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A man in a navy blue bomber jacket teaches in a seminar-style classroom.
Ephraim Asili MFA ’11, associate professor of film and electronic arts; director, Film and Electronic Arts Program. Photo by Chris Kayden

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Bard’s extraordinary faculty are dedicated to the philosophy of teaching. Today and throughout Bard’s history, members of the faculty have effected change in medicine, the arts and letters, international affairs, journalism, scientific research, and education, among other endeavors. These distinguished scholars are advisers as well as instructors: Bard has no graduate teaching assistants. And the average class size of 16 in the Lower College and 12 in the Upper College allows for intimate discussions and one-on-one interaction.
“What brought me to Bard, in a word, was the faculty.”
David Bloom ’13 MM ’15. Photo by Bruce Kung

“What brought me to Bard, in a word, was the faculty.”

“To work with Joan Tower, George Tsontakis, and James Bagwell was an opportunity I couldn’t miss. I had long followed and admired their work, and then I found out that each of them taught here. It’s easy for musicians to focus only on music, whereas I wanted to have a broader education that would prepare me for a world that requires a more well-rounded base of knowledge and experience.”
—David Bloom ’13 MM ’15

Faculty News 

a group of students in academic dress

Parami University Celebrates Its First Cohort of BA Graduates in Commencement Ceremony on June 9

The ceremony celebrates graduates receiving Bachelor’s and Associate degrees through Parami University’s partnership with Bard College.

Parami University Celebrates Its First Cohort of BA Graduates in Commencement Ceremony on June 9

a group of students in academic dress
The ceremony celebrates graduates receiving Bachelor’s and Associate degrees through Parami University’s partnership with Bard College.
On June 9, 2026, Parami University is holding its Commencement Ceremony at the Chiangmai Grandview Hotel in Chiang Mai, Thailand, honoring the graduation of its first ever cohort of Bachelor of Arts students, as well as Associate degree graduates from the Classes of 2026 and 2028. Bringing together graduates, faculty, trustees, families, and international partners, the ceremony underscores Parami University’s continued commitment to expanding access to higher education and fostering academic excellence across diverse student communities.

Welcome remarks will be delivered by Parami University President Kyaw Moe Tun, followed by remarks from Zali Win, chairman of the board of trustees, Jonathan Becker, executive vice president of Bard College, and Phil Enns, dean of academic affairs at Parami University. An Honorary Degree will be conferred on Kevin Quigley, who will also deliver the 2026 Parami Commencement Address, in recognition of his contributions to Parami University, international education, civic leadership, and global engagement. 

The ceremony celebrates graduates receiving Bachelor’s and Associate degrees through Parami University’s partnership with Bard College. Both in-person and virtual graduates will be recognized for their academic achievements, perseverance, and commitment throughout their studies. “This is a significant milestone for Parami University as we celebrate the achievements of our first Bachelor’s degree graduates, along with the largest group of Associate degree graduates in our institutional history,” said Moe Tun. “I am extremely proud of our graduates and look forward to seeing the impact they will make in their communities, professions, and beyond. Congratulations to the Classes of 2026 and 2028 on this remarkable achievement.”
Further Reading

Post Date: 06-09-2026
a woman in a dark shirt stands against a wooden backdrop

Economist Pavlina Tcherneva Speaks with Marketplace About Inflation

“I expect that these price shocks will ripple through the economy in coming months,” said Tcherneva.

Economist Pavlina Tcherneva Speaks with Marketplace About Inflation

a woman in a dark shirt stands against a wooden backdrop
Pavlina Tcherneva, president of the Levy Economics.
Pavlina Tcherneva, president of the Levy Economics Institute at Bard College, spoke with Marketplace about the current state of inflation in the US economy. The article notes that when the prices of groceries, gas, and rent rise faster than wages, consumers lose purchasing power, which is reflected in the current inflation numbers. “I expect that these price shocks will ripple through the economy in coming months,” said Tcherneva, who added that she does not expect wages to improve much. “Workers are going to be squeezed on both sides, stagnating wages and increasing cost of living."

The Levy Economics Institute Graduate Programs in Economic Theory and Policy were created to offer students an alternative to mainstream programs in economics and finance. These programs combine a rigorous course of study with the exceptional opportunity to participate in advanced economics research alongside Institute scholars. The Levy Institute’s programs also give Bard College undergraduates the opportunity to meet prominent figures who give seminars, attend conferences, and serve on the research staff.
 

