Welcome to Inside Bard

10-17-2019: Bard College Asher B. Edelman Professor in the Arts Joan Tower has been honored with one of the music industry’s most prestigious awards: Musical America’s Composer of the Year. “Trained in an era when academic modernism reigned, she developed from a composer of intensely wrought chamber works into a creator of dramatic orchestral music that can only be described as, well, towering,” writes Musical America. The award will be presented at the 59th Annual Musical America Awards ceremony at Carnegie Hall in December.

Tower is widely regarded as one of the most important American composers living today. During a career spanning more than fifty years, she has made lasting contributions to musical life in the United States as composer, performer, conductor, and educator.

She was also recently awarded Chamber Music of America’s Richard J. Bogomolny National Service Award, which recognizes an individual or entity that has made a significant contribution to the ensemble music field on a national level and spanning an entire career. Earlier this year the League of American Orchestras presented Tower with its highest honor, the Gold Baton, at the league’s 74th national conference.

“It has been quite the year for me—three huge awards from the music industry. At 81, its very welcomed!” says Tower. “I’ve also been invited to be inducted into the Classical Music Hall of Fame, and to archive all my works at the Library of Congress, so it’s been a very momentous year.”

Tower has been commissioned by the New York Philharmonic for a new work to debut in a future season. 

She is currently Asher Edelman Professor of Music at Bard College, where she has taught since 1972.

About the Artist

Joan Tower is widely regarded as one of the most important American composers living today. During a career spanning more than fifty years, she has made lasting contributions to musical life in the United States as composer, performer, conductor, and educator. Her works have been commissioned by major ensembles, soloists, and orchestras, including the Emerson, Tokyo, and Muir quartets; soloists Evelyn Glennie, Carol Wincenc, David Shifrin, Paul Neubauer, and John Browning; and the orchestras of Chicago, New York, St. Louis, Pittsburgh, Baltimore, Nashville, Albany NY, and Washington DC among others. In 2019 the League of American Orchestras awarded her its highest honor, the Gold Baton, at the League's 74th national conference. Tower is the first composer chosen for a Ford Made in America consortium commission of sixty-five orchestras. Leonard Slatkin and the Nashville Symphony recorded Made in America in 2008 (along with Tambor and Concerto for Orchestra).
 
The album collected three Grammy awards: Best Contemporary Classical Composition, Best Classical Album, and Best Orchestral Performance. Nashville’s latest all-Tower recording includes Stroke, which received a 2016 Grammy nomination for Best Contemporary Classical Composition. In 1990 she became the first woman to win the prestigious Grawemeyer Award for Silver Ladders, a piece she wrote for the St. Louis Symphony where she was Composer-in-Residence from 1985-88. Other residencies with orchestras include a 10-year residency with the Orchestra of St. Luke’s (1997-2007) and the Pittsburgh Symphony (2010-11). She was the Albany Symphony’s Mentor Composer partner in the 2013-14 season. Tower was cofounder and pianist for the Naumburg Award winning Da Capo Chamber Players from 1970-85. She has received honorary doctorates from Smith College, the New England Conservatory, and Illinois State University. She is Asher Edelman Professor of Music at Bard College, where she has taught since 1972.

10-16-2019:

New Faculty Chairs and Distinguished Professorships include Susan Aberth in Art History, Valeria Luiselli in Written Arts, Kelly Reichardt in Film and Electronic Arts, and An-My Lê in Photography

Bard College has appointed four new chairs and distinguished professorships across disciplines this fall. In the Division of the Arts’ Art History and Visual Culture Program, Susan Aberth has been named Edith C. Blum Professor of Art History. This chair was formerly held by Jean French. In the Division of Languages and Literature’s Written Arts Program, Valeria Luiselli has been named Sadie Samuelson Levy Professor in Languages and Literature. In the Division of the Arts’ Film and Electronic Arts Program, Kelly Reichardt has been named S. William Senfeld Artist in Residence. In the Division of the Arts’ Photography Program, An-My Lê has been named Charles Franklin Kellogg and Grace E. Ramsey Kellogg Professor in the Arts. This chair was formerly held by Peter Hutton.

Susan Aberth is an art historian whose area of specialization is surrealism in Latin America. Aberth’s teaching interests focus on Latin American art, African art, Islamic art, and other religious art and practices. Additional interests include African religious practices in the Americas, and the art and iconography of Freemasonry, Spiritualism, and the occult. In addition to her 2004 book Leonora Carrington: Surrealism, Alchemy and Art (Lund Humphries), she has contributed to Seeking the Marvelous: Ithell Colquhoun, British Women and Surrealism (Fulgur Press, 2020), Agnes Pelton: Desert Transcendentalist (Phoenix Art Museum, 2019), Surrealism, Occultism and Politics: In Search of the Marvelous (Routledge Press, 2018), Leonora Carrington: Cuentos mágicos (Museo de Arte Moderno & INBA, Mexico City, 2018), Unpacking: The Marciano Collection (Delmonico Books, Prestel, 2017), and Leonora Carrington and the International Avant-Garde (Manchester University Press, 2017), as well as to Abraxas: International Journal of Esoteric Studies, Black Mirror, and the Journal of Surrealism of the Americas. She received her BA from the University of California, Los Angeles; MA from the Institute of Fine Arts, New York University; and PhD from The Graduate Center, City University of New York. Aberth has been at Bard since 2000.

