Skip to main content.
Bard
  • Bard College Logo
  • Academics sub-menuAcademics
    • Programs and Divisions
    • Structure of the Curriculum
    • Courses
    • Requirements
    • Academic Calendar
    • College Catalogue
    • Faculty
    • Bard Abroad
    • Libraries
    • Dual-Degree Programs
    • Bard Conservatory of Music
    • Other Study Opportunities
    • Graduate Programs
    • Early Colleges
  • Admission sub-menuAdmission
    • Applying
    • Financial Aid
    • Tuition + Payment
    • Campus Tours
    • Meet Our Students + Alumni/ae
    • For Families / Familias
    • Join Our Mailing List
    • Contact Us
  • Campus Life sub-menuCampus Life
    Living on Campus:
    • Housing + Dining
    • Campus Services + Resources
    • Campus Activities
    • New Students
    • Visiting + Transportation
    • Athletics + Recreation
    • Montgomery Place Campus
  • Civic Engagement sub-menuCivic Engagement
    Bard CCE
    • Engaged Learning
    • Student Leadership
    • Grow Your Network
    • About CCE
    • Our Partners
    • Get Involved
  • Newsroom sub-menuNews + Events
    • Newsroom
    • Events Calendar
    • Press Releases
    • Office of Communications
    • Commencement Weekend
    • Alumni/ae Reunion
    • Family and Alumni/ae Weekend
    • Fisher Center + SummerScape
    • Athletic Events
  • About Bard sub-menuAbout
      About Bard:
    • Administration
    • Bard History
    • Campus Tours
    • Mission Statement
    • Love of Learning
    • Visiting Bard
    • Employment
    • Support Bard
    • Global Higher Education Alliance
      for the 21st Century
    • Bard Abroad
    • The Bard Network
    • Inclusive Excellence
    • Sustainability
    • Title IX and Nondiscrimination
    • Inside Bard
    • Dean of the College
  • Giving
  • Search
Bard Conservatory Orchestra with Violinist Gil Shaham, Conducted by Leon Botstein, December 13 at 7:00 pm. All proceeds will directly support Bard Conservatory students.
Information For:
  • Faculty + Staff
  • Alumni/ae
  • Families
  • Students
Giving to Bard
Quick Links
  • Apply to Bard
  • Employment
  • Travel to Bard
  • Bard Campus Map

Join the Conversation
Like us on Facebook
Follow us on Instagram
Read about us on Threads
Watch us on You Tube

Bard Campus Calendar

View All Campus Events

Inside Menu
  • Links sub-menuQuick Links
    • BIP (Bard Information Portal)
    • Bard Course List
    • Bard Brightspace
    • Bard Library
    • Bard Bookstore
    • B&G Service Request
    • Dean of the College
    • Classifieds
    • Emergency Notification
    • Human Resources
    • Space Management
  • Campus Calendar
  • Submit an Event
  • Campus Offices
  • Inside Home
“A Body Without a Soul:” Juliana Seraphim and Palestinian Art in 1970s Beirut

OSUN Center for Human Rights and the Arts and Middle Eastern Studies Program Present

“A Body Without a Soul:” Juliana Seraphim and Palestinian Art in 1970s Beirut

Dr. Alessandra Amin, University of Pennsylvania
Wednesday, April 12, 2023
Olin 102
6:00 pm EDT/GMT-4
“The galleries of Beirut are becoming a body without a soul,” wrote Palestinian artist Kamal Boullata in 1970, “for the soul was set free in the streets and in the [refugee] camps.” The Lebanese capital was at once a beacon of cosmopolitanism and a tangle of sectarian divisions, its visual culture increasingly fractured along sociopolitical lines. To the right of the political spectrum were “the galleries” of the anti-Palestinian, Christian East, filled with bourgeois, apolitical paintings; to the left were “the streets” of the Muslim West––including the Palestinian camps––where images of freedom fighters papered walls and dominated exhibitions. Like all artworlds under pressure, though, Beirut’s visual landscape was more complex than it appeared at first glance. This talk focuses on the work of Juliana Seraphim (1934- 2005), a Palestinian-born bonne vivante whose status as a middle-class Christian granted her Lebanese citizenship and enabled her assimilation into Beirut’s commercial art scene. Illegible in both Palestinian nationalist and Lebanese sectarian terms, Seraphim channeled her experience of exile into fantastical, hybrid forms that embrace the feminine and the grotesque in equal measure. Troubling binary distinctions between “committed” Palestinian art and its “apolitical” Lebanese foil, this talk examines the triangulation of deliberate frivolity, nonreproductive sexuality, and exilic subjectivity that animates a rich corpus of Seraphim’s work from the late 1960s and 1970s.

Alessandra Amin received her doctorate in art history from UCLA in 2022 and is currently the Ibrahim Abu-Lughod Fellow in Palestine Studies at Columbia University. She is working on her first book project, Mother Figure: Art and the Palestinian Dream-State, which considers the emergence of the dream and the maternal body as nested modes of relating to Palestine in art made during the heyday of the Palestinian Revolution (1965-1982). During the 2023–2024 academic year, she will be an Andrew W. Mellon Postdoctoral Fellow in the Humanities at the University of Pennsylvania.

For more information, call 845-758-7662, or e-mail [email protected].

Time: 6:00 pm EDT/GMT-4

Location: Olin 102

Subscribe: Save this Event: Subscribe / .ics File

Bard College
30 Campus Road, PO Box 5000
Annandale-on-Hudson, New York 12504-5000
Phone: 845-758-6822
Admission Email: [email protected]
Information For
Prospective Students
Current Employees
Alumni/ae 
Families

©2025 Bard College
Quick Links
Employment
Travel to Bard
Search
Support Bard
Bard IT Policies + Security
Bard Privacy Notice
Bard has a long history of creating inclusive environments for all races, creeds, ethnicities, and genders. We will continue to monitor and adhere to all Federal and New York State laws and guidance.
Like us on Facebook
Follow Us on Instagram
Threads
Bluesky
YouTube