This philosophy molded the College during its early years and continues to inform its academic aims.
Presidents of Bard College
- George Franklin Seymour 1860–1861
- Thomas Richey 1861–1863
- Robert Brinckerhoff Fairbairn 1863–1898
- Lawrence T. Cole 1899–1903
- Thomas R. Harris 1904–1907
- William Cunningham Rodgers 1909–1919
- Bernard Iddings Bell 1919–1933
- Donald George Tewksbury 1933–1937
- Harold Mestre 1938–1939
- Charles Harold Gray 1940–1946
- Edward C. Fuller 1946–1950
- James Herbert Case Jr. 1950–1960
- Reamer Kline 1960–1974
- Leon Botstein 1975–
Early Years
St. Stephen’s College was established by John and Margaret Bard in association with leaders of the Episcopal Church in New York City. For its first 60 years, St. Stephen’s offered young men a classical curriculum in preparation for their entrance into the seminary. But even as a theologically oriented institution, St. Stephen’s challenged its students to be active participants in the direction of their intellectual paths over their four years of study. In support of this venture, the Bards donated part of their riverside estate, Annandale, to the College, along with the Chapel of the Holy Innocents, which is still in use.
With the appointment in 1919 of Dr. Bernard Iddings Bell as warden, the College began to move toward a broader and more secular mission. Social and natural sciences augmented the classical curriculum, and the student body was recruited from a more diverse population. In 1928, a time of increasing financial uncertainty, St. Stephen’s became an undergraduate school of Columbia University. Over the next decade, under the leadership of Dean Donald G. Tewksbury, Bard further integrated the classical and progressive educational traditions, in the process becoming the first college in the nation to give full academic status to the study of the creative and performing arts. In 1934, the name of the College was changed to Bard in honor of its founder.
1930s–1960s
Beginning in the mid-1930s and throughout World War II and the postwar years, the College was a haven for distinguished writers, artists, intellectuals, and scientists fleeing Europe. Among these émigrés were philosopher Heinrich Bluecher and his wife, the social critic Hannah Arendt; violinist Emil Hauser, founder of the Budapest String Quartet; precisionist painter Stefan Hirsch; labor economist Adolf Sturmthal; and Werner Wolff, a noted psychologist. Bard’s international outlook was reflected in a variety of programs and initiatives, as well as in its faculty. During the war, the College welcomed an elite group of soldiers who were trained in the French and German languages and cultures, and in the late 1940s Eleanor Roosevelt was a frequent participant in Bard’s international student conferences.
Bard underwent another redefining moment in 1944, when it opened its doors to women. The decision to become coeducational required Bard to end its association with Columbia, paving the way to Bard’s current status as an independent liberal arts college. The same year marked the arrival of the first female faculty members.
The faculty of the postwar years included Mary McCarthy, Saul Bellow, Ralph Ellison, Anthony Hecht ’44, William Humphrey, and Theodore Weiss. This partial list indicates that Bard had assumed a place of eminence in the teaching of literature and writing and was attracting leading thinkers in the social sciences. The College also continued to demonstrate its commitment to global issues of education and democracy. In 1956, Bard provided a haven for 325 Hungarian student refugees after their participation in that country’s revolt against its Stalinist government. Gyula Nyikos, the chief English instructor for these students, said of Bard’s president at the time, “Jim Case didn’t open the doors; he flung them open.”
The 1960s marked a period of significant growth. Under the stewardship of Reamer Kline, who served for 14 years as president of the College, the number of students and faculty increased, as did campus facilities, and the curriculum was expanded, particularly in science and the visual arts. Bard also demonstrated an early commitment to civil rights. In 1962, Bard was among the first colleges to award an honorary degree to Rev. Martin Luther King Jr. Denise Ahearn Carson ‘65 recalled those days on the occasion of her class’s 50th anniversary: “It was incredibly intellectually stimulating, because of a high-quality faculty, and an exciting time of change in the world. The Bard culture seemed to be recognizing those changes well before the general population realized that we could all be part of movements and causes.”
Changing Times
Leon Botstein became Bard’s 14th president in 1975. Under Botstein, Bard has continued to innovate, take risks, and broaden its global outlook. He has overseen curricular innovation—including the nation’s first human rights major; the Language and Thinking Program, an intensive three-week presemester workshop for first-year students; and Citizen Science, an intensive program that introduces all first-year students to natural science and the ideas of the scientific method—and the development of a new model for the liberal arts college as a central body surrounded by affiliated institutes and programs that strengthen core academic offerings. This model is flexible enough to include programs for research, graduate study, and community outreach, yet each affiliate is designed to enhance the undergraduate experience by offering students the opportunity to interact with leading artists, scientists, and scholars.