Valeria Luiselli is an award-winning writer of fiction and nonfiction whose books are forthcoming and/or published in more than 20 languages. A 2019 recipient of a MacArthur Fellowship, she is the author of the novels Lost Children Archive (2019); The Story of My Teeth (2015), named Best Book in Fiction by the Los Angeles Times and one of the best books of the year by the New York Times, and was a National Book Critics Circle finalist; and Faces in the Crowd (2014), for which she received a National Book Foundation “5 under 35” prize, among other honors. Tell Me How It Ends: An Essay in 40 Question, a nonfiction work published in 2017, won the American Book Award and was a National Book Critics Circle and Kirkus Prize finalist. Other nonfiction publications include “Maps of Harlem,” in Where You Are; and Sidewalks, a collection of essays that was named one of the 10 best books of 2014 by New York. Recent journal, newspaper, and radio work has appeared in the New York Times (“The Littlest Don Quixotes versus the World”), Guardian (“Frida Kahlo and the Birth of Fridolatry”), Outlook Interview Series, BBC World Services (“Undocumented Central American Minors”), Harper’s Trump special (“Terrorist and Alien”), and NPR’s This American Life (“The Questionnaire”), among others. Honors also include an Art for Justice Fellowship (2018–19) and residencies at Under the Volcano, USA-Mexico; Poets House, New York City; and Castello di Fosdinovo, Italy. She previously taught at Hofstra University, City College, the New York University MFA Writing Program in Paris, and Columbia University’s MFA Writing Program. Luiselli founded the Teenage Immigrant Integration Association at Hofstra in 2015, a program that offers continuous support to immigrant and refugee teens through one-on-one English classes, soccer games, and civil rights education. She is a member of PEN America and the Association of Writers and Writing Programs. She received her BA from UNAM in Mexico, and her MA and PhD from Columbia University. She has been at Bard since 2019.

Kelly Reichardt is a filmmaker whose latest film, Certain Women—starring Laura Dern, Michelle Williams, Kristen Stewart, and Lily Gladstone—premiered in 2016 at the Sundance Film Festival and won the top award at the London Film Festival. Her other films include: Night Moves (2013), Meek’s Cutoff (2010), Wendy and Lucy (2008), Old Joy (2006), and River of Grass (1994). Her film First Cow is currently in postproduction. Reichardt has received the United States Artists Fellowship, Guggenheim Fellowship, Anonymous Was a Woman Award, and Renew Media Fellowship. Her work has been screened at the Whitney Biennial (2012), Film Forum, Cannes Film Festival in “un certain regard,” Venice International Film Festival, Sundance Film Festival, Berlin International Film Festival, Toronto International Film Festival, International Film Festival Rotterdam, and BFI London Film Festival. She has had retrospectives at the Anthology Film Archives, Pacific Film Archive, Museum of the Moving Image, Walker Art Center, and American Cinematheque Los Angeles. Reichardt received her BFA from the School of the Museum of Fine Arts, Tufts University. She has taught at Bard College since 2006.

An-My Lê is a photographer who was born in Saigon, Vietnam, in 1960, but left that country during the final year of the war in 1975 and subsequently found a home as a political refugee in the United States. She received an MFA from Yale University in 1993. Her film and photography examine the effects and representation of war and have included the documentation of (and participation in) Vietnam War reenactments in South Carolina. She has received fellowships from the MacArthur Foundation, Guggenheim Memorial Foundation, and New York Foundation for the Arts, and has had exhibitions at the Museum of Modern Art, the International Center of Photography, and MoMA PS1. An-My has been teaching at Bard since 1999.

10-08-2019: On Monday, October 7, four cadets from the United States Military Academy at West Point joined four members of the Bard Debate Union for a public debate on whether the U.S. prison system should be abolished or reformed. The debate served as an opening event for the annual Hannah Arendt Center Conference, "Racism and Antisemitism," which takes place Thursday and Friday, October 10–11. West Point argued in favor of prison reform, while the Bard team argued in favor of abolishing prisons, drawing upon key arguments about institutionalized racism and criminal justice from Michelle Alexander's The New Jim Crow: Mass Incarceration in the Age of Colourblindness.