Post Date: 06-09-2026

More News

  • Computer Scientist Valerie Barr Quoted in the Atlantic

    Computer Scientist Valerie Barr Quoted in the Atlantic

    Valerie Barr, Margaret Hamilton Distinguished Professor of Computer Science.
    Valerie Barr, Margaret Hamilton Distinguished Professor of Computer Science at Bard College, was quoted in an Atlantic article about the importance of studying computer science in the age of AI. The article examines how AI may be changing the landscape of coding, but does not negate the need for computer scientists—in fact, the proliferation of AI code may require more professionals who have a deep understanding of computer systems. “I’m back to how I taught in the 1980s, when we didn’t have laptops and there was one computer lab for the whole campus,” said Barr. She told the Atlantic that she now assigns coursework largely on paper in her introductory class, and believes that students who learn coding fundamentals the old fashioned way will come out ahead. “You cannot make effective use of AI tools if you don’t know something about what you’re asking the tools to do.”

    The Computer Science Program at Bard focuses on the fundamental ideas of computer science and introduces students to multiple programming languages and paradigms, covering theoretical, applied, and systems-oriented topics. Most courses include hands-on projects so that students can learn by building, and by participating in research projects in laboratories devoted to cognition, computational biology, robotics, and symbolic computation.
    Read More in the Atlantic

    Post Date: 06-09-2026
  • Bard College Professor Jenny Xie Selected for 2026 Howard Foundation Fellowship

    Bard College Professor Jenny Xie Selected for 2026 Howard Foundation Fellowship

    Jenny Xie, assistant professor of written arts.
    Jenny Xie, assistant professor of written arts at Bard College, has been announced as a recipient of a Howard Foundation Fellowship for 2026-27. Xie’s fellowship in the category of Poetry, conferred by the George A. and Eliza Gardner Howard Foundation, is one of 14 fellowships awarded by the foundation this year, which support independent creative and scholarly work on major projects by early mid-career individuals who have demonstrated potential to be future leaders in their fields.

    During her fellowship, Xie will receive $40,000 in unrestricted funds to devote her time to researching, developing, and writing her third poetry collection, Dead Time, which delves into forms of directionless time, or time untroubled by plot and by imperatives of action. Xie is the author of two other collections of poetry. Eye Level (2018) was a finalist for the National Book Award, and the recipient of the Walt Whitman Award of the Academy of American Poets and the Holmes National Poetry Prize from Princeton University. The Rupture Tense (2022) was a finalist for the National Book Award and the CLMP Firecracker Award, and a recipient of the PEN Oakland Josephine Miles Award. Xie has also been supported by fellowships and grants from Civitella Ranieri Foundation, Bread Loaf Writers’ Conference, Kundiman, New York Foundation for the Arts, the Vilcek Foundation, and the Jerome Foundation.

    The Howard Foundation is an independent agency administered at Brown University. Established in 1954, it awards annual, unrestricted fellowships to promising individuals in selected artistic and academic fields. Past fellows have authored bestsellers, directed Oscar nominated feature-length films, and earned some of the world’s most prestigious honors including Pulitzer Prizes, the Rome Prize, and the Whiting Award. For more information, visit howard-foundation.brown.edu.


    Post Date: 06-04-2026
  • President Botstein Awarded Honorary Degree and Bard Medal

    President Botstein Awarded Honorary Degree and Bard Medal

    President Leon Botstein at Bard College’s 166th Commencement. Photo by Samuel Stuart Hollenshead
    At Bard College’s 166th Commencement, President Leon Botstein, who became the College’s 14th president in 1975, was awarded an honorary degree and Bard Medal. Botstein received an honorary Doctorate of Civil Law in recognition of his 51 years of transformative leadership. Botstein was also presented with the Bard Medal, which honors individuals whose efforts on behalf of Bard and whose achievements have significantly advanced the welfare of the College. 