A number of these initiatives developed within the Bard Center, established in 1978 to present artistic and intellectual programs. Bard Center fellows and visiting scholars and artists give seminars and lectures to undergraduates and the public. Programs include the Distinguished Scientist Lecture Series, which has brought 45 Nobel laureates to Bard, and the Bard Fiction Prize, awarded to emerging writers who spend a semester in residence at the College. Also under Bard Center auspices is the Institute for Writing and Thinking, which has had a major impact on the teaching of writing in high schools and colleges around the country and internationally. The Bard Music Festival, which each year illuminates the work and era of a specific composer, presented its first season in the summer of 1990. The festival’s home since 2003 has been The Richard B. Fisher Center for the Performing Arts at Bard College, a venue designed by renowned architect Frank Gehry.
Other affiliated programs on campus and across the United States include Bard College at Simon’s Rock: The Early College (1979) and Bard Academy at Simon's Rock (2015), a two-year preparatory school for 9th and 10th graders, in Great Barrington, Massachusetts; Milton Avery Graduate School of the Arts (1981); Levy Economics Institute of Bard College (1986); Center for Curatorial Studies (1990); Bard Graduate Center: Decorative Arts, Design History, Material Culture (1993) in Manhattan; Bard Center for Environmental Policy (1999); Bard Prison Initiative (1999); Bard Globalization and International Affairs Program in New York City (2001); Bard High School Early Colleges (BHSEC) in Manhattan (2001), Queens (2008), Newark (2011), Cleveland (2014, 2017), and Baltimore (2015); International Center of Photography–Bard Program in Advanced Photographic Studies (2003); Master of Arts in Teaching Program (2004); Bard College Conservatory of Music(2005); Hessel Museum of Art (2006); Hannah Arendt Center for Politics and Humanities (2006); Center for Civic Engagement (2011); Bard MBA in Sustainability (2012); Longy School of Music of Bard College (2012) in Cambridge, Massachusetts; and the Levy Economics Institute graduate programs in Economic Theory and Policy (2014).
International Reach
Bard has also expanded its presence abroad under Botstein’s leadership, and furthered its efforts to promote freedom of inquiry internationally. In 1991, under the newly developed Program in International Education (PIE), the College began bringing students from emerging democracies in Eastern and Central Europe, Central Asia, and the Middle East to Bard for one semester of study. This program is one of many overseen by the Institute for International Liberal Education, which was founded in 1998 to develop long-term collaborations between Bard and other leading institutions around the world. These partner campuses include the Faculty of Liberal Arts and Sciences of St. Petersburg State University (Smolny), the first liberal arts program in Russia, founded as a joint venture of Bard and St. Petersburg State University; Al-Quds University in East Jerusalem, which collaborated with Bard in 2009 to create the Al-Quds Bard College for Arts and Sciences and a Master of Arts in Teaching Program; American University of Central Asia in Bishkek, Kyrgyzstan, where Bard established a dual-degree program in 2010; Bard College Berlin: A Liberal Arts University, a partner institution since 2011; and Central European University, a graduate-level, Budapest-based institution that opened a teaching site on Bard’s main campus in 2017.
Distinguished Faculty and Alumni/ae
During Botstein’s tenure, the range and distinction of Bard’s faculty have continued to grow. Noted writers and artists who spent time at the College include Chinua Achebe, widely revered as the founding father of African fiction; Nobel laureates Orhan Pamuk, José Saramago, Mario Vargas Llosa, and Isaac Bashevis Singer; writers Philip Roth, Toni Morrison, Cynthia Ozick, and Caleb Carr; poet Anne Carson; filmmakers Arthur Penn and Adolfas Mekas; director JoAnne Akalaitis; and Tony Award–winning choreographer Bill T. Jones. Today, Bard and its on-campus affiliates boast nine recipients of MacArthur fellowships: poet Ann Lauterbach; artist Judy Pfaff; photographer An-My Lê; journalist Mark Danner; soprano Dawn Upshaw; pianist Jeremy Denk; filmmaker Charles Burnett; and novelists Norman Manea (emeritus) and Dinaw Mengestu. Other renowned and award-winning faculty members include writers Teju Cole, Nuruddin Farah, Neil Gaiman, Daniel Mendelsohn, Joseph O’Neill, Francine Prose, Luc Sante, and Mona Simpson; poet Robert Kelly; composers Joan Tower and George Tsontakis; anthropologist John Ryle; photographers Gilles Peress and Stephen Shore; filmmaker Kelly Reichardt; journalist Ian Buruma; foreign policy expert Walter Russell Mead; Pulitzer Prize–winning biographer Elizabeth Frank; and performance arts curator Gideon Lester.
