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Bard Conservatory Orchestra with Violinist Gil Shaham, Conducted by Leon Botstein, December 13 at 7:00 pm. All proceeds will directly support Bard Conservatory students.
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Hudson Valley Balinese Gamelan Orchestras Present an Evening of Balinese Music and Dance<br />

Hudson Valley Balinese Gamelan Orchestras Present an Evening of Balinese Music and Dance

Featuring Gamelans Giri Mekar and Chandra Kanchana

ANNANDALE-ON-HUDSON, N.Y.— Hudson Valley Balinese Gamelan Orchestras will host their annual spring concert on Friday May 9, at Bard College’s Olin Auditorium. The program, featuring Balinese music and dance, begins at 8 p.m. Seating is general admission with a suggested donation of $10; free for Bard students, staff, and faculty and children under the age of 16. Reservations are not necessary, but it is advised that you arrive in plenty of time to secure a seat. For more information call 845-688-7090.

Guest artists for this concert include Dr. Pete Steele from Massachusetts Institute of Technology, and Gamelan Dharmaswara, renowned Balinese dancer Shoko Yamamuro, and artistic director Professor Pak I. Nyoman Suadin, and a cast of over 40 students and community members.

A gamelan is often described as one instrument played by many people. It may include an ensemble of up to 40 musicians and dancers, or as few as four or five players.

Essentially, the word gamelan means to hammer or strike. Compositions for gamelan are built around rhythmic structures with layered melodic themes, and trademark interlocking sections. 

Hudson Valley Balinese Gamelan Orchestras are two distinct ensembles at Bard College: Gamelan Chandra Kanchana, or Golden Moon, is comprised of Bard students, faculty and Giri Mekar assistant instructors; and Gamelan Giri Mekar, or Mountain Flower membership is open to the general public, Bard community and staff members, and advanced Bard College gamelan students. This event is made possible in part by the Woodstock Chimes Fund, Ulster Publishing, and Bard College.

Learning to play in a gamelan ensemble involves memorizing intricate musical compositions, taught by rout under the guidance of master instructors, composers—or if in Bali—elders from the village. Each gamelan, including the instruments and compositions, are regarded as possessing living spirits with their own name and home. Two basic groups of instruments comprise a gamelan gong kebyar ensemble: metallophones consisting of bronze or metal keys, resting on a wooden base, or suspended above resonators, struck with various wooden mallets; and gongs which either hang or rest in rows on a frame suspended by stretched cords. The biggest gongs are struck with padded mallets; the middle range with hammer-like mallets made of wood. Non-percussive instruments in the gamelan include sulings or flutes, and the stringed and bowed rebabs. Gamelan compositions may also include vocal accompaniments.

Complex and multi-layered textures of sound created by gamelan ensembles have attracted music enthusiasts for decades, inspiring such well-known composers as Claude Debussy, Benjamin Britten, Lou Harrison, Philip Glass and many notable others.

For information call 845 688-7090 or 845 679-8624.

# # #

April 29, 2014


This event was last updated on 04-29-2014

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Bard Press Contact:
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