    The numerous Bard College initiatives designed and founded under his leadership encompass a wide range of educational work ranging from local community programs to international efforts with global impact. Bard High School Early Colleges have enlarged the opportunities available to talented high school students in under-resourced communities across the country. The Bard Prison Initiative has made a liberal arts education available to incarcerated learners hungry for meaning and hope in their lives. Bard’s renowned music programs, its internationally recognized Richard B. Fisher Center for the Performing Arts, and its Center for Curatorial Studies and Art in Contemporary Culture offer unparalleled interdisciplinary education in the arts. Bard College Berlin, Al-Quds Bard College, and Bard’s other international programs offer an education across the world to students from places where access to a liberal arts education is otherwise unavailable or suppressed.

    “Starting decades ago, with limited resources, President Botstein led Bard toward all these achievements,” states the citation for Botstein’s Doctor of Civil Law honorary degree. “Recently, aided by a generous match from the Open Society Foundations, he completed a boldly ambitious endowment campaign that goes a long way toward securing Bard’s future.” The citation for Botstein’s Bard College Award stated: “Over fifty-one years as president, Botstein has transformed Bard College into the extraordinary institution that it is today, and his work and leadership have defined Bard’s distinct and important mission.”

    Post Date: 06-02-2026
  • Bard Musician Franz Nicolay Testifies in Congress

    Bard Musician Franz Nicolay Testifies in Congress

    Franz Nicolay, visiting instructor of music.
    Franz Nicolay, visiting instructor of music at Bard College, spoke at a Congressional hearing about a Live Nation/Ticketmaster antitrust case, reported Chronogram. The case concerned the merger of Live Nation and Ticketmaster which has resulted in a monopoly on event ticket sales in the United States. “Live music hasn’t been a healthy competitive market,” said Nicolay during the hearing. “Instead, a vertically integrated corporation that controls venues and tour promotion and ticketing and artist management, to the almost total control of many music markets, is, to a comical degree, the epitome of the kind of monopolistic power that antitrust law was created to address.”

    “We, as artists, simply don’t have the range of city-to-city, venue-to-venue choices that would constitute a healthy ecosystem,” Nicolay continued. “It’s a problem of affordability, in an economic climate which, through drastically increasing gas prices, airfare, postage and international shipping fees for merchandise, and hardening borders, is making the touring on which our livings depend increasingly unaffordable for musicians. And that increased overhead… has a corresponding effect on affordability and access for fans.”

    The Music Program, one of the largest programs on Bard’s campus, provides a wide range of musical concentrations, from classical composition and performance to jazz, electronic music, musicology, ethnomusicology, and music theory. 

    Read more in Chronogram

    Further Reading in Rural Intelligence
     
    Watch the Congressional Hearing

    Post Date: 06-02-2026
  • Bard Artist in Residence Jonathan VanDyke MFA ’05 Awarded a Grant from the Gottlieb Foundation

    Bard Artist in Residence Jonathan VanDyke MFA ’05 Awarded a Grant from the Gottlieb Foundation

    Jonathan VanDyke MFA ’05, artist in residence. Photo by Shawn Poynter
    Jonathan VanDyke MFA ’05, artist in residence at Bard College, was awarded a Gottlieb Foundation Individual Support Grant, a competitive arts grant for artists who have worked in their field for at least 20 years. The grant, which aims to “recognize and support the serious, fully-committed artist,” gives individuals $25,000 to fund their creative projects. VanDyke’s portfolio began in 2005, while he was pursuing an MFA at Bard focusing on painting and sculpture. He has presented major projects at The Museum of Art of Ravenna, The Columbus Museum, The Power Plant, The AKG Buffalo Art Museum, and many other institutions worldwide. “This award is especially meaningful for me in relation to Bard: to apply for this award you must submit 20 years of studio work, and so the first images in my portfolio came from my Bard MFA thesis exhibition, while the last images documented work I’ve made since joining the Bard faculty a few years ago,” VanDyke said.

