The Bard College Conservatory of Music Presents Acclaimed Opera Singer Stephanie Blythe in “Sing, Bard!”
Featuring songs by Cole Porter, Harold Arlen, Rodgers and Hart, Irving Berlin, Harry Warren, Randy Newman, and more
ANNANDALE-ON-HUDSON, N.Y.—The Bard Conservatory Graduate Vocal Arts Program presents Stephanie Blythe in “Sing, Bard!” a cabaret style musical journey of song, from opera to popular standards, on Saturday, November 9 at 8 p.m. Tickets are $25–$150; the $150 premium level ticket includes an intimate reception and more songs with the artists. To reserve tickets go to fishercenter.bard.edu or call the box office at 845-758-7900.
Mezzo-soprano Blythe, director of the Bard College Conservatory of Music Graduate Vocal Arts Program (VAP) and winner of The Dallas Opera’s 2019 Maria Callas Award, performs this lively evening of song accompanied by Craig Terry, pianist and musical arranger, and soloists from the Vocal Arts Program.
“It is a thrill to share songs that mean so much to so many with the members of the VAP and our audience here at Bard, my new musical and creative home,” says Blythe. “Every day that I spend at this wonderful Conservatory is a blessing—this concert is a way to thank Bard and its audience for their spirit of generosity.”
The program includes popular songs such as “Tale of the Oyster” (1929) Cole Porter; “The Man That Got Away” (1953) Harold Arlen/Ira Gershwin; “With A Song In My Heart” (1929) Richard Rodgers/Lorenz Hart; “If You Don’t Want My Peaches” (1914) Irving Berlin; “I Think It’s Gonna Rain Today” (1968) Randy Newman; and more.
To reserve tickets go to fishercenter.bard.edu or call the box office at 845-758-7900.
About Stephanie Blythe
Stephanie Blythe has performed in many of the renowned opera houses in the United States and Europe, such as the Metropolitan Opera, San Francisco Opera, Lyric Opera of Chicago, Seattle Opera, Royal Opera House Covent Garden, and Opera National de Paris. Her many roles include the title roles in Carmen, Samson et Dalila, Orfeo ed Euridice, La Grande Duchesse, Tancredi, Mignon, and Giulio Cesare; Frugola, Principessa, and Zita in Il Trittico; Fricka in both Das Rheingold and Die Walküre; Waltraute in Götterdämmerung; Azucena in Il Trovatore; Ulrica in Un Ballo in Maschera; Baba the Turk in The Rake’s Progress; Ježibaba in Rusalka; Jocasta in Oedipus Rex; Mere Marie in Dialogues des Carmélites; Mistress Quickly in Falstaff; and Ino/Juno in Semele. She created the role of Gertrude Stein in Ricky Ian Gordon’s 27 at the Opera Theatre of Saint Louis and performed performances of Ms. Lovett in Sweeney Todd at the San Francisco Opera and Nettie Fowler in Carousel at the Houston Grand Opera and with the New York Philharmonic.
In concert, Blythe has appeared with many of the world’s finest orchestras, including the New York Philharmonic, Boston Symphony Orchestra, Chicago Symphony Orchestra, Los Angeles Philharmonic, San Francisco Symphony, Philadelphia Orchestra, Ensemble Orchestre de Paris, and the Concertgerbouworkest. She has also appeared at the Tanglewood, Cincinnati May, and Ravinia festivals, and at the BBC Proms. The many conductors with whom she has worked include Harry Bicket, James Conlon, Charles Dutoit, Mark Elder, Nicola Luisotti, Sir Charles Mackerras, John Nelson, Antonio Pappano, Mstislav Rostropovitch, Robert Spano, Patrick Summers, and Michael Tilson Thomas.
A frequent recitalist, Blythe has appeared in recital in New York at Carnegie Hall’s Stern Auditorium and Zankel Hall, Lincoln Center in both its Great Performers Series at Alice Tully Hall and its American Songbook Series at the Allen Room, Town Hall, the 92nd Street Y, and Metropolitan Museum of Art. She has also been presented by the Vocal Arts Society and at the Supreme Court in Washington, D.C., Cleveland Art Song Festival, University Musical Society in Ann Arbor, Philadelphia Chamber Music Society, Shriver Hall in Baltimore, and San Francisco Performances.
Blythe starred in the Metropolitan Opera’s live HD broadcasts of Orfeo ed Euridice, Il Trittico, Rodelinda, Cendrillon, and the complete Wagner Ring Cycle. She also appeared in PBS’s Live from Lincoln Center broadcasts of the New York Philharmonic's performance of Carousel and her acclaimed show, We'll Meet Again: The Songs of Kate Smith. Her recordings include her solo album, as long as there are songs (Innova), and works by Mahler, Brahms, Wagner, Handel, and Bach (Virgin Classics). She was named Musical America's Vocalist of the Year for 2009. Other awards include the 2007 Opera News Award and 1999 Richard Tucker Award. She is also artistic director of the Fall Island Vocal Arts Seminar at the Crane School of Music.
About the Graduate Vocal Arts Program
The Graduate Vocal Arts Program is a unique master of music program in vocal arts that balances a respect for established repertory and expressive techniques with the flexibility and curiosity needed to keep abreast of evolving musical ideas. Led by the renowned American mezzo-soprano Stephanie Blythe, the program prepares young singers to meet the special challenges of pursuing a professional life in music in the 21st century. Students engage with art song, chamber music, contemporary music, and operatic repertoire throughout their course work. Operatic performance includes a fully staged production at the Richard B. Fisher Center for the Performing Arts. The program includes seminars and classes in Alexander Technique, acting, diction and translation, development of performance opportunities, and a workshop in career skills with guest speakers who are leading figures in arts management and administration.
About Bard College
Founded in 1860, Bard College in Annandale-on-Hudson, New York, is an independent, residential, coeducational college offering a four-year BA program in the liberal arts and sciences and a five-year BA/BS degree in economics and finance. The Bard College Conservatory of Music offers a five-year program in which students pursue a dual degree—a BMus and a BA in a field other than music. Bard offers MMus degrees in conjunction with the Conservatory and The Orchestra Now, and at Longy School of Music of Bard College in Cambridge, Massachusetts. Bard and its affiliated institutions also grant the following degrees: AA at Bard High School Early College, a public school with campuses in New York City, Baltimore, Cleveland, Newark, New Jersey, and Washington, D.C.; AA and BA at Bard College at Simon’s Rock: The Early College, in Great Barrington, Massachusetts, and through the Bard Prison Initiative at six correctional institutions in New York State; MA in curatorial studies, MS and MA in economic theory and policy, and MS in environmental policy and in climate science and policy at the Annandale campus; MFA and MAT at multiple campuses; MBA in sustainability in New York City; and MA, MPhil, and PhD in the decorative arts, design history, and material culture at the Bard Graduate Center in Manhattan. Internationally, Bard confers BA and MAT degrees at Al-Quds University in East Jerusalem and American University of Central Asia in Kyrgyzstan; BA degrees at Bard College Berlin: A Liberal Arts University; and BA and MA degrees at the Faculty of Liberal Arts and Sciences, St. Petersburg State University, Russia (Smolny).
Bard offers nearly 50 academic programs in four divisions. Total enrollment for Bard College and its affiliates is approximately 6,000 students. The undergraduate College has an enrollment of about 1,900 and a student-to-faculty ratio of 9:1. In 2016, Bard acquired the Montgomery Place estate, bringing the size of the campus to nearly 1,000 acres. For more information about Bard College, visit bard.edu.
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Bard Press Contact:Eleanor Davis
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