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21st Annual Bard Music Festival “Berg and His World” Opens Friday, August 13 with “Alban Berg: The Path of Expressive Intensity”



Mark Primoff
845-758-7412
edavis@bard.edu
07-28-2010
 

First of Two Festival Weekends Presents Six Concerts Addressing “Berg and Vienna” with Orchestral, Chamber, Instrumental, and Vocal Music by Berg, plus Contemporaries’ Compositions

“…a festival that is part boot camp for the brain, part spa for the spirit.”

– The New York Times

ANNANDALE-ON-HUDSON, N.Y. – The 21st annual Bard Music Festival opens here on Friday, August 13 for Weekend One: Berg and His World – Berg and Vienna. Leon Botstein, co-artistic director of Bard SummerScape and the Bard Music Festival, delivers a pre-concert talk entitled “Alban Berg: The Path of Expressive Intensity,” which is followed by a chamber program tracing Berg’s stylistic development from early works like the Seven Early Songs (1905-08) to the maturity of his Lyric Suite (1925-26). While usually hailed as a pioneer of the modernist movement along with Schoenberg and Webern, at the Bard Music Festival Berg is considered in a richer and more nuanced context as a child of Johann Strauss II’s Vienna, and a contemporary of composers including Mahler, Zemlinsky, Pfitzner, Reger, Busoni, Karl Weigl, and Korngold. Each of the six concerts is augmented by a pre-concert talk by a distinguished scholar, namely Byron Adams, Antony Beaumont, Mark DeVoto, Christopher H. Gibbs, Sherry D. Lee, and Botstein himself; Botstein also leads the resident American Symphony Orchestra in the weekend’s two orchestral programs. Singers Christiane Libor, Christine Goerke, Marnie Breckenridge, and Thomas Meglioranza; pianists Jeremy Denk, Alessio Bax, and Danny Driver; the Daedalus Quartet; and violinists Akiko Suwanai and Soovin Kim are among the many notable musicians who perform. 

During this first weekend (a second follows on August 20-22), additional events shed further light on Berg and Vienna, contextualizing the composer within the cultural melting pot he shared with Schoenberg, Mahler, and Freud. Bard Music Festival audiences may take in a panel discussion on “Berg: His Life and Career” and attend a performance with commentary on “Eros and Thanatos,” the conflicting drives that Freud identified as governing human nature. “The Orchestra Reimagined” – the weekend’s final program, on Sunday at 5:30 pm – features Berg’s Kammerkonzert of 1923-25, his first work to use a tone row, alongside similarly pared-down orchestral works by Schoenberg, Busoni, and Hindemith; round-trip transportation by coach from Columbus Circle for this performance is available (call 845-758-7900 for details).

Rarities offered over the weekend include early works by Berg and Webern; the music of Alma Mahler; and compositions by Berg and Schoenberg’s students, among them the eminent philosopher and sociologist Theodor Adorno.

Critical acclaim:

The Wall Street Journal has observed that the Bard Music Festival “has long been one of the most intellectually stimulating of all American summer festivals and frequently is one of the most musically satisfying.” Reviewing a previous season of the festival, a critic for the New York Times reported, “As impressive as many of the festival performances were, they were matched by the audience’s engagement: strangers met and conversed, analyzing the music they’d heard with sophistication, and a Sunday-morning panel discussion of gender issues in 19th-century culture drew a nearly full house.  All told, it was a model for an enlightened society.” 

Complete programs for Weekend One of the 2010 Bard Music Festival follow.

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Program details of Bard Music Festival, “Berg and His World”

Weekend One, August 13—15: Berg and Vienna

Friday, August 13

 

PROGRAM ONE

Alban Berg: The Path of Expressive Intensity

Sosnoff Theater

7:30 pm            Pre-concert talk: Leon Botstein

8:00 pm            Performance: Daedalus Quartet; Jeremy Denk, piano; Danny Driver, piano; Alexander Fiterstein, clarinet; Christine Goerke, soprano; Pei-Yao Wang, piano; Bard Festival Chamber Players

In memory of George Perle

 

Alban Berg (1885–1935)

   Seven Early Songs (1905–08)

   Piano Sonata, Op. 1 (1907–08)

  Four Pieces, for clarinet and piano (1913)

   Lyric Suite (1925–26)

Johann Strauss II (1825–99)

   Wein, Weib, und Gesang, Op. 333 (1869, arr. Berg, 1921)           

Tickets $20/35/45

Saturday, August 14

 

Panel

Berg: His Life and Career

Olin Hall

10:00 am—12 noon

Christopher H. Gibbs, moderator; Christopher Hailey; Douglas Jarman; and Dan Morgenstern

 

Free and open to the public

 

PROGRAM TWO

The Vienna of Berg’s Youth

Olin Hall

1:00 pm            Pre-concert talk: Mark DeVoto

1:30 pm            Performance: Alessio Bax, piano; Daedalus Quartet; Pei-Yao Wang, piano; and Nicholas Phan, tenor

 

Alban Berg (1885–1935)