    VanDyke teaches in the Studio Arts Program at Bard, which provides a breadth of expanded offerings while retaining a strong core of courses that provide a firm grounding in basic techniques and principles, in an era when much contemporary art cannot be contained within the traditional categories and technology is transforming the production

    Post Date: 06-01-2026
  • Hal Haggard's Research on Black Holes Featured on PBS Space Time

    Hal Haggard's Research on Black Holes Featured on PBS Space Time

    Hal Haggard, associate professor of physics.
    Research by Associate Professor of Physics Hal Haggard was featured on Matt O’Dowd’s PBS Space Time, an informational show that introduces viewers to concepts in astrophysics. The episode focused on an idea Haggard helped pioneer about black holes: that instead of becoming singularities at the end of their lifetime, as was previously thought, they may instead lead into cores of energy, also known as “white holes.” Haggard’s research on these structures, also known as Planck stars, and black-to-white hole tunneling was discussed in the context of physicists’ anxieties around black holes and how the perception of them has changed in previous decades. The Planck star’s existence is “one of our final hopes,” O’Dowd says. “Let’s hope they’re real, for physics’ sake.”

    Haggard teaches in Bard’s Physics Program, which is dedicated to helping students at all levels gain a better understanding of the universe and how it works.
    Watch the Episode

    Post Date: 06-01-2026

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    Kathryn Tabb, Assistant Professor of Philosophy
    Office: Aspinwall, 109
    Biography: expand/collapse
    Since receiving her doctorate in history and philosophy of science at the University of Pittsburgh, Kathryn Tabb has earned a master’s degree in bioethics and health law and served as assistant professor in the Department of Philosophy at Columbia University. Her interests include philosophy of science and medicine, bioethics, psychopathology, American pragmatism, and the history of philosophy, especially early modern philosophy. At Columbia, she taught courses at both the undergraduate and graduate levels, including Science and Values, The Normal and the Pathological, Darwin, and Contemporary Civilization. Professor Tabb is currently working on a monograph on John Locke, Agents and Patients: Locke’s Ethics of Thinking, that explores his theory of psychopathology and its implications for his philosophical theories. Recent peer-reviewed publications include the articles “Behavioral Genetics and Attributions of Moral Responsibility,” Behavioral Genetics; “Philosophy of Psychiatry after Diagnostic Kinds,” Synthese; “Locke on Enthusiasm and the Association of Ideas,” Oxford Studies in Early Modern Philosophy, Vol. 9; and “Darwin at Orchis Bank: Selection after the Origin,” Studies in History and Philosophy of Biological and Biomedical Sciences (2016). Her published work also includes reviews and commentary in Behavioral and Brain Sciences, Psychological Medicine, and Evolutionary Education and Outreach; and book chapters in Perspectives in Philosophy and Psychiatry IV: Psychiatric Nosology; Perspectives in Philosophy and Psychiatry III: The Nature and Sources of Historical Change; and Brain, Mind, and Consciousness in the History of Neuroscience. She is an investigator for the National Endowment for the Humanities grant project, “Humanities Connections Curriculum for Medicine, Literature, and Society” (2017–20); and was coprincipal investigator for the Genetics and Human Agency Project, “Intuitions about Genetics and Virtuous Behavior.” BA, University of Chicago; MPhil, University of Cambridge; MA, PhD, University of Pittsburgh. At Bard since 2019.



    Ash K. Tata, Assistant Professor of Theater and Performance
    Website: https://tatatime.live/
    Biography: expand/collapse
    Ash K. Tata is a director and artist who makes multimedia works of theater, contemporary opera, performance, cyberformance, live music, and immersive experiences. Their work, described in the New York Times as “fervently inventive,” has been presented at venues and festivals throughout the United States and internationally, including the MIT Playwrights Lab, Theatre for a New Audience, Los Angeles Opera, Austin Opera, Miller Theater, Crossing the Line Festival, Holland Festival, Prelude Festival, National Centre for the Performing Arts in Beijing, and the Fisher Center at Bard. In 2020, they directed Out of the Silence: A Celebration of Music, a series of streamcast concerts for the Bard Music festival; a live online production of Caryl Churchill’s Mad Forest, a piece created with Bard undergraduates and a professional design team that subsequently transferred to the Theatre for a New Audience with student performers; and the live multicam streamcast of the four ceremonies that made up the College’s 160th Commencement weekend. They served as a guest artist or guest teacher at the American Conservatory Theater, Columbia University, Mannes School of Music at The New School, and Harvard University, among others. They are a member of the Lincoln Center Theater’s Directors Lab, the recipient of the Lotos Foundation’s Emerging Artist Award in Arts and Sciences, and a winner of the 2017 Robert L. B. Tobin Director/Designer grant.