Bard alumni/ae have also been an influential force in the arts and in the physical, social, and political sciences—and in the life of the College. A short list includes actors Blythe Danner ’65, Adrian Grenier ’98, and Gaby Hoffmann ’04; comedians Chevy Chase ’68, Christopher Guest ’70, Ali Wentworth ’88, and Adam Conover ’04; filmmaker Gia Coppola ’09; playwrights Sherman Yellen ‘52, Nick Jones ’01, and Thomas Bradshaw ’02; dancer Arthur Aviles ’87; sculptor Rita McBride ’82; photographers Tim Davis ’01 and Lisa Kereszi ’95; ground-breaking artist Carolee Schneemann ’59; musicians/songwriters Richard M. Sherman ’49 and Robert B. Sherman ’49, Donald Fagen ’69 and Walter Becker ’71 (founders of Steely Dan), Billy Steinberg ’72, and Adam Yauch ’86 (a founder of the Beastie Boys); scientist László Z. Bitó ’60, who was instrumental in developing a drug used to combat glaucoma; Fredric S. Maxik ’86, a leader in environmentally innovative lighting technologies; environmental writer Elizabeth Royte ’81; and journalists William Sherman ’68, a Pulitzer Prize winner for investigative reporting; Matt Taibbi ’92; and Ronan Farrow ’04, 2018 Pulitzer Prize winner for public service.
Several graduates exemplify Bard’s emphasis on active engagement. As a student, Max Kenner ’01 began a project to bring higher education into New York State prisons. Today, he oversees institutional initiatives for the College and serves as executive director of the Bard Prison Initiative, which has granted degrees to approximately 500 incarcerated men and women since 2005. Mariel Fiori ‘05 was a student when she cofounded La Voz, the only Spanish-language news and cultural magazine serving the Hudson Valley’s Latino community. She continues to edit the award-winning publication while working as radio host, translator, educator, and community organizer. Stephen Tremaine ’07 turned a student project to help rebuild New Orleans after Hurricane Katrina into a full-time initiative, Bard Early College New Orleans. Conservatory graduate Allegra Chapman ‘10 is founding executive director of Bard Music West, a California-based branch of the Bard Music Festival that debuted to critical acclaim in 2017. Other alumni/ae hold leadership positions with Bard’s graduate and affiliate programs, including Nayland Blake ’82, chair of the ICP-Bard Program in Advanced Photographic Studies; Valeri Thomson ’85, principal of Bard High School Early College Queens; and Dumaine Williams ’03, principal of Bard High School Early College Cleveland.
Recent Initiatives
Bard made national headlines in 2013 by offering a new application option that bypasses standardized tests and admission processes, enabling motivated students to gain admission through an essay test. Members of the Bard faculty evaluate the essays, and applicants who score B+ or higher receive an offer of admission. Recent educational initiatives also include The Orchestra Now (2015), which offers experiential orchestra training to postgraduate musicians and leads to a master of music degree; and the first two Bard Microcolleges. Building on the Bard Prison Initiative’s values and success, the College partnered with existing community-based institutions to provide a full-scholarship, liberal arts education to students often excluded from the university experience. Bard Microcollege Holyoke (Massachusetts) opened in 2017; the Brooklyn Public Library campus welcomed its first students in January 2018.
In 2016, Bard purchased Montgomery Place, a 380-acre property just south of the main campus. The College is working on a master plan to integrate the campuses and utilize the new facilities—among them, a 19th-century mansion, coach house, greenhouse, farm, gardens, walking trails, and outbuildings—in a manner consistent with its commitment to historic preservation, public access, and the environment. To date, activities at the Montgomery Place Campus have included lectures, exhibitions, guided walks by Bard horticultural staff, a SummerScape gala and performance, and a salon series presented with Hudson River Heritage. The Bard College Farm is using the greenhouse to start vegetables and flowers from seeds, and several undergraduate courses have been inspired by the history of the property and its significance in American architecture and landscape design.
Looking Ahead
The US-China Music Institute, a partnership between the Bard College Conservatory of Music and the Central Conservatory of Music in Beijing, presented its inaugural concert at the Fisher Center for the Performing Arts in January 2018. Plans for the institute include a degree program in Chinese instruments, an annual Chinese music festival, a program of scholarly conferences, and a summer academy for high school–age musicians. The 2018–19 academic year will also see the establishment of an MEd program in environmental education, through the Bard Center for Environmental Policy and Master of Arts in Teaching Program; a BA/MA program with the Bard Graduate Center; and a one-year MA program in economic theory and policy at Bard’s Levy Economics Institute.
Central European University (CEU), based in Budapest, Hungary, opened an extension site on Bard’s Annandale campus in late 2017, and is offering an Advanced Certificate in Inequality Analysis, together with the Levy Institute, taught by faculty from both institutions. Plans are under way to take advantage of the John Cage Trust’s relocation to the main campus, by more fully integrating the work of the trust at the undergraduate and graduate levels. Also in the planning stages is a new Bard High School Early College campus in Washington, DC.