectacular… helping to redefine what cabaret can be: an intoxicating cocktail of high, low, topical, and timeless.”
Hessel Museum of Art, CCS Bard Uman: In Between presents a solo exhibition exploring over two decades of creative practice by the painter Uman, marking the pathbreaking artist’s most comprehensive survey to date. Featuring more than 100 works, the exhibition will trace the evolution of Uman’s prolific painting practice from the intimate portraits she made in the 2000s to the commanding images she creates today, including two new murals developed for the exhibition.
Uman: In Between is organized by CCS Bard’s Hessel Museum of Art and curated by Lauren Cornell. More exhibition info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Sunday, August 16, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Program Ten • A Lasting Influence: Mozart’s Legacy
Sunday, August 16, 2026 11:30 am – 12:30 pm
Olin Hall
A master of all genres who revolutionized the opera and concerto forms, Mozart was instrumental in shaping the trajectory of Western concert music. Rather than attempting to capture the full scope of this singular impact, Program Ten, “A Lasting Influence: Mozart’s Legacy,” pairs Mozart’s unfinished, posthumously discovered D-minor Fantasia — a dark but well-loved masterpiece — with some of those of his peers’ and successors’ works that he inspired most directly. These include variations on a Papageno aria by Beethoven, on whose early career Mozart exerted a powerful influence; variations on a theme from Le nozze di Figaro by Beethoven’s friend, the Bohemian-born composer-theorist Anton Reicha; the formidably demanding piano fantasy on themes from Don Giovanni by Franz Liszt, who considered Mozart “the greatest of all masters”; selections from the piano arrangement of Pyotr Ilyich Tchaikovsky’s Mozartiana, composed to mark the centennial of Don Giovanni; and the virtuosic concert fantasy on themes from The Magic Flute by Spanish violinist-composer Pablo de Sarasate. Finally, the String Sextet from Capriccio by Richard Strauss—the composer of this season’s SummerScape opera, The Egyptian Helen, and one in whom Mozart’s influence ran especially deep—offers a modern reflection on the Classical, Mozartean ideals of beauty and structural balance in a nostalgic 18th-century setting.
Program Eleven • “Too beautiful”: Mozart’s Abduction from the Seraglio
Sunday, August 16, 2026 3–4 pm
Fisher Center, Sosnoff Theater
Mozart was commissioned to write The Abduction from the Seraglio (“Die Entführung aus dem Serail”) by Joseph II, who hoped to promote a German-language National Singspiel to rival Italian opera. An immediate success at its premiere, the work established Mozart’s reputation and remained one of the greatest successes of his career. The Abduction is the story of a Spanish nobleman and his fiancée. She and their two servants have been kidnapped by pirates and sold into the harem of a Turkish Pasha. Using intrigue and disguises to outwit their overseer, the lovers plot an escape. However, it is only when the pasha reveals unexpected nobility, choosing mercy over revenge, that the four regain their freedom. This story reflects the fascination that Turkey held for Mozart and his Viennese contemporaries, for whom the Ottoman Empire was not only a key cultural influence but also—in the long shadow of the Ottoman–Habsburg wars—a remembered military threat. Imagining the Ottoman world through Western eyes, the work is imbued with Orientalism, from Mozart’s approximation of Turkish music, loosely based on that of the famous Janissary marching bands, to exoticized characters like the buffoonishly brutal overseer. Yet the opera also complicates such stereotypes: the pasha’s final act of clemency gave Viennese audiences an Enlightenment lesson, presenting virtue as a universal trait and using the imagined East to critique Western cruelty. With its emphasis on historical scholarship and ability to provide a “rich web of context” (The New York Times), Bard is uniquely well-placed to explore these contradictions, when Botstein, the ASO, and the Bard Festival Chorale take part in a semi-staged concert performance of the opera. This forms Program Eleven, “Too beautiful”*: Mozart’s Abduction from the Seraglio, which draws the Bard Music Festival—and all seven weeks of Bard SummerScape—to a gripping close.
Hessel Museum of Art, CCS Bard Uman: In Between presents a solo exhibition exploring over two decades of creative practice by the painter Uman, marking the pathbreaking artist’s most comprehensive survey to date. Featuring more than 100 works, the exhibition will trace the evolution of Uman’s prolific painting practice from the intimate portraits she made in the 2000s to the commanding images she creates today, including two new murals developed for the exhibition.
Uman: In Between is organized by CCS Bard’s Hessel Museum of Art and curated by Lauren Cornell. More exhibition info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Wednesday, August 19, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Hessel Museum of Art, CCS Bard Uman: In Between presents a solo exhibition exploring over two decades of creative practice by the painter Uman, marking the pathbreaking artist’s most comprehensive survey to date. Featuring more than 100 works, the exhibition will trace the evolution of Uman’s prolific painting practice from the intimate portraits she made in the 2000s to the commanding images she creates today, including two new murals developed for the exhibition.
Uman: In Between is organized by CCS Bard’s Hessel Museum of Art and curated by Lauren Cornell. More exhibition info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Thursday, August 20, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Gilson Place; Library Rd on the east side of New Annandale Rd A weekly offering of the season's finest fresh vegetables, herbs, mushrooms, maple syrup and flowers, all student grown on Bard's campus. In addition, local meat and eggs are available . . . Find us on Library Rd on the east side of New Annandale Rd (north end of Kline parking lot) between Gilson Place and Kappa House.; Gilson Place, 12:00 pm to 5:00 pm.