    BA, Marymount Manhattan College; MFA Columbia University; also studied at American Musical and Dramatic Academy. At Bard since 2021.



    Pavlina Tcherneva, President, Levy Economics Institute; Professor of Economics
    Office: Albee, 203
    Phone: 845-758-7075
    Biography: expand/collapse
    Pavlina Tcherneva is a macroeconomist specializing in modern money theory and public policy, with a focus on fiscal and monetary policy coordination, full employment policies and their impact on macroeconomic stability, unemployment, income distribution, and gender. Her book The Case for a Job Guarantee (Polity, 2020) was named one of the Financial Times' best economics books of 2020 and has been published in eight languages. Her first book, Full Employment and Price Stability: The Macroeconomic Vision of William S. Vickrey (coedited with M. Forstater), is a collection of lesser-known works by Nobel Prize–winning economist William Vickrey. Tcherneva is an expert at the Institute for New Economic Thinking and former visiting research fellow at the University of Cambridge Centre for Economic and Public Policy. She is also a Research Scholar at the Levy Institute of Bard College and founding director of the Open Society University Network's Economic Democracy Initiative.

    BA, Gettysburg College; MA, PhD, University of Missouri–Kansas City. At Bard: 2006–2008, 2012–



    Drew Thompson, Associate Professor of Africana and Historical Studies; Associate Professor, Bard Graduate Center
    Office: Hopson, 303
    Phone: 845-758-6822
    Biography: expand/collapse
    Drew Thompson is a historian of art and visual culture and an independent curator. His areas of interests include African and African American visual and material culture, Black internationalist movements, and histories of photography. Recent exhibitions include Benjamin Wigfall and Communications Village at The Dorsky Museum of Art and Virginia Museum of Fine Arts and SIGHTLINES at the Bard Graduate Center Gallery. He is the author of the monograph Filtering Histories: The Photographic Bureaucracy in Mozambique, 1960 to Recent Times, and he is at work on a book provisionally titled Coloring Black Surveillance through Polaroids: The Poetics of Black Solidarity and Sociality.

    His writings on modern and contemporary art and photography have appeared in Africa Is A Country, FOAM Magazine, the White Review, Source Magazine and in edited volumes published by The Art Institute of Chicago, The Image Centre, The Studio Museum in Harlem, the Walther Collection, David Zwirner Books, and HANGAR—Centro de Investigação Artistica. With the aim of enhancing public access and engagement with the arts and humanities, he has served in an advisory capacity for several arts and non-profit organizations including the Artist Estate of Benjamin Wigfall, Mellon Mays Graduate Initiatives Program, Watson Foundation, Brooklyn Museum, and CONTACT Photography Festival.



    Michael Tibbetts, Professor of Biology
    Office: Reem-Kayden Center, 212
    Phone: 845-752-2309
    Website: https://biology.bard.edu/faculty-and-staff
    Biography: expand/collapse
    BS, Southeastern Massachusetts University; PhD, Wesleyan University. Teaching assistant, Peterson Fellowship, Wesleyan University. Adjunct lecturer, postdoctoral fellow, University of Michigan. Recipient, National Science Foundation grant (2008), to study transmission of anaplasmosis from ticks to people. Member of Sigma Xi, Genetics Society of America, American Society of Microbiology. Professional interests: cellular events that lead to appropriate spatial organization of subcellular material. Faculty, The Master of Arts in Teaching Program. At Bard since 1992.



    Robert Todd, Assistant Professor of Biology
    Office: Reem-Kayden Center, Room 212
    Phone: 845-752-2309
    Biography: expand/collapse
    Robert Todd is a microbiologist, educator, and enthusiast of science outreach. His research focuses on genome instability and adaptation in the human fungal pathogen Candida albicans. Beyond typical laboratory research, Professor Todd is interested in developing curricula and outreach opportunities that increase (and support) diversity and representation in science. He has worked as a Citizen Science faculty member since 2020, and joined the Biology Program faculty in 2021.