The debate was moderated by Dyjuan Tatro '18, a Bard alumnus who began his college career with the Bard Prison Initiative while incarcerated, completed his degree at Bard College in Annandale, and now serves as BPI's government affairs and advancement officer. Dyjuan was also a member of the famous BPI Debate Union team that defeated Harvard in 2015 and is featured in the upcoming PBS documentary College Behind Bars, directed by Lynn Novick and executive produced by Ken Burns. This four-part series follows a dedicated group of BPI students as they pursue their educations while incarcerated. The film is currently in previews and will air and stream on PBS on November 25 and 26.
 
Read Article 16287 >>

10-08-2019: James Beard Award–winning Chef Sean Sherman, Oglala Lakota from the Pine Ridge reservation and founder of the company The Sioux Chef, is committed to revitalizing Native American cuisine. Chef Sean comes to the Fisher Center to discuss The (R)evolution of Indigenous Food Systems of North America, Tuesday, October 29, in the LUMA Theater at 5 p.m. The talk will be followed by a question and answer period and book signing. Admission is free; to reserve tickets and for additional information visit fishercenter.bard.edu or call the Fisher Center box office at 845-758-7900.

Through his research Chef Sean has uncovered and mapped out the foundations of the indigenous food systems through an indigenous perspective. His book, The Sioux Chef’s Indigenous Kitchen, earned a 2018 James Beard Award and was a top 10 cookbook of 2017. He has become renowned nationally and internationally in the culinary movement of indigenous foods and is leading a movement to completely redefine North American cuisine.

Copies of The Sioux Chef’s Indigenous Kitchen will be available for purchase in the lobby of LUMA Theater courtesy of Oblong Books. In addition, Ken Greene from Seedshed will be showcasing Haudenosaunee crops grown in the Native American Seed Sanctuary, a collaborative initiative with the St. Regis Mohawk tribe Seedshed and The Hudson Valley Farm Hub.

This event is sponsored by Bard College’s Center for the Study of Land, Air and Water, American Studies, Environmental and Urban Studies, Bard Farm, Bard Office of  Sustainability, Experimental Humanities, The Bard Center for Civic Engagement, Trustee Leader Scholar Program, and Oblong Books. The Fisher Center’s presentation of the event is in tandem with the upcoming Live Arts Bard Biennial, Where No Wall Remains: An International Festival About Borders, November 21–24, 2019.

Chef Sean Sherman, Oglala Lakota, born in Pine Ridge, SD, has been cooking across the US and Mexico over the past 30 years, and has become renowned nationally and internationally in the culinary movement of indigenous foods. Chef Sean has studied extensively to determine the foundations of Native American indigenous foods systems to bring back a sense of Native American cuisine to today’s world. In 2014, he opened the business titled The Sioux Chef as a caterer and food educator in the Minneapolis/Saint Paul area. He and his business partner Dana Thompson also designed and opened the Tatanka Truck, which featured pre-contact foods of the Dakota and Minnesota territories.  

In October 2017, Sean was able to perform the first decolonized dinner at the James Beard House in Manhattan along with his team. His first book, The Sioux Chef’s Indigenous Kitchen was awarded the James Beard medal for Best American Cookbook for 2018 and was chosen as one of the top ten cookbooks of 2017 by the LA Times, San Francisco Chronicle, as well as the Smithsonian Magazine. This year, Chef Sean was selected as a Bush Fellow, as well as receiving the 2019 Leadership Award by the James Beard Foundation. The Sioux Chef team of twelve people continues with their mission to help educate and make indigenous foods more accessible to as many communities as possible through the recently founded nonprofit North American Traditional Indigenous Food Systems (NATIFS). Learn more: natifs.org.

The Fisher Center develops, produces, and presents performing arts across disciplines through new productions and context-rich programs that challenge and inspire. At once a premier professional performing arts center and a hub for research and education, the Fisher Center supports artists, students, and audiences in the development and examination of artistic ideas and perspectives from the past, present, and future. The organization’s home is the Fisher Center for the Performing Arts, designed by Frank Gehry and located on the campus of Bard College in New York’s Hudson Valley. The Fisher Center offers outstanding programs to many communities, including the students and faculty of Bard, and audiences in the Hudson Valley, New York City, across the country and around the world. The Fisher Center illustrates Bard’s commitment to the performing arts as a cultural and educational necessity. Building on a 150-year history as a competitive and innovative undergraduate institution, Bard is committed to enriching culture, public life, and democratic discourse by training tomorrow’s thought leaders.
 

10-08-2019:

Crocodile, Leidy Churchman’s first U.S. survey, is currently on view at the Hessel Museum of Art at Bard College through October 13.

By Alex Jen 
Hyperallergic

Curated by Lauren Cornell and including over 60 paintings of everything from the blue Maine coast to thickly laid abstractions to appropriations of other people’s art, Crocodile brims with a genuine curiosity and care. Churchman seems to be painting as a way to better comprehend his subjects; the canvases feel like dedications, striving to embody someone or something’s true nature. Many of the paintings feature animals, their expressions so coolly composed you can’t help but admire how well they seem to understand themselves.
Read Article 16289 >>