In the event of rain and extreme weather conditions, the market will be held at Bard's Campus Center 30 Ravine Rd.Sponsored by: Bard Farm.
For more information, call 518-653-6118, or e-mail [email protected].
Hessel Museum of Art, CCS Bard Uman: In Between presents a solo exhibition exploring over two decades of creative practice by the painter Uman, marking the pathbreaking artist’s most comprehensive survey to date. Featuring more than 100 works, the exhibition will trace the evolution of Uman’s prolific painting practice from the intimate portraits she made in the 2000s to the commanding images she creates today, including two new murals developed for the exhibition.
Uman: In Between is organized by CCS Bard’s Hessel Museum of Art and curated by Lauren Cornell. More exhibition info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Friday, August 21, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Arrival Day, Check-in, and Financial Clearance for All New Transfer Students
Friday, August 21, 2026 9 am – 12 pm
Reem-Kayden Center (Check in with the Deans of Students, Dean of Studies, Residence Life, Health Services, and the Center for Civic Engagement as your first stop before launching into an activity-filled move-in and orientation period. Use this period to get your student ID and parking permit, if applicable)Sponsored by: Registrar's Office.
Hessel Museum of Art, CCS Bard Uman: In Between presents a solo exhibition exploring over two decades of creative practice by the painter Uman, marking the pathbreaking artist’s most comprehensive survey to date. Featuring more than 100 works, the exhibition will trace the evolution of Uman’s prolific painting practice from the intimate portraits she made in the 2000s to the commanding images she creates today, including two new murals developed for the exhibition.
Uman: In Between is organized by CCS Bard’s Hessel Museum of Art and curated by Lauren Cornell. More exhibition info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Saturday, August 22, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Hessel Museum of Art, CCS Bard Uman: In Between presents a solo exhibition exploring over two decades of creative practice by the painter Uman, marking the pathbreaking artist’s most comprehensive survey to date. Featuring more than 100 works, the exhibition will trace the evolution of Uman’s prolific painting practice from the intimate portraits she made in the 2000s to the commanding images she creates today, including two new murals developed for the exhibition.
Uman: In Between is organized by CCS Bard’s Hessel Museum of Art and curated by Lauren Cornell. More exhibition info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Sunday, August 23, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Hessel Museum of Art, CCS Bard Uman: In Between presents a solo exhibition exploring over two decades of creative practice by the painter Uman, marking the pathbreaking artist’s most comprehensive survey to date. Featuring more than 100 works, the exhibition will trace the evolution of Uman’s prolific painting practice from the intimate portraits she made in the 2000s to the commanding images she creates today, including two new murals developed for the exhibition.
Uman: In Between is organized by CCS Bard’s Hessel Museum of Art and curated by Lauren Cornell. More exhibition info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Wednesday, August 26, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Hessel Museum of Art, CCS Bard Uman: In Between presents a solo exhibition exploring over two decades of creative practice by the painter Uman, marking the pathbreaking artist’s most comprehensive survey to date. Featuring more than 100 works, the exhibition will trace the evolution of Uman’s prolific painting practice from the intimate portraits she made in the 2000s to the commanding images she creates today, including two new murals developed for the exhibition.
Uman: In Between is organized by CCS Bard’s Hessel Museum of Art and curated by Lauren Cornell. More exhibition info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Thursday, August 27, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Gilson Place; Library Rd on the east side of New Annandale Rd A weekly offering of the season's finest fresh vegetables, herbs, mushrooms, maple syrup and flowers, all student grown on Bard's campus. In addition, local meat and eggs are available . . . Find us on Library Rd on the east side of New Annandale Rd (north end of Kline parking lot) between Gilson Place and Kappa House.; Gilson Place, 12:00 pm to 5:00 pm.
In the event of rain and extreme weather conditions, the market will be held at Bard's Campus Center 30 Ravine Rd.Sponsored by: Bard Farm.
For more information, call 518-653-6118, or e-mail [email protected].
Hessel Museum of Art, CCS Bard Uman: In Between presents a solo exhibition exploring over two decades of creative practice by the painter Uman, marking the pathbreaking artist’s most comprehensive survey to date. Featuring more than 100 works, the exhibition will trace the evolution of Uman’s prolific painting practice from the intimate portraits she made in the 2000s to the commanding images she creates today, including two new murals developed for the exhibition.
Uman: In Between is organized by CCS Bard’s Hessel Museum of Art and curated by Lauren Cornell. More exhibition info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Friday, August 28, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Hessel Museum of Art, CCS Bard Uman: In Between presents a solo exhibition exploring over two decades of creative practice by the painter Uman, marking the pathbreaking artist’s most comprehensive survey to date. Featuring more than 100 works, the exhibition will trace the evolution of Uman’s prolific painting practice from the intimate portraits she made in the 2000s to the commanding images she creates today, including two new murals developed for the exhibition.
Uman: In Between is organized by CCS Bard’s Hessel Museum of Art and curated by Lauren Cornell. More exhibition info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Saturday, August 29, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Hessel Museum of Art, CCS Bard Uman: In Between presents a solo exhibition exploring over two decades of creative practice by the painter Uman, marking the pathbreaking artist’s most comprehensive survey to date. Featuring more than 100 works, the exhibition will trace the evolution of Uman’s prolific painting practice from the intimate portraits she made in the 2000s to the commanding images she creates today, including two new murals developed for the exhibition.
Uman: In Between is organized by CCS Bard’s Hessel Museum of Art and curated by Lauren Cornell. More exhibition info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Sunday, August 30, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
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