    BS, Iowa State University; MS, University of Iowa; PhD, medical microbiology and immunology, Creighton University School of Medicine



    Olga Touloumi, Associate Professor of Art History and Visual Culture
    Office: Fisher Studio Arts Building, 156
    Phone: 845-758-6822
    Biography: expand/collapse
    Olga Touloumi is an educator, feminist, and architectural historian teaching at Bard College. Her research concerns spatial politics, media, and gender in modern architecture. She is currently working on an intersectional experimental biography of architectural practice and pedagogy through the life and works of architect and crocheter Christine Benglia-Bevington. She is the co-founder of the Feminist Art and Architecture Collaborative, thinking and writing about storytelling, antiheroic positions in architecture, and informal archives. Her book Assembly by Design (University of Minnesota Press, 2024) examines the production of a new type of public space for international organizations, the global interior. Along with Sabine von Fischer she co-edited Sound Modernities (2018), a special issue of the Journal of Architecture on how acoustics and sound technologies transformed modern architectural culture during the twentieth century; and with Theodora Vardouli the edited volume Computer Architecture (Routledge, 2020) about the exchanges between designers and computational technologists in Europe and North America. Her writing has appeared in the Journal of the Society of Architectural Historians, Architectural Theory Review, Journal of Architecture, Journal of Architectural Education and Harvard Design Magazine. Her research has been supported by the National Endowment for the Humanities, the Max Planck Institute for the History of Science, the Alexander S. Onassis Foundation, and the Canadian Center for Architecture. Touloumi received her PhD from Harvard University and holds degrees in architecture from the Massachusetts Institute of Technology and the Aristotle University of Thessaloniki. 




    Joan Tower, Asher B. Edelman Professor in the Arts; Composition, Bard College Conservatory of Music
    Department(s): Bard Conservatory of Music
    Office: Avery Center for the Arts, N214
    Biography: expand/collapse
    Joan Tower is widely regarded as one of the most important American composers living today. During a career spanning more than 50 years, she has made lasting contributions to musical life in the United States as composer, performer, conductor, and educator. Her works have been commissioned by major ensembles, soloists, and orchestras, including the Emerson, Tokyo, and Muir quartets; soloists Evelyn Glennie, Carol Wincenc, David Shifrin, and John Browning; and the orchestras of Chicago, New York, St. Louis, Pittsburgh, and Washington, D.C., among others.

    In 1990, Tower became the first woman to win the prestigious Grawemeyer Award for her composition Silver Ladders. She was the first composer chosen for a Ford Made in America consortium commission of 65 orchestras. The Nashville Symphony and conductor Leonard Slatkin recorded that work, Made in America, with Tambor and Concerto for Orchestra for the Naxos label. The top-selling recording won three 2008 Grammy awards: Best Classical Contemporary Composition, Best Classical Album, and Best Orchestral Performance.

    From 1969 to 1984, she was pianist and founding member of the Naumburg Award-winning Da Capo Chamber Players, which commissioned and premiered many of her most popular works. Her first orchestral work, Sequoia, quickly entered the repertory. Tower's tremendously popular five Fanfares for the Uncommon Woman have been played by over 500 different ensembles. She is currently Asher Edelman Professor of Music at Bard College, where she has taught since 1972.

    Her composer-residencies with orchestras and festivals include a decade with the Orchestra of St. Luke's, the Pittsburgh Symphony Orchestra’s Composer of the Year for their 2010-2011 season, as well as the St. Louis Symphony, the Deer Valley Music Festival, and the Yale/Norfolk Chamber Music Festival.

    Among her recent premieres: White Water (2012), commissioned by Chamber Music Monterey Bay and premiered by the Daedalus Quartet; Stroke (2011), commissioned by the Pittsburgh Symphony Orchestra; White Granite (2009), commissioned by St. Timothy's Summer Music Festival, Bravo! Vail Valley Music Festival, and La Jolla Music Society for SummerFest; Angels(2008), her fourth string quartet, commissioned by Music for Angel Fire and premiered by the Miami String Quartet; Dumbarton Quintet (2008), a piano quintet commissioned by the Dumbarton Oaks Estate (their third commission after Stravinsky and Copland) and premiered by Tower and the Enso String Quartet; Chamber Dance (2006), commissioned, premiered, and toured by Orpheus; and Copperwave (2006), written for the American Brass Quintet and commissioned by The Juilliard School of Music. A Gift (2007), for winds and piano, was commissioned by Chamber Music Northwest and premiered by The Chamber Music Society of Lincoln Center (CMS). Other CMS premieres included Trio Cavany (2007) and Simply Purple (2008) for viola, performed by Paul Neubauer.

