Classical Studies Program Presents

Last Tango in Ogygia: Human and Divine in Odyssey 5

The fifth book of the Odyssey—the first to focus exclusively on the epic’s hero—may in some sense be considered the beginning of the epic proper. Its action constitutes a coherent arc that takes the hero from his captivity on Calypso’s island to the land of the Phaeacians, who will bring him back at last to Ithaca. But in addition to its narrative unity, Book 5 possesses a significant thematic unity, one centering on the issue of mortality and immortality. Although the stage is set by il gran rifituto—Odysseus’ refusal of Calypso’s offer of immortality and his choice to return to Ithaca—the tension between the divine and human in fact permeates the book in ways both obvious and subtle. Calypso’s love for the mortal Odysseus, Hermes’ distaste for his mission, Poseidon’s fury, and the aid of Leocothea, who once was mortal but is now immortal, all ring the changes on the possibilities for, and tensions inherent in, divine-human interactions. They also serve to position the Odyssey at a pivotal moment in the relations between gods and mortals: their previous intimacy is waning, and apotheosis belongs to a bygone era. This central theme not only dominates Book Five from beginning to end, but it offers a framework for the whole poem.

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For more information, call 845-758-6822, or e-mail [email protected].

Time: 5:00 pm – 6:30 pm EDT/GMT-4

Location: Olin Humanities, Room 102

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