   Selections from early piano works and songs

Alexander Zemlinsky (1871–1942)

   Fantasies on Poems by Richard Dehmel, Op. 9 (1898)

   Five Songs (Dehmel) (1907)

Karl Weigl (1881–1949)

   String Quartet No. 3 in A major (1909)

Anton Webern (1883–1945)

   Piano Quintet (1907)

Joseph Marx (1882–1964)

   Valse de Chopin (1909)

Tickets: $35

 

PROGRAM THREE

Mahler and Beyond

Sosnoff Theater

7:00 pm            Pre-concert talk: Christopher H. Gibbs

8:00 pm            Performance: Christiane Libor, soprano; Akiko Suwanai, violin; American Symphony Orchestra, conducted by Leon Botstein, music director

 

Alban Berg (1885–1935)

   Fünf Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, Op. 4 (1912)

   Three Pieces for Orchestra, Op. 6 (1914–15)

   Violin Concerto (1935)

Gustav Mahler (1860–1911)

   Adagio, from Symphony No. 10 (1910)

Hans Pfitzner (1869–1949)

   “Abend” and “Nacht,” from Von deutscher Seele, Op. 28 (1921)

Erich Wolfgang Korngold (1897–1957)

   Prelude and Carnival Music, from Violanta, Op. 8 (1914)

Tickets: $ 25/40/55

 

Sunday, August 15

 

PROGRAM FOUR

Eros and Thanatos

Olin Hall

10:00 am            Performance

Commentary by Byron Adams; with Marnie Breckenridge, soprano; Fredrika Brillembourg, mezzo-soprano; Nicholas Phan, tenor; Thomas Meglioranza, baritone; Lucille Chung and Pei-Yao Wang, piano; Daedalus Quartet

 

Works by Alban Berg (1885–1935), Johann Strauss II (1825–99), Richard Strauss (1864–1949), Arnold Schoenberg (1874–1951), Franz Schreker (1878–1934), Alma Mahler (1879–1964), Friedrich Hollaender (1896–1976), Erich Wolfgang Korngold (1897–1957)

Tickets: $30

 

PROGRAM FIVE

Teachers and Apostles

Olin Hall

1:00 pm            Pre-concert talk: Sherry D. Lee

1:30 pm            Performance: Alessio Bax, piano; Marnie Breckenridge, soprano; Lucille Chung, piano; Cygnus Ensemble; Daedalus Quartet; Danny Driver, piano; Soovin Kim, violin

 

Alban Berg (1885–1935)

   String Quartet, Op. 3 (1910)

Arnold Schoenberg (1874–1951)

   Six Piano Pieces, Op. 19 (1911)

Anton Webern (1883–1945)

   Four Pieces, for violin and piano, Op. 7 (1910)

Egon Wellesz (1885–1974)

   Three Piano Pieces, Op. 9 (1911)

Sandór Jemnitz (1890–1963)

   Trio, for guitar, violin, and viola, Op. 33 (1932)

Viktor Ullmann (1898–1944)

   Variations and Double-Fugue on a Piano Work by A. Schönberg, Op. 3a (1929)

Hans Erich Apostel (1901–72)

   Variations from Lulu (1935)

Theodor W. Adorno (1903–69)

   Six Bagatelles, Op. 6 (1923–42)

Tickets: $35

 

PROGRAM SIX

The Orchestra Reimagined

Sosnoff Theater

5:00 pm            Pre-concert talk: Antony Beaumont

5:30 pm            Performance: Jeremy Denk, piano; Soovin Kim, violin; members of the American Symphony Orchestra, conducted by Leon Botstein, music director

 

Alban Berg (1885–1935)

   Kammerkonzert (1923–25)

Ferruccio Busoni (1866–1924)

   Berceuse élégiaque, Op. 42 (1909; arr. Stein, 1920)

Arnold Schoenberg (1874–1951)

   Chamber Symphony No. 1, Op. 9 (1905–06)

Paul Hindemith (1895–1963)

   Kammermusik No. 1, Op. 24/1 (1921)

Tickets: $20/35/45

 

Weekend Two of “Berg and His World” takes place at Bard on August 20-22.

To download high resolution images go to: http://www.fishercenter.bard.edu/press/photos.php?group_id=968610

 

Bard SummerScape Ticket Information

 

The Bard SummerScape Festival is made possible through the generous support of the Advisory Boards of the Richard B. Fisher Center for the Performing Arts and the Bard Music Festival, and the Friends of the Fisher Center.

 

Tickets for all Bard SummerScape events are now on sale.

For tickets and further information on all SummerScape events, call the Fisher Center box office at 845-758-7900 or visit www.fishercenter.bard.edu.

 

Bard SummerScape: fishercenter.bard.edu/summerscape

 

Bard Music Festival: fishercenter.bard.edu/bmf/2010

 

Tickets: fishercenterboxoffice@bard.edu; or by phone at 845-758-7900

 

Updates: Bard’s “e-members” get all the news in regular updates. Click here to sign up.

 

All program information is subject to change.

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July 28, 2010

 

 


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This event was last updated on 07-29-2010