    Her compositions cross many genres: Can I (2007) for youth chorus and percussionist; Copperwave (2006), written for brass quintet; DNA (2003), a percussion quintet commissioned for Frank Epstein and the New England Conservatory Percussion Ensemble; Fascinating Ribbons (2001), her foray into the world of band music, premiered at the annual conference of College Band Directors; Vast Antique Cubes/Throbbing Still (2000), a solo piano piece for John Browning; Tambor (1998), for the Pittsburgh Symphony under the baton of Mariss Jansons; and her ballet Stepping Stones (1993), commissioned by choreographer Kathryn Posin for the Milwaukee Ballet and revisited by Posin with the Bulgarian Ballet in June 2011.

    Joan Tower's music is published by Associated Music Publishers.

    Photo by Cynthia Del Conte.



    Dominique Townsend, Associate Professor of Religion
    Biography: expand/collapse
    BA, Barnard College; MTS, Harvard Divinity School; MPhil, PhD, Columbia University. Teaching and research interests include Asian religions, Tibetan Buddhism, Buddhism and culture, Buddhist art and aesthetics, poetry in Buddhist literature, gender and sexuality in Buddhism, Tibetan language and literature, tantric traditions, and contemporary Buddhist practice. She previously taught at Columbia University and Barnard College, where her courses ranged from Asian humanities and topics in East Asian civilization to women Buddhist visionaries in Tibet and East Asia. She also served as assistant director of interpretation at the Rubin Museum of Art in New York City. Fellowships and awards include de Bary Postdoctoral Research Fellowship, Whiting Foundation Dissertation Completion Fellowship, Columbia University Teaching and Research Fellowship, Fulbright-Hays Doctoral Research Fellowship (not completed due to unrest in Tibetan areas of People’s Republic of China), and Spalding Trust Grant for research at Dolma Ling Nunnery and Institute for Buddhist Dialectics, Dharamsala, India, among others. Publications include “Buddhism’s Worldly Other: Secular Subjects in Tibetan Buddhist Learning,” in Himalaya: The Journal for the Association of Nepal and Himalayan Studies (forthcoming), and Shantideva: How To Wake Up a Hero, an introduction to Buddhism for children and families. Language competetency in classical and modern Tibetan and Nepali. At Bard since 2016.



    Éric Trudel, William Frauenfelder Professor in the College and Professor of French; Director, French Studies Program
    Office: Hopson, 102
    Phone: 845-758-7121
    Website: https://french.bard.edu
    Biography: expand/collapse
    Professor Trudel is the author of La Terreur à l’œuvre: théorie, poétique et éthique chez Jean Paulhan (Paris, Presses Universitaires de Vincennes, coll. “L’imaginaire du texte,” 2007), and of several scholarly articles and volume chapters on 19th-, 20th- and 21st-century French and Francophone Literatures. He coedited Poétiques de la liste et imaginaire sériel (Montréal, Nota Bene, 2019), "Tout peut servir." Pratiques et enjeux du détournement dans le discours littéraire des XXe et XXIe siècles (Québec, Presses de l'Université du Québec, 2011), Jean Paulhan on Poetry and Politics (Champaign, University of Illinois Press, 2008); and oversaw issues of the journals LHT (Crises de lisibilité, 16, 2016, online), L'Esprit Créateur (“Avant-garde and Arrière-garde in Modernist Literature”, 53/3, 2013; “The Documentary Mode”, 61/2, 2021), and XXI-XX. Reconnaissances littéraires ("Avatars du remake", 4, 2023).

    BA, Concordia University, Montreal; MA, French literature, McGill University; PhD, Romance languages, Princeton University. At Bard since 2002.



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A–Z Faculty List
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A

Susan Aberth
Ziad Abu-Rish
Kenyon Adams
Ross Exo Adams
Folarin Ajibade
Jasmine Akiyama-Kim
Kathryn Aldous
Richard Aldous
Jaime Osterman Alves
Craig Anderson
Sven Anderson
Victor Apryshchenko
Nathanael Aschenbrenner
Ephraim Asili
Andrew Atwell
Erin Atwell
Jordan Ayala

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