Past Programs

CMIA - Casino

• Casino
  (Martin Scorsese, 1995, USA, 178 minutes, 35mm)

CMIA - Entering the Twenty-First Century

• Beau Travail
  (Claire Denis, 1999, France, 93 minutes, 35mm)
• In the Mood for Love
  (Wong Kar-Wai, 2000, Hong Kong, 98 minutes)

CMIA - Animation

• Fantasmagorie (Émile Cohl, 1908, France, 1 minute)
• The Cameraman’s Revenge (Wladyslaw Starewicz, 1912, Russia, 13 minutes)
• Skeleton Dance (Walt Disney, 1928, USA, 5 minutes)
• Carmen (Lotte Reiniger, 1933, Germany, 9 minutes)
• Circles (Oskar Fischinger, 1933, Germany, 3 minutes)
• Rainbow Dance (Len Lye, 1936, UK, 4 minutes)
• Tale of Tales (Yuri Norshtein, 1979, USSR, 26 minutes)
• My Neighbor Totoro (Hayao Miyazaki, 1989, Japan, 91 minutes)

Aanikoobijigan [ancestor/great-grandparent/great-grandchild]

CMIA - Digital Color

• In Praise of Love
  (Jean-Luc Godard, 2001, France/Switzerland, 96 minutes, 35mm)
• Dancer in the Dark
  (Lars von Trier, 2000, Denmark, 140 minutes, 35mm)

CMIA - The Mirror

• The Mirror
  (Andrei Tarkovsky, 1975, USSR, 106 minutes, 35mm)

CMIA - Chiaroscuro

• The Yards
  (James Gray, 2000, USA, 115 minutes, 35mm)
• Psycho
  (Alfred Hitchcock, 1960, USA, 100 minutes)

CMIA - The Godfather, Part II

• The Godfather, Part II
  (Francis Ford Coppola, 1974, USA, 200 minutes, 35mm)*
  *Restored print

Albertine Film Festival/CMIA - Army of Shadows

• Army of Shadows
  (Jean-Pierre Melville, 1969, France, 142 minutes)

CMIA - Color and Time

• Blue
  (Derek Jarman, 1992, UK, 70 minutes)
• Stalker
  (Andrei Tarkovsky, 1979, USSR, 163 minutes, 35mm)

CMIA - Color and Camera Movement

• Flowers of Shanghai (Hou Hsiao-hsien, 1998, Taiwan, 117 minutes, 35mm)*
              *New 35mm Print
• The Wedding
  (Andrzej Wajda, 1973, Poland, 106 minutes)

CMIA - 2001: A Space Odyssey

• 2001: A Space Odyssey
  (Stanley Kubrick, 1968, UK, 144 minutes, 35mm)

CMIA - The Films of Alfred Hitchcock

• Shadow of a Doubt
  (Alfred Hitchcock, 1943, USA, 108 minutes)
• Foreign Correspondent
  (Alfred Hitchcock, 1940, USA, 120 minutes)

CMIA - The Conversation

• The Conversation
  (Francis Ford Coppola, 1974, USA, 113 minutes)

CMIA - The Films of Alfred Hitchcock

• The Birds
  (Alfred Hitchcock, 1963, USA, 119 minutes, 35mm)
• Rebecca
  (Alfred Hitchcock, 1940, USA, 130 minutes)

CMIA - Color

• The Umbrellas of Cherbourg
  (Jacques Demy, 1964, France, 91 minutes, 35mm)*
  *Restoration Print
• The Red Shoes
  (Michael Powell, 1948, UK, 142 minutes, 35mm)*
  *Restored Technicolor Print

CMIA - The Films of Alfred Hitchcock

• Blackmail
  (Alfred Hitchcock, 1929, UK, 89 minutes)
• Sabotage
  (Alfred Hitchcock, 1936, UK, 76 minutes)

CMIA - The Films of Alfred Hitchcock

• The Thirty-Nine Steps
  (Alfred Hitchcock, 1935, UK, 81 minutes)
• Notorious
  (Alfred Hitchcock, 1946, USA, 101 minutes, 35mm)

CMIA - Montage

• Un Chien Andalou
  (Luis Buñuel and Salvador Dali, 1929, France, 16 minutes, 35mm)
• Battleship Potemkin
  (Sergei Eisenstein, 1925, USSR, 75 minutes, 35mm)
• Méditerranée
  (Jean-Daniel Pollet, 1963, France, 45 minutes)

CMIA - The Films of Alfred Hitchcock

• Rear Window
  (Alfred Hitchcock, 1954, USA, 112 minutes, 35mm)*
• Vertigo
  (Alfred Hitchcock, 1958, USA, 117 minutes, 35mm)*
  *Restored 35mm Prints

CMIA - The Prestige

• The Prestige
  (Christopher Nolan, 2006, USA, 130 minutes)

CMIA - Sunrise

• Sunrise
  (F.W. Murnau, 1927, USA, 92 minutes, 35mm)
  *Restored Print

CMIA - Film Sound

• M
  (Fritz Lang, 1931, Germany, 118 minutes, 35mm)
• The Conversation
  (Francis Ford Coppola, 1974, USA, 113 minutes)

Aanikoobijigan [ancestor/great-grandparent/great-